Nearly a year ago, in October 2023, 71-year-old Sudha Mahalingam and her friends Monu and Krishna Bhatia, aged 82 and 77 respectively, walked the Camino de Santiago. Together, they walked 120 kilometres across 8 days, allowing them to experience the Camino on a moderate trail without compromising on the experience and community spirit of the walk.
The Camino de Santiago is a network of ancient pilgrimage routes leading to the tomb of the Apostle Saint James the Greater in Santiago de Compostela, Spain. It is Europe's oldest and most well-known pilgrimage route, traversed since the 9th century. Today, people undertake the journey for a variety of reasons. Some see it as an adventure, others view it as a must-do item on their bucket list, and many find it to be a deeply spiritual experience.
The original Camino path can extend for up to 800 kilometres, starting from the South of France, crossing the Pyrenees, and going through urban centres like Madrid, Granada, Lisbon, or even Algarve. The Camino maintains a system of different routes as in ancient days travellers set off from various parts of Europe to arrive at Santiago de Compostela. It is believed that there is a pathway suited to every interest and capability. That’s how the three friends from Bangalore city decided to embark on the moderate trail, to suit their physical capabilities. This also meant making careful choices, like not carrying a heavy backpack as they walked.
Finding Their Path
Mahalingam and the Bhatia couple walked the shortest Camino route, which is 120 km from Sarria in Lugo, Spain -- the minimum distance required to be recognized as the Camino. "Along the way, several places provide stamps for the Camino passport, which are authenticated and eventually culminate in the issuance of a certificate in Santiago. I possess a certificate in Latin with my name on it," Mahalingam says with pride. .
Walking westward from Sarria to Santiago in eight days is one of the most popular sections of the Camino. This is the last 100km of the Camino, and upon completion, a walker/pilgrim is able to obtain their Compostela Certificate. The trail is open year-round, though Mahalingam and the Bhatias did it in October. The best months to visit are April to June, and September to October.
As the adventurous trio tell us, the hike had signposts throughout the path; it was relatively easy and manageable even for individuals with reasonable fitness levels, and offered captivating views of the pastoral Spanish countryside. The path they walked was largely a flat one, through forest trails and farming villages with excellent tree cover that almost felt like walking through a green tunnel. Cows and horses grazed on the farmlands they passed, creating a scenery out of a picture postcard. "Galicia's fertile farms were brimming with an abundance of fruits waiting to be discovered and tasted. During the journey, we walked through paths laden with apples, chestnuts in various states, squashed and dried grapes, fallen figs, occasional oranges and persimmons, and trails shaded by lush vegetation," Mahalingam, an intrepid traveller, adds. Apart from picking the occasional juicy fruit enticing them on their path, the trio enjoyed local delicacies, which included arroz (rice dishes), and excellent varieties of bread and wine.
Octopus is a much-loved local delicacy and the places that serve it are called Pulperia. A breaded and fried octopus dish much like the Indian onion bhaji was available everywhere.
All three think the trail is doable for fit older adults, including someone walking alone. "There are always crowds going and people are ready to help. If you sit down somewhere, somebody invariably will come and ask if you need any help. There is a spirit of camaraderie and mutual support."
What Older Walkers Need To Remember
At 82, not everyone may add a 120 kilometres walking trail with 18-19 km of walking per day to their itinerary like Monu Bhatia did. He says he might have been one of the oldest people on that trail. While the trail may be considered moderate, he does advise maintaining basic fitness: "Anyone planning to walk the trail should walk regularly, at least five to six kilometres per day, and possibly even 10 km. Additionally, incorporating strengthening exercises into your fitness routine is essential because it's not just about walking; it's also about building and maintaining muscle strength. If I were to do something like this again, I'd focus not only on walking but also on strength training and similar activities,” explains the octogenarian.
"It's important to keep using your limbs regularly, especially as you get older. If you don't use them for some time, there's a high chance of losing their functionality. Therefore, it's crucial to exercise constantly," says Mahalingam, adding, "Despite being 71 years old, I consider myself fortunate to have good health, and I feel as though I'm only 51. I constantly set targets for myself and strive to challenge myself. Setting and working towards goals is crucial, regardless of age. You may not always achieve these goals, but the effort is important, especially as you reach your 70s and beyond. I believe it's vital to keep challenging yourself, just like the Bhatias have done admirably. It's something I have also been doing unconsciously, always taking on new projects and staying active."
Krishna Bhatia completed the trail successfully despite a tendon issue. She too thinks staying active helped. "Physical activity is crucial, such as daily walks or alternate-day routines, along with incorporating a bit of yoga. Additionally, engaging in breathing exercises to improve stamina and maintaining a positive mindset towards any endeavour is highly recommended." Like her husband she recommends strength training exercises, which was her learning from this experience.
While you can find out more about The Camino on their official website and plan the route that works for you, here are some suggestions and useful tips from the Bhatias and Mahalingam about their walk and what to keep in mind:
Night Halts: The trio stayed in AirBnBs at most of the halts. Most of these were well-equipped with amenities such as espresso machines and pods, dishwashers, washing machines, and juicers. "These appliances were put to good use as we collected an assortment of fruits during our journey. We made sure not to waste any coffee pods and consumed copious amounts of juice and beer," Mahalingam says. "Obtaining the keys to our AirBnB proved to be an entertaining task in many places. It often felt like we were in a folk tale, having to cross seven seas, climb seven mountains, traverse seven valleys, and retrieve the keys from the stomach of a goldfish in a pond in a distant meadow just to access our cottage! Nonetheless, we managed to retrieve the keys every time."
Meals: Food wasn't a problem for vegetarians in the group as long as they cooked their meals, as restaurants leaned towards non-vegetarian food. Rice, vegetables, fruits and good quality bread can be bought from the grocery store in the villages during each night halt. Almost every village had at least one café with an orange juice machine, to keep up with energy-boosting health drinks.
Footwear: Wear good shoes and remember to break your shoes in at least one month before you start your journey, so that you can walk effortlessly while on the trail.
Clothing: Check the weather before you pack. Carry minimal clothing, including raingear. Every place you stay has washers and dryers.
Luggage: While many pilgrims carry their luggage, you can opt to have yours transported by a porter for a fee of four euros per bag to the next destination. This is what the trio did. They also kept the backpacks they carried while walking the trails as light as possible. Mahalingam carried five kilos in her backpack, which included two cameras, batteries, food and water.
Rest: Listen to your body and take required breaks. Adjust your walking pace and distance to match your energy level and ability.
Nature's Call: There are very few toilets on this trail (except at cafe stops) which is one of the negatives, say our travellers. "Older people have short holding times sometimes and for them, it may become a bit of a problem," says Mahalingam. Her suggestion: Either they can wear a diaper and walk, or use the wilderness, if you cannot hold out for three to four hours.
Necessities: Like on any holiday, carry your medication. Since this is a walking route you may want to carry pain balm. Apart from these, the usuals for emergencies like fever, headaches and indigestion should be carried and preferably kept in the daily backpack.
Support: It is helpful if you have a hiking stick on the trail as it becomes a third leg and gives you support.
Most exhilarating moment: Reaching St. James Church at the end of the pilgrimage on the ninth day was the highlight for Mahalingam and Bhatias. “There is a huge crowd there and many have walked the full 800 kilometres of the trail,” they say. Many had also done the shorter walk like Mahalingam and the Bhatias did. They tell us walking the trail was special because of the spirit of the Camino prevailing all around, making it as much about the journey as about the destination.
When I had returned home from school one afternoon, I had brought along a certificate to show that I had won the first prize in an essay writing competition. My parents were not surprised; by the time I was an adolescent, I was winning fewer prizes in drawing than in writing. That afternoon, there was someone else at home to show my certificate to. Kaka—my maternal grandfather, who only wore khadi, and had gone to jail with Gandhi during the Independence movement, and was a publisher and editor of a literary magazine that stood as an intellectual pillar for the Assamese society—was sitting crouched in that comfortable chair, writing into his journal, and making plans of where to visit next, during his visit to us in Bombay.
I showed him my certificate and his face the colour of rose-dipped milk acquired a redder tinge, with his large smile. He pulled me closer to his face, and rubbed my cheeks against his; the stubble of his unshaved beard piercing my skin, much to my annoyance but also knowing that was his favourite way to show love. Having been born in 1912, Siva Prasad Barooah then went on to tell me the story of when he won the second prize in an essay writing competition in school: “Can you think what was the prize? It was a stainless steel safety pin!” He said with laughter, in utter disbelief how the world had changed over the decades, as I was well aware of the tattered corners of his khadi cloth bag held together by a few safety pins.
My father—Kaka’s beloved son-in-law—took it upon himself to get the khadi bag repaired with durable yarn; get his eyeglasses cleaned; and most importantly, get the worn heels of his sturdy shoes fixed with new blocks of rubber. Nobody could stop that 80-something man from walking up to 15 kms a day; the best that could be done to protect his feet and legs were to repair the shoes.
Walking with Words
Well into his 90s, Kaka could walk long distances. How did he do that in his hometown of Guwahati? That I don’t know much about, but what I do have are memories of incoming calls to our landline in our Bombay home: calls that came from Borivali, Thane, Churchgate, all of which were quite a distance from our home in Kalina. The calls would come from Assamese families living there, that Kaka had somehow known about—even though my parents themselves were well-connected with the Assamese diaspora in Bombay. These newly-discovered people would be calling to inform us of four things: that they were honoured that a senior writer and editor was visiting their home; that they were so delighted to receive a copy of the latest Bordoichila magazine from him; that Kaka would be having lunch with them; that he would reach home by evening.
Bordoichila was born in 1931, and Kaka came on as its editor later, and he passionately sustained it for several decades. It was the platform that announced the literary acumen of many people who went on to become well-known writers in Assam, and beyond. It was published during Bohag Bihu, or in April, and its name signifies the dark storms in spring, just before sunset, with dark grey clouds bringing torrential rain, to mark the onset of Bohag (from the Hindu calendar of Baisakh). I came across a small write-up by literary scholar, political scientist and Sahitya Academy recipient Dr Hiren Gohain, who wrote how, when he was a youth, he often heard the elders impatiently wait for the next issue of the magazine.
In an article written in 2004 by Dr Gohain that my mother found, he had written how the expanse of Kaka’s works was sadly limited by the fact that, in Assam, artists of all disciplines were continually judged and even vilified, but their contributions or successes are not equally written about. He wrote how, along with being courageous and committed to fighting injustice, Kaka had a fun-loving and unconventional spirit. It is difficult for me to imagine Kaka’s contribution to Assamese society; I only know of this through what other people have written about him.
Each night in our home in Bombay, Kaka would write about his day in his diary. They would become thick from tiny notes inserted between pages; he did not complain that there was no writing table for him in Bombay. He saw that me and my brother had a small study table for us in our tiny apartment, and he kept his stack of books in a corner of our dining table. But in the Assam-type house in Guwahati where he lived, I was deeply fascinated by his room, as though it were a museum. It had a distinctly strong scent: of the old wood of his bed with ornamental carvings and shelves stacked up with books and notebooks; and Keo Karpin hair oil, which he would slather onto his shiny white hair. His Nehru jacket would be kept neatly on a hanger, and remnants of a rose tucked to one of its buttons would mean that he may have had an important meeting that day.
With just a table lamp on, he would write through the evenings, and would catch me peering through the door which he would shut to drown out the noises from the rest of the house. His dinners were almost always the same: a few spoons of cooked rice, and whatever daal and sabji my Aaita—his wife, my grandmother—had cooked. And to finish off, he would mix the last bits of the rice in a bowl of milk. Over the years, the quantity of rice kept getting lesser.
As a child, I felt his writing table was the biggest I had ever seen; full of books, reams of paper, and pens. It was there where I first encountered that globe of blue: an inkpot. He would get very angry when anyone would take a pen from his room, and not return it to its place. I would hear my aunty mock him for this: his room was utterly untidy and yet he would get cranky about a missing pen.
Now, as an adult with a messy room full of books and notebooks, I get equally cranky if anyone comes in and tries to “fix” it. I realise how much I have become like Kaka, and I actually love it. He was an independent journalist throughout his life, and so have I for the larger part of my career, entirely by coincidence. I am, however, still waiting for the courage, conviction, determination, and the important ability to cut through the madness that comes with working with different egos, to create my own magazine.
Lost in Legacy
Sometime in the 1970s, a massive fire in the printing press in Calcutta—where Bordoichila was printed—had impacted the magazine, and thereby Kaka’s finances, terribly. Even so, it continued to be printed in smaller numbers, based on whatever funds Kaka could generate; the older generation of Assam still remember the magazine and him, and that has been my way of identifying myself.
Many years ago a friend was researching about Kaka, and had found a local news item from 1998, which had reported that Kaka’s archive of newspapers and journals that dated back to 60 years had been stolen by hawkers dealing with scrap materials. The news item had reported that among those that were stolen were rare manuscripts and Kaka’s diaries, along with old photographs. “Mr Barooah lamented that a chapter of his hard literary work was over and he could not give the Assamese readers any original work of art and literature.” I found this news item buried in my old emails; just like the physical archive that was lost, the URL of the news article is also lost on the Internet.
I was still quite young when the squabble among his children—my mother and her siblings—began, such that the magazine could not be preserved within the family. Each of the siblings had a different experience of him as their father, and they were resentful of him for prioritising a public-facing life. My cotton-soft, ever-smiling grandmother was angry, but she was not a woman to hold onto them for long: writing about her generosity, her directness, her compassion, would need more reams of paper. But my mother was always upset that her mother—my grandmother—did get a good deal in life by being the wife of a famous intellectual.
When Kaka died in 2010 at the age of 98, none of his children were interested in keeping up the legacy of Bordoichila. It was taken over by a Trust and sustained itself for a few years, but it is now largely lost. It was only a few months before his death that I had a chance to talk to him about his work, the gap between the dream of a free India for all and the reality of a corrupt India by all.
One opportunity to know about Kaka’s magnanimity was in 2006, when I was visiting Assam after graduating from college, and he had been admitted to the hospital for a lung infection. I decided to sit by his bedside everyday. I was surprised by the stream of visitors who had come to see him each evening. He had asked me to write down the names of each visitor—it would go up to 20 individuals each evening—so that he could write that down in his journal, after he would be discharged from the hospital.
One evening, my uncle brought Aaita to see him; she was dressed beautifully and he spoke with a feeble tone. When he asked her if she was doing okay, she responded with her trademark sarcasm: “You never asked me this all my life, and you’re asking me this now!” I thought this was the beginning of a fight, but she just laughed and he pretended not to hear her. He was discharged from the hospital soon after, and continued with what he did best until he died: writing, walking, meeting people, and digesting his days with a small bowl of rice and milk.
When Yameema Mitha was 13 years old, she was visiting her Mamu (mother’s brother) in Delhi. He was the Director General of All India Radio, and he would receive several invitations for musical events. Yameema went along to one of them with her cousin, also a teenager. Both teenagers were embarrassed when they arrived. “Mamu was given the first row seats, and everyone was in their finest clothes, while we girls were wearing just regular clothes,” Yameema remembers, while sitting in her sunny home in a suburb of Dublin.
Yameema says that her cousin already loved classical music, and Mitha was exposed to it to some extent at home. But the performers that night were Pandit Ravi Shankar and Ustad Allah Rakha Khan. The concert began around 9pm, and around 3am, when the dignitaries had left, a young man was invited to the stage. “He was beautiful, with long curly hair, wearing an orange kurta; it was Zakir Sahib, Ustad Allah Rakha’s son. Panditji sat between the father and son playing the tabla, and Ustad ji was bursting with pride. And that day on, I never looked back, on my journey with Indian classical music,” says the Pakistani woman who is a resident of Ireland, and has been one of the key persons promoting Indian classical music in Ireland.
Yameema is 68-years-old, and identifies as a woman of the Indian subcontinent. Her childhood was spent in Lahore, but included an annual trip to different parts of India where her cousins, uncles and aunties lived. Both her parents shared a deep love for Indian classical music in more ways than one.
Yameema’s father was Abubaker Mitha, and was from a Muslim Gujarati business/political family in Bombay and was an officer in the British Indian Army; her mother’s maiden surname was Chatterji but four generations prior, the family had converted to Christianity. After Partition, her father was deployed to the newly-formed Pakistan, and he was on kafila duty that was assigned to army personnel on either side of the border: escorting the Hindu refugees from Pakistan who were migrating to India, and Muslim refugees who were migrating to Pakistan. Nobody expected the border to turn into an iron wall, Yameema says.
During those kafila duty trips, Yameema’s father would have the chance to meet his family. He would also visit his former commanding officer, General Rudra. During one such trip in 1948, he saw Yameema’s mother, Indu, who was General Rudra’s niece. He would say that he knew at that moment that he would marry her. They continued to meet with family around, and During the next four years, the two of them exchanged letters across the border, and eventually married in 1951 and Indu Chatterji moved to Lahore. Yameema was born in 1956, the oldest of three daughters.
Yameema’s mother Indu was a trained Bharatnaytam dancer and had travelled to Madras to learn from Lalita Shastri from Kalakshetra. When she moved to Lahore following her marriage, she adapted Bharatnatyam to Hindustani music.
When Yameema’s father was still in the British Indian army, he had a roommate who introduced him to Hindustani music. “An English fellow in their unit would say, ‘What gargling are you listening to!’ My father was so angry that he listened to the music all the more, as an act of defiance. Later, in Pakistan, whenever we were transferred to different cantonments, there were always mehfils, and that’s how my sisters and I were raised in a purist tradition of Hindustani music,” Yameema remembers.
The family would visit India in winters, which is also when concerts took place. Obtaining visas was never easy. Once, her mother did not receive the NOC from the Pakistan government to visit her family in India, and her father promptly offered his resignation. “The commander in chief laughed and told my father to not be so impetuous… Despite the border, I was raised between both countries. It is one of the luckiest aspects of my life, and my biggest treasure is a religiously diverse family,” says Yameema.
During her teenage years’ visits to India, she had the unique opportunity to learn at the Gandharva Mahavidyalaya in Delhi. She worked as a journalist in Lahore, and later in Islamabad, and also studied in the UK. She worked for Oxfam in Pakistan, and raised her two children in Pakistan until they were ready for secondary school, when they moved to Ireland. “Just like I would visit India for winters during my childhood, my children visited Ireland annually and would be enrolled in various summer camps in Ireland.” The children also grew up being exposed to Hindustani music as she did in her childhood. The family moved to Ireland in 2007 when Yameema was 50 and her older child was 11.
In Ireland, she encountered the Indian Classical Music Society, of which she has been an integral part. There were already four Irish men who had been learning Indian classical music, and a South Indian mridangam player. When Yameema’s sister—also a Bharatnatyam dancer—was visiting Ireland, they organised one of the first concerts. “The Irish lads invited their gurus to Ireland and arranged performances, and we all just got on like a house on fire. This community of musicians—Irish and from the Indian subcontinent—became some of my closest friends and apne log in pardes,” Yameema says, while remembering how she would fetch musicians from the airport in the middle of the night and then spend hours cooking elaborate meals.
While living in Boston, USA, some years ago, she was surprised to see the scale of the arrangements for the annual Indian classical music festival where 300 people signed up as volunteers. “I met the person who started the festival and told him of our miniscule efforts in Ireland; how I feel despondent. He smiled and told me that what I saw was 30 years of hard work. That really inspired me to keep dedicating my energies to developing an interest for Indian classical music in Ireland,” Yameema tells me this, after helping organise recitals with many visiting artists: tabla maestro Debojyoti Sanyal and sarod-nawaz Saugato Roy Choudhury from Kolkata, and other dancers and musicians. Yameema knows too well the struggles of bringing artists from the Indian subcontinent to Ireland, due to visa issues and the non-guarantee of a large audience, unlike in the US or London.
Many years ago, during one Indian Republic Day event in Lahore, a young civil servant told Yameema that after the age of 68, a person from either country—India and Pakistan—can visit the other easily. This was music to her ears. “The young man told me that he had never seen anyone feel so excited about turning 68! But that never really happened.” The last time she was able to visit India was in 2016. Since then, several close relatives have passed away without her being able to meet them.
She has seen how the elders in her family have embraced ageing with zest; they continued to pursue their own interests, even after they had become grandparents. “My mother still lives life with enthusiasm, and taught dance till she was 87 years old. One of my aunts, at the age of 40, lived with her partner for the next 48 years, in a time when it was a very radical thing to do, she worked in theatre, and always had a different perspective on the world.”
Reflecting on ageing in Ireland has brought to the fore many contrasts. "We say in Pakistan that a few strands of white hair and a few extra pounds gives a person more respect. It is nice to be an older woman in the subcontinent, because it gives a certain status of respect. But people there also grow old easily because of this: people respect the elders and so people can just fit into an elderly role and not move and just grow old faster. But in Ireland, the older people are marginalised because of their age, but they also have a choice to create a new role for themselves and stay young.”
Yameema says that one may not feel old, but age is something that one’s knees and bones feel; when she is unable to stand for long hours to cook for 20 people. “Irish society expects older people to get on with life, which I think is tougher. So maybe they stay younger by sheer will. But for me, having children late in life kept me younger. People now want their grandparents to fully embrace that role, but older people are resisting this everywhere.”
Apart from championing Indian classical music, Yameema is also pursuing her PhD in Ireland, wherein she is researching the portrayal of Pakistan in Hindi cinema. “People tell me, ‘Why are you bothering yourself with a PhD at this age?’ I tell them that I actually enjoy doing it, rather than wasting my time sitting in other people's homes, listening to tales of the family! I am, after all, a product of the two countries and the borders have defined my life.”
Yameema understands how the name “Indian Classical Music Society” has kept away people from the rest of the subcontinent from getting involved. “One Indian musician living in Ireland had raised this issue about the name, but that was vehemently opposed, because the society largely comprises Indians. So that is problematic, if the music is not viewed as arising from the Indian subcontinent, rather than just the country. This is where it can become parochial. That is also why I want to be an active and visible member, because my presence is a marker of the inclusivity and syncretism of this music, of resistance to it becoming any one’s property,” says the contrarian 68-year-old.
From activism to awareness, gardening to grandchild bonding, older women across India are sparking change and how!
On International Women's Day, we want to highlight the achievements of older women who have come together to share their wisdom, preserve our heritage, and inspire us with their life lessons. These women are not only shattering ageist stereotypes but also proving that activism, social media, and making a difference are not just for the young generation. Social media in particular has seen a surge of older content creators who are using their expertise and experience to educate and entertain us. Even off social
Women Power Combined
Meet Hutokshi Rustomfram, Shubhada Nikharge, Hutoxi Arethna, Dr Sheila Tanna, and Katie Bagli. They are members of the Save Rani Bagh Botanical Garden Foundation, a group of older women who are not afraid to don the activist hat. Rani Bagh, located in Byculla, is Mumbai's largest and most visited public green space next to the zoo with over 4000 trees from more than 250 different species. The garden is a heritage green lung the city cannot afford to uproot, with trees that are over 500 years old. In 2007, the women who often came here for nature walks were shocked to learn about the BMC's proposal to turn Rani Bagh into an international-style zoo and night safari experience. This would have meant the loss of this piece of nature.
The women swung into action, formed the Save Rani Bagh Botanical Garden Foundation, campaigned, filed public interest litigations and made people aware of the heritage they would lose. They have worked tirelessly to raise awareness about the garden's beautiful history since then by conducting nature walks and doodling workshops at the garden to maintain that interest. The group has also published a book of photos to celebrate the anniversary of the garden. Through their efforts, they hope to ensure that Rani Bagh remains a green oasis for generations to come.
Speaking of strong women coming together, we must mention Shubhamastu in Kolkata, an all-women team of priests that has revolutionised religious rituals by eliminating patriarchal traditions like Kanyadaan, all supported by reason and a profound knowledge of customs and ceremonies. Shubhamastu is a charitable trust run by Dr Nandini, a Sanskrit professor and theatre actor and the brain behind this concept. Together with her fellow priests, many of them above 60 like her, they have broken gender stereotypes and even conducted Durga Puja rituals in Calcutta, inspiring a movement towards gender equality in religion. We also adore how older and younger women have come together to make this change.
The Grandchild Bond
It's common to see grandchildren these days helping their grandparents to showcase the skills and talents they have acquired over a lifetime. One such example is the grandmom-granddaughter duo, Sheila and Yukti Bajaj, who run a business called Caught Craft-Handed. Another star is Urmila Asher, who goes by the name Gujju Ben Na Nasta on YouTube. Sheela Bajaj creates the products, and her granddaughter Yukti takes care of marketing and finance. It's heartwarming to see how a grandchild has helped her grandparent, who has been through losses in life, to showcase her talent and earn an income, giving her a sense of purpose.
The ever-smiling Gujju Ben would have blessed your Instagram, Facebook, and other social media feeds by now. She was a Masterchef contestant and is also a motivational speaker. Despite the loss of three children over the years, Urmila's enthusiasm, energy, and incredible zest for life continue. It's not easy to become a YouTuber at 77, but with the support of her grandson, she has not only found her own fan following but also helped him rebuild his life after an accident. Find her story here on YouTube: https://www.youtube.com/watch?v=OwR6_ais5aI
Wisdom of the Years
Lalitha Chelluri Rao, a gynaecologist with several years of practice, runs an Instagram account named Fifty and Fab. Along with sharing pictures of her lovely saris, she also provides information about important issues that affect older women such as menopause and coming from a history of strong working women. Her account is an honest depiction of the hard work and rewards that are part of a busy doctor's life.
Adity Chakrabarti is the author of the coffee table book "Rehaish—At Home in Lucknow" and runs an Instagram account named Decor by Adity. She had a small role in the Mira Nair-directed series "A Suitable Boy", but it was her book that caught Nair's attention and inspired the houses used in the series. Through her account, we get a glimpse of her beautifully kept and styled vintage home, very useful home decor and gardening tips, and the old-world charm of Lucknow. Adity also showcases Lucknow's architectural heritage and timeless traditions. For instance, did you know that Gulabo Sitabo was not only a film starring Amitabh Bachchan but also a traditional puppet show from Lucknow? Check her account to know more about this fun fact!
We love how older women are coming on their own by showcasing their talents, challenging beliefs in many cases and highlighting their talent through various mediums be it by coming together in their activism, or, as is very common these days, sharing their life and what they do on social media. All of them have lessons for many of us to emulate and a great way to incorporate knowledge and lifelong learning into our own lives.
Here is a special women's day nod to all of them.
Note to our readers: We have only highlighted a few women here. However, if you know of more pathbreaking older women who are forging their trail, grannies on the gram who are taking over social media and cracking down on stereotypes or older women who are turning the tables upside down anywhere, please share with us on editor@silvertalkies.com
Tell us what you think of this story in the comments below!
Missing trains over a delicious dinner, a special ride on a goods train, and a case of misplaced luggage and misnamed coaches make for a memory worth a chuckle.
Travelling by goods train is a punishable crime. Few people would have had the rare lifetime experience of travelling by good train. My friend Venkat and I had that rare adventure without being jailed.
Embarking on a journey by train can be an adventure, but little did I know that our experience would turn into a tale of unexpected twists and turns, echoing the real-life drama of the Bollywood movie "Sholay" starring Sanjeev Kumar, Dharmendra and Amitabh Bachchan or Rajesh Khanna and Zeenat Aman from the movie "Ajnabee".
Our expedition began with an official trip to Chennai, involving a meticulous reconciliation of accounts with a consignment agent, who owed us a couple of crore rupees. However, the return leg of our journey would become a nightmarish escapade filled with suspense, mental agony, and an unforgettable adventure. Choosing to break our journey at Vijayawada, we boarded the Bokaro Express on June 30, 1991, at 1:30 am. In those days, the train did not have air-conditioned compartments; the only respite was the first-class compartment.
Little did we know that our plans would take an unexpected turn at Titlagarh station. The attendant informed us that due to a changed timetable starting on July 1, the train would halt at Bolangir station from 9 pm and depart at 0:30 hours on July 1, following the new timetable. We seized the opportunity to have dinner in Bolangir town and walked 150 meters to a newly opened Punjabi Dhaba. The dhaba was quite decent, and the Punjabi food was delicious.
Our adventure took an unexpected turn when, after finishing dinner, we received the shocking news that the train was leaving. Desperate, we raced to the station, but the train had already started moving. Shouting "Roko, Roko," we ran after it for about 50 meters along the track before giving up. We had a successful free treadmill test if you call it that.
We were damn worried about the suitcase containing the official records. We went to the Station Superintendent, panting, and shouted at him, "When your Station Master said there is no way that the train can leave before 0-30 AM, how did you allow it to leave at 10 pm?"
He spun a tale of passengers breaking the furniture, locking them in the bathroom and forcibly taking the train, exaggerating the situation to higher-ups.
He said, "Sir, we are helpless. If you like, I can put you on a goods train leaving in 15 minutes, which will reach Sambalpur by 5-30 AM. "Which bogie were you in, Bokaro coach or Tata Coach."
I said, "We don't know."
"Was it at the rear or front?
"Rear."
"It's Bokaro Coach." He picked up the phone, called Sambalpur, and asked them to unload our luggage from Bokaro coach and that we would come and collect it.
With no taxis available in that remote district, we had no option but to accept his offer to board the goods train. We were asked to sit in the second engine and not to touch the control panel. The driver, Rao, helped us navigate the situation. During the journey, he even stopped the train to show us the Bokaro Express at a station, providing us with a glimpse of what we had missed, but it moved on before we could reach.
Venkat stood like Clint East Wood, holding the iron pole, enjoying the summer breeze. I sat on the steel seat and dozed off. We reached Sambalpur at 5-30 AM and were shocked to be told that all the passengers in the Bokaro coach were from Chennai, and our luggage wasn't there. Then it dawned on me that what was a rear bogie became a front bogie at Visakhapatnam and that we were actually in the Tata coach.
A series of calls and realisations led us to Rourkela Station Master R.P. Singh, father of my son's classmate in St Paul School, who assured us that our luggage was safe and guided us on the next steps.
After facing several obstacles, we finally boarded the Nagpur Tata passenger train. The Travelling Ticket Examiner (TTE) came and asked for our tickets. After checking, he said, "These tickets are invalid; you didn't get them endorsed for the break journey." I narrated our woes, and he took a sympathetic view and allowed us to travel.
When we reached Rourkela, R.P. Singh warmly welcomed us," Come, come, Mr Ramana, your luggage is unloaded and kept there safely. Please check. When I reached the office, my assistant told me you called last night.
Puzzled, I said, "I thought I spoke to you last night."
"Oh! No, that was my assistant, JP Singh; I am RP Singh."
Our luggage was intact, except for half a dozen Bananas and a packet of Visakhapatnam's famous Peda. We took it philosophically -- "Sweets distribution for getting back our luggage safely."
The journey, marked by unexpected events and a sleepless night, taught us to approach challenges with resilience and a sense of humour. Even today, the memories linger, reminding us that sometimes, real life can be stranger than fiction.
As for my friend Venkat, the fear of missing a train midway still haunts him during his travels. Despite the challenges, he has forged a successful path. He now owns a tax consultancy firm in Chennai after a stint at GE as Director of Finance.
Cover image courtesy the author: “Photo of Venkat and I taken during his visit to us after 30 years of that adventure. Venkat is 20 years junior to me and at 60 he regularly takes part in 15 km running events in Chennai.”
Calling our Members to Write for Us!
Silver Talkies Members get a unique chance to get published with us. We welcome opinion pieces, travelogues, family recipes, memoirs, oral history accounts, short stories, poems, humour and personal essays, tips on living well and if you are a qualified subject matter expert, then your thoughts on your chosen topics as well. Email us at connect@silvertalkies.com to know more!
Our member Meena Eashwar reflects on her 96 rich years, starting with how World War II impacted her childhood.
I was a carefree young girl studying in Loreto House, Calcutta, when World War II broke out. There was utter chaos all around, and for safety's sake, many people shifted their families out of the city to safer places while the men stayed back in Calcutta. Our family was one of them, and we moved to our ancestral place in Kerala while my father stayed back.
Our village had no English medium schools in those days, and the local language was alien to me. Unfortunately, that was the end of my formal education, and I was home-tutored from there on. Except for my early schooling in Loreto House (to which I can attribute my English ), I have no formal education to my credit. This was a sore point in my life and still is sometimes. I was very hesitant to meet my contemporaries who were better accomplished academically than me. Over the years, I got over that feeling. I realised that just formal education, though desirable, does not speak for a person's overall capability and personality. I began to explore other avenues and means to enhance my knowledge.
This was the first time we were with Grandpa on an extended basis. Earlier, it was only short visits during vacations. I remember him as a very kind person, and we called him Ithappa. Though his name was Naratanaswamy Iyer, nobody actually knew him by that name.
There is an interesting story behind the name Ithappa. Being the eldest in the family, he was known as "Mootha Anna" to all his siblings. In due course, he became Mutthanna to all of them except the youngest, who called him Ithanna. Down the line, it became just "Ittha" to everyone in the village, too!
Grandpa had an inborn power for healing most day-to-day problems, and the people would get their children to him for treatment. I was unaware of holistic healing then and was intrigued by his healing power. Many years later, when I learnt Reiki, I was reminded of Grandpa's healing powers.
He used to chew betel leaves and, not wanting to waste the leaves, tended to use up the ones turning yellow first. We used to tease him; this way, he would never get to chew the fresh green Ieaves.
Life in rural India was very much different from city life. There was no electricity, no running water and very poor sanitation. Potable water had to be fetched from far-off wells. The affluent would hire help to get potable water, while the others had to manage themselves. But life went on normally, and people were also quite happy.
Since there was no running water, except for babies, young children and elderly people, the concept of bathing at home was not there. Everyone went to the nearby rivers or ponds for their daily bath. Soon, I learned to bathe in an open place with dignity.
Then came marriage, children and family responsibilities, which hardly gave me any time to spare for myself. Once they grew up and were on their own, I turned to my ambitions and enrolled on a Reiki course. In due time, I did my Mastership and initiated people into the system and healing. I still send Distant Healing on request but find it taxing to initiate any longer due to my age.
I have always liked to learn. As we were in Delhi, I learned knitting on a self-taught basis from books, which came in handy when my children were young. A few of them are still there and have been handed over to the next generations as heirloom pieces.
A few years before my husband passed away in 2005, we made a Family Tree, retracing the family members to over 300 years ago. It was indeed a Hercules project we had undertaken. But for our firstborn Parmesh, who also joined us in the venture, it would have been impossible to have completed it successfully. We took it up as a challenge and made it possible.
My son ran around to computerise the details we got, getting them printed and bound into a book.
My husband was in touch with our relatives living in Hyderabad, and they were very happy to hear about our project and willingly shared whatever information they had. My job was to gather as much information as possible from our relatives living within and outside our country. I had never met many of them, and it was tough getting their contacts, introducing myself, explaining the purpose of contacting them, and getting the required information. We had fixed a nominal price for all the effort we had put in and the expense we had incurred for the project, and everyone ungrudgingly bought it for the price.
Later, when my grandchildren went abroad to pursue their studies and livelihood, I published a cookbook for them. The book is written in a straightforward and easy-to-follow format for even a novice cook. All of them greatly appreciated the book as they yearned for the home-cooked food they were used to.
Click here to read more about the book
I now live in the Athulya Senior Care and Assisted Living facility in Southern India. Such places are no longer taboo, unlike the earlier Old Age Homes. Many people prefer to avail of similar facilities, thus giving themselves and their loved ones the freedom to continue their lives without guilt.
My son Parmesh is also in the same facility in Chennai. His daughter and my daughter are both in Chennai and visit us often.
I have no regrets about the ups and downs I have experienced in life and only look forward to more. At 96, I joined the Divine Chants class conducted by music therapist Rajam Shankar for Silver Talkies and also dabble in writing and knitting.
By the way, Rajam is featured in our Family Tree. She and my husband are second cousins.
I hope the rest of my life goes smoothly and I will have a peaceful exit from this world when my time comes.
Cover image: Royal Air Force Operations in India during World War II (Courtesy: Wikimedia Commons)
Calling our Members to Write for Us!
Silver Talkies Members get a unique chance to get published with us. We welcome opinion pieces, travelogues, family recipes, memoirs, oral history accounts, short stories, poems, humour and personal essays, tips on living well and if you are a qualified subject matter expert, then your thoughts on your chosen topics as well. Email us at connect@silvertalkies.com to know more!
Meena Eashwar, 96, is the most senior member of the Silver Talkies Club and an author. She shares memories of her mother-in-law, a woman who went by the rules of the time but also allowed new ideas in.
It was in June 1943 that I entered "Ĺakshmi House", Kharaitabad, Hyderabad - my new home - as a young bride of 15 and the eldest daughter‐in-law of Sri E. Parameswara Iyer and Srimathi Alamelu Ammal better known as Ammalu Kutti by her family members and Ammalu Ammal by her friends. Her casual friends and acquaintances knew her as Khairatabad Mami, as Khairatabad was where she lived.
Both boys and girls got married at a very young age in those days. I was 15+, and my husband was 22, just out of college. His Graduation results were out only after our wedding.
He was the eldest of five brothers, with no sisters, and I missed having any girls for company. My two youngest brothers-in-law were my constant companions when they were at home. They were a couple of years younger than me. My kid brother being ten years younger than me, I did enjoy the company of my two new adopted brothers.
Soon, I got used to the new environment and got close to my mother-in-law. Like my husband and his brothers, I called her Amma, too. My father-in-law was known as Iyyah to everyone in the family, and I, too, referred to him the same way. My grandmother-in-law was also staying with us. Being of a much earlier generation, she was very strict in her ideas and did not approve of my talking to Iyyah. But that was the norm of the day, and I had to adhere to the rules.
RELATIONSHIP BETWEEN AMMA AND ME
Iyyah was in the erstwhile Nizam's State Government and was the Personal Secretary to the then Prime Minister of Hyderabad, the Late Sir Akbar Hydari. He had long working hours, and this kept him very busy. He often had to accompany Sir Akbar Hydari on his foreign trips, keeping him away from his family for months. Amma had to take complete charge of everything at such times, which she did very efficiently.
Around that time, our ancestral house was under construction, and she had to take on the added responsibility of supervising the construction.
She was orthodox in her outlook and always used to be in Kanchipuram silks draped in the traditional 9-yard style. Unlike these days, when jewellery is worn only occasionally, she used to wear all her heavy jewellery daily. Despite her orthodox outlook, she was a member of almost all the Sabhas in town and attended all the cultural programs. She was also a member of the prestigious Lady Hydari Club, where most of the members were Muslim ladies belonging to the Nawabi families. Coming from the generation and outlook she did, this did not deter her, and she attended all the parties there, but when it came to fruits, she would have only fruìts.
Although all festivals were observed in my parental home, we sisters were not exposed to any rituals. Amma was very ritualistic and was very particular about it. That was good exposure for me, and I learned a lot about our customs and culture. She was interested in arranging dolls for Navaratri and would have elaborate Golus with different themes each year. During all nine days of the festival, our home was bustling with visitors - primarily women and children. A Sumangali or a Kanya, an unmarried girl, was invited for a festive lunch on each of the nine days. In addition to applying customary Haldi, Kumkum, etc., we also gave them a gift of a blouse piece or a pavadai as a token of appreciation. It was almost like having a fair at home every day!
On Vijaya Dasami Day, her Muslim friends would visit after all the ritualistic Pujas.
Ours was a joint family. In 1960, my husband accepted an assignment in Delhi, and we shifted there with our three sons and two daughters. The youngest of my brothers-in-law is a doctor, and Amma preferred to stay back in Hyderabad with him and visited us often.
When my eldest son married Sucharita, a Bengali, initially, Amma refused to attend the wedding. My son is the eldest of all her grandchildren, and I was keen that she be present at the wedding and bless the young couple. I made a special visit to Hyderabad to convince and persuade her to come. It was a tough job, and I had to quote another incident in our family.
Much earlier in 1952, my second brother-in-law wanted to marry a college mate from the Naidu community. Amma was furious and refused to see or even let him come home. After a few years and much persuasion, she agreed to welcome them back home.
She fully agreed with me when I pointed out that it would be better to accept and welcome the bride graciously now rather than create unpleasantness for everyone and accept her after a few years.
Actually, Amma was more worried about what others would say or think.
We were all happy Amma was present at the wedding, and Parmesh and Sucharita married with Amma's Blessings and complete consent.
(A version of this article in Tamil previously appeared in Ladies Special Magazine, March 2003. Girija Raghavan, editor and publisher of Ladies Special, has kindly consented to us publishing the English version of the article here)
Editor's note:
Meena Eashwar is the author of No More Secrets- A Grandmother’s Treasure Trove of Tam Brahm Recipes & More. Published by Notion Press, the above article was the first step into the world of writing before the book.
“Writing was the last thing I ever wanted to do till a few years back when one of my sisters requested me to write an article for a Tamil magazine. I am not fluent in written Tamil and had no intention of obliging her. Moreover, writing was not my cup of tea. Much as I tried an escape route, she refused to accept a "No" from me. She insisted on my writing in English and said she would translate it into Tamil. The topic, too, was tricky ‐The relationship between a mother-in-law and daughter-in-law in real life. Reluctantly, I agreed to her request.
However, I wrote something fairly acceptable and got off with it. It came in the March issue of "Ladies Special" magazine, 2003. That was my first published article ever!! Thus, I owe my primary thanks to my sister for introducing me to the world of writing.”
Meena Eashwar tells us that she learnt to cook at the tender age of 16 when she found herself in the culinary deep end soon after her marriage! That was when she did not even know whether milk was added to curd or curd to milk for making curds! She says the first time she made Sambar on her own, way back in 1944, it looked and tasted like nothing on earth. But today, at 90 plus, she has come a long way from that stage! She brings over 75 years of experience cooking for her five kids, in-laws, friends and relatives.
Her cookbook is a collection of easy-to-follow recipes. While most of the dishes are from Tamil Nadu and Kerala Cuisines, there are a few recipes from other regions of India, too.
“Inevitable”, she points out, “given the background of my cosmopolitan family - my three daughters-in-law hail from Bengal, Gujarat and Maharashtra, one of my sons-in-law is a Mangalorean Christian, and the other a Palakkad Iyer”. She herself has lived in Palakkad, Madras, Bombay, Calcutta, Hyderabad, Delhi, Nanded, Karimnagar, Bidar... “Don’t forget Rangoon and Colombo in my early years”, she adds.
DID YOU ACHIEVE WHAT YOU WANTED? Ramana Sista reflects on the answer to the question by looking back at life.
Throughout childhood, the dream of becoming an engineer and visiting England fuelled my aspirations. Inspired by my engineer uncle and the iconic film "Barrister Parvathesam," my journey began with limited resources but unwavering determination. No one talked of going to the US in those days.
My forefathers were landlords. When my father's turn came, lands were gone; only lords remained. My turn was a hard childhood. Parental support for education ended in the middle of class ten when my father lost his job. With the support of a few relatives who provided accommodation and boarding, sharing in four different houses a week, I completed Class Ten from a Telugu medium school. Hopes of further education, let alone engineering, were dashed, but the burning desire continued. I didn't even have two rupees to go back to my native village till I received a money order from my father. After spending a few idle months in my native village, I moved to Hyderabad. I did a few odd jobs as a minor, joined Nizam College Evening classes for learning while earning and completed my Graduation in commerce.
In pursuit of better opportunities, I traversed across the cities of Hyderabad, Bombay, Delhi, and Calcutta until I finally found my professional haven at IDL Industries Ltd. in Rourkela, which has since transformed into Gulf Oil Corporation. Here, I secured a role that resonated with my career aspirations. During my tenure, I seized the opportunity to enhance my skills by obtaining a PG Diploma in Materials Management from IIMM, Bombay. Additionally, I actively participated in numerous short-term management courses and workshops conducted by esteemed institutions such as IIMs, iIPM, NITIE, and Management Consultants, all sponsored by IDL.
My career graph steadily moved towards the North, owing to strategic moves orchestrated by IDL. These transitions led me from Rourkela to Calcutta, back to Rourkela, and eventually to Bombay, where I gracefully concluded my professional journey as the Senior Divisional Manager upon reaching the superannuation age. The culmination of my extensive service in this dynamic environment marked a gratifying and enjoyable phase in my life.
Embracing the wisdom of Omar Khayyam's philosophy—"Dead yesterday, unborn tomorrows, why fret about it if today be sweet," I adopted a liberal approach to life, generously allocating my resources towards family, children's education, entertainment, and those deserving of support, all while maintaining a comfortable standard of living. This carefree disposition enforced immediate follow-on.
I joined a Chemical Industry in Raipur, assuming the role of Vice President. Being a Certified Lead Auditor for ISO Quality Management Systems (QMS), I was nominated as Management Representative. I shouldered the additional responsibility of designing, implementing, maintaining, and continually improving the Quality Management Systems for the entire group.
After an enriching eleven-year tenure, I embarked on a challenging journey as Vice President, lending my expertise to a Task Force dedicated to revitalising a closed Chemical unit in Rajasthan. The success achieved during this endeavour paved the way for my eventual retirement in December 2013 as I gracefully bid farewell to my professional life.
The biggest takeaways from my professional life are:
1) True Friends, made along the way, from business acquaintances, government officials, police, railways, Bollywood, etc.
2) Fond memories of love and respect from staff and colleagues; management's encouragement, support and recognition.
3) Strong, life-long, IDL family bondage, special and peculiar only to IDL. We have an Ex-Idl Google group for keeping track of each other's whereabouts, welfare, activities, and progress of the children. We get together every year on the last Sunday of January in Hyderabad.
4) Name and goodwill in the Explosives and Mining industries, especially Coal India.
Nothing can be more gratifying. This is what money can't buy.
In my personal life, I found contentment at the age of thirty-six when I married a loving graduate homemaker. Blessed with two accomplished sons holding Masters in Engineering and MBAs, our family expanded internationally. My elder son excelled in a US-based company as Principal Technical Product Manager. The younger one became a Director with Deloitte Consultancy in the UK. He married an Associate Director at Johnson & Johnson. They are blessed with a 13-year-old girl and a three-year-old boy.
But why these thoughts now?
One fine evening in May 2013, my elder son said, "Papa, let us go to Switzerland during the four-day long weekend." We left by car after breakfast. The beautiful four-lane road has thin and regulated traffic throughout. Covered 500 kms. Distance from Luxembourg to Switzerland in four and half hours, passing through 400 km.of France, Basel City, the hub of the Pharmaceutical industry of Switzerland, housing MNC giants Novartis, Pfizer, Roche, and so on. When we entered the Interlaken town of Bernese Highlands, the main tourist attraction of Switzerland, we felt a sudden transformation of the atmosphere as we got a bit closer to nature.
After immersing ourselves in the enchanting landscapes of Switzerland for two days, we embarked on a picturesque journey from Grindelwald Station to Kleine Scheidegg. The train ride unfolded as a captivating blend of Railway romance, Mountain majesty, and dreamy scenery, tracing a mesmerising path through the heart of the Alps. Covering a distance of 9 km, the railway traverses through a tunnel ingeniously crafted into two mountains, featuring two stations within the tunnel itself. Descending at these tunnel stations, we marvelled at the neighbouring mountains through strategically placed windows along the mountainside. The journey spans approximately 24 km, with a maximum incline of 120 degrees, making it a true engineering marvel.
We reached Jungfrau - the Top of Europe - in about an hour. The main complex is accessed directly from the station hall. We began with the Alpine Sensation Round-Tour Subway, always following the "TOUR" symbol, covering the past and present of the Jungfrau Region. The first attraction was "Jungfrau-Panorama - a 4-minute 360-degree cinematic experience, an inspiring audio-visual journey through the Alpine world at 3454 meters above sea level. A world of ice, rocks, snow and clouds. Other attraction halls were Little Dreams of Switzerland, Time Travel to the Early Days of Tourism in Jungfrau Region, Pioneering Spirits of Guyer Zeller, the architect of the Jungfrau Railway, and Ice Palace, covering over 1000 sq. meters. area with countless passageways.
We went to the Glacier Plateau. My wife and I moved to the plateau, braving the slippery ice with childlike enthusiasm despite our son's pleas not to go. At one point, I almost lost control but held on to the rope. My son stopped my wife midway, but I climbed to the top, where the Swiss flag was first hoisted on Top of Europe. It sent my spirits soaring, and I was awed by the grandeur of the majestic icy mountains and felt as if I conquered Mount Everest.
We took the lift to the Sphinx Terrace for a stunning view of the surroundings. They say the view extends to the neighbouring countries, France, Germany, and Italy, in fair weather.
Yash Chopra produced many world-famous movies, and most of the scenes were shot in Bernese Highlands. There is a park where paragliders land, fondly named "Yash Chopra Park", adjacent to a restaurant. Many scenes of Dil Wale Dulhaniya Le Jayenge were shot here. In the park, you will find a notice scripted by The High Commissioner of Interlaken acknowledging Yash Chopra's contribution to inspiring more Indians to visit Switzerland. More and more South Indian movie scenes are being pictured here.
We strolled in this park after dinner - in bright daylight, it becomes dark only after 10 PM. The following day, we returned to Luxembourg.
I may not have firsthand knowledge of Mount Everest, but a breathtaking panorama unfolded as I gazed downward from the Sphinx vantage terrace at an elevation of 3471 meters.
At that moment, I reflected on the extraordinary journey that had lifted me far beyond the aspirations of my childhood self, a journey that began 56 years ago when I harboured no ambitions for my future. Over the years, I've witnessed the vivid tapestry of life, painted in its diverse and vibrant hues. Looking back, I can confidently assert that I have no regrets about not pursuing a career as an engineer. The path I've traversed has proven that my happiness lies beyond the confines of that profession.
Modesty prevents me from saying that I am proud of my achievements in academics, professional life, personal life, in the upbringing of children, and giving them a scholastic launching pad for rewarding careers.
"Contentment" is the name of the game in Life's Journey. A discontented man has no right to take away one man's health, the other man's wealth, and the third man's wife. He has to change all in all or not at all.
God has been kind to me.
Calling our Members to Write for Us!
Silver Talkies Members get a unique chance to get published with us. We welcome opinion pieces, travelogues, family recipes, memoirs, oral history accounts, short stories, poems, humour and personal essays, tips on living well and if you are a qualified subject matter expert, then your thoughts on your chosen topics as well. Email us at connect@silvertalkies.com to know more!
Sreekala GR has let experiences make her richer in her post-retirement
'You must ask her about her post-retirement life, says Trivandrum-based Sreekala GR's daughter Krishna Priya when I reach out to her after spotting a video on Instagram of her mother rocking a Nangyarkoothu performance on stage at 67. Nangyarkoothu is a traditional temple art form of Kerala, and Sreekala, as it turns out later, has steadily, with regular practice, honed her skill in it.
Sreekala, a retired bank officer, worked at the State Bank of India for her whole career. She joined in the late 70s after graduating college and retired in 2016. "I gave it my all," she says, mentioning that she grew up with a sense of perfection given the atmosphere at home. "Even though I was giving my 100% at work, I realized it affected the time and attention I could give to my family." "She was a workaholic," her daughter Krishna Priya comments, but I don't think she was happy.
Being a busy working woman in the late 70s and early 80s with two children to raise wasn't a cakewalk, Sreekala remembers.
"When I was nine months pregnant with my daughter, I walked two kilometres every morning to catch the bus to the bank. In the evening, I often had to miss the bus on time because I had a client and couldn't leave at 5 pm. Somedays, I would reach home as late as 9.30 pm. I suffered a lot, managing both fronts – home and office."
Even in 2023, women still struggle to balance their home and work responsibilities. Most would say the same thing that Sreekala says, remembering her working life, (almost) echoing the title of British author Allison Pearson's famous book: I don't know how I did it!
What Sreekala really knows and has brilliantly chalked out is her life after retirement. Only difference? It isn't exactly what she had planned. "Actually, I was looking forward to retirement. I used to read a lot earlier, but once I became busy with the bank, I couldn't find time to read as much. So, after retirement, I just wanted to return to my reading habit. I planned to buy lots of books and spend my time reading."
But life had other plans. Sreekala's parents, TP Radhamani and P Gangadharan Nair were famous All India Radio artists in Kerala. They passed on a love for culture, and Sreekala inherited a passion for singing. She was soon convinced by friends to join music groups that held performances. "You have a beautiful voice. You should sing, they told me and were very encouraging. So now I am part of three music groups, always practising, performing and busy," she laughs.
Watch Sreekala's Nangyarkoothu performance here: https://www.instagram.com/reel/CwMpaxuoDU-/?igshid=MzRlODBiNWFlZA%3D%3D
There isn't much time left to read with the myriad activities she is involved in, but Sreekala has found a solution of sorts, though one for the greater good.
She has read stories and novels for the visually impaired for the past seven years. She records them for half an hour daily and shares them through WhatsApp groups. "These are groups for visually impaired people from diverse backgrounds. I enjoy it. When they comment on my reading, my self-confidence really goes up."
In her retired years, the diversity of activities, from music to social work, has given her a new purpose. She may have lost her husband many years ago and is adjusting to a different routine after a workaholic life, but she never feels lonely or at a loss for things to do. "I feel that I'm even busier than I used to be when I was working. But this busy is a different kind of busy. We are not answerable to anybody. We can do whatever we like."
Sreekala's other love is the dance form Thiruvathira. A classical temple dance form from Kerala is also practised during Onam. She has been performing Thiruvathira since she was a child. After retiring, she began learning other dance forms as well. Her years have only added to Sreekala's enthusiasm. "Now I feel that I can take up anything.
Where does the confidence to explore and learn come from? Sreekala says it comes from the people around her. "They motivate me to do more because they appreciate me so much, especially my daughter and son. So, when I receive appreciation, my self-confidence increases."
Krishna Priya, Sreekala's daughter, agrees. "Now that she is doing everything she wanted to do, I can see how happy she is! That makes me encourage her to do more!" Like many other active senior citizens, Sreekala too has faced her share of unconscious ageism, with "well-wishers" telling her not to take on too much because she will strain herself.
"When I hear this, something inside me tells me you can do it. Even with those who encourage, the desire to do something has to be within you."
She may not have seen her retirement years going beyond reading "lots of books", but Sreekala's constant search to keep herself motivated, engaged, and a forever learner is a book many of us could take a leaf out of.
Do you know of a senior citizen constantly searching for new learning like Sreekala? Share their story with us.
All images courtesy: Sreekala GR & Krishna Priya
Senior authors from the Silver Talkies Club share their experience of writing a book.
What is it that a book can make you feel? A sense of achievement, elation and pride, the satisfaction of readership. We speak to three senior authors from the Silver Talkies Club who share the ideas, processes and thoughts behind their labour of love.
Col Arun Malhotra
Author, Divinity at Play (Sri Sathya Sai Baba)
The Process: I self-published my book. I drafted the book, got the draft printed by a printer and edited by a fellow Silver Talkies Club member. It was reformatted by a publication distributor and marketed by a distributor, Amazon and myself. Now, but for three copies with the distributor, test all Sold. It took me one year to write and publish. The book was released in November 2021.
The Idea: Intrinsic motivation to write about my experiences in a specific field.
Favourite feedback: Reviews were received from notable people like Amitabh Bachchan, Sachin Tendulkar, Sunil Gavaskar, Justice Saldhana, wife of the CJI, among others.
Justice Saldhana wrote a full-page feedback. I got a call from actor Aishwarya Rai, who said it was fascinating reading. She had passed it on to other family members.
That First Book Feeling: I had a sense of self-satisfaction and achievement.
Is your book connected to your previous career, professional life or a life experience you had?
It's based on my life experiences.
Are you writing another book currently? I am now in the process of writing another book, this time on leadership and management.
As a senior author, did you bring insight into the book that you may not have been able to bring in your younger years?
Yes. The book's genesis was the need to develop implicit faith in one's Divine to accomplish or resolve one's problems.
Many people feel they should explore writing a book. What would your advice be? Does everyone have it in them to become an author?
One needs skill, fluency of written expression, dedication to the task, considerable patience and an art of sequencing.
Revathy Bhasker
Author, Baker's Dozen
I'm the author of one book and several anthologies. StoryMirror Infotech published my first book. I had participated in a few writing contests conducted by StoryMirror, a web platform. When they offered me to write a book, I took it. Earlier, they had selected my poems for their anthologies.
The Process: This book, launched in June 2023, is a collection of thirteen short stories written over a year. My stories and poems have been published in other anthologies by StoryMirror, HydRAW and Inkfeathers.
My Favourite Reviews: Col Achal Sridharan gave me 5.0 out of 5 stars on Amazon. His review said: Excellent storytelling by Revathi Bhasker—an excellent collection of stories. Revathi Basker writes lucidly, and the narration is simply superb. It is worth reading and keeping a copy in your library. I wish for many more books from her
While reviews on Amazon are generally quite flattering, outside reviews are also soul-satisfying. I liked the part when someone said each story has an underlying optimism and positivity.
That Ffirst Book Feeling: I felt quite cool as my granddaughter released it when it was launched in Mumbai in June 2023.
Awards: This book, as such, has not won any awards, but I was awarded the second runner-up trophy for the author of the Year 2023 (Editors' Choice) by StoryMirror. I was among the frequent winners in their First-ever Inter-active Novel Contest.
The Idea: The stories in this book portray various emotions and capture different moods of the characters and their reactions to the situations they face. The characters are drawn both from imagination, experience and daily life.
Are you writing more? Yes. I am committed to launching another book. It is likely to be both prose and poetry. As it is still being conceptualised, it is quite early to share details.
As a senior author, did you bring insight into the book that you may not have been able to bring in your younger years?
Life is a good teacher - it tests and teaches. Writing a book in one's silver years has an advantage over writing when young, as our vast experience and maturity can influence our writing skills.
Many people feel they should explore writing a book. What would your advice be? Does everyone have it in them to be an author?
Everyone has a story to tell. It just depends on whether it is their passion or not. There is always no harm in penning one's thoughts. Over time, one can hone the fluency, continuity and skill to write a book.
V Desikan
Author, Brindavan Express: A Train of Thought
I self-published my book through Bookventure in Chennai. It's a collection of 75 blogs and articles, including some published in the Deccan Herald, with a readership of over 4.5 lakhs. TS Sudhir, a well-known journalist, encouraged me to write and even featured some of my work on his South Reports blog. My blogs are also available on WordPress and Blogger, so my book only required a little editing. It took me a while to come up with the title. My son suggested "Brindaavan Express" as a pun on the words "train of thought" to represent the two cities I write about, Chennai and Bangalore. For new authors, I suggest going through many reviews to check for grammar, spelling, and other errors. Get your work reviewed, acknowledge and thank people who helped you, and dedicate the book to someone you love. It's best to price your book low and publicise it through social media platforms like Twitter and Facebook. I chose not to promote my book, but I wish you the best of luck if you decide to do so.
The compilation is over eight years. The book was published in 2017.
Favourite Feedback: Here's one: Brindaavan Express is a collection of narratives from a simpler time. Based largely in South India in the seventies and eighties, the book chronicles the life of the author across forty years, from his earliest days as a schoolboy in Madras to his thoughts as a grandfather reflecting on modern society. Written in simple prose, in a style reminiscent of R.K.Narayan or P.G.Wodehouse, Brindaavan Express is the kind of book you will find yourself reaching for when you're packing your backpack for an overnight journey or when you are curling up for a lazy afternoon on the couch. Here's another feedback from writer friend Mr Nagarajan, who has authored over 100 books and is writing daily. It was very encouraging:
https://tamilandvedas.com/2016/12/25/book-review-brindavan-express-by-mr-v-desikan-post-no-3481/
That First Book Feel: Although I used to read books, I never thought I could be a writer. So, during the book release, I felt very happy.
The Idea: The book is based on life experience mostly - technology, food, music, novels, humour, crystal gazing
Writing more: I have written some middles in Deccan Herald. I need to write some more before compilation.
As a senior author, did you bring insight into the book that you may not have been able to bring in your younger years?
I published technical articles in foreign journals and symposium papers in my younger years. So, I never thought of writing books. I once wrote a story for a Tamil magazine in 1980 and got Rs 25! If I get inspiration, I can write an article in one day, which happens once every six months.
Should senior citizens write if they are keen? A definite yes! Everyone can write. First, experiment with writing blogs on sites like WordPress, and then try writing stories or your life experiences. It is better to avoid criticism of people or systems. Try to be humourous without offending sentiments.
Self-Publishing Platforms in India
Notion Press:
Founded in 2012, Notion Press is a leading self-publishing platform in India. It offers various services, including editing, cover design, and marketing assistance, making it a one-stop solution for aspiring authors.
Amazon's Kindle Publishing:
Amazon's Kindle Direct Publishing (KDP) platform has revolutionised self-publishing for Indian authors. With KDP, authors can publish their e-books and reach a global audience on Kindle devices and apps. They retain control over pricing and distribution and can promote their books through Amazon's ecosystem, including Kindle Unlimited.
There are a few others that may work for you:
Pothi
A platform that allows writers to publish and sell books and e-books without waiting for manuscript approval
Partridge publication
An imprint of Author Solutions LLC that publishes print-on-demand books and e-books.
Goya Publishing
Goya Publishing is a self-publishing platform for first-time authors. It helps authors prepare their manuscripts for publication.
Author photographs: Silver Talkies
Cover Image: Pixabay
Are you a budding author? Share your publishing experience with us below.
The voice on the other side is singing a popular Bengali number from Satyajit Ray's film Charulata. "Is there any language you do not know Arun?" we exclaim, only to hear a hearty laugh on the other side.
Our legacy member Arun Bhatia (February 2, 1935-November 14, 2023) led an information and action-packed life that had the makings of a great memoir. An excellent writer and raconteur, we were lucky to have glimpsed parts of his life through some of the articles he voluntarily wrote for us, with trademark touches of humour.
We discovered he had been a little boy who participated in the Quit India Movement in Mumbai (then Bombay). Of course, he was only 7. His best memory of it? The burning of an effigy of Winston Churchill. At 7 years old, Bhatia didn't know who Churchill was. But the chance to play with matches, with grown-ups watching, was irresistible.
Arun was a young at heart octogenarian. A University of California graduate in 1956, he had some fascinating stories about his brush with Hollywood. Like many students, Arun did a multitude of odd jobs to pay for college, which included being an extra on film sets or working part-time at restaurants.
He wrote about seeing Jerry Lewis make everyone laugh at a Hollywood party that had famous actors like Rock Hudson, Doris Day, Gary Cooper, and Robert Mitchum. Arun was present there as a bus boy and years later the memory was a fun story for our pages.
Arun was an expert swimmer and it led to more Hollywood adventures of the oddest kind, including playing a shark (yes) in a film in 1953. You can read it here for a dose of laugh: A Shark Attack.
Our favourite remains a story about the missing Toblerone, showing his humour and love for Gita, his wife who passed away in 2006.
There was a lot of creativity behind all the self-deprecating humour. Arun was a popular ad film model and also an accomplished artist. He once shared the painting of a diver, done by him sometime in 1957, when he returned to India from college.
In his later days, as he got sick, he would email us to share his struggles. One of them was especially poignant:
At the age of 12 in 1947, I underwent my first surgery, a six-hour operation in the operating theatre for an ear ailment (mastoid operation). Fast forward to now, at the age of 88, and I've experienced multiple surgeries involving my ankle, heart, spine, prostate, knees, eyes, and teeth. Many of these surgeries led to post-op ICU stays, where I would regain consciousness from anaesthesia and undergo the process of recovery.
Technology has contributed to increased longevity, so I am still around, almost a robot. I am grateful for the ability to venture out in my adult diaper and enjoy simple pleasures like panipuri but the concept of ICU, designed for "complete rest," has me baffled. Each ICU visit has proven more demanding than the actual surgical procedure. Medical professionals emphasize the need for total bodily rest but often overlook the psychological toll of isolation on the mind.
Lack of human contact does not equate to true rest. The absence of information regarding the duration of my stay in the ICU feels harmful. A regular touch or conversation with a nurse, doctor, or paramedic every quarter hour could make a significant difference. Some ICUs even seem pitch dark, intensifying the emotional strain, which, in turn, influences the healing process.
Yes, medicare is a business. Yes, the surgeon has done his/her job in the OT and said 'rest" He/she did not say 'torture'. However, there seems to be a gap in emotional support during the recovery process. Overworked staff may struggle to provide this support, but volunteers, NGOs, or college students can be recruited to offer much-needed companionship.
It ended with his trademark humour:
Upon gaining consciousness at some ICU once, I thought I was dead! I tried to find out by touching my nose. Did I have it? Does it prove anything?
Goodbye, Arun. Thank you for sharing aspects of your varied life with us. We hope the heavens are echoing with laughter, anecdotes and songs with you there.
Silver Talkies meets Sunita Nerale, 60, the owner of camper van Caravan Sakhi, meant for long drives and lasting friendships.
Sunita Nerale is everything you expect and many things you don't. At 60, Nerale is the creator and owner of a camper van called Caravan Sakhi and probably one of the only women in India to be so. It's parked in her Pune home and she uses it for both personal trips and commercial activities. The senior entrepreneur has worked hard to make her spur-of-the-moment dream of owning a camper van come true. But it's the story behind that dream which makes her who she is.
When we meet her on a rainy day, she warmly greets us near the caravan, proudly showing every corner, and telling us of her cherished travel plans, especially for groups of women. Many women still do not think of stepping out with their friends on their own, says Nerale. They worry about what their family would think, unfinished chores, and their safety. Nerale hopes her Caravan Sakhi will provide them with a day of fun and independence in a safe environment. After spending time with her, we aren't surprised that Nerale had this key thought guiding her while creating Caravan Sakhi. Despite facing many challenges in life, she has an infectious positivity and a never-say-no attitude. And she wishes there were more women like her, standing up for themselves and reclaiming their lives.
Nerale grew up around strong, positive women. Her mother, a single woman, worked hard as a teacher, determined to give her daughter an education and a ground beneath her feet, which contributed much to her self-confidence. In 1985, Nerale finished a civil draftsmen course and began working as a civilian for the military in Pune. She was only 21 and worked hard, leaving her home at 5 a.m. to catch a train to her workplace. Hard work and putting herself forward were not alien to her. She took charge and made herself valuable, unlike other girls she observed. "I was a natural leader," she says, and looking at her, we have to agree. It's hard to imagine Nerale as anywhere but the forefront. There is an inborn leadership quality in her that makes her a woman to reckon with, even if that comes riddled with battling a society quick to point fingers at strong women.
Nerale circles back to her mother, now 84, when we mention this. "My mom had struggled as a single woman to raise me herself. She wanted me to stand on my own two feet and did not want to put any doubts and fears in me. It ensured I followed my path no matter what came."
The path has been a rocky one. Nerale's arranged marriage in her early 20s ended in divorce because her husband lied about his qualifications and work. She was criticized for working long hours and chatting with male colleagues. "My husband was weak, and his parents thought he would change after getting married. They wanted me to leave my secure job and fix their son!" Nerale tells us. "Women are not a factory for improving inefficient and incapable men, I told them!"
After her divorce, Nerale focused on social work and her job. She enjoyed organizing activities and serving on employee welfare committees. "At work, I have always been a go-getter and a lone ranger," she says, in the context of being the only woman in several areas, at least in the early 90s.
Nerale never let setbacks in life hold her down; she remained lively and outgoing. "I had an interest in everything, whether it involved cooking, participating in competitions, dancing, organizing or facing court cases for pointing out corruption. I was game for it all."
Around this time, her life took a turn she didn't expect. She was abused and forced into a marriage with a violent man, from which she couldn't escape. It took 10 years for Nerale to get out of the relationship and put it behind her. She faced judgment from close relatives and friends who thought she lacked character. She remains stoic about it.
"I had no choice but to get married. We have all seen the fate of abused women in our society. Only women know what they go through. Only women know the decisions they make and why they make them. Unfortunately, it is also only the women who are judged. I lost over a decade of my life with these problems. It may have made me stronger, and given me the resources to cope with anything that comes up. But it also ensured I went from being a fun-loving, happy-go-lucky, outgoing girl to a woman hardened by fate. I don't much care what people think of me. I have to now live for myself."- Sunita Nerale
As she restarted her life close to the 50s, Nerale left her job of 25 years. "I needed to do something that I enjoyed doing. I needed not to base my life on what people thought of me. I needed to start on a clean slate."
The idea of having a caravan came from a TV program and because Nerale wanted to "see the world". A campervan or caravan is a vehicle that you can both travel in and live in and is great for road trips. Nerale bought the vehicle and then used her drafting skills to design the campervan's interiors. Her vehicle is approved by the RTO and meets all the legal requirements.
Nerale's journey to Caravan Sakhi wasn't without challenges, but she is the kind of personality who chooses to look at the positives. "I knew I had to do this. So I didn't question it and steadily worked towards it. In fact, within the means I had, I have given this caravan the best quality design. When I have to do something for myself, why do it halfway?" she says, adding that she and her friends did a long-awaited personal trip to Hampi and Badami in Caravan Sakhi.
When we went to interview Nerale, we were expecting to meet a strong, active 60-year-old woman. We met that person and more. We encountered a woman who had endured hardships but still remained optimistic, helpful and ready to help others. She showed us around her caravan and explained every detail, her pride in the design evident.
The back of the caravan holds a water tanker and even a foldable board for chopping vegetables. Ever thoughtful, Nerale has provided a separate space with an LCD player for the driver who may have long hours of waiting in the caravan during a picnic or long drive.
As we wrap up our interview with Nerale, she expresses her desire for more and more people to use the caravan - especially women who are finding friends as they grow older, women who are finding themselves, and women who are discovering independence. Nerale discovered it years ago but has found the time, space, and peace to act on it only now. We hope Caravan Sakhi takes her to many places.
Is there a dream you've discovered as you came close to your midlife like Nerale did? Let us know what it is in the comments below.
All images: Silver Talkies
-- With inputs from Rushika Sharma
Senior entrepreneur Purobi Kagti's Pickle Project blends family tradition and her memories of Assam.
Purobi Kagti’s pickles grace several dining tables in Bengaluru. The 76-year-old senior entrepreneur relocated to the city to be with her daughter in 2014 and was eager to embark on a new project to keep herself busy. During her years in Assam, Kagti crafted beautiful handpainted saris and traditional Assamese sarongs called Mekhela Chadors. Keen to put her creativity to use, she teamed up with daughter Shivani Kagti to explore pickle-making, an area she was well-versed in. The result was Pickle Project, a homegrown company that sold pickles, inspired by Kagti’s time in a remote village in Assam where she ran a tea estate with her husband. Frequent power outages sparked the necessity and passion for the art of food preservation and pickling.
At the tea estate, Kagti perfected the art of pickling various meats and vegetables and discovered innovative techniques to preserve food. With a strong influence from Assamese cuisine, the Pickle Project ensures all the ingredients are hand-picked and the spices freshly ground; including spices such as panchphoron, a spice blend from Eastern India. The recipes abstain from chemical preservatives and Kagti attributes the knowledge of these recipes to her mother and mother-in-law. She also draws her inspiration from her upbringing in Assam. Some recipes are cherished heirlooms within her family and hold a beloved spot. Pork pickle, Chilli in yellow mustard and the sweet and tangy tomato relish are customer favourites and find their roots in the days when surplus meat from the family’s boar hunting adventures was preserved through pickling.
Kagti and Shivani believe in crafting everything freshly and in small batches. They promote their products through flea markets, including the popular Sunday Soul Sante, and various pop-up events across the city. Through these platforms, they have successfully cultivated a loyal customer base who continue to place repeat orders. Products are shipped to customers across Bengaluru with delivery apps like Dunzo and Telyport.
Recently, Kagti and Shivani teamed up with five like-minded creators to establish the Busy Fingers Collective, an initiative that Silver Talkies member Madhu Mehra is also part of. This collaborative effort enables them to showcase their creations at various venues throughout the city. The Busy Fingers Collective includes independent artists dedicated to the celebration of handcrafted work and promoting indigenous art and craft traditions. With six local brands including the Pickle Project, each product they put out is a labour of love. These range from sustainably made soft toys, smocked dresses, embroidered clothing, knitted accessories, sterling jewellery silver jewellery, homemade pickles, and natural dye textiles.
Being a small home-based business Kagti maintains minimal overhead costs. Their main expenditure revolves around buying ingredients and bottles. Another significant expense involves securing stalls at exhibitions where they typically sell between 200 to 300 bottles depending on the event’s footfall. They offer samples allowing people to savour their pickles before making a purchase. The duo initially launched six pickle varieties and has since expanded to ten distinct options including Tomato, Brinjal, Chilli Mustard, Hot and Sweet Chilli, Mango, Sour Mango, Cabbage, Lemon, Chicken and Pork. Customer favourites in the vegetarian range have proven to be the Tomato and Brinjal and among the non-vegetarian range, the Pork pickle shines through.
The Pickle Project is a labour of love and it has helped to have creative family around. “We realised that apart from having a good product, it is important to package it attractively. Hence, we sought the help of friends and family members,” said Kagti’s daughter Shivani candidly. Tridiv Das, a family member who heads a creative agency in Bengaluru designed their logos and labels free of charge. Purobi’s eldest daughter Julie has played a pivotal role in the final packaging of their bottles. Family support and contributions have been instrumental in enhancing the visual appeal and aesthetics of their brand.
The other factor that helped has been social media for brand discovery and customer engagement. Shivani manages their social media presence through the Instagram account @pickleproject.blore and it has helped the customers who tasted their pickles at pop-up events to come back looking for more.
With such an unusual repertoire of pickles, we hope Purobi Kagti is dreaming up more flavours of pickles!
All images courtesy: Purobi and Shivani Kagti
Finding Me: A new series on growing older & bolder
Deepika Shergill is a behavioural, leadership and life skills trainer and coach. She is also a mother, a caregiver, a daughter and quite the Instagram influencer with her candid take on everything from her two sons to her sarees. We love her views on being older and bolder and spoke to her to find out how's she rethinking ageing at 61 along with her mom Kamlesh Gill, 86, the veteran actor who wowed us as the no-holds-barred daadi in the Bollywood hit Vicky Donor.
You are a caregiver and a proud daughter. You were also your mother's manager when she was active as an actor. Tell us about her journey in the movies and how as a child you've encouraged her and kept her going.
Mom Kamlesh Gill has been acting since she was 19! She is 86 today and was among the first women on the Delhi stage. We hark back to the 1950s when she was much a Queen of the Delhi Stage. She was also among the first artists on television. Cinema and TVCs were natural along the way. She was 75 when Vicky Donor happened in 2012, which catapulted her into the spotlight. She has been very independent and has managed on her own. But sometime in 2014, she was on two big projects - Bang Bang with Siddharth Anand and Kick with Sajid Nadiadwala. The shoots were in Manali and Mumbai respectively, closely paced. And, there was a mix-up that happened on the dates. That is when I stepped in to help sort things out and found myself taking on the mantle of her ‘manager’.
More importantly, it was a decision to let her not have to deal with the ‘logistics’ per se and enjoy her work. The main tip I can speak of while helping out an active older adult is being wired in. I have had no experience in the showbiz. I learnt on the job per se. I manage her food, travel, and stay. I travelled with her and ensured she had a place where she could put up her feet in between shots, and have a nap if possible. I would transcribe her script in Devnagri for ease for her to memorize them, and help her with that too. I’d keep an eye out on her footwear, for instance. My focus was her interests need to be protected. There were filters too and we discerned when choosing from the work that came her way. I’d discuss her creative choices with her, about what lit her fire more. She is a performer and likes to dive deep into her roles. In her 60s, she had just retired from the Railways (she had worked with them for 40 years), and was actively involved in social work at a new community hospital that had come up in the neighbourhood. And was an active member of the apartment management community. A doer. It has been important for her to be ‘doing’ something.
How old are you and how old do you really feel in your mind? Why?
I'm 61 years old and I feel my years too but in a good way. I feel a product of my years. Empowered and more my own person. It took me a while to get here though. But how old do I feel really? I feel am 18 still and the rest are just the years of experience! There is so much more to know and learn which I can now ‘combine’ with what I have gathered over the years. How cool is that! I picked up my first DSLR camera at 53 and at 61 I'm exploring photography professionally. Am sometimes the ‘oldest’ in a photography workshop and the one with the most questions :). I'm now my own person. More me. Unapologetically me. No facade. No layer.
What has growing older given you? And has it taken away something from you?
Growing older has given me the years. And, life in those years. Through the twists and turns, upheavals and churns. Like they say, what grows in fire won’t wilt in the sun. Am a survivor. I don’t think growing older has taken away anything for me. It has only been added. Years. And no regrets. Yes, there are times I’d have liked more energy and wish I was able to run and climb stairs. But that's okay. I still manage to get where I want to. Sab changa!
You have 46,000 followers. Tell us your Instagram story.
The trigger was an interest in sarees, and to showcase pictures. To keep the drape relevant. Along the way, I realised I am more of a storyteller! I tell stories. My handle bibi.about.town is more about a middle-aged woman (bibi in Punjabi), an urbane woman and her prism about town. I am a story collector of the everyday. My Metro rides. The tiny escapades. Some social issues (mostly women-related). Glimpses. And, I feel my audience relates to a lot I write about too.
Here's a short anecdote with her mother that we absolutely loved: https://www.instagram.com/p/Cv1Rs0XyWAd/?igshid=MzRlODBiNWFlZA%3D%3D
Are you the same person you were when younger? How is Kamlesh Gill, your mum different from who she was when younger? Would you know?
About Mom, I think she is much the girl she was. Driven, restless. The first girl in her village who completed her Matric (the school opened the doors for other girls after her), and the first woman on the Delhi stage. She is a pathbreaker. I have come more into my own now. I was quieter when I was younger. It isn't easy to quieten me down now:).
We love how you drape your saree in a casually chic way. How has your sense of style been and has growing older influenced it?
Dressing is a matter of choice. And, as women evolve and grow, THEY need to be able to define what they wear. Not the clothes on them. I define my style more by convenience and comfort. More street-style since am out on foot and walking a lot. Sarees with tees, for instance -- to send out a message that YOU can style your saree the way YOU want, and inspire the younger generation to pull out their mom’s sarees too. My colours are decidedly brighter! I need the brights for the energy. I need that dose sometimes :)
What are the lessons learnt from your mother as she grew older?
The curiosity and restlessness. Being exploratory as she has been.
All photographs courtesy: Deepika Shergill
How have you changed as you grew older? Did you evolve differently as a person or have you always been the same? Share with us in the comments below.
A motley bunch of older adults find themselves making a podcast to share their knowledge. They find themselves richer for the experience and share their learning
November 2021 or thereabouts. We began our audio trip at the request of the National Institute of Social Defence (NISD), Ministry of Social Justice and Empowerment*. The brief was simple - create podcasts aimed at improving the lives of senior citizens in urban and semi-rural areas.
We thought this is what we were asked to do:
While the podcast is a national programme, we felt we should do the podcasts in English and Tamil as our experience and stories would be more relevant and useful to our audience. Who were we addressing? Urban, semi-urban, tier II towns, men and women above 60 and youth who generally group together (the influencers). We knew the need to market the programme as radio is not a strong medium in current-day media reachouts.
That was the easy part.
We were a whacky team of oldies, respectfully addressed as seniors. The team had more than fifty shades of grey in our heads and bodies. We were a small part of the Covai Vani Podcast team, but audaciously, we called ourselves the Core Think Tank! Welcome to the fabulous and majorly dysfunctional team behind the microphones, ready to pretend that we could talk, croak, creek, stutter and mutter our way into the ears of the hapless listeners.
The Motley Crew
● A lady we called the Toll Gate Snacks Bar - a banker, social worker and storyteller.
● A prim and proper lady who not only wrote the Queen's English but also crossed the “t's" and dotted the “i” s when she spoke. A journalist, writer and consular communicator.
● A Tamil scholar and poet who found his roots and true calling after 40 years in the U.S. and came back home. An engineer and entrepreneur.
● An accomplished singer whose voice was melodious, spiritual and multi-lingual. A banker lady who had lived in more cities than the bank had branches in.
● And finally, the Guru of sillies, the master of mischief, and the town joker, with his contagious laughter and offbeat sense of humour. A corporate communication specialist he called himself, though all his colleagues wondered what that was.
We were so good, so bad and so sad, that it was only after 100 episodes, that we felt the need to think of making a kind of “How To” on podcasts. And that too, when the Government asked us to make a presentation on podcasts.
Here’s what we said in our presentation to the Ministry:
The name podcast may be modern, but the practice of conveying messages through voice is age-old. All Hindu scriptures were passed on by voice from the Gurus to the disciples. Our Vedas, Mahabharata and Ramayana were communicated and handed down in this manner for several centuries. The Bible tells us that God himself spoke the Ten Commandments on the Mount of Sinai. It is believed that Prophet Muhammed received messages from God through oral information alone. So voice as the medium was always there.
Did you know that podcasts actually came before the internet arrived in our lives?
In the 1980s, voice enthusiasts reached out to audiences via what was then known as audio blogging. But distribution was a problem and it faded away. Podcasting was developed in 2004 when Adam Curry, a former MTV video jockey (VJ), and software developer Dave Winer, coded a program known as iPodder, which enabled them to download Internet radio broadcasts to their iPods. Today, there are more podcasts than ever before — over two million shows and 48 million episodes, and the number of podcasts is growing exponentially, according to Apple Podcast. The rebirth of voice happened, aided by the internet and other technologies.
This Is How We Do It
We share our learnings, experiences and a guide to producing, uploading and reaching the right audiences through podcasts. We begin by trying to define who we are talking to.
God reached the whole world regardless of religion. We are but a tiny speck in the southern tip of India trying to reach out to senior citizens in and around Coimbatore and other parts of Tamil Nadu, such as retirement communities, districts and village panchayats. Our voice will reach them through radio, smartphones, health centres, Asha workers, OB Vans, websites, etc. And we intend to make a difference. With our voice. And our podcasts.
Ideation and content creation are the most critical parts of a good podcast.
There are only three ways to do it.
Prepare. Prepare. And Prepare.
The podcast group sits and brainstorms on ideas for topics and execution. We need to decide on the topic and the format first and break up each subject into sub-themes. The format could be a solo voice, interview, co-host, group discussion, expert speak or celebrity interviews. Each person from the group has a penchant and talent for a particular subject. Here are a few examples of topics - health, wellness, mental health, nutrition, music, counselling, entertainment or infotainment. And a lot more.
Here's what the team members had to say:
“I can do interviews with eminent doctors, banking-related issues, mental health, specific issues related to seniors, cooking, online education and games”.
“I love music and can do episodes on all national and festival occasions. What I would love to do is to analyze the style and genre of music directors. There are so many avenues open in classical, folk, film music and Bhajans”.
“My forte is storytelling and interesting interviews. I’d like to read extracts from my stories, do evocative pieces on a variety of human interest subjects, and do interviews with seniors and experts.
“I can break down wellness into several areas and also do podcasts on entertainment and infotainment. I love talking to seniors about our problems and managing them. I am actually the generalist in the team”.
We had the content. Now we had to ensure that the quality, voice and overall recording were of a high standard. A professional recording and dubbing artiste pitched in with his advice:
Good podcasts brand themselves well, consistently and emotionally. Transcripts can be used in blogs for the hearing impaired as well as for people who love to surf websites. We should get ourselves listed on Spotify, Apple and Google podcasts. We learnt that it may be useful to even try business networks like LinkedIn by recording a short trailer and providing a link to the main podcast. Word of mouth is really a great way to spread your message and social sites like Facebook, Reddit, Instagram and Quora are also good to be associated with.
Well, we done it.
That was about some newbies telling you how to take an audio journey at your own risk and at no cost. In the end, podcasts are all about relatability, experiences, learnings, laughter and memories. We are a delighted lot.
Here's where you can hear us: https://i-radiolive.com/podcast/channel/nisds3covaicare
Good to know: CovaiCare has been chosen in Tamil Nadu by the Ministry of Social Welfare, Government of India, for their initiative “Anubhav”, a Pan India Project to help create and spread awareness programmes for senior citizens throughout the country.
All photographs courtesy of the author
Cover image: Pixabay
Have you ever explored recording a podcast on your own? Do you listen to them? Share your experiences and favourite podcasts with us in the comments below.
What did it take to leave your family home behind during Partition 1947 and start a new life without anything in a new land? A writer shares his parents' story and his childhood in a young India. An Independence Years Special.
In 1947, during the tumultuous time of Partition and India's subsequent independence, I was a mere three years old. We hailed from a small but affluent family, situated amidst a larger clan of about 20 families in the Sialkot District of what was then undivided India. As word spread about the impending division of the nation along religious lines, confusion reigned. The plan was to bifurcate India to establish Pakistan as a separate state for Muslims. This new state would predominantly comprise Muslim-majority areas in Punjab and Bengal. Consequently, Hindus in these regions were expected to migrate to mainland India, while Muslims from other parts of India would relocate to the newly established territories of Pakistan in the west and east.
Our clan had called Sialkot home for generations. Most of our elders had only ever experienced life in Sialkot and its neighbouring regions. However, as uncertainties mounted and concerns for family safety grew, a decision was made to relocate to more secure, Hindu-majority areas like Jammu, which were anticipated to remain part of India. This migration took place in March-April 1947, well before the actual partition in August, which was marked by significant violence and animosity.
Family elders have since shared with me that while the decision to move was rooted in apprehension, it was undeniably prudent and timely. Remaining in contentious zones like Sialkot, hoping that situations would stabilize, would have posed risks to our clan. Due to our early relocation, members of our clan could even transfer a portion of their wealth, though a majority of it was left behind, likely claimed later by former neighbours or the authorities.
The magnitude of the disaster that might have befallen our clan, had we not chosen to move earlier, is unimaginable. Yet, destiny played its hand as it did. Our departure was discreet. We left our homes locked, seemingly nonchalantly, the keys to which were probably later used by either the Pakistani government or the neighbours, long after we had found refuge in distant places like Agra and Delhi.
Here's what I wrote about our life after Partition in my small book: What They Don't Teach In Educational Institutions. Excerpts below:
My parents, along with millions, came as refugees to the Free India of their broken dreams. Life could not have been easy for them, uprooted from where they had everything, to a new place in a new environment, where they owned nothing except the clothes on their back, the willpower to make things work for the family and the tenacity to do well in life. It was a transformation from total abundance to total scarcity, from everything to nothing. The only consolation, if we could call it that, was that they were not alone but in the company of millions, who were uprooted from their original homes, on both sides of the border. Though my parents could only afford for us four brothers to be educated in ordinary city corporation schools, education was especially emphasised.
However, our real education was in our home, our gurukul. By personal example, our parents taught us innumerable things, we could never have learnt in school in those tension-filled times.
I still remember those fateful days as a child. I never saw my parents cribbing, complaining or grumbling about the new situation that fate had put them into. Be it money, eatables, clothes or other things that are normal in households these days, they were mostly short, less than what was required. We were expected and encouraged to share amongst ourselves or with other children in school and outside. We got only one ‘anna’ as our daily pocket money, which could generally buy only one item during our school recess. But hunger during those days was perpetual since ‘angeethis’ (coal stoves) were lit only twice daily and took almost an hour to light. Breakfast and lunch were cooked in the morning and dinner, in the evening. Our mother, for most of the day, used to be in the kitchen, trying to meet our requirements. She was a good cook and met our requirements of abundant home-made snacks quite efficiently.
While attending any social function, our parents strictly instructed us to eat after everyone had eaten. Whenever they had gone to attend a marriage in the community or friends’ circle, they would never eat there, which was a dignified social custom those days, quite contrary to the present-day culture of guests toppling over to eat. They would come home and eat what our mother had cooked before leaving home. Sharing was encouraged at every level. In daughters’ marriages within the community, food was served by friends and community members, not by paid waiters.
Despite all the financial hardships and scarcity, our parents went about their job, doing whatever needed to be done -- my mother at home, and my father in our grain shop, which he had opened by then. Father was a great humorist and mother was very social and worldly-wise. People liked to be in their company. Since they were very helpful and social, they were welcome everywhere. Adversities and facing problems were considered part of our education. Keep trying and one fine day you will emerge winner, was a lesson we were reminded of daily. Without anyone ever mentioning a word, I learnt my first greatest lesson in life: When confronted by a multitude of grief and adversity, if a person stands boldly without accepting defeat, he shall see the defeat itself depart utterly defeated”.
Cover image: A refugee special train at Ambala station. Used for representation only. Courtesy: Wikimedia Commons
Would you know of the experiences your family went through during Partition? Share them with us here or mail them to editor@silvertalkies.com
Four older athletes from Kerala are regular winners at sporting events for senior citizens and tell us what keeps them going.
Sports and activities are a good way to keep yourself mentally, socially and physically away from the weakening conditions of old age. There is abundant research supporting the need to be physically active during your older years. Meet four veteran sportspersons from Kerala who are shining examples of that. For them, age is not a barrier. Their sheer dedication and hard work have won them numerous accolades in various sporting events organised for seniors.
“I want to do this as long as I am able to, I am really looking forward to growing older and winning more medals!”
That’s Sebastian Kadalikattil, a retired professor of Botany from Kottayam who came out triumphant along with another veteran swimmer Kurian Jacob in the 2023 European Masters Games in Finland. Sebastian won two gold medals and a silver in the 50-metre, 100-metre butterfly and relay competitions in the 80-84 age group. Like many others of his generation, Sebastian learnt to swim at a young age in a nearby river. His first participation in a Masters event was in his hometown Pala, Kottayam after retirement in 2011. He won the swimming competition at that event and since then has participated in and won medals across various meets. Watching people of much older age groups actively getting involved in the competition has kept him motivated. Sebastian and Kurian were the only Indians of their age group who were at the European Masters event in Finland, both overjoyed about representing India. “Growing old is inevitable but being physically active makes ageing easier; even a 10-minute swim a day is very invigorating.” says a cheery Sebastian, who is encouraged to continue by his family of four sons and a daughter.
Retired banker Kurian Jacob is from Kottayam too and has loved swimming ever since he could remember. His childhood days were spent wading in the fast-flowing river in front of his home. A water polo victory in a university sports competition sowed a lifelong interest and competitive spirit in him for sports. In the European Masters Games 2023 held in Tampere, Finland, Kurian bagged various medals in the 70-74 age group. He won three silver medals in the 800-metres, 400-metre and 100-metre freestyle along with bronze medals in the 4+50 medley relay and 4+50 freestyle swimming races. Kurian first heard about Masters championships in 2019 and from then has participated and won approximately 50 medals at state, national and international levels.
He attributes his fitness to intermittent fasting.
“It has really helped me along with the six days a week swimming I do regularly. Not only does it keep me active physically it has also enhanced my mood!”
Kurian enjoys fermentation and cooking in his leisure time and his kombucha is much loved in his close circles. He lives in Kottayam with his wife Sunnu. Both his daughters reside overseas and are very supportive.
Sebastian and Kurian feel senior athletes need more encouragement. The duo plan to write to the state Ministry of Finance in Kerala to suggest the idea of offering cash awards to those who won medals at national and international levels. They feel this would incentivise many hardworking athletes as travel expenses are a lot to bear by themselves.
Vasanthi Vijayan cannot miss the 4 am walk that she does every day as part of her fitness regime. She has loved athletics since childhood and used to take part in school sports events secretly as her dad didn’t support it. “At that time, girls going out or being involved in sports was frowned upon but I never cared for it,” says Vasanthi.
The love was further cemented when she worked at McDowell’s for 25 years and would take part and win in sports events hosted by the company. Going for Masters championships seemed a natural progression. In the Asian Meet of 2016 and 2017 held in Singapore and China, Vasanthi won silver medals in racing in the 70-74 age category. Even an accident and hospitalization in 2018 didn’t deter her from participating in sports meets. However, travel expenses are a burden for Vasanthi. Her three sons work as labourers and they, along with relatives and neighbours contributed to her travel fund which helped her go to the previous Asian meets. Vasanthi has no plans of giving up on her medal dreams.
Vasanthi Vijayan is trying to raise Rs 1.25 lakh for the forthcoming Asian meet in the Philippines in November 2023. If you are willing to contribute or share her story please email us at editor@silvertalkies.com and we will connect you to her.
Running and winning medals keeps Elsa CD, a retired Circle Inspector in Thrissur, Kerala, motivated and fun-loving. She won a bronze medal in Javelin throw, and three silver medals in the 200 metre, 100 metres and 400 metres at the National Masters Athletic Championship at Kolkata this year. Elsa made her debut at a Masters sports event in 1989, and from then on, has participated in nine Asian meets and four world meets along with multiple national and state meets. The countless medals she had acquired over the years are so many that they are kept in pots and pans at her house, she told this reporter lightheartedly.
“I usually get a physical checkup every time before I take part in an event. I exercise regularly at the stadium in the city to which I take the bus,” Elsa said when asked about her fitness routine.
She is also a Thrissur district champion in the All-Kerala Police meet. Funds are a problem for Elsa too and she has taken loans to finance her travels to competitive events. “Winning is my biggest motivation,” says Elsa who lives with her younger brother in Thrissur and plans to continue participating in sports events for senior citizens and winning medals with the same ease.
Good To Know: Senior citizens need to participate in Masters Athletics Championships. The Masters Athletic Federation of India is responsible for conducting these championships and selecting sports candidates from the ages of 35 and above for Asian and World meets. The federation is an extension of the governing body of World Masters Athletics. The Swimming Federation of India (SFI) is the governing body for aquatic sports in India and oversees the Masters swimming races. They are affiliated with the FINA Fédération Internationale de Natation and ASF Asian Swimming Federation.
Athlete's and Swimmers' Images are courtesy of them
Cover image: Steven Lelham on Unsplash
Are you into sports? Have you participated in any competitive sports events in after the age of 50? Tell us about it in the comments below or email editor@silvertalkies.com
Come with us on a tour of RK Narayan's home-turned-museum in Mysore.
In a quiet lane in Yadavgiri, Mysore stands a simple house with red oxide floors. It was home to RK Narayan, creator of Malgudi Days, Swami and Friends, The Guide and one of the stalwarts of Indian literature in English. The house is now a museum. It gives enough glimpses into the iconic writer's life but leaves you wishing for more.
'In his autobiography, My Days, Narayan says that he picked out this particular spot to build a house because of the frangipani tree, which was in full bloom at the edge of the plot,' writes Hema Ramaprasad in Scroll. He describes his study as “a bay room with eight windows that affords me a view in every direction: the Chamundi Hill temple on the south, a variety of spires, turrets, and domes on the east, sheep and cows grazing in the meadows on all sides, and railway trains cutting across the east-west-slope.”
The house would have been lost to property development like most old houses across our cities do, had it not been for a public outcry and a newspaper campaign. After Narayan's death in 2001, his family could not maintain the sprawling home and sold it to a property developer. A Mysore-based newspaper campaign to preserve the author's legacy sparked enough public outcry to push the Mysore Urban Development Authority into action. The house was declared a heritage property and further construction wasn't allowed. Eventually, the government purchased it from the developer and restored it into a museum..
As we left, we wondered how the writer's last years were spent in this massive home, left alone after the death of his wife and daughter Hema, whom he lost to cancer. As his friend N Ram says in the framed article: That day, just hours before he went on ventilator, he asked me, "Can you bring a diary today?" I said I would. He then asked, "Will it be a 2000 or 2001 diary?" I told him we would get him a 2001 diary.
Till his last minute, he thought only of writing. At the same time, he would say, "I have become lazy after I entered my nineties."
All photographs: Silver Talkies
Have you visited the RK Narayan House? Or any other author home that created an impression on you? Share your thoughts with us in the comments below.
In February, we announced -- THE WRITE HOUR: A Story Writing Contest for Members of the Silver Talkies Club. A big round of applause to our members Preeta, Geetha Prasanna & Ramana Sista for their wonderful and heart-winning entries that were the Three Best Entries. Here's Geetha's story.
Our theme: The Different Loves- Love can have different forms, bonds and adaptations.
Preeta, Geetha and Ramana's stories reflect those special loves. Enjoy the read.
MY PRECIOUS GEMS by Geetha Prasanna
It was the coldest day in Mumbai after 65 years. February 7th, 2008. The temperature was eight degrees in the city. We rushed to the hospital to welcome the bundle of joy, my daughter's baby, who had arrived at Breach Candy Hospital. The cold vanished, and we were filled with a profound sense of warmth and joy as we held the little baby girl; we were proud grandparents. What followed was indescribable.
"What kind of love is this?" I thought to myself. I knew the love I felt when I held my own daughter. However, then my mind and body were exhausted. I then knew this was "irresponsible love". Just enjoy her. No stress at all.
Every milestone of hers, every little utterance, made us laugh and clap with joy. I saw my husband becoming a child himself to play with her. As a busy young mother, I hardly had time for my own babies. Yet, this was such a gift and so precious.
I felt awful and emotional when my husband retired and we shifted to Bangalore. But, funnily enough, I didn't cry when my daughter left for her husband's house. On the contrary, I was happy for her, perhaps! The little toddler had stolen our hearts. She is now a pretty fifteen-year-old teenager.
So, fourteen years later, another miracle occurred. My son and his wife had a baby girl in April 2022 in Atlanta in the US. The emotions are the same. The distance is huge. Thanks to technology, we see her often via video calls. A simple thing like her clapping while I sing a bhajan, fills my heart with joy. My favourite pastime is to view her videos innumerable times. She is adorable, and my daughter-in-law's mother and I think she is exceptionally bright. Perhaps a bit biased.
Since I am a speech and language therapist, I carefully monitor the baby's speech patterns, quietly researching to check when she babbles and waiting to hear her first word emerge.
Grandmothers are known to enhance their grandchildren's knowledge of mythology and tell them moral stories. So, since she will grow up in the US, I will make sure that I teach her all the wonderful Indian stories and fables that we grew up with.
I still remember how thrilled the elder one in Mumbai was when we gladly flew down to be part of Grandparents' Day celebrations. She proudly showed us off to her teachers, and we, in turn, enjoyed listening to all the praise they showered on her.
Children are definitely evolving to be much brighter than we were. Her ability to paint portraits and use any medium to produce wonderful works of art astounds me.
Discipline and grandparents! That's a very sensitive issue. However much I step back, I remind her that talking back is wrong. I am unable to play the popularity game. However, it will pay off in the long run. My clever husband never disciplines! He is always Santa Claus and a kind old Grandpa.
I am very grateful to my children that, unlike most working couples, they did not expect us to babysit their offspring. Instead, both mothers took a sabbatical. It's the most stressful job for older persons to monitor a child's food, sleep and safety constantly. So many grandparents are terrified for the kids' safety.
Never interfering in how they are being brought up requires a lot of self-control. I am amazed that I am able to. My children are intelligent and know when to draw the line before their single child gets spoilt. A tough proposition in today's world.
We didn't have to face this terrible problem of preventing kids from always using devices and barely reading. Instead, our kids played outdoor games. It's a great challenge for today's parents of Gen Z kids.
My elder grandchild is obsessed with wildlife photography, and our safaris together in jungles are most thrilling. I remember her excitement when she saw Saaya, the black panther, deep in the Kabini forest. I am amazed to see her waking up at 5 am for safaris at Jim Corbett and Bandhavgarh national parks. She takes fantastic wildlife pictures and entertains me with all her jungle tales.
She is quite amused that I am not the traditional grandmother. She enjoys getting into the pool with me to do aqua aerobics, do a Bollywood dance with me or play a good game of table tennis. She encourages me to dress trendily and teaches me to do digital painting. There's so much to learn from her.
Now her friends are very important in her life, and all elders are bound to take a back seat, but that's about teenage life. I always pray that she makes the right choices.
She introduced me to the Avengers and told me she fancies Loki, the Norse God. So I painted a portrait of Loki for her. She thinks I am an excellent dancer, and her grandpa is an outstanding singer. It feels good to be praised by the little ones.
Seeing my son as a good father taking care of the baby and my daughter-in-law, I am happy that, at last, there is equality in the tasks of raising kids. However, my husband always helped and was a role model for my son. I know the little one will surely be the apple of his eye!
I am sure that every grandparent shares the same emotions. Some of them are lucky to be living with them too. I am glad that at least one of them is in India. I know will be increasingly difficult to meet the one abroad at some point, but I hope they come to India often.
I am filled with gratitude each day for my two grandchildren.
A grandchild fills the space in your heart to such an extent that I am counting the days to fly to Atlanta to celebrate the second one's first birthday.
In conclusion, my husband and I found that gold pot at the end of the rainbow.
Special words from our judge author Meera Rajagopalan: Thank you for this! It is such a lovely piece, and so much from the heart. The part about the birth of the baby, the cold outside and the warmth inside is really evocative. I also like that you talk about being a different kind of grandmother.
Please share your feedback in the comment box below.
Here are the other two winning stories.
Loki: The biggest love of my life
Cover image: Pixabay
Congratulations to our winners, and keep writing!
In February, we announced THE WRITE HOUR: A Story Writing Contest for Members of the Silver Talkies Club. A big round of applause to our members Preeta, Geetha Prasanna & Ramana Sista for their wonderful and heart-winning entries that were the Three Best Entries. We will share their stories here one by one. Here's Ramana Sista's.
Our theme: The Different Loves-Love can have different forms, bonds and adaptations.
Preeta, Geetha and Ramana's stories reflect those special loves. Enjoy the read.
LESSON IN LOVE FOR DIGNITY OF LABOUR.
By Ramana Sista
Christy Wilcent is 29 years old and stands tall at 6'-1'.
In my 82 years of life, I have seen life and love in all its colours and hues. But Wilcent's love for the dignity of labour is intriguing, unusual and rare.
In 2016, Wilcent called us, on the phone number given to him by a service provider, to offer deep-cleaning services for our apartment at a price agreed to by the service provider.
At 9 a.m. sharp on the appointed date, the 22-year-old, well-built, athletic Wilcent and four workers with a heavy-duty commercial vacuum cleaner, mops, tools, a ladder and different chemicals needed for various applications knocked on our door.
Without wasting time, he rolled up his sleeves and trousers and personally got into the job of mopping and cleaning, leading his four workers by example. After a brief 20-minute lunch break at 1 p.m., they continued the job. By 5 p.m., they had cleaned all fans, toilets, bathrooms, shower partitions, wardrobes, bookshelves, lofts, kitchen cabinets, balconies, glass panes, floors, blinds and every inch of the 1876 sq ft. apartment, giving it a sparklingly new look.
My wife asked him to clean the washing machine drum too, which he did willingly.
Piqued by his command of English and the professional touch in every activity, I asked him about his educational background.
"Sir, after B.Com., I did MBA from Imperial College, Jayanagar, Bangalore."
"Why didn't you go for a job?"
"I wanted to become a Police Inspector, passed the first test but failed the second test because I didn't pay the daunting amount demanded for selection. Then, I decided to be on my own."
I was dumbfounded because while Wilcent was on the job, it was difficult to differentiate between him and his workers, job content-wise. When asked why he needed to come through a middleman, he said that, being new to this field, he could only get customers if attached to a reputed agency. That was only an introductory service on payment of 10 per cent of the charges for use as a launching pad. After that, satisfied customers call him directly.
Quite happy with the quality of work and pleasant attitude, we have been using his services every six months since then. We continued with his services when we shifted to our new apartment in Yesvantpur.
When I paid his charges for that day's job, he said, "Sir, it is less by Rs.1,000/-."
I said, "I paid as per last year's charges."
"No, sir, last year the charges were increased for the enhanced scope of work: polishing a five-seater leather sofa with special oil and the carpet. You can check your bank account."
I recollected and paid the balance but said, "The service provider's charges are much less than what you charge. Yet, I called you because of our six-year association."
"Sir, I work on behalf of that company also, but that work gets over in two/three hours of sweeping, dusting, and mopping, and we finish two apartments in a day. The quality is entirely different, and we engage less labour for them, leaving the customer unsatisfied. That reflects on the service provider's reputation. Only when you use their services will you know the difference. In fact, I am slowly moving towards interior designers and established customers like you to protect my reputation.
“In your case, I engage more labour and devote more than 8 hours to complete the job till I am fully satisfied.”
Wilcent, an MBA degree holder, is humble, soft-spoken, goes the extra mile and aims at customer delight.
The dignity of labour is in every job that is dutifully done with humility, honesty, sincerity and love.
Special words from our judge author Meera Rajagopalan: A beautiful narration of a love that many of us express but rarely think about -- the love for what we do. The reader can easily imagine Wilcent, and each of us can recollect at least one Wilcent in our lives. In just under 650 words, we get a peek into the characters of Wilcent, the author, and even the author’s wife. Kudos!
Cover image: Monica Robak/Pixabay
Please share your feedback in the comment box below. And watch this space for the other best entry award winner this week!
You can read Preeta's story here: Loki: The Biggest Love of My Life
A civil servant's initiative to build an elder-friendly community has made a difference to senior citizens in Jharkhand's Jamtara.
Kartik Mandal is a retired high school headmaster. Like many senior citizens, Mandal was resigned to an uneventful life after he stopped working -- sitting at home, running a few errands, and meeting his contemporaries occasionally. Quiet and largely dull.
Since January 2022, the 65-year-old's days have been anything but that. Instead, he spends his day conversing and sharing life events and anecdotes with friends in a club near his house. All of them are over 60 and members of an Elder's Club in their village in Jamtara district, Jharkhand.
The Elders' Club is the brainchild of Jamtara's District Magistrate, Faiz Ahmed Mumtaz. Each of the six blocks in the district — Nala, Fathepur, Jamtara, Narayanpur, Karmatand, and Kundhit-- have an Elders' Club, and any resident aged 60 and above is an automatic member.
About 10 percent of Jamtara's nine lakh population is above 60. The club has been an experiment in transformation for many of them, giving them community support and empathy from peers.
How It Started
When Mumtaz looked at older adults around the district, what stood out was loneliness and sadness. "Most senior citizens were at a stage where they weren't considered important enough. They were physically fit but resigned to a lonely existence, not doing much; some were waiting for life to end because they had nothing to look forward to. They were existing," he told Silver Talkies.
Jamtara is notoriously known as the 'phishing capital of India.' To solve the problem, Mumtaz had set up community libraries across the district earlier. It was his innovative way to redirect the misguided youth from the neighbourhood towards knowledge and education, an ongoing effort.
Setting up the Elders' Clubs was a natural solution to the purposeless state and depression Mumtaz saw around him. His solution was to renovate old, dilapidated buildings in the area and create Elders' Clubs in each of Jamtara's six blocks. Everyone contributed in some capacity to give this story of community building a beautiful beginning. The Police department and civil administration donated chairs, weighing machines, and indoor games. Some local businesses donated televisions and furniture. IOCL donated refrigerators for each club. Residents contributed wherever they could.
A beautiful garden and park surround each Elders' Club. "Sometimes, our grandchildren drop in to play, and we have a good time," Mandal says. He's grateful for this because it leads to a special time that may not have happened at home.
Mandal spends his mornings at the club reading books and magazines, watching some television, and doing Yoga, a practice he had started in his schoolteacher days and has now managed to revive with his peers. There is no time to be bored, he laughs. Instead, his days are pretty packed. "We exercise together. Several indoor games are provided at the club so we play carrom board and Ludo with each other very often. There are holy books across all religions here, and we browse through those when we want. It's good to know more about other religions to understand people matter."
A dedicated space often leads to discussions they wouldn't have had otherwise. Mandal and his friends have had energetic and deep conversations. "We talk about our youth, the old days, our lives. It's a small village, and many of us know each other, but we share stories of happiness and sadness, our griefs and joys. The best part is there is someone to share it with."
How It's Going
At Narayanpur block, 25 km from Jamtara, Narayan Poddar is a widower who had almost given up hope, depressed after his wife's death. He now presides over the local Elders' Club, which started on December 25, 2021. He talks to visiting schoolchildren about his school days, shares his day with fellow members, and is a changed person, says his peer Phanibhushan Misra, 62.
The social network and special focus have worked positively for the members' emotional wellbeing. "I feel good, and that feeling of loneliness is gone. Ekakipan feel nahi ho raha hai, aisa lag raha hai ki saath me sab hai,” says Misra, who was a farmer. "It feels like a community that has come together now." "We come here voluntarily, with a free mind. No one is forcing us to. So this makes a lot of difference and shows in our behaviour with everyone around us, too."
The Elders Clubs are all managed by a member-run maintenance committee where every member takes turns to keep the premises neat and clean. The events that they organise are also based on their likes. The Narayanpur members also help some needy senior citizens who have no place to call home and have pooled resources with the help of the block development officer (BDO) to offer shelter to these homeless seniors. "We help them with food and other necessities to the best extent we can," Misra said.
Beyond the fun and games, there is a look at health and legal matters that can keep the elders safe. A poetry competition was organised recently to encourage creative members. The Elders' Clubs also focus on learning and addressing issues of dispute and abuse that older adults often face but find hard to communicate. Apart from monthly physical checkups, the seniors here are counselled about problems like elder abuse and the Maintenance and Welfare of Parents and Senior Citizens Act. In addition, the members, along with the BDO and other officials, have helped sort out situations for other elders in the neighbourhood. "Sometimes it is easier talking to someone your age about these things," they say.
Society has to become sensitized about senior citizens, says Mumtaz. He adds that it is hard to measure the impact of such innovations, but in the past year, he has observed the sense of community, bonds, and emotional wellbeing the Elders' Clubs across the district have managed to create. His Twitter page often has videos of members jovially playing indoor games or interacting with schoolchildren who are regular club visitors. The ideas for the Elders' Club and Community Libraries have won him the Indian Express Excellence in Governance Award and praise from eminent economists like Jean Dreze. He thinks it's a model that can be replicated across the country.
"Whether in a remote village or a well-to-do family in the city, people cannot empathize with an elder's loneliness. The loss of purpose and lack of appreciation for elders requires much thinking to truly understand them."
All images courtesy: Faiz Ahmed Mumtaz & Twitter
How has social engagement and a sense of community made a difference in your life? Share your thoughts in the comment section below.
We start 2023 with the inspiring story of Air Marshal P.V. Iyer, who stays fit, active and raring to go at 93!
'It is around the age of fifty that we sometimes tend to fall into a defeatist state of mind, a feeling that it is too late to get back to a vigorous state of health. It is important to realise that it is never late to regain your fitness.'
93-year-old former Air Marshal P.V. Iyer should know. His bout with fitness started at 47 and continues well into his 90s, despite suffering from severe osteoarthritis. The author of Fit at Any Age: A Practitioner's Guide, Air Marshal Iyer, walks the talk and works out five days a week at the gym. He also runs eight kilometres daily. Over the years, his fitness journey has included more than 20,000 kilometres of running, including 42-kilometre marathons and a 240-kilometre ultramarathon from Agra to Delhi. Iyer says fitness and diet are essential to the body's maintenance and sustenance. Excerpts from an interview with him:
Q. Tell us about your fitness journey and how did it start?
When I was young, I didn't know much about fitness. I only realised more about it when I was stationed in Moscow as the Air Force attache. One day I noticed that my pulse was 60 or 50. Usually, it should be 72. I went to the doctor, who said, Mr Iyer, this is good for you. You have an unnaturally low heart rate. It means that your heart is strong and can do all the work with lesser effort. That gave me the idea that there is something more to fitness. Later, at 47 years of age, the Indian Air Force introduced a new policy of annual fitness tests. I had to run a mile in seven minutes. So I started practising and found that I could jog without discomfort and quickly run a mile in seven minutes. I continued my journey and became increasingly interested in fitness, reading books and articles about fitness.
I increased my mileage-- from normal one or two miles, I started running four or five miles. I fashioned a five-kilo belt of my invention. In the Ganges in Kanpur, the sand dunes are 15-20 ft high each. I would run barefoot on the dunes and work out for an hour this way. You can imagine the kind of strength that I would have through these activities. Within six months of this workout, I participated in the Asian veteran's athletic race. Milkha Singh, the Flying Sikh, was our captain. I ran the 5000 meters race and won the gold medal. After that, I competed in Singapore. Japan, China, Malaysia and other countries.
So this way, I became more and more interested in fitness. I have run more than one lakh kilometres in the last 40-50 years. For context, one marathon is 42 km. A 1000 marathons make 42000 km, and I have run three times that. Very few people in the world would have run so much. I've been able to do it, and I attribute my fitness to that kind of activity that I carried out. But everyone doesn't have to run so much to stay fit. Twenty minutes continuously is excellent, which is good enough for all kinds of problems.
Q. What are the key things to remember while training to stay fit at an older age?
We need to remember that there is strength in every individual, whatever age. Strength is the most significant factor in fitness. It's a force multiplier. First of all, you need strength to move your legs. You need strength to maintain your body's metabolism, so you don't put on weight.
You need strength to keep your thoracic organs fit and protect your heart, lungs, kidneys and liver. In addition, strength is essential for stability. But, unfortunately, strength starts reducing from the age of 30 and then by 10 per cent every decade. So by the time you're 50 or 60, you have only half the strength unless you work to improve it. That's why I can do pull-ups even now, which even a younger person finds difficult unless trained.
Q. Many people feel they haven't exercised their whole life, so it is too late. Is this true?
It's essential in human physiology and fitness that what you are today depends on what you have been doing during the last three months. It is a physiological fact. Supposing you had a fracture and you're bedridden for a few weeks, it's common knowledge that the muscles will wither within those weeks. So you need physiotherapy to get back to normal strength. But the opposite is also luckily true. This means if you've never worked out or done any physical activity, if you work out for three months, you become as fit as the next person.
That is one of the big messages I've tried to convey in my book. You are what you have been doing during the last three months.
Q. Any tips on how to start?
Start slowly, and consult your doctor if you have any medical problems. Then, you start walking and jogging with the doctor's permission (and only after that). Alternate between walking and jogging. Don't jog all of a sudden; one minute or half a minute of jogging is good enough. Then you walk again. Slowly and gradually, you'll realise within the first six or seven weeks you are becoming fitter, and you're totally fit within three months.
"Fitness should be valued. In my 80s, I had to consult an ENT for a nosebleed once. I wanted to be assured that there was nothing wrong with me or any major illness. He asked me to relax and accept whatever came along since I had lived a full life. The doctor had completely missed the point. I did not go to him for compassionate advice. I went to him to be cured."
Q. Any funny anecdotes you wish to share with us?
My mother-in-law was admitted for surgery in a Nagpur hospital, and I visited her. She was sleeping, so I decided to lie in the empty next room. I had woken up early for a run, so I dozed off. Suddenly I found somebody putting a thermometer in my mouth and counting my pulse. I tried to tell the person that I wasn't a patient when she suddenly let out a big cry as she found my pulse as low as 39! She raised a big alarm, rang the emergency bell, and doctors came running in while I tried to get up. I had to explain to them that I was an athlete who had gone for a 20 km run that morning, and my pulse was naturally low. And all this while I was trying to get up from that hospital bed! Finally, one doctor understood and let me go, but this incident remained funny.
All photographs courtesy: Air Marshal P.V. Iyer
Fit At Any Age is published by Bloomsbury India and is available at Amazon and in bookstores around you.
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Love and music bring happiness to the infirm and aged in this senior citizens' home and allow them to share it with others too. Be inspired by the Choir of the Loaves and the Fish!
If you walk past the open windows of the Holy Spirit Senior Citizen’s Home at Bannerghatta in Bengaluru and hear the sounds of We Are the World or These Are a Few of My Favourite Things, or I Have a Dream wafting towards you from the interiors, do step in and explore more. You will be pleasantly surprised, even awed, by the fact that the voices that reeled you in belong to a choir of 65-96 year-olds whose lined faces are alight with a passion for music.
They practice every week, despite the fact that some of them are in wheelchairs or holding on to walkers or have had strokes and are living with cancer, heart disease, dementia, Parkinson’s, and arthritis. In fact, they have even held concerts, not just for family, friends, and visitors to their own Homes, but in other senior citizen homes where they traveled with a great deal of effort. The driving force behind this amazing choir, known as The Choir of the Loaves and the Fish, are two women named Pervin Varma and Regina Thomas. Pervin founded the choir sometime in 2012 when she would visit her uncle and aunt living at The Holy Spirit Home. Having always been passionate about music, this ex-employee of CRY and TISS would have casual interactions around music with the residents there.
“For me, it was how do I use song and music to bring hope and joy to these senior citizens, giving them a sense of value and worth,” says Pervin.
“One day, we were singing I have a dream by Abba, and I said, Let’s share our dreams. What are your dreams? Many immediately said, This is no age to dream. It was Christmas time, and I said, my dream is to form a choir, and instead of people coming and entertaining you this Christmas, we can invite people and perform for them!”
And so the Choir of the Loaves and the Fish was born!
The Biblical reference to Jesus multiplying loaves of bread and fish to feed his followers was interpreted as the seniors offering whatever they had to God and letting Him use it in whatever way He chose. Their first concert that Christmas of 2012 certainly brought a lot of joy to those who came to listen. The residents of the Home who took part in it were astonished by the feedback they got. They began to practise regularly because now they had something to work towards, says Pervin, adding, “Making a difference to other people was a critical element of the whole experience for them.”
Instead of waiting for the entire year for a Christmas effort, the Choir had started to do an Independence Day concert as well, though due to the pandemic, that came to a halt three years ago. The choir has also performed in another senior citizens’ home, church, and conference at Christ University, Bengaluru.
But getting to this stage of giving outside performances wasn’t easy. Many of the residents initially needed coaxing and cajoling to participate. Pervin remembers one of their members, a lady they called Ammachy who was in her nineties, who would often come to the rehearsals in her nightie but sit silently and stare at them without singing a word.
“There is no criteria to join the choir,” explains Pervin. “If you want to be part of it, everyone gets something to do, a little solo, or to read something, or, in the case of Ammachy, she finally responded to being handed a pair of shakers. A percussionist was born! She really took to them and during her last two concerts, before she passed away, she even sang!”
“Every single time I go there (to the Home), I know why I am there. Just to see their joy,” says Pervin. It is clear that she loves what she does and finds it immensely gratifying. And at the rehearsal we observe, we see her receive that love back and more!
“One of our members in her 80s, suffering from chronic back pain, lost her son very tragically. Despite all that, she would come for every session and sing from her heart. While she didn’t speak a word of English, she learned and sang all the songs just by listening to the phonetics. My uncle, who had dementia, never forgot the words of a song. In his last concert, he sat on his chair, glaring at me (and I thought he would not remember a thing), but when it came to the solo, he sang impeccably. Uncle Suresh was an Air Force pilot and now has Parkinson’s and is in a wheelchair. It is not easy to sing when you have Parkinson’s. But when he sings his voice is so strong. Especially singing ‘Kadam Kadam Badaye Ja,’ the song to which he once marched.”
The Choir has also done some quirky musical acts. For their Independence Day concert in 2018, they tweaked the lyrics of the famous song from the film Sound of Music, My Favourite Things - to incorporate all their favorite things!
Our Favourite Things
Chocolates and dry fruits and
Rich carrot halva
Toffee chews, pomegranates
And Chinese food with champagne
Jim Reeves and Chaudary and Rafi and hymns
These are a few of our favorite things
Goa and feni and Old Monk with thumbs up
Cool breeze and gardens and sunshine on raindrops
Holy Spirit sisters and helpers and friends
These are a few of our favorite things
When the bones ache,
When the nose leaks,
When we’re feeling sad,
We simply remember our favorite things
And then we don’t feel so bad
Singing and cooking and reading and serials
Eating and shopping and meeting with family
Happiness and good health and God’s love for us
These are a few of our favorite things!
Though the pandemic years and aging would’ve taken a toll, the choir, which currently has 23 members, performed in 2021 after a break. It was a reminder that while there are lows in life, the spirit of Christmas and the hope, love, and sense of purpose that music can bring in can always be that bright spot of cheer and light
The Choir of the Loaves and the Fish will do their first-ever online concert as part of the Silver Talkies Club Christmas Fiesta, open to all Silver Talkies Club Members on December 22, 2022. We are honored to have them perform on our platform and wish them success for many years.
To know how to become a Silver Talkies Member member, click here: https://c1.silvertalkies.com/care/membership-plans
To get updates on the choir’s activities, follow their FB page: https://www.facebook.com/ChoirOfTheLoavesAndFish
Note: We first featured The Choir’s story in 2018. The article has been updated and reposted.
All images courtesy: The Choir of the Loaves and the Fish
Computer science professor Uma Garimella channels her imagination by creating art from kitchen and nature essentials.
Dr Uma Garimella is a woman of science with a creative side that comes up with new surprises. Uma, who lives near Chennai, learnt music in childhood and is an accomplished singer. But few know about a creative pursuit that she discovered during the lockdown and has found her sense of calm and spot of mindfulness in -- kitchen art. Kitchen art, as the name suggests, is art using grocery items found in the kitchen. Uma takes it a notch further by creating art out of everyday objects, including scraps of paper and clothes! Here in her own words, are her musings on art, imagination and how other pursuits enrich her life.
Everyone asks me how I started this. It's quite surprising to me also because I never had any background in art. I've done artwork and embroidery in school, but I don't think I was interested in it. So this was something that caught my fancy during the lockdown. This is not vegetable carving that is typically done traditionally. This isn't food art, either. It is a simple and creative hobby.
Sometimes I see the image somewhere. Sometimes, it's just my own idea. Sometimes I try to reproduce a painting or photograph with whatever material I have, but the challenge is to reproduce the shades. My ingredients can go from rice to vegetables, pulses, herbs, leaves, peels, flours/rawa, tea/coffee powder, seeds, sauces and (rarely) cutlery and cups. And of course, imagination and inspiration. For instance, when I heard Queen Elizabeth had passed away, I looked up her sketch and immediately created it with tea powder. I don't sketch any of these out. I make these completely freehand.
Some of the art takes a very long time to make, more than a couple of hours. I look through my mobile camera and make corrections. In the process, something else may shift. There is also some preparation involved in some, like grating vegetables. There is always the problem of ants if you leave out half the ingredients for later or the issue of wilting vegetables. So the whole process is time-consuming. I'm also discovering this and the method as I go along. I usually try to do this when creativity strikes!
How Have Creative Pursuits Added To My Retired Life?
I haven't thought very deeply about how kitchen art has helped me. But over the years, I've been doing a lot of self-work and other pursuits like cycling and spiritual discourses. I love driving. I have done the Golden quadrilateral drive four years ago (8300 km in 23 days) and have been doing a lot of other shorter travels of up to 2000 km, often solo or with a non-driving cousin/friend.
In the last 20 years, I have done a lot of self-development, therapies and workshops to work on my mind. I've been into Vedanta now for the last four years. Since I'm retired now, almost all day long, I read or listen to something. If this kitchen art activity keeps me engaged, it's also cycling and music therapy that I learnt with Rajam Shanker. About four years ago, I took up cycling. Now, I cycle 20 km most days, and some days I do a few extra kilometres. Cycling and walking are non-negotiable for me. Evenings are reserved for that. My longest ride has been 100 km, and I have done 80, 75, 60+ (3-4 times), and 30-40 many times.
The endless conversations with colleagues and family are gone, and a vacuum is created that's difficult to fill. Being alone can further aggravate loneliness. Taking up a physical and/or creative activity is an antidote to the idle mind's psychological and social problems. I am not alone in discovering art; a doctor friend has taken up pottery, and some retired teachers started to crochet and embroider. Another professor I know set up a huge terrace garden. And none of them had any background in these.
With the internet and smartphones, we can learn anything under the sun, sitting in the comfort of our homes. The most important thing is to avoid slotting yourself as a senior citizen to follow others blindly, become less active, or engage in discussions about ailments and medications or children and their families. Retirement is a second chance at life to do whatever we missed out on when we were young because the world of opportunities is more accessible now.
Aren't we lucky?
-- Uma Garimella spoke to Reshmi Chakraborty
Did you enjoy browsing Uma Garimella’s kitchen art? Do you work with materials around the home yourself? Does it bring you a sense of peace and mindfulness, like it does for Uma? Share your thoughts with us in the comments below.
All photographs courtesy: Uma Garimella
Reena Varma, 90, left her home in Rawalpindi on a summer break. She could never return as Partition divided India and Pakistan. Here's the story of how she finally went back home. 75 years later.
“When I was standing there, all I could see were my parents and sisters. My family. All I could see and think of was, I am here now. At least one of us made it back home.”
In May 1947, Reena Varma, then a 15-year-old, left home in Prem Gali, DAV College Road, Rawalpindi, to go on her annual summer holiday. In June 1947, the Partition of India and Pakistan was announced by Lord Mountbatten. Varma and her family could never return. All along, Varma ached to see the home she had left as a teenager. She finally returned there in July 2022, 75 years later.
Sitting in the small sun-splashed study of her Pune home, Varma, 90, shares the torrent of feelings that opened up when she finally entered her house. "The Bari Baithak (large living room) of our house had patterned floor tiles and a small fireplace and mantelpiece that my father had designed. My entire family would gather there on winter evenings. It had remained the same. I could 'see' my family everywhere. It's hard to explain."
Varma's is a dream come true story where social media played a huge role, bringing people together and helping amplify her dream. But the most important element was Varma’s resolve and fervent wish to see the home she had left behind one day.
A Home Left Behind
Varma's family traveled to Murree (now in Pakistan) each year to spend the summer months as her father’s office shifted base there. It remains a much-loved destination in her memory. In May 1947, amidst a somewhat uncertain and sometimes volatile situation, as the family readied for a summer break, Varma’s father was advised to choose a destination other than Murree as there were hints of trouble and violence. They went to Solan, near Shimla, instead. “We carried some of our useful items along, but even then, we never realized that we would never be able to return! I was a 15-year-old and didn’t understand much, but my mother couldn’t accept this fact until she died. Imagine packing to stay elsewhere for some months and never being able to return to your own home!”
Varma’s family eventually settled in Delhi after stints in Pune, Dehradun, and Amritsar. She got a B.Ed degree before marrying Inder Prakash Varma, an engineer with HAL. They stayed in Bangalore, and Varma got busy raising her two children, taking care of her in-laws, and running small ventures from home once in a while.
Throughout all these, one wish remained constant for Varma. To see her home in “Pindi”, as she fondly calls Rawalpindi, just once.
Of Short Visits and Missed Chances
Varma did visit Pakistan once after the Partition. In 1954, Indians got temporary entry visas for a test match between Pakistan and England. “We traveled to and fro between Amritsar and Lahore for three days with my brother-in-law to see the match,” Varma remembers. She was in college then and couldn’t help but wish that she had been able to visit Rawalpindi too.
Varma’s chance came when a Sikh friend and her family organized a visit to Panja Sahib Gurdwara, 48 kilometers from Rawalpindi, and invited her to travel with them. “I got a passport made at short notice and was all set when my friend’s plan fell through.” The next chance came sometime in the 70s when a family friend in the Indian Foreign Service was posted in Islamabad. “It would have been an ideal chance, but my children were very small then, and it didn’t materialize.” But Varma didn’t lose sight of her dream. Like music, a lifelong passion, visiting her childhood home was also becoming one, just tucked away for later.
Social Media To The Rescue
Varma, called Toshi by loved ones, tells me how she took to technology and found groups that promoted cross-border history and unity. Her daughter Sonali Khullar, who lives in Gurugram, alerted her to a Facebook group promoting Punjabi heritage across the subcontinent. Varma joined the group, which led her to the more active India Pakistan Heritage Club (IPHC). “It became a catalyst in my journey,” she says. Varma posted in the group about her wish to visit Rawalpindi. It was noticed by Beenish Siddiqua, a journalist based in Karachi, who asked her for a video to share her wish wider.
“Even after 74 years of partition, her heart is lost in the memories of Rawalpindi,” Siddiqua wrote in August 2021. In the video accompanying it, Varma shared her longing to see the land of her birth.
The video went viral, taking Varma’s story to many across the subcontinent who may have older loved ones longing to see the home they had to leave but didn’t have Varma’s energy to pursue it. “It also helped that my memory of those days is very clear,” Varma says. “I remember names of my siblings’ friends or the name of the tailor (Shafi) who used to come home to take measurements!”
The memory had earlier helped Varma identify her home. As her story reached wider, Sajjad Haider, a journalist from Rawalpindi, contacted Varma, offering to locate her home. Varma considers him a member of her family now. “My house was surrounded by landmarks, so it wasn’t difficult to locate. I first identified the wrong house but later remembered our home had three doors. It was the only home in that galli with three doors.” Her home found, Haider, and others like Imran Williams, founder of IPHC, encouraged her to apply for a visa and visit Pakistan, though Varma hesitated because of Covid restrictions.
Varma’s first visa application in March 2022 was denied. Not one to lose heart, she decided to apply again, encouraged by her daughter. “I was very disappointed and wrote a post on Facebook about how they could reject a 90-year-old’s visa,” Varma says. Then a miracle happened, only possible in our hyper-connected world of social media and viral videos. Pakistani-American journalist Beena Sarwar saw Varma’s story from the previous year posted by Siddiqua on Twitter and shared it with the country’s then-foreign minister Hina Rabbani Khar, who gave her nod to the visit. In May 2022, Varma had her visa. It was a win for her and everyone who helped amplify her voice and cheer her on.
Visiting Home
Varma found the warm reception that awaited her across the border unimaginable. The IPHC group had helped her organize every part of her almost 10-day visit, from her stay to her companions. Khullar accompanied her mother to the Attari-Wagah border between Amritsar and Lahore. But from there, it was Varma's own journey. The one she had been waiting for.
Every part of Varma's trip was worth cherishing and even shedding a few tears. “When I reached my old home, I was hesitant, not knowing how the family who lived there were.” She needn’t have worried. “They welcomed me wholeheartedly. I saw every room, the terrace, every corner. And I kept thinking of my family.” The Hussains, who own the house now, invited Varma to stay overnight in her childhood bedroom. They've named their home Reena’s House in her honor and gifted her a plaque.
The warmth she received from the Hussains, Haider, members of the IPHC group, and the love and welcome everywhere was staggering for this petite and determined nonagenarian. “I hadn’t expected so much!” Varma says candidly that it was hard at times to control her emotions as the reception she got showed how most people do not have hatred in their hearts. If there’s something she could have done without, it was the intense media glare. “I could barely move around on my own or visit places I wanted to see because of it.”
Back in the quiet of her Pune home, with pictures of loved ones on the walls and greenery beyond her window, Varma has the time to relive the experience. She believes many things came together miraculously to create her trip. “It started with technology, the huge help I received from everyone, and my determination. I was stuck on the idea that I wanted to see my home, and I never thought I was too old to pursue that dream.”
Video:-https://c1.silvertalkies.com/care-images/reenavid.mp4While her family may have escaped the horrors of Partition, Varma's parents did face their share of problems, having lost their home, life, and work. But Varma says none of those thoughts has ever dampened her enthusiasm to visit Pakistan because that was the learning she grew up with. A belief in humanity, a gift from her parents.
Life has thrown many curveballs at Varma. She lost her son when he was 48, among several other losses and low phases. Yet, she remains a person with a positive attitude, probably the secret behind her exuberance and zeal.
When we meet, she has just started a cleaning exercise, taking things out from her cupboard and lining them up on the bed. “Many people asked me how you did the trip alone at 90! But to tell you the truth," she says with a naughty glint in her eye, "I don’t feel 90 at all! When visiting my home in Rawalpindi, I felt as excited and energetic as the 15-year-old girl who had left it!”
Photographs courtesy: Sonali Khullar
Cover Image & Video: Silver Talkies
Do you or a family member have a story similar to Reena Varma's? Share it with us below, or tell us if you liked reading about Varma's journey.
Does support in the older years always come from family? Changing ways of life and social structures have ensured we are finding circles of care beyond it.
Rani Swamy finds her pillars of strength in the group of seven women she met during a ballroom dance workshop organized by Silver Talkies in 2018. It opened up lifelong friendships, including a second career in modeling she discovered through Kalpana Rao, a friend in the group. Swamy, 65, calls this group of seven her daily source of support and thinks her generation of older adults often look beyond the family to find such a network of friends.
“Family members now live away from each other. Also, people no longer have as many inhibitions as they had earlier and are ready to share their troubles and worries with others. Social media too has helped bring awareness about different realities and ways of life and connect us further,” Swamy thinks.
Madhu Mehra, an entrepreneur and a Silver Talkies member whose children live overseas, finds her chosen family in two neighbors in their 40s and 50s, apart from friends in the locality. Mehra is very close to her two daughters, who are constantly in touch with her and her sources of support and strength. But she says children living far away and a change in conservative thinking have made it important for older adults of today to have ‘alternate families’ they can rely on.
The term ‘Family’ no longer means the same to everyone. In August 2022, the Supreme Court said that unconventional family structures are also entitled to legal recognition and protection. Convention says family connections are made up of moms, fathers, and children. But as the honorable judges said, that is no longer always the case and that all familial relationships—domestic, unmarried, queer, adoption, fostering, or remarriage—should be legally recognized.
Why are we talking about this here? Because this progressive judgment reaffirms a social change – of chosen families and companionships with a difference. For many urban older adults, companionship and friendships have now gone beyond society-defined norms fuelled by a change in mindset and cultural variables. Families are not often in the same physical location, prompting many older adults to find a tribe they can rely on for immediate support and strength.
The Men of Manasarovar
K Santoshkumar is 85 and a bachelor. His companions and support system for the last seven years have been the men he met at work, many of them single like him, between the ages of 75-85. Their unconventional living arrangement ensures they find social connections, have the comfort of meeting their families when they want, and maintain their independence.
Santoshkumar and 15 former colleagues live together in Manasarovar, a Chennai residence designed for this purpose. Their current living arrangement is the result of a well-thought-out retirement plan. BS Srikanth, a mobility solutions entrepreneur, and his nephew shared with us how this came about. Santoshkumar was in the merchant navy and now shares Manasarovar with some of his former colleagues. The men were friends from earlier in the same profession. As they neared retirement, the person to whom the property belonged discussed the idea of staying together in a shared residence with some single and widowed colleagues. Santoshkumar was one of them. Gradually a few more people, two of them with their spouses, joined the group, and the idea of having a shared home to live in took shape. The group pitched in with deposits for some fixed assets to make the place liveable.
Most people at Manasarovar also have their own homes or children living elsewhere. Some often go back and spend time with their children or relatives for a few months. But Manasarovar has been their home for the past seven years, the chief residence they all return to. The residents share common expenses for daily living, maintenance, a doctor on call, helpers, and other joint amenities at Manasarovar. Live-in helpers manage chores, and a weekly menu is planned based on everyone’s preferences. It’s an atmosphere of home-like comfort, with the satisfaction of having a peer group around without losing out on your independence. The residents have their own space and rooms and can do things of their choice, including cooking meals. The common areas are a small library, kitchen, and dining area and space to come together when they wish to.
Srikanth is close to his uncle and has seen the Manasarovar idea come together from the inception stage. He thinks this unique circle of support has worked out very well for his uncle and others. “The advantage is the bonhomie among them. Also, mariners develop different hobbies. I can vouch that my uncle never feels lonely as part of this community and I’m sure the sentiment is shared by the other residents because everyone came here of their free will. Voluntarily they all decided to do this and make it work, and even if unusual, it has worked for all of them so far.”
Santoshkumar’s story is heartening for many older adults who may be single or not have immediate family to stay with. Some may have stronger bonds and friendships beyond the family worth exploring as a unit to live with. Mansarovar residents come from different parts of the country, but their shared professional past and the promise of a future where they have constant companionship, camaraderie, and a chosen circle of support keep them bound to each other.
The Co-Carers
Support and companionship aren’t always between peers. Sometimes, it’s a bond across generations.
During the pandemic, when Pune-based couple Sudha and Mohan Chand, both in their 70s, had Covid-19 and needed to be cared for at home, their Singapore-based daughter could not travel. But she needn’t have worried. Chand and Sudha live alone, but their complete care, which included coordination with a doctor, procuring medicines, arranging for daily food and groceries, and managing their household, was taken care of entirely by four of their neighbors. “They formed a WhatsApp group and divided responsibilities among themselves to care for my parents. It was such a well-coordinated and heartfelt effort that it almost became a model among some more building residents,” says their daughter Anila. The caregiving was taken forward when one of the neighbors, a single mom in her 40s, caught the virus later. “My parents stepped forward to take charge of their neighbor’s school-going children, moving them to their apartment and taking complete care of their activities and schedule until the mother recovered.”
Jaya, in her late 60s, is battling an aggressive form of cancer. Apart from a daughter who lives overseas, her caregivers and constant champions are two younger women she met and became close friends with a few years ago. These women, both professionals with busy itineraries, have been her source of strength throughout the treatment. They’ve accompanied her on doctor visits, supported her through rounds of chemotherapy, and taken turns to stay with her on tough days. For her younger friends, it’s been a journey with immense learning and an understanding of their patience and strength.
The idea behind stories like the Chands' or Mr. Santoshkumar and his friends’ co-living arrangement is the hope that there can be support beyond the traditional norms of just family or a marriage. Our circle of support can go beyond our families, and there can be care in unique friendships, like-mindedness, and shared goals as we grow older.
Do you have your own circle of support? Share with us in the comments below.
Kala Sunder, a friend and well-wisher of Silver Talkies, moved to Moscow in the early half of 2022. Here’s her take on a question she’s often asked – living in Moscow at the time of the Russia-Ukraine war.
Friends ask me how I like it in Moscow at this time. For me, coming from Bengaluru, it is very comfortable. The city authorities (the equivalent of our BBMP, BDA, BMTC, BMRCL and others) do their job professionally and efficiently. I drink tap water; I walk all over the city on smooth pavements without having to watch for pits, hanging wires and cables, garbage and other obstacles. There are regular zebra crossings, lights, underground crossings and bridges for pedestrians' safety. The city is clean, well-lit, and safe. Power outages and air and noise pollution are not topics of conversation. The metro, buses, trams and trains cover every part of the city, and taxis and self-drive cars are affordable. The freedom to go wherever one wishes to, even late at night, is wonderful, especially for women.
Daily life is not impacted by the war, at least not yet. Food prices have increased but no more than in other parts of the world. Most foreign brands in consumer goods, fast foods and electronics have left, and there is talk (mainly only talk yet) of shortages of all kinds of things. The only one I have experienced is that every point of sale now routinely asks if you need a printed receipt because there is a shortage of that type of paper. It is expected that as inventories run out, we will see empty shelves.
By the way, there is no shortage of baby formula.
Manufacturing is in trouble, I hear, because of supply chain disruptions, and there is a shortage of certain seeds because of the global seed monopolies.
Since almost all the MNCs were based in Moscow, job losses have been high in the capital. The mayor put the figure at 200,000. Other cities are not affected so severely.
Another question I am often asked is what do Russians feel about the war. My social circle here is small and not diverse, and no one I know supports it. Even among the larger population, there is no display of the chest-thumping jingoism that we see even at a cricket match. But most people resent the selective outrage against Russia and the demonisation of Russians. Do you think we are evil, they ask, and I see how pained they are. Blaming and victimising through sanctions a whole people for the actions of their state is unfair. We know that even in a democracy, the common people can be rendered powerless against the government.
Young people who have grown up during a period of rising living standards are upset at the inability to travel abroad and falling disposable incomes. They are also questioning the morality of violence and the lack of democracy and civil rights. However, I fear that as the conflict drags on and the dehumanisation of Russia continues, this sentiment will drift towards support for the state and not the other way round. Older people are stoic. They have seen many hardships and take this as one more they can live through. I can feel that while on the outside, people are going about their lives, as usual, there is an undercurrent of sadness and tension.
This is an "interesting" time to be here.
Read Kala Sunder's travelogue on the city of Tver in Russia here.
All images courtesy: Pixabay
Yashpal Mehta lived abroad for 38 years before returning home to settle in Chembur, Mumbai, his childhood neighborhood. For two years, the pandemic prevented him from exploring the area. One fine morning, Mr. Mehta decided to locate the barrack in Chembur Camp where he was born. He narrates his childhood years in the neighborhood - a legacy of life after the Partition of 1947.:
The ship had a capacity of 300 but carrying a load of 4000 displaced people, set sail from Karachi on September 18, 1947. It anchored at Mumbai port three days later. Never in their wildest dream did the Sindhis, Multanis, Derewals, and people from Jhung, forced out of their homes, think they would not return to Karachi in the next few months. Many had left their house keys with neighbors to mind their homes during this 'short stay' in Bombay. But, alas, it was not to be, and they were now in Bombay for good.
We are from Multan, a border state between Sindh and Punjab in West Pakistan. Most of our men found employment in Karachi, then a vibrant commercial city.
A Family Uprooted
My father was a matriculate working with the British Overseas Airways Corporation (now British Airways) as a stenographer. He told us how he had the temerity to ask his British boss if he could get a transfer to the Mumbai office of the company when the Partition riots started.
But the company had not asked the employees to leave. Since they were going of their own volition, there could not be a transfer. So my parents and eldest sister, who was a few months old, joined the 4000 refugees, homeless and penniless, to a whole new world of uncertainty on that ship.
Our family eventually found refuge in the military barracks opposite the Golf Course in Chembur. Each barrack had six units. The walls in the barracks were halfway from the ceiling, and one could see and hear what transpired in the neighbor's home. The new residents' first task was to cover the space with jute bags painted white for a semblance of privacy.
The water came from a well nearby. The cooking was done in tandoors outside the barrack. The Gurudwaras, always the good samaritans, provided food to those in need.
Remaking Lives
In Chembur, the area from Jhama to the golf course was called Chembur Camp, and shops were set up on both sides of the road by the migrants. Sindhis, the entrepreneurial breed, began to find jobs even as far as Crawford Market in Central Mumbai and the Mulji Market to get a foothold. Those who were not so literate found work in the three studios, RK, Asha, and Basant, not far from Camp, as extras in movies. For some, it became a career. I remember the two shootings that I was part of. One was Zameen Ke Tare featuring famous character actors Honey Irani and Daisy Irani as child artists. The other was Waqt in the celebrated song sequence of Aye Meri Zohra Zabeen.
Some young boys would do the job of an Aagewala (now called the ball spotter) or a Carry (now known as the Caddy) and earn some pocket money. I still remember fixing tricolor paper flags on the pockets of an 'Angrez' (a white man) on August 15 and January 26 outside the golf course to get some money. Educated migrants like my father got office jobs, mostly as clerks, thanks to the policies during the Nehru Era and the emphasis on industrialization.
Most children were born in the barracks, including another sister and me. Most of us went to preschool at Balkanji Bari, run by the Sindhis. The Hindi High School Ghatkoper was popular for higher classes as it offered fee remission to refugee children. The Municipal school to the left of the Golf Course was another free choice. A few children attended the DAV school in Matunga, including some from our family. As people settled and had some income, the younger children got admission to St. Anthony and OLPS, Chembur. I joined OLPS in 1957 for the first standard, and this was the first batch of students in Class I. We were four children, and all of us went to four different schools, DAV Matunga, Hindi High School, Ghatkopar, OLPS, and Swami Vivekanand, perhaps reflecting their parents' changing economic status.
After the settling in process from 1947 to 1951, the government appointed a Claims Commissioner to look into the homes and properties left behind by the migrants and decide on the claims.
Our area was divided into three wards, and buildings were built. Each building had three floors and 12 units. Each unit had a room, a living/bedroom with a washing area, and a kitchenette at the back. Each floor also had six common baths and six common toilets. According to my understanding, those with a claim were given this unit for free, while others had to pay Rs 4500. The structures were completed in 1956/57.
A Joyous Childhood
"Woh kagaz ki kashti woh barish ka pani..."
The famous Jagjit Singh song sums up our stay here. There was lots of bonhomie and trivial but joyful activities. We loved playing gilli danda, langri, kho kho, seven tiles, rolling of the tyres, and cricket and volleyball. We grew up listening to stories from my grandfather during summer nights under the starry skies on the terrace. The terrace was our common bedroom during the hot months of April and May. I was paid a coin to scratch my grandpa's back to make him comfortable from the sores caused by prickly heat. There were innumerable times when we would have to rush from the terrace to our homes with our beddings at the fall of the first rains. We'd run through the rickety stairs between the second floor and the terrace. Simple days of joy and fun.
Note: This episode is from 1947 to 1957. The information is based on my research and largely from an interview given by my uncle that is now archived at the Godrej Library in Vikroli.
Cover image: Women and children arriving at Bombay port on an ocean liner from Karachi after the Partition in 1947. Image courtesy: Twitter
Every August, Silver Talkies records memories and instances of humanity, fortitude, and courage during the Independence Years; stories of life in a newly independent India; crossing over during Partition, and finding freedom. You can find these stories here & here.
This writeup originally appeared in Chembur Pulse.
Our member Ramana Sista on the once-in-a-lifetime experience he chose to view through a humourous lens.
On 5th July this year, I travelled from Bangalore to Hyderabad to attend the US Visa biometrics at short notice. For overnight journeys, I prefer travelling by AC Ist Class Train, but no tickets were available for the journey on that date. So I booked an Alliance Airlines Flight departing Bangalore at 6.40 pm to reach faster. After booking, I got a message informing me of the revised time of departure at 7.25 pm. Alliance Air was an erstwhile part of Air India before the latter's divestment. Currently, it operates as a division under the Air India Asset Holdings Pvt Ltd (AIAHL). I am one of those rare travellers who love that middle seat experience and being in the front row to get out faster with cabin baggage.
I was disappointed on both counts. The entry and exit were from the rear, and the small aircraft had only four seats in each row, two on each side—neither the middle seat experience nor the faster exit. The flight was delayed by one more hour, and I reached the host's home at midnight. My friend who invited me to stay with him had gone to sleep, and his wife was awake to serve me dinner. On the 7th at 11 am, I reached US Visa Application Centre (VAC) for a biometrics appointment at 11.15 am. There wasn't much rush, and I got my turn immediately. After looking at the appointment letter, the lady at the counter said, "This appointment is only for dropbox (a facility offered by the US Consulate) and not for biometrics." I said, "I am an octogenarian and am exempt from the Consulate interview, and this is the appointment letter I got. You tell me what I should drop!" She consulted her senior and confirmed that I only need to give the passports, old and recently expired, the first page of the DS-160 application form together with two photos and nothing else, which I gave. She said that the passport would be returned within ten days with the Consulate's decision. I was out of VAC by 11.10 am. Compiling the 100-page file comprising the sponsor's declaration of financial support, appointment letter, employer's confirmation, bank statement, banker's confirmation, form I-29, I-94, IT returns, and several other documents had been a futile exercise!
Returning to the reel life in the real-life experience of travelling by Alliance Air flight--on the day of travel back to Bangalore on 8th July, they informed us that the revised departure time was now 11.45 pm instead of the scheduled 8.40 pm.
Having learned my lesson on the previous flight and still desirous of a quick exit, I opted for the last row, seat 18C and got into the aircraft at 11 pm. At the revised departure time, the pilot was bothered by a noise in the engine. It took them a while to find a new pilot and announce that there was some technical problem they were trying to resolve. We saw a couple of engineers wearing green jackets walking in and out of the cockpit. At 1 am, when there was no sign of taking off, half of the 72 passengers, with low boiling points, started shouting at the air hostesses, "You can't keep us waiting indefinitely. It is already 5 hours from the scheduled departure time, and we can't risk our lives travelling by this defective craft; we want to deboard, call the police, and so on. I felt sorry for the helpless air hostesses. Finally, The down-to-earth pilot came out and said the aircraft was not fit to fly. It was now a commercial decision -- "Please wait for the commercial announcement." After a while, they announced that a new craft had been arranged, and it was ready, standing next to the defective one.
We were asked to get into the two buses waiting. After getting in, we were puzzled when they took us back to the security check and Gate No.108. The whole process took about 45 minutes. We could have easily walked into the new craft, but it looked like they wanted time to prepare the craft for boarding and took us for a joy ride to avoid further ruckus. In all fairness, I must say that the replaced craft was brand new with a classy look. It took off soon after all boarded and covered the distance in an hour and 10 minutes. Frankly, with all the time at my disposal, my flying anxiety was at ease, and I found the funny side of it. It was an interesting study in anthropology, and I thoroughly enjoyed this 'once-in-a-lifetime drama'. I reached home at 5.30 am. Choosing a back row seat had been of no help.
Calling our Members to Write for Us!
Silver Talkies Members get a unique chance to get published with us. We welcome travelogues, family recipes, memoirs, oral history accounts, short stories, poems, humour and personal essays, tips on living well, and if you are a qualified subject matter expert, then your thoughts on your chosen topics as well. Email us at connect@silvertalkies.com to know more!
The Wisdom Series by Silver Talkies is about stories of resilience and perseverance, mentoring and coaching, following a passion, and taking on a challenge. Here is the inspiring story of Silver Talkies club member Vimala Varadan.
"The saga of taking care is very difficult to go through, and I would not wish it on the worst of my enemies," says Vimala Varadan, 71, independent woman, dedicated former caregiver, mother of Monisha and Malavika, and grandmother of Zoya, Meera and Raya.
In 1996, Murali Varadan, then 49, working in a family-owned book publishing firm, suffered a stroke due to a brain aneurysm leading to right-side paralysis and aphasia. Aphasia is the loss of the person's ability to communicate. As a result, Murali had to re-learn speech and language entirely.
The Varadans had recently shifted to their new home in Bengaluru. Suddenly overnight, things changed. Vimala, 46, a bank employee, was thrust into the role of family provider and main parent to her young daughters. She also became the primary caregiver to her husband, Murali Varadan, a role she took over for the next 26 years. Murali had been a very supportive and loving husband and father. "It felt like my hands had been cut off."
In the early years of caring for Murali, getting hired, trustworthy and trained help was impossible, Vimala recalls. Hence, the caregiving responsibilities fell on Vimala and her two daughters.
There were times when Vimala felt overwhelmed. "I wanted to run away, get away from it all; I didn't want to be there". Every time the thought of her young daughters pulled her back.
Her daughters understood.
Her daughter Malavika wrote in a Facebook post in 2018: "My mother has dedicated every waking moment of the last 22 years to caring for my Dad. Her daily focus is on his food, his rest, his exercise, his medical needs, and his happiness. Somewhere in between that, she has managed to find the energy to raise her two girls - through school and college, exams, boyfriends, careers, and some very rebellious teenage years. She has taught us to say what's on our minds and stand up for what matters to us. And none of that has been easy. She doesn't back down, this woman. She stands with her back straight, looks the storm in the eye and fights until the next sunrise".
Vimla lost Murali in early 2022. She now spends time adjusting to the loss and doing things that bring her purpose and joy. Travel is high on her list. "I'm 71, and time is running out!" she laughs. She remains closely bonded with her daughters, who live overseas and is planning her next visit to their homes. They encourage her to pursue interests and hobbies that appeal to her and to write about her experience as a caregiver as it may help several others in a similar situation.
As part of the Wisdom Series, Vimala shares some learnings as a caregiver with us for Silver Talkies readers.
Even after Murali's passing, this septuagenarian keeps herself occupied and active. An avid traveller, she enjoyed learning French at the language classes conducted by the Silver Talkies Club. She has also loved sessions on Warli painting and creative writing. "I like attending the virtual musical events and the physical meet-ups in Bengaluru."
Life for Vimala has never come to a standstill. It goes on.
The wisdom from her life? Cherish the small victories in your caregiving journey. Take breaks and also have your own life.
All photographs courtesy: Vimala Varadan
Read the first part of our Wisdom Series with Rajam Shanker here.
At 94, Bhagwani Devi Dagar won gold in the World Masters Athletics Championships, proving that sometimes, age is really a trivial number.
One morning in December 2021, Bhagwani Devi Dagar, 94, walked up to her grandson Vikas Dagar with a shotput in hand. Dagar, an international para-athlete and Rajiv Gandhi Khel Ratna awardee, had asked her to try her hand at it the previous evening. "What exactly is this?" Bhagwani Devi, whom Dagar calls 'daadi', asked him. "I want to try this now."
Grandson and grandmother walked to the fields for what they both thought would be a fun trial. "But watching her throw convinced me that I should encourage her to give sports a try," Dagar, an Asian record-setter in shotput at the 2014 Grand Prix in Tunisia, recalls. Daadi may have been in her mid-90s, considered too late for a start by some, but Dagar was enthusiastic, and Bhagwani Devi was game. It led to a winning streak that hasn't stopped yet.
Bhagwani Devi Dagar won one gold and two bronze medals for India at the World Masters Athletics Championships held in Finland in June this year. She also clocked a timing of 24.74 seconds, a World Meet Record in the 90-94 age category. "The world record in that category is 23.15. We missed it by a small margin and will try next time," Dagar says, his voice full of hope. Is he pushing his daadi too far? No, he says, it's what she wants.
Bhagwani Devi lives in Najafgarh village, close to Gurgaon, Haryana. Her family is quite tight. Sports have been an essential part of their lives at home, especially after Dagar started winning medals. "She would look through all my medals, touching them and asking me about the game. Over the years, as I watched her, I felt there had been a desire in her somewhere to play sports, though she never got the chance."
When Bhagwani Devi finally agreed to participate in sporting events, the entire family, from her son Hawa Singh to her granddaughter-in-law Sarika and great-grandsons, supported it unanimously. "Not one of us felt it could be risky for her at this age. She was healthy. We thought if this is what she wants to do, we will support it," Dagar says over the phone from home, the sounds of an elated family behind him.
Age is nothing more than an increasing set of numbers for Bhagwani Devi, a true cool grandmother. She broke into an impromptu jig after landing in India with the medal, her joy unfiltered and unabashed. Her story is one of intergenerational support, of a family coming together to fulfil the wishes of an ageing member who has been their rock because they see capability and passion in her. They are careful not to overexert. The senior athletic star's training schedule is simple and basic, says Dagar. "Daadi walks 4-5 kilometres every morning and every evening. We do some basic warmups with her three days a week but carefully, to avoid any injury. She has always followed a healthy diet too."
"I don't eat any Western food," Bhagwani Devi has told reporters, "roti sabji is what I like."
Bhagwani Devi had played Kabaddi as a young girl, though circumstances didn't give her a chance to pursue it. She was widowed early and left with an infant son and a daughter, who passed a few years later. "It has been a life of grief and struggle for her to bring up my father alone," Dagar says. In recent years, as her family seemed settled enough, Bhagwani Devi started talking of the dreams she had given up during her years of struggle. Creating records and winning gold medals in her 90s may have been far from that dream, but she embraced it with open arms when the chance came.
Bhagwani Devi's journey since January 2022 has been like an unbeaten race. She won three gold medals at the Delhi State Athletics Championships. Three more gold medals in April at the 42nd National Masters Athletics Championships in Chennai followed, securing her participation in the World Masters Athletics Championships (WMAC). Organised for athletes above 35, the WMAC has age categories going up to 100. Bhagwani plans to compete for the next five years in the 95-99 age category.
"I'm thrilled to have won a gold medal for my country in a foreign land," Bhagwani Devi told reporters after landing in India to the welcoming beat of dholaks and a rousing welcome from her family.
"She hasn't completely absorbed the magnitude of her achievement or that her images are now viral," says Dagar, laughing at how "daadi" was bemused by the airline crew fussing over her on the flight back home. "But she is happy to have won her own medals and made her country proud. I'm reliving my dream of creating international records through her," says the proud grandson. His encouragement and commitment to fulfilling a grandparent's dream have now put her on the world map.
Images courtesy: Vikas Dagar's Facebook Page & Twitter
An autobiography is not just a record of life in a different era, it is a journey of gratitude, reconnections, and reflections on them. Here's why writing one in your older years can make a difference.
Real-life stories are intriguing, more so when your own mother is one of the characters in such stories. Listening to the incidents from my mother Sharda Gulati’s early life in Sargodha, now in Pakistan, the carnage she and her family endured during Partition along with millions of others, the aftermath, resettling and reshaping of lives, I knew mother had a treasure trove of stories hidden in her heart. I prodded her to document these episodes but initially, she wasn’t interested. She said she had lived an ordinary life, and there was nothing significant in her life which should be documented and preserved for posterity.
I believe that it’s the recount and recapture of ordinary lives which makes it worth a read. The future generations need to know how their ancestors lived - the socio-cultural set-up, the living conditions, the professions they pursued, the value system and everything else that would connect them to their roots.
Our grandparents and even our parents belonged to an era distinct from ours. Thanks to technological advancements, the socio-cultural scenario changes at such a breakneck speed that even a short span of 10 years feels like a generation gap. The gadget-loving generation is unable to imagine life when it took a decade and a half to get a landline connection when people booked trunk calls and waited for hours to speak with loved ones just for a couple of minutes; when walking into a friend’s home unannounced and uninvited was a display of warmth and not discourtesy.
Cut to the present, try asking your children to share their exclusive bathroom with a guest or even with another family member and they may just whine about life being unfair. It’s not only the living conditions and the social set-up which has gone through a metamorphosis but also the value system which needs to be told to the future generation. Moreover, with youngsters too busy to listen to stories from their grandparents, an autobiography naturally becomes a potent mode to pass on the wisdom to the younger generations.
Writing Her Story
Finally, my mother gave in to my persistence, and we set off on an unforgettable journey. Being a writer myself, I had the privilege to be the compiler and editor of her autobiography.
Here’s the process we followed.
She would write her memories in a diary and pass it on to me to compile, edit and plug the missing links. She wrote some parts and narrated some parts, which were transcribed by me. When her memory failed, she reached out to her sibling, cousins, and relatives whose parents had lived in that era, to fill in the blanks. It was a wonderful way for her to bond with her brother and cousins. They would have long calls reminiscing their young days and giggle like children. It was amusing and also heart-warming to see her so happy and talking fondly about her younger days. While this continued, my mother was firm that she wouldn’t write about any bitter episodes she’d had with some relatives and close friends as she didn’t want their children to think negatively about their parents or grandparents.
An autobiographical account of life also gives you a chance to reflect on your choices, learn from them, and also express gratitude towards those who’ve helped you in your life journey. Memoirs emphasize the transience of human life; the matters which appeared grave earlier now seem trivial.
The fun part of this writing journey was that my mother and I could spend a lot of time together – planning, discussing, debating, arguing, and disagreeing.
“I’ve thoroughly enjoyed penning down this autobiography. It was like going back to my childhood and reliving my life all over again. I also tried connecting with some of my ex-colleagues and friends with whom I had lost touch. Thanks to social media, with a few I could,” says mother who started her career in 1958. She worked as a publicity supervisor in the public relations department, Punjab and reached the rank of Joint director.
This autobiography has strengthened bonds, reconnected old associations, and brought out new relations. I chuckle with my mother that suddenly I have so many cousins and uncles.
The Starting Trouble
Many older adults wish to write memoirs but they stop themselves from taking the plunge, perhaps intimidated by its enormity. The only way to start is to recollect memories and start writing. Even if one has only a few memories to talk about, start penning them down even if they come in bits and pieces. Just like an onion, as you start peeling off the top layers of your memories, more would emerge, and soon you would have a bag full of interesting episodes worth sharing. Later these can be strung together chronologically. If writing is not your forte or language is the issue, you may use the services of a professional memoirist or even a family member. Through this piece, I would encourage senior citizens to write their memoirs. This is the most precious gift that you can leave for your children and grandchildren who would read it with a sense of pride in their lineage.
The Life I Saw
The Life I Saw by Sharda Gulati , is an autobiography that transcends her life journey from Sargodha, the land of oranges where she spent her early days, through various cities of Punjab and Haryana to Chandigarh, the ‘city beautiful’ where she currently resides. At the age of 12, she migrated to independent India along with her freedom fighter father, mother and younger brother. Way back in the 1950s, she was privileged to do post-graduation, an opportunity denied to many girls even today. For 34 years, she worked in the male-dominated field of Public Relations in Haryana and excelled to reach the position of Joint Director. This autobiography captures the life she saw.
All images courtesy of the author
Have you ever thought of writing your memoir or helped a family member or friend write theirs? Do you think its a beautiful way to revive bonds and share your way of life with future generations to come? Share your thoughts with us below.
A chance meeting with an HIV positive child changed the course of Murali KG's life.
Murali KG, 59, says he is the world’s "biggest father". And he isn’t far from the truth. Murali is appa to 220 children aged between three to 22 years. Murali runs Children of Krishnagiri, an initiative to improve the lives of children with HIV/AIDS. He is the grey-haired guiding light of 220 HIV positive children of Krishnagiri, a district in Tamil Nadu. He shares with us the incredible journey of becoming a father to more than 200 children.
The Beginning
Murali’s story began 12 years ago. “After completing my law degree, I worked in the corporate world for 15 years and then as an entrepreneur for the last 2.5 decades, mostly working as a vendor for banks to sell and collect. I had managed a Leprosy home in Coimbatore for a decade. So, when I moved to Bangalore, I felt a little lost and wanted to get a similar space to do some social work here too. However, I was not familiar with Kannada and hence had to look for a place with a Tamil speaking population and found Krishnagiri, close to Bangalore,” he says.
At Krishnagiri, Murali joined a non-profit run by his friend - ‘Gift A Future’. It worked towards helping underprivileged children, primarily kids of daily wage labourers, domestic helpers and drivers who couldn’t afford to pay school fees. Murali would work towards interviewing the children and shortlisting those who needed support.
“Gift A future was aided by another NGO - the Association for Rural Community Development (ARCOD). During one of my field visits, I met the founder of ARCOD - Mr Keshavaraj. He was talking about the work he was doing towards women's employment and child welfare in Krishnagiri. That’s when he told me that there was a bigger issue in Krishnagiri which was more critical than the education of underprivileged children. He told me that a lot of children were dying due to HIV. While I was just aware of what HIV was, I was clueless about how severe the problem could be, so, initially, I tried to ignore the whole thing,” says Murali.
Durga, the source of his motivation
Mr Keshavaraj persuaded Murali to accompany him on one of the field visits. “He took me for a drive and brought me to a thatched hut where he introduced me to Durga, a 15-year-old HIV positive orphaned child. She was playing with three other children who weren’t HIV positive and there was a man who was the father of those three children. It came as a shocker when I learnt that he had adopted Durga too. He said that Durga was his neighbour and when her parents died he took up her responsibility. I was amazed to hear that he was a small-time street food vendor at the government bus stop. That’s when it occurred to me that if he could take such a daring step, it would be shameless for me to not take up an initiative for HIV positive children. That’s how my journey began,” says Murali.
Murali now faced the challenge of identifying HIV positive children around the district. A forum called the Tamil Nadu HIV Positive Network helped. Initially, Murali decided to raise Rs 500 for each infected child by reaching out to his family and friends but he soon realised it wasn’t enough.
“I asked ARCOD to take me to field visits. We saw children were undernourished, they weren’t following any health regime, 90 per cent of their parents had succumbed to HIV and they were orphaned; there were a lot of stigmas and affording nutritious food was difficult. During this process, we did lose a couple of children. I would meet them and come back and then the following week would get the news of their passing away. Those moments were really emotional.”
That’s when Murali decided to first get their medical records checked as none of their medical records were in place. “ARCOD knew one of the doctors in St. Johns Hospital in Bengaluru and she agreed to accommodate my children in small batches. So, every week we would bring 8 to 10 children on the designated day and over some time, we were in control of the situation,” he says.
The medical assessment pointed out that the children needed nutritious food too. “We arranged for a provisional diet for all the children that included all nutritious food that they needed like black chana, soya, etc and for the last nine years, we have been providing them nutritional food every month.”
How Sreedevi inspired him to give Children Of Krishnagiri a structure
“We never thought we would start a home because these kids wanted to stay close to their biological families. But the second turning point came when we met a child called Sreedevi during our field visits. She was in Class 9 then, lying sick in one corner of her home without anyone to look after her. She had somehow managed to cook in that state. She had lost her parents three years back and lived alone with her sibling. She was in the end stage and on the verge of multi-organ failure. I managed to bring her with me and convinced her to get treated at St. Johns Hospital in Bengaluru. Somehow we managed to save Sreedevi but we couldn't bring her back home as she had no one to take care of her. So, we rented a home in Krishnagiri, hired professional help to care for her, and made sure she could visit her school and study. Gradually, she did extremely well. Her health got better, she completed her schooling and graduation, joined B-Ed this year and was an inspiration for all other HIV positive children. She showed that if there's a determination to do well in life, even HIV can’t deter a person from rising. Sadly we lost her in February 2022 and it was a weighty moment for us. She suffered from cerebral oedema and we rushed her to the hospital but couldn’t save her.”
Sreedevi’s death moved Murali to put his thought into action. At present, the Children Of Krishnagiri (COK) stands on one acre of land, boasting a girls’ hostel, boys’ hostel, auditorium and warden’s quarters. Classrooms, indoor stadiums and more are in progress.
COK’s Centre of Excellence is Murali’s next focus
Now that the health issue is resolved, Murali has shifted his focus to educating HIV positive children and helping them stand on their own feet. “We have started a centre for excellence and our target is to make a star out of them. They are trained in computer science, etiquette, and hygiene courses, which prepare them to face the world like any other child. Of our 16 college-going children, five have graduated and have joined a training program for the Tamil Nadu Public Service Commission (UPSC) with a guarantee of government jobs. There are kids who’ve got married and we are working towards making them independent and stand on their own.”
Murali tries his level best to give a happy life to the children just like any other father would. “Our vision statement was to not let any child die due to HIV and we have stuck to our commitment so far. We have not even lost one child in the last couple of years. The health issue has fairly vanished and they are getting good food. These children have hardly travelled anywhere, visited a restaurant or a movie theatre. We take them out for dinners and movies and vacations.”
As he grows older, Murali thinks it is essential to get involved in the life of those in need. “Otherwise, we end up worrying only about ourselves and then fear steps in,” he concludes.
All images courtesy Murali KG
Silver Talkies member Sutapa Dasgupta shares her creative work with us.
Morning Opera
Beyond my window is a world of fun,
It springs to life with the morning
sun.
The tree outside awakens and stirs,
Ready to welcome its winged visitors.
Birds of feather fly high and low,
their myriad colors and talents on
show.
First to perform is dusky Miss Koel,
Her melodious voice soothes my soul.
The red-whiskered bulbuls come in a
pair,
Their cheerful tweets spread joy in the
air.
Colorful sunbirds flutter and
chatter,
their shiny plumes like stars do
glitter.
Waiting in the wings is husky Mr. Crow,
His rasping voice
does kick up a row.
Last come the babblers, quick on their
feet,
Their quirky dance is an unmissable
treat.
This world's a stage, an unending
wonder,
Where nature unfolds in all its
splendor.
My City
Once I was a city of palaces
A city of joy, a city of masters
Who were revered, deified,
idolized.
Monuments testifying to my past glory
stand proud and tall.
And the mighty river still
flows deep and wide, by my side.
Yet now,
I'm vilified, neglected,
abandoned, and forgotten.
By the same people who I
nurtured.
Isn't it a shame that fortune and fame
once came in abundance, my way,
but time came and snatched them away.
Images courtesy Pixabay
Calling our Members to Write for Us!
Silver Talkies Members get a unique chance to get published with us. We welcome travelogues, family recipes, memoirs, oral history accounts, short stories, poems, humor and personal essays, tips on living well and if you are a qualified subject matter expert then your thoughts on your chosen topics as well. Email us on connect@silvertalkies.com to know more!
Our member Arun Bhatia has led a life that could be a movie on its own. Here he shares the story of a shark attack in 1953, straight off Hollywood.
Back in the days when I was 17, I was an expert swimmer. I was the Western India under 18 Men’s champion in freestyle. Swimming led me to many an adventure, more so diving, which I learnt from the American National Red Cross while a freshman in the University of California, USA (UCLA). In fact, I was almost a pioneer in diving in those days using Scuba gear (the underwater breathing apparatus) that is commonplace now.
Here’s an adventure that’s even captured on celluloid, circa 1953.
I paid my way through college doing a number of odd jobs. Thanks to the student advisor at UCLA, I was even part of some Hollywood shoots. Very few people knew to dive in those days and I was chosen as part of the crew in an underwater shoot, in the Pacific Ocean off the coast of Los Angeles.
We sailed for three hours to Santa Catalina Island for the shoot. A vision of the incredibly blue sea, devoid of undercurrents to stir up the ocean floor sand and obscure vision. It meant 300 feet visibility amid schools of fish, a wonderful multicolor view through our glass-fronted masks. This shoot was for one of the very first underwater shoots in Hollywood—a black and white B grade affair titled The Sharkfighters, though YouTube will now show you the colored version that doesn’t carry the scene we shot. The star of the film was Victor Mature, famous as Samson in Cecil B DeMille's mega-movie, Samson and Delilah.
The movie was based on real-life incidents (The US Navy did create a shark repellent called the Shark Chaser, whether it really worked or not was debatable). Victor was playing a navy hero, doing research in shark-infested waters. We were to do an 18-second shot featuring six sharks circling and attacking him. By today’s standards, the technology available was truly primitive. Special effects were unheard of. Everything needed to be manually prepared. The production guys took six dead sharks, froze them with their mouths agape but left their tails limp. I was hired to act as a shark.
How did I turn into a convincing shark? The production team drilled two holes on one flank of my frozen shark and tightly fitted a wooden peg in each hole. I had to grab the pegs and maneuver my shark with the ‘limp fish body’ hiding me from the camera lens. The idea was to circle the hero and hover menacingly around him along with my fellow sharks.
On paper, everything was planned. But this was the very first underwater shooting experience and there were many glitches. Often, the hero placed his hand clumsily in the sharks' open jaws, causing retake after retake. The upside of all those glitches? Our 18-second shoot stretched to three days in those azure blue waters, making us a bunch of happy sharks! During breaks, there were barbecued lunches at the oceanfront. The dinner-time campfire had two of the sharks playing the ukulele while belting out pop numbers, folk songs, and popular ditties of the time.
Did we sharks mind 18 seconds stretching to three days? Absolutely not. We were paid by the hour. It was, to tell you the truth, a paid vacation!
He started out in the kitchen photographing and helping his wife. Now he has 14,000 Instagram followers.
Senguttuvan Subburathina, 72, turned chef after retirement to help his wife with daily kitchen chores and fuel his passion for cooking. He has since then been the senior-most contender in 2021 SunTV MasterChef Tamil, making his way to the top 24 out of over 1500 contestants and becoming a food influencer on Instagram with over 14K followers.
A former business manager at Godrej with 35 years of experience in the corporate sector, Subburathina, like many others we feature in Silver Talkies, proves that retirement is not about giving up but living a new life, a new passion and exploring oneself as a new person.
What brought him to the kitchen?
“I started serious cooking about five years back. I am not a professional chef and I would call myself an amateur home chef. I retired about 12 years back and subsequently, I started pursuing my passions, mainly photography. I started venturing out taking pictures of wildlife - animals and predominantly butterflies. I started acquiring special lenses, travelled to various locations and focused on photography. And then, over time, besides wildlife photography, I started doing food photography as well.” according to Subburathina, that’s what eventually drove him to cook.
“I started posting my food photos on a platform by Google that allowed you to stock up and share photos. However, it shut down sometime and I shifted to Facebook and started posting my photographs there. I had gained some social media following by then. I used to take photos of the dishes cooked by my wife and shared them on Facebook. Then, some of my Facebook friends insisted that I join a foodie group and I started posting the photos of my wife’s dishes there and gained quite a bit of appreciation. That’s how slowly my interest in cooking began to develop and in an attempt to give a helping hand to my wife, I got into cooking.”
In his work life of 35 years, Subburathina travelled regularly and was hardly ever home to help his wife. That’s why post-retirement, he decided to make up for it. Over the last four to five years, he has been cooking regularly and thoroughly enjoys it.
All about his Tamil MasterChef experience
“With day to day cooking, I began to develop an interest in a variety of cuisines like Italian, Mexican and more and started trying my hands on them too. With time I opened my cooking page on Instagram and started getting love from my Insta followers. I would cook my dishes, take photos and post them on my Insta page. That’s how the casting agency for Tamil MasterChef picked me up,” he says.
The auditions were an extensive process. Subburathina had to appear for the auditions in two phases - one in Chennai and the final round in Bangalore. In the final round, he had to take part in live cooking and cooked millet soup that got him to the main episode.
“It was an unforgettable moment to be selected as one among the top 24 contestants out of 1500 contestants who were auditioned for the Tamil MasterChef. It was an intriguing experience for me to be in front of 15 cameras shooting the scene. That was happening to me for the first time. That too with leading Tamil actor Vijay Sethupathi hosting the show. The TV show did get me new friends and all the co-contestants were very friendly and my Instafamily were happy that I was able to make it,” he says.
Instagram and his grandchildren are his sources of encouragement
“Best moments for me as a chef are the appreciations that I get from my family and Instafamily daily. I have 14000 Instagram followers. While I do not claim myself to be an influencer, it feels great to see the wave of boosting up that comes from my followers. Also, the requests from my grandchildren to make unique dishes for them make me try new dishes and my passion continues. Throughout the lockdown, I have been the sole pizza and burger maker for my grandkids and I loved making them,” he says.
Subburathina loves using the word seenager. He believes that age is just a number and one must keep pursuing a passion and not be idle in the older years.
He also shares with us two of his favorite recipes which are easy to make, tasty and healthy for older adults.
Caramel Pudding
Ingredients: 4 eggs, 1/2 litre milk, sugar & vanilla essence.
Method:
In a pan add 6 tsp of sugar and one tbs of water.
Let it melt and keep stirring. When the colour turns brown, remove from heat and pour it into a ramekin and rotate to enable it to spread uniformly (I used glass bowls). Ensure that the caramel is not overcooked to dark brown. It will turn bitter.
Beat the 4 eggs well, adding 1/3 cup of sugar. Add 1/2 litre of hot milk slowly and keep stirring. Boil it, stirring continuously so that the content thickens and coats the ladle if it is lifted from the milk. Pour the content into ramekins. Cover ramekins with foil.
Procedure 1:
Keep the ramekins in a cooker filled with water and over a raised ring (make sure that water does not touch the container/ramekins). Cover with a lid and cook ( don’t use weights) for 20-25 mins until the pudding is ready.
Procedure 2:
Place the ramekins covered with foil in a water bath and keep them in the oven and cook till the pudding is formed.
Once done, allow the pudding to cool. Refrigerate for 3 hours and de-mould (release the edges of the pudding from the mould with a sharp knife before de-moulding). Enjoy!
You can do plating with a sugar caramel cage.
Amaranth Soup
It is a simple, desi soup that can be made in a jiffy with just simple ingredients.
Ingredients:
Amaranth 11/2 cup (wash well and collect the leaves, cut and keep )
Cooked Dal - 2 TS
Garlic - 3-4 cloves
Ginger - 1 inch
Cumin / Jeera - 1 -TS
Crushed Black Pepper Powder - 1/2 TS
Onion -1
Salt to taste.
Method:
Put all the above into the pressure cooker, add a cup of water and cook for 2 whistles. After pressure is released, blend the contents, draining water. Sieve and discard the lumps. Add back drained water and adjust pepper & salt to taste. It is ready to serve.
(Option: Instead of cooked dal, you can add powdered dal while cooking. You may use Toor, Green gram or Chana Dal )
All photographs courtesy: @sengut2006/Instagram
Our member Geetha Prasanna creates a modern take on an epic tale. Can you guess which one?
The forest of Bandhavgarh was dense. Handsome and young Dhritiman sped his new Porsche down the buffer zone eager to hunt. Being the only heir of the late Maharaj of Indore, he felt it was his birthright to hunt. Pratap his aide said, “Sir, would you like to visit Mr. Kaushal, the Chief Forest Officer, who lives nearby?” Dhritiman replied sulkily, "Alright. But it’s not as if he is going to let me do any hunting!" As he reached the CFO’s residence he saw a vision of beauty. “Who is that?“ he asked. “That’s Samriddhi, Kaushal’s only daughter." Samruddhi was cavorting about with her two friends, Parineeta and Harini. Samriddhi was a qualified Ayurvedic Doctor.
It was love at first sight. Dhritiman jumped out of the Porsche and effortlessly flirted with Samriddhi, who just couldn’t take her eyes off him. “My parents are out of town,” she told him. He laughed and said, "Then I am going to move into the guest house here for sure. “ It was a whirlwind romance. Dhritiman proposed to her and they had a secret marriage. When he discovered that she was pregnant, he realized he hadn’t been home for ages. So he said, “My love, I have been neglecting my palace duties during my stay here. Let me go. Please come with the baby. I will wait for you." Samriddhi bade him a tearful goodbye and he promised to keep in touch. He gave her his solitaire ring as a memento.
One morning closer to the time she was going to have a baby, a mystic called Dhruv came to meet her father who believed in the supernatural. She mocked him saying, "This is all hogwash and rubbish. I don’t believe a word.” Offended, Dhruv cursed her, “You arrogant girl! The man who loves you will forget you forever.”
She just laughed. Parineeti who had heard of Dhruv’s powers begged him not to be so harsh. He relented and said, “Alright! He will remember her when she shows him the ring,” and left in a state of fury. Samriddhi was concerned that Dhritiman had stopped messaging, calling or emailing her. She assumed that he was busy. She went boating with her friends one day and dreamily played with the water and didn’t realize that the ring had slipped out into the water.
Finally, a baby boy was born. Kaushal took her to Indore to leave her with her husband. When Dhritiman came down the steps, Samriddhi ran towards him excitedly showing him their son. Dhritiman looking puzzled and exclaimed, “I don’t know any of you. Please leave at once!" The curse has worked. Grief-stricken Samriddhi wept inconsolably when she suddenly remembered the ring. She ran to him with her hand outstretched and was shocked to see that it was missing. She lost all hope looking at Dhritiman’s annoyed expression. They left the palace.
Samriddhi was depressed and decided to be brave for her son’s sake. She told her parents that she was going to live at the foothills of the Himalayas, raise her son and practice her herbal medicine there. Her parents were heartbroken.
By some strange fate, Dhritiman wasn’t attracted to anyone else. One night, he went for dinner to a seafood restaurant with his mates. As he cut into his huge whole grilled salmon, he saw a flash of light and on the fish was his ring. A fisherman had caught the fish that had swallowed his ring. He felt his mind whirling. Memories came rushing back. “Oh, Sam! We have a son! I‘m so sorry, I’m coming!” he shouted, much to the shock of his friends.
Having heard that Samriddhi and his son were in the Himalayas he decided to go searching for them. He flew down determined to find them. One morning while he was trekking near some cottages, he spied a lad who resembled him. He befriended him with hope in his heart. When he reached his mother’s clinic his heart leapt with joy.
Samriddhi looked at him with no emotion at all. “Why have you come here? She asked. “Sam, I just don't know what happened. I am so sorry. Please come back with me!” Samriddhi looked at him with disgust and said, "Don’t pretend Dhritiman, you rejected me and I don’t believe that you ever forgot me. All that mystic nonsense. Please leave. I am filing for divorce. Don’t hope to get custody.“
Dhritiman said, "Our son is the heir to the Indore Raj Gharana. Please come, Sam.” Samriddhi turned around and took her son with her, leaving poor Dhritiman clutching his head in misery.
The above short story is a modern adaptation of a famous story told in an ancient Indian epic and adapted by many writers. If you can guess the original please share with us in the comments below.
Image: Wikimedia Commons
Calling our Members to Write for Us!
Silver Talkies Members get a unique chance to get published with us. We welcome travelogues, family recipes, memoirs, oral history accounts, short stories, poems, humor and personal essays, tips on living well and if you are a qualified subject matter expert then your thoughts on your chosen topics as well. Email us at connect@silvertalkies.com to know more!
Before you read this, here's a backgrounder. On June 5, 2020, a 15-year-old pregnant elephant consumed a pineapple implanted with a bomb. It was purportedly kept by the locals to scare away boars that come to eat pineapples from the farms. The elephant injured its mouth so badly by the bomb that exploded when it tried to eat the pineapple that it got into a nearby water body to soothe the injury in the cool water. All efforts by forest officials to coax her out of the water failed, including trying to make two other elephants push her out. The elephant succumbed to her injuries.
This incident upset animal lover Preeta immensely. "The whole incident was so tragic and unfair. I love elephants and always think of them as gentle giants, they are wise and amazingly dignified creatures. As always I had to write about this in an attempt to get over this tragedy and pay my respects to this unfortunate creature."
She ran hungry and hurt
What is this agony- how can she end it?
Into the river, she plunges
Cooling her blasted and wounded mouth.
She refuses to leave the water
No refuge or safety on land
They send in her sturdy brethren though
Trying to nudge her out onto the bank.
But she bids them a sad farewell
Telling them to leave her there,
There is nothing left for her here
No one can help her, alas!
She thinks of the little one in her womb-
“I’ll be your shelter, my baby
This world is not for us
Let’s move into God’s own heart
His country is not for us!”
He gathered her back into his arms
His tears a mute apology-
It rained as never before
that day in God’s Own country!
Image courtesy: Pixabay
Calling our Members to Write for Us!
Silver Talkies Members get a unique chance to get published with us. We welcome travelogues, family recipes, memoirs, oral history accounts, short stories, poems, humor and personal essays, tips on living well and if you are a qualified subject matter expert then your thoughts on your chosen topics as well. Email us on connect@silvertalkies.com to know more!
From running virtual crochet groups to being featured in international crochet forums, Geeta Khanna shares how her art keeps her positive and engaged with the world.
She is the only Indian crochet artist featured by well-known Canadian author and crocheter, Michael Sellick in his book - The Crochet Crowd - A first-of-its-kind compilation of crochet artists from across the world.
Meet 60-year-old Geeta Khanna from Thane, Maharashtra. She runs a free virtual group of over 21,000 crochet enthusiasts worldwide, offering them a platform to learn crocheting, exhibit products, find buyers and share their skills with other art enthusiasts. Khanna, a self-taught crocheter, has been crocheting for about four decades now. Her recent innovation has been crochet paintings - beautiful and time-consuming works that need immense focus, skill, and patience.
“It's very interesting to see how to crochet portraits and landscapes. Framing these and hanging them on the walls of my house makes me very happy. You can make anything, right from landscapes to portraits from crochet. Some websites help you convert any image to crochet grids to make these paintings. There are very few people who know this art currently. I am trying to spread this knowledge through my group. I have done around eight to 10 of such paintings till now. It requires quite a bit of detailing and a lot of hard work to make these, but in the end, it's all worth it,” she says.
Khanna has lost count of the exact number of pieces she has created but keeps working on it to encourage others to take up crocheting. From TV covers to table covers, sofa covers to bed covers, laces and handkerchiefs, handbags, and even kurtas, she has created them all.
“I was always keen on learning stitching and embroidery. Some of it was taught by my mother and I used to do a bit of it as a child. It was always a hobby for me and it still is. I never pursued it as a profession as I never wanted to involve money with it. I have learnt crocheting all by myself when I started learning it in my 20s. I used to buy Russian pictures guiding on crocheting that helped me pick up the basics. I practiced by making small stuff and honing my art. A couple of friends who were also into it helped me along. I have made more than 1000 laces and handkerchiefs, more than 100 handbags, around 50 bedcovers, and now lately I have started making my dresses (kurtas) completely from crochet,”- Geeta Khanna
Getting featured on an international crochet forum was a proud moment for Khanna. “It all started with my Facebook group, ‘Crochet and Much More'. I started this group around six years back. It has more than 21,000 members from India and around the world. A lot of people started to recognize me and my work through the group. A very well-known crochet artist from Nova Scotia, Canada - Michael Sellick, connected with me and asked me to share my work. He was compiling a book of people who have done extraordinary things with crochet worldwide. He sent me the first copy and I was elated to see my photograph amongst other crochet artists across the world. I was the only one from India featured in the book. It felt like an achievement.”
Khanna’s personal Facebook Page - ‘Threads, Needles And More’ has more than 6000 members where she shares her crochet and embroidery work and inspires other enthusiasts to share their works too.
Khanna believes crochet can be great therapy, especially for older adults. “Crochet requires a lot of concentration. You can’t let your mind waver while crocheting. A single knot missed means a lot of re-do. So the art forces you to keep your mind concentrated with little to think about the world outside. Hence, it is very therapeutic for people of all ages. You let out negativity from your mind and in the end, the output of your art gives you extreme happiness. It de-stresses you, keeps your cognitive functions enhanced, enhances your brain health. It helps you to have a happy and healthy mind.”
When she’s not crocheting, Khanna loves embroidery and cooking. Her hobbies keep her active, focused, and positive. Connecting with hobbyists from different countries, cities, and backgrounds via her Facebook groups keeps her socially engaged and happy as she creates magic with her crochet hook.
Here are Geeta Khanna’s tips on crocheting for beginners:
All photographs courtesy: Geeta Khanna/Facebook
Did you like reading about Geeta Khanna's art? If you have a hobby that keeps you positive and creatively occupied, share with us in the comments below.
Silver Talkies Member Yashpal Mehta takes a humorous dig at his inquisitiveness and justifies it well through his life’s stories.
As a child, I was encouraged to be curious, and I had that childlike curiosity to learn the how, why and what of matters I didn’t know. Both my parents and teachers would consider asking questions a favorable trait and quite useful to gain more knowledge. Being curious as a child was a harbinger of the habit of forming inquisitiveness that I developed over time. This held me in good stead and also made me a good quizzer. I was never told that ‘curiosity kills the cat’ and this particular idiom was learned the hard way.
Almost two decades ago I was an attendee at a function organized by a local linguistic group in Muscat to listen to a lecture by an eminent cardiologist from Mumbai. He spoke at length on how the ECG, the treadmill, and the echo test were never conclusive and the only sure test to know of blockages in your heart was the angiography. The lecture was followed by the usual Q&A. I rose to ask the question, which was, “If angiography was the only sure-shot way of knowing the heart problem, then why not make it mandatory for those over fifty to get the test done the way it is prescribed for diabetes, BP and others?” The speaker asked me my name and said “Mr. Mehta, you must be paranoid because unless you have the symptoms of a heart disease you cannot get the angiography done”.
I felt quite humiliated and what was supposed to be a layman’s knowledge-seeking question turned out to be an affront to the speaker.
It’s a different matter that on the very next day I received an explanation from another doctor friend as to the reason why angiography can be dangerous if done routinely. He explained that the process of angiography could by itself trigger a heart attack and therefore not recommended as a routine. That incident certainly had ‘injured the cat’.
The other incident that I wish to narrate, for sure ‘killed the cat’. A very eminent lyricist and story writer from Bollywood while on a visit to Muscat was the speaker at a high-profile event where I happened to be an invitee. This time I did my research and prepared myself for the Q&A. With great trepidation, I posed my question. “Sir you have written such sublime lyrics like Ek Ladki Ko Dekha To Aisa Laga from the movie Love Story 1942 and such ridiculous songs like Ek Do Teen from the movie Tezaab. How are you able to reconcile and switch from the sublime to the ridiculous?”
Believe me, if I were to say that the speaker spoke for ten minutes explaining the difference in narration and context between the two songs and I was indeed satisfied. But then came the shocker. “The gentleman who asked the question may please stand up and apologize.” First, it was being paranoid and now I was made to apologize!
The ‘injured cat’ had been completely ‘killed’. For quite some time my friends called me the Dhak Dhak Boy and I wasn’t sure whether to take this as a compliment or take umbrage. I also learned that there was just a very thin line between carving a niche and making a whole.
My curiosity turned to furiosity. No more childlike inquisitiveness for me, no more attending the Q&A sessions which had become anathema going forward. I turned more and more to Uncle Google to get the answers to satisfy my desire to learn but I was never happy and became a silent and passive listener. Honestly, I could not suppress my penchant for being part of Q&A sessions for long and my true nature surfaced again, and how!
At one of the meetings of Toastmasters International, I heard a speech by a lady from the Philippines married to an Indian American and living in New Jersey. Her husband taught her two words of Hindi, “bus poocho,” and that did wonders when getting things done through her in-laws. She managed to stave off shaving the hair (Mundan) of her daughter by following the simple mantra of ‘just ask’. I thought to myself, if it can work for this lady then why not for me! This rekindled my desire to be once again an enquirer.
I also learned that the saying ‘curiosity kills the cat is incomplete and it actually goes as ‘curiosity killed the cat but satisfaction brought it back. I am now more than satisfied when I ask questions and I take the rebukes once in a while in my stride. I made up my mind to convert my furiosity to generosity for anyone who found my questioning uncomfortable.
Images courtesy Pixabay and Yashpal Mehta
Calling our Members to Write for Us!
Silver Talkies Members get a unique chance to get published with us. We welcome travelogues, family recipes, memoirs, oral history accounts, short stories, poems, humor and personal essays, tips on living well and if you are a qualified subject matter expert then your thoughts on your chosen topics as well. Email us on connect@silvertalkies.com to know more!
Here’s how age has added wings to the many hobbies of septuagenarian Romla Thomas, who embroiders, quilts and bakes mouthwatering cakes.
Who says age takes away one’s passion and purpose and leaves a lot of time with nothing to do? Ask Romla Thomas, 76, who still has many irons in the fire. This homemaker is the queen of applique and patchwork and also a great baker. Her winters are loaded with cake orders and for the rest of the year, her handcrafted quilts, table linens and wall hangings that boast of beautiful applique and patchwork are always in high demand.
Thomas has lost count of how many applique and patchwork projects she has done until now.
“I have been doing patchwork for about 40 years now. I started with a few bed quilts and then got an order for a small hotel in Bangalore that wanted me to work on 400 quilts. At that time I had five other helping hands at home and that’s how my passion got a purpose. I delivered the order, successfully. And since then, I have always worked from home. Initially, I just pieced quilts together and after some time, I started adding appliques. Now, I mostly work on table linens and wall hangings and I do all the work by myself. I have been having exhibitions periodically.”- Romla Thomas
Thomas is also a home baker and Christmas cakes are her speciality. “At Christmas time I do a lot of baking, especially the Xmas plum cake. November end to Christmas is a very busy time for me. While my target remains as 100 kgs of cake every year, I often do go over that,” she tells us. No fancy baking equipment for her. “I do everything with a small food processor and a small domestic oven,” says Thomas.
Thomas is an ardent supporter of home run business and believes social media could be a very productive platform to showcase products. “Facebook and WhatsApp have been great ways of getting people to see the works of those who are not into commercial production and those who find it comfortable to work from home at their own pace and time as me. Since I am a dog lover with a keen interest in dog shows and had too many four-legged babies at home to look after, I never wanted to go out of my home to work on my passion and social media came to my help as a platform to showcase my works,” she says.
Being busy with her bakes and craft has been an advantage for Thomas as she grew older. “I am so grateful that I have these hobbies. Otherwise, I would have gone crazy during the lockdown. Since my children are not here, it is wonderful to be completely occupied with my hobbies.” Age is not a barrier for Thomas who works on her quilts for at least 6 to 8 hours a day.
Thomas has some simple tips for beginners who would like to try their hands on applique works and baking. “For applique, you will need a good machine. I don't do any handwork at all. Starting a project and finishing fast is my aim. Baking is a very happy occupation. Follow recipes that have been tried out. Have a decent small oven in your kitchen. Take out all the required ingredients and then just go at it. You don't want to miss out on anything while you are baking the cake,” she says.
Thomas believes that working on your hobbies does not depend on your age. Instead, giving your hobbies a purpose is the best way to age gracefully and happily. In case you already have a hobby or a small venture you run from home, please do share your experience with Silver Talkies as we work every day to add fuel to your dreams.
Mail us on connect@silvertalkies.com with your stories.
All images courtesy Romla Thomas unless credited otherwise.
This 95-year-old started her venture in her 90s supported by her loving family who helped spread the word about it
If you are ever wondering if you have made the most of your life and whether there is still time to make a fresh start, all you need to do is to take a look at Harbhajan Kaur who turned into an entrepreneur in her 90s.
Kaur is a 95-year-old woman who lives in Chandigarh. She’s been a homemaker all her life, dedicated to raising her family and looking after their needs. When her husband passed away some years ago, Kaur came to stay with her younger daughter Raveena Suri. During a chat with her daughter, Kaur revealed that she had one regret in life – she had never earned any money of her own. Her daughter listened and did what many children may not always have the empathy to do – she suggested that her mother make her famous besan barfis and sell them at an upcoming local exhibition. The barfis were a sellout, Kaur earned the first income in her life – a very special Rs 2000 and her brand, Harbhajan’s Made With Love was born.
Kaur had always been known for her food, her granddaughter in law Supriya tells us since Kaur has difficulty communicating on phone. “Her children say they always had a variety of things waiting for them at home when they came back from school.” Kaur loved to experiment with the Indian dishes she made and was encouraged by her late husband, though she may have never imagined starting a food startup in her 90s!
Kaur was 85 when she lost her husband. She felt a void in her life despite the love and care she was surrounded by because she saw everyone around busy at work. The success of her first stall and the demand for her barfis gave her a sense of confidence and empowerment she hadn’t experienced earlier and the courage to start a venture.
Started in 2016, Kaur’s business gained popularity through word of mouth, and her family started helping her out to fulfil the orders. They gave her work an additional boost, coming together to help her achieve her dream. Today her grandson Manav Suri, a trained chef, helps her with improving recipe quality and quantity, her granddaughter Mallika helps with branding and design and her granddaughter in law Supriya helps with social media reach out and client feedback.
“But she is the one who remains the main person. The recipes are all developed by her and she does the ingredient prep,” Supriya adds. And even if Kaur cannot physically stand for hours and stir ingredients due to physical limitations, she remains in charge of quality control. Not a single product goes out without her approval.
Kaur had a bout of Covid-19 which slowed her down for a while. What remained constant though was her enthusiasm and drive. Even with the family helping out, Kaur is not one to sit back and relax. She is curious and excited to know about everything – from the design of a bottle label to where a video of her prep process would be used.
Kaur’s is a story of how generations can come together to help a senior citizen achieve her dream, without age ever being a roadblock. But as Supriya points out to us, the family’s support is powered by Kaur’s own desire to achieve something with her skill. A recent Instagram video shows Kaur supervising the process of making homemade mango pickles, watching over the chopping and adding the spices. https://www.instagram.com/reel/CS81s9Up5_i/?utm_source=ig_web_copy_link
“She is enthusiastic and involved in supervising and developing every aspect of the process. Each of her products has a story. And the idea is to make people feel the taste of their childhood, the pickle that the grandma would have made the halwa that a mother would have fed her child. That’s why the tagline bachpan yaad aa jaye”.
For Kaur, becoming an entrepreneur, after spending years dedicating herself to her home and family life, has been completely life-altering. It has given her a feeling of independence and empowerment. "Earlier she was known as just a wife and mother to someone. But today she is Mrs Harbhajan Kaur - An entrepreneur. I think that itself has been more rewarding than just financial independence," Supriya adds. Today, Kaur feels she has a larger family, beyond the circle of her own home. “She has people who like her products, send feedback and get inspired by her. She feels her family has grown larger, and that is her biggest achievement,” Supriya says.
What has also changed is her confidence. She's open to learning, even taking critical feedback if any as a chance to improve and adapt her recipes and never thinking that she is too old for it. Kaur may not have travelled much but wants to know the places her products, which now include pickles, jams, chutneys and Indian sweets, travel to, the curious child in her intact in her 90s.
Kaur’s work even caught the eye of Anand Mahindra, the chairman of the Mahindra Group, who often applauds interesting initiatives on Twitter. “When you hear the word startup, it brings to mind images of millennials in Silicon Valley or Bangalore, trying to build billion-dollar ‘unicorns’,” he wrote. “From now, let's also include a 94-year-old woman who doesn't think it's too late to do a startup.”
Harbhajan Kaur’s story tells us that you are never too old to think of starting something new. That dreams and skills have no expiry date. Sometimes all it needs is to spell out your desire to work on your passion, and a loving family, to help propel the dream along.
Image courtesy: https://www.instagram.com/harbhajansmadewithlove/
Kala Sunder’s moving account of the pre-Independence times captures the then and now concepts of crime and punishment that leave us pondering.
August is generally when we shift attention briefly from current affairs to the freedom movement. As the years pass, fewer and fewer people have personal memories of those turbulent years. Textbooks give the impression that people and political organisations all over India actively and enthusiastically supported the independence movement. When one talks to ordinary people old enough to remember those times, a somewhat different picture emerges.
From family lore, I know that my grandfather wanted to join the protests in his college, but his brothers convinced him not to because their jobs in the British government would be threatened. My grandmother was a lifelong admirer of Gandhiji and other freedom fighters but was no supporter of the Swadeshi movement because she was made to throw an imported georgette sari into a bonfire. “It was French georgette,” she would lament all through her long life, “not even British. And a full nine yards. What a waste!”
In August 2001 many members of the Nightingales Elders Enrichment Centre in Bangalore still had vivid memories of the 1930s and ’40s. At a Chat Session, some spoke about how they would shout slogans or sing patriotic songs, both banned activities. Others described joining protest marches and getting lathi-charged by the police. “I escaped being lathi-charged but lost my slippers while running away and got caned by my father for that,” recalled a 76-year-old man.
PM Nehru addressing the nation from the Red Fort On August 15, 1947
In most families, participation in such activities was not encouraged even while the ideal of independence was supported. This gave rise to a piquant situation in the case of Mr B L Chandrashekar. He was an 8th standard student in the Government School Basavanagudi, Bangalore when one day, he joined other children on the street outside shouting slogans against the British. The police rounded them all up and brought them before the magistrate, who took a dim view of such activism. He ordered the police to drive the boys some 5 miles out of the city and leave them there. “Let them walk back home,” was their punishment.
Chandrashekar happened to be the magistrate’s son but the father gave no sign that he had noticed him in the group. The police driver, however, recognised the boy, left the other children outside the city but drove Chandrashekar straight back home. When the magistrate entered the house he was surprised to see his son already sitting there when he should have been trudging through the outskirts of the city! The police driver was punished for disobeying orders.
Would that have happened today? As we approach the 74th anniversary of our Independence, that is a disturbing thought.
Cover Image: A glimpse of the Swadeshi Movement
Cover Image Courtesy: Cultural India
Every August, Silver Talkies records memories and instances of humanity, fortitude and courage during the Independence Years — stories of life in a newly independent India; crossing over during Partition and stories of finding freedom. You can access our archive here: The Independence Year.
These traditional South Indian recipes with a twist by a surgeon turned chef are a must-try at home and may fuel your second innings passion.
Austrian chef, Wolfgang Puck said – “Cooking is like painting or writing a song. Just as there are only so many notes or colors, there are only so many flavors—it’s how you combine them that sets you apart.”
Dr. M Mohan Rao, 83, lives by that belief. The doctor turned self-taught chef took up cooking as a hobby post-retirement out of sheer love and passion for the art of cooking.
While his career as a surgeon made him play with scalpels and scissors, his love for spatulas, graters, and knives since childhood remained intact and did not dampen his love for cooking. Flashback to 1999 when Dr. Rao lost his wife and decided to begin his cooking adventure.
“When my wife Uma passed away, I was living in Chennai, busy with my surgery consultations, conducting multiple surgeries a week, and attending some emergencies too. My children and their spouses were still studying medicine then. I was 61 then. Since my needs were simple and I always had a knack for cooking, I started cooking my own meals and trying out various dishes,” says Dr. Rao.
The first few dishes were a disaster but Dr. Rao improved on them with the help and advice of his chef guru Prabhakar Bhat who ran the canteen in his hospital. Dr. Rao mentions Mr. Bhat’s contribution in his book ‘Glimpses of Surgery and a Surgeon’. For the next two years, he managed cooking all by himself until his son and daughter-in-law moved in with him. He was a pro by then.
After retirement, Dr. Rao shifted to Mysore in 2003 and eventually to Bangalore in 2013. “ I started living in a fantastic senior citizens colony and used the canteen facilities on and off. Since the beginning of 2020, once the pandemic started, I do all my cooking myself because I enjoy cooking. It is a great hobby and a remarkable way to spend time. We, the residents of this colony, often exchange healthy dishes and share with each other their benefits, and that gives us a great opportunity to socialize,” he says.
Dr. Rao is now an expert home chef, specializing in traditional South Indian cuisine, especially Mangalorean. He has started a cooking blog for healthy and tasty dishes with a twist. You can visit his Facebook page too to get some of his favorite self-cooked dishes. Dr. Rao believes cooking is a great stress buster and is equal to a stint of meditation. Apart from cooking, he has dedicated his second innings to spiritual pursuits and has authored another book ‘One Step To Moksha’.
Here’s Dr. Rao sharing his top recipes with us, including some useful kitchen tips:
Bitter Gourd Menaskai
This is a signature Udupi dish.
Ingredients:
Mustard seeds, urad dal, chana dal, jeera, coriander seeds – all these about 1 tsp
Red chilies – Byadgi or Ghattada Menasu 2-3
Coconut gratings or pieces of about 1 tablespoon
¼ tsp Turmeric powder
½ tsp asafoetida powder
White til (black ones can be used as well)/or Sesame seeds – one tsp
Tamarind about the size of 1 large lime
Jaggery – about 1 ½ times amount as tamarind
For seasoning – mustard, red chili, curry leaves
Bitter gourd -chopped, about ¾ cup
Spray the bitter gourds with a solution containing diluted vinegar and cooking salt, rub them after 10 minutes and thoroughly wash under tap water. This is to get rid of all pesticides. Deseed only if seeds are firm and ripe, cut into suitable sizes. In a bowl, add turmeric powder and table salt to the vegetable pieces and mix well. After about 15-20 minutes or longer, squeeze out and discard the bitter liquid from the vegetable and keep it stored in a plastic box. This can be kept in the freezer for a long time. Before finally using part of it, take and keep it out and remove the portion of it needed for the day. Rest of it can be put back in the freezer.-
Salt to taste
Coconut oil or other cooking oil 3-4 tsp for cooking and seasoning
Green chilies - 2
Method:
Roast Sesame seeds in a small container in medium flame for about a minute or less till it starts spluttering and aroma comes and keep them aside to cool. Don’t over-roast.
In a Tawa using about 1 ½ tsp of oil, roast all masalas including coconut. Cool this. Both these two items including sesame seeds are to be ground into a fine paste in a mixie, adding some water as needed.
Soak the tamarind in water for about 10 minutes, squeeze out and strain the tamarind juice repeatedly into a Tawa to about a cup of dilute tamarind juice. Add jaggery also to it and dissolve it. Boil this liquid for about a minute till the raw smell goes.
Then add the bitter gourd pieces and salt as needed and cook for a few minutes covering with a lid, till cooked and soft, about 5 minutes. Now add the masala paste, and obliquely cut green chilies. Mix well and boil in low flame for 2-3 minutes. Taste and add more salt and/or jaggery as per your preference. It should be slightly sweetish.
Generally, obliquely cut green chilies are a better option than slitting. It exposes the spiciness of the chilli better and the user can squeeze it further or even eat the pieces if one desires the dish to be spicier or discard the pieces if one chooses.-
Transfer it to a serving dish, sprinkle some asafoetida powder and put seasoning with mustard, red chilies, and curry leaves in coconut oil.
The Menaskai is now ready to serve. This can be eaten with hot white rice, curd rice, Rice Idli, Udupi kadubu, Rice Semiya, Bread, any Roti or just lick it up and enjoy! The total time to prepare is 30 minutes.
Thakka Thokku Biryani
The name Thakka Thokku Biryani is a twist of the Thakkali Thokku Biryani, a Tamilian dish.
Ingredients:
Rice – one cup
Ghee – 2 to 3 tsp
Dry Chillies – 5 to 6
Cinnamon– 2 pieces
Clove/Lavanga – 2
Cardamom/Yelakki – 2
Bay leaves – 2
Cashew nuts, full or half – a few
Tomatoes- 2 to 3
Red Chilli powder- 1 to 1 ½ tsp
Coriander leaves – few sprigs
Salt as needed
Method:
Wash rice and cook it in an electric rice cooker or pressure cooker. It takes about 15 minutes. At the same time, in a Kadai, heat 2-3 tsp of ghee and add cut dry chilies, patte, lavanga, yelakki – just split open bay leaves, and cashew nuts full or split. Fry on a medium flame for about 3 minutes. Now add long thin slices of tomato and saute for about 3-4 minutes till the tomato becomes soft and mushy. Add 1 to 1 ½ tsp of red chili powder and the required quantity of salt and mix well. By this time cooked rice would be ready. Add rice little by little, mix well and cook for 2 minutes on low flame. Finally, transfer to a serving dish and sprinkle coriander leaves. Serve hot and eat with cucumber and onion raita and papad.
The total time taken to prepare is about 20 to 25 minutes.
Mango Voggarane
You can try this if you bring home sour ripe mangoes.
Ingredients:
One or two sour ripe mangoes
Green chilies – one for each medium-sized mango
Jaggery – 1 ½ teaspoon powdered for each mango
Salt – ¼ to ½ tsps
Items for seasoning – coconut oil, mustard, one mor molaga (Curd chilly), and curry leaves
Asafoetida – ½ tsp, optional, to give it a zing.
Method:
Peel the mangoes and cut the flesh into pieces. Add 1 or 2 green chilies, powdered jaggery, and a little salt, and just puree it in a mixie. Transfer it to a serving dish and add tempering/tadka/voggarane. Adding some Asafoetida powder is your choice.
You will need 5 minutes to make it.
Food Image Courtesy: Dr Rao’s blog
Gandhi, 67, determined warrior, harbinger of good vibes and inspiration of ours succumbed to cardiac arrest and breathed his last today.
A bright spark of inspiration left the world today. Parimal Gandhi successfully fought three episodes of cancer out of which one was a near miss. He was blinded twice, underwent five corneal transplants, a cardiac bypass, two surgeries for glaucoma. He battled diabetes and hypertension and went on to become an author, life coach and influencer. Gandhi, 67, determined warrior, harbinger of good vibes and inspiration of ours succumbed to cardiac arrest and breathed his last today.
Gandhi collaborated with Silver Talkies and conducted a book reading session of his unbelievably inspiring book ‘Can Surmount’ for our community of seniors on December 11, 2020, sharing with us his journey of resilience. He was a fun speaker to keep us entertained and awed in equal parts. We realised why he was such an acclaimed international facilitator, consultant, speaker, and author.
Gandhi’s struggle began in 1974 when he was diagnosed to have corneal ulceration in both eyes. He was a second-year student of chemical engineering at that time. Refusing to give in, he began the journey to beat all odds. Gandhi shared with Silver Talkies excerpts from his book, Can Surmount. We deeply regret the sad demise of this precious soul and hope his life can inspire all of us to surmount the odds.
Image Courtesy: Facebook
Sonali Bhatia reviews the Mrs Pollifax series by Dorothy Gilman. A delightful series that found her through an erroneous click!
It is perhaps fitting that Mrs Pollifax entered my life quite by chance. My eyesight having weakened, I now ‘read’ by listening to audiobooks. In my search for another, totally different book, I happened to click, in error, on ‘Mrs. Pollifax on Safari’ by Dorothy Gilman. Instead of my usual reaction of clicking back out and continuing my search for the book I wanted, I stopped and listened. The narrator, Barbara Rosenblat, is superb with her voice modulation and held my attention.
Within minutes, I was completely hooked to the tale that was unfolding.
Mrs Pollifax, it turned out, is a spy for the CIA – having become a spy quite by chance in her sixties. She is a delightful character with her penchant for crazy hats and her fondness for writing and receiving snail-mail. Maybe that’s why I love her – I’m known for my collection of hats myself, and I send out snail-mail letters by the dozen each month. But those characteristics aside, Mrs Pollifax possesses an uncanny ability to perceive things others miss out on. She also happens to have a brown belt in karate. Some tell me she sounds a bit like Jane Marple. So – it’s confession time. I don’t know anything about Jane Marple, not having read the books by Agatha Christie. Somehow, mysteries haven’t been my cup of tea thus far and it’s intriguing to me that I should love the Mrs Pollifax books so much. I’m trying to figure out why.
It’s because of Mrs Pollifax herself, mainly. Her charm, her innocent appearance, her absolute integrity, loyalty and courage. And her incredible sense of humour. Returning from an adventure with her arm in a sling, she responds to her husband’s anxious ‘Not a broken arm?’ with a dismissive ‘No, no, darling, just a bullet.’ She is also well versed in human nature, observing people’s reactions, their gestures, their eyes, and picking up clues where none exist for her fellow agents. She forms deep friendships and shares her wisdom with new-found friends, in pithy and profound one-liners like ‘There are no happy endings, Jenny, only happy people.’ A completely lovable character who is well up to the larger-than-life situations that face her.
Image courtesy: Amazon.com
What faces her is travel. The books, set in various countries across the globe, give a rich understanding of local people and customs and an idea of the history and politics of the region. The terrain and architecture are vividly described. The plot is usually woven in with the politics, and a series of events leading to a breathtaking climax. Though I am new to spy/detective fiction, I think I can say that the author, Dorothy Gilman, is completely fair to her readers. All the pieces of the jigsaw are provided, and I have never felt that the solution was unfair. There are always hints to point the reader in the right direction, should the reader be inclined to solve the mystery along with the protagonist.
The protagonist, who points out that language isn’t a barrier to ferreting out information because human beings are the same the world over, with their hopes and aspirations, greed and hatred, all of which are mirrored by the eyes and need verbal utterance.
To those readers for whom the plot is important and spoilers are not welcome, I’d advise you to read the books in reading order. Characters often refer to earlier adventures (‘they had first met each other when they were tied back-to-back by hoodlums’), and in a few cases, the same character appears in a subsequent book with a new agenda. A villain sometimes re-appears as a sympathizer or vice-versa. I’m listening to the books in random order and enjoying them.
Being, on the whole, averse to the bloodshed that is common in mystery novels, I was happy to find it confined in the Mrs Pollifax books only to scenes in which it was really required. Only one book of the eight I’ve heard so far, “Mrs Pollifax and the Lion Killer” has sinister undertones throughout and creeped me out a bit. Regular readers of mystery novels might also be able to discern the hint of a formula in the writing (two sub-plots converging; the first arrest being incorrect and so on) but this in no way detracts from the enjoyment of the book.
What may detract younger readers is the dated technology. The fourteen books span two-and-a-half decades, from the sixties to the eighties, and such dilemmas as how to send a cable without the switchboard operator knowing the contents would not be relatable to nowadays.
I hope some readers do actually click on the free audiobooks and allow Dorothy Gilman and Barbara Rosenblat to carry them into the delightful world of Mrs Pollifax. She is the one who has made me appreciate the genre, and I’m grateful.
Cover image courtesy: Pixabay
All India Radio (AIR), India’s one and only radio broadcaster until 1993, turns 85 this year. Here’s looking at the radio broadcasting industry #thenandnow and time travelling back to the early 1980s on World Radio Day.
1980 to 2021. How was radio broadcasting 41 years back? How has it transformed in four decades? We time travelled back to the 80s with radio broadcast stalwarts – Vijayalaxmi Chhabra, 65 and Rini Simon Khanna, 57. Chhabra was the well-known face of AIR before she went on to head the Sales and Marketing of Doordarshan and retired as Director General. Khanna is the unforgettable voice of India and DD news anchor who started her career as a newscaster with AIR. Giving us some current bytes is Karan Edward Machado, 28, host of Good Morning Bangalore on 94.3 Radio One – better known to his listeners as RJ Kay.
The Past And The Present: Being on AIR for 20 years
Chhabra’s love for radio goes back to her childhood in Bhilai, a small but cosmopolitan steel township in Chhattisgarh. “A native of Odisha, my father was an engineer in the Bhilai Steel Plant and I grew up there. My parents were extremely liberal and being the eldest daughter, their expectation of me was tremendous. My father was an avid radio listener and very particular that I was getting the best of education and honing my language skills well. He insisted I listened to radio for the same.”
Radio, in those days, happened to be the sole source of not just entertainment, but also knowledge on current affairs, international relations, classical music, arts and culture and more. We had a Bush Radio and it was considered to be one of the prized possessions we had and was kept on the topmost shelf,” recollects Chhabra.
Chhabra got hooked on to radio and could not imagine her life without it. “My craze for radio was such that my father made me two speakers with long wires that could be carried from the drawing-room to my own room. On the days we would have guests at home, I would listen to the radio from my room without any interruption,” she recalls. Apart from listening to news and documentaries, Chhabra loved listening to dramas and the National Program of Drama was her favourite show on AIR.
Golden memories at All India Radio, Mumbai
Her father wished that she join the civil service but Chhabra wanted to become a radio broadcaster, working on youth programs on AIR and DD during college. She joined All India Radio in 1980 through Indian Broadcasting Service (IBS) which was a public service and required her to clear the UPSC exam. She topped the list.
“Radio broadcasting has been through a significant evolution over the last few years,” says Chhabra. She believes the job is tougher today. “Earlier, AIR used to be the only broadcasting platform covering education, entertainment, news and everything all by itself. Now we have multiple private channels which are very contemporary. It has become fiercely competitive and the commercial aspect has become more important than content. The challenges of today are different with not only competition with private TV channels but also from OTT platforms. I really can’t compare today’s radio with our times. Their jobs have become more challenging.”
“The primary difference that I observe is that the job of today’s announcers is only to entertain and their language is so different. In our time it was not so and the announcers had to be impeccable in everything, especially the language, and they needed to speak really well. Content certainly keeps changing with time but the language should not be diluted. Also, all the channels of recent times sound so alike. Planning should be made to bring in variety so that every channel would have different flavours and each station would have its niche audience,” she says.
Chhabra doesn’t think radio will die. “Digital radio is such a big thing today and anybody can start a podcast. Radio is a very personal space, refuels your imagination and is a dynamic medium. With the help of technology and social media, radio will certainly go a long way and create more magic with the voice,” says Chhabra.
For Rini Simon Khanna, joining All India Radio was quite a story
In 1979 Rini Simon Khanna was a schoolgirl when her career with radio broadcasting began. She was in standard 11 and at the prestigious Shankar competition’s prize distribution ceremony when the then Minister of Information and Broadcasting, Vasant Sathe heard her voice and told her she should be on the radio. He connected her with the reporters from All India Radio covering that event and soon Khanna received an audition call from AIR, cracked it and started working in Yuva Vani.
The job taught her scriptwriting, the art of speaking and the grammar of it all. She worked with Delhi B, General Overseas Service and more as an announcer, voiced for documentaries and feature films on AIR, read news and did live commentary on the radio for several events while still a student! Khanna has been attached with radio news reading until 2007 and even now goes back to the station to select and train radio newsreaders and for voicing and commentary.
Rini Simon Khanna at work in the radio station
“BBC radio was a huge part of my growing up and learning. I loved listening to Radio Moscow, the signature tunes and Srilankan broadcasters. Binaca Geetmala by Amin Sayani is till now a fabulous time capsule. My fascination with listening to new voices, their choice of words, way of handling a topic still remains. For me, radio is the easiest and cost-effective way of travelling the world,” she says.
There’s a lot that can be learnt and done on radio today, believes Khanna.
“Although a lot of things can be explored via radio broadcasting, sadly, all private channels are catering to only music, that too just the Bollywood industry. There are no news, documentaries and features. Only AIR offers a complete package – news, weather, natural disasters, knowledge about certain festivals. Western music is also limited,” she rues.
Radio is the quietest space without any chaos in today’s mass communication, says RJ Kay
Karan Edward Machado aka RJ Kay is a young jockey in radio broadcasting and joined Radio One as an intern in 2013. After finishing his college, he joined the same radio network in 2015 as a digital producer. He is currently the youngest morning show (Good Morning Bangalore) host on India’s only international radio network.
“In a largely digital age, only the radio has the power to personally connect with its listeners. I try to make myself relatable and approachable by consciously being on the same level as my listeners. While many perceive radio from the context of only speaking, I think it is also very much about patient listening which is rare these days. Today’s radio broadcasting is more about giving that quiet and chaos-free state to the listeners, one-on-one, to listen and feel good.
According to RJ Kay, in the world of mass communication that’s too noisy, radio provides the solace. “However, when things like radio live streaming start, radio will have a further huge scope to explore. There’s much more that radio can do by imbibing more digitalisation and it could be a combination of honesty and credibility. Radio symbolises innovation through audio and being an integral part of someone’s routine and that will never fade,” he says, signing off.
Here’s a fabulous travel journey of a mom-son duo exploring the world holding each others’ hands and we just can’t stop drooling over them.
Spending a starry night in a vineyard in Nashik. A bike ride oozing with adventures along the hilly terrains from Manali to Rohtang Pass. Attending a gala party on New Year’s Eve in a majestic fort in Rajasthan. Exploring the untamed beauty of the desert in Dubai. Camping in a woodhouse in the serene lap of the Valley of the Gods. Imagine doing all these with your 61-year-old mom. Sounds rare, isn’t it? At a time when millennials choose to travel solo or with a group of young amigos, here is Sarath Krishnan from Thrissur, Kerala who has taken the pledge of making his mom travel and see the world.
For Krishnan, however, travelling with his mom, Geethamma is not at all surprising. “Don’t you think it is obvious for everyone to take their mommies out for tripping once they grow old as they were the ones who used to hold our hands and take us out when we were young?” he asks while sharing with Silver Talkies how their son-mom duo trip began.
“In Kerala women of my mother’s age are expected to stay behind the closed doors, dedicate their entire life to household chores, raising children and taking care of everyone in the family. But nobody bothers about their likes and dislikes. My mom has always been a travel lover, even more than me. When others of her age would swallow the content of fashion magazine and cookbooks, my mom would get engrossed in travel magazines, look for new places, admire the pictures and visit them in her dreams until I decided to actually take her to all those places she wanted to visit,” adds Krishnan who believes it is his responsibility to fulfill his mother’s desire to travel.
Magnificent Maharashtra, their travel prelude
It all began back in 2015 when he successfully convinced his mom to travel with him to Mumbai to see a friend. “Initially my mom would hesitate to come along. But during that time, the magic happened and she agreed to visit my friend to see his new-born in Mumbai as it was supposed to be just a two-day-long trip,” says Krishnan who made a sudden plan to visit Nasik from Mumbai with his mother after that. Krishnan took his amma to the temples in Nasik that boasted of the rich Meraki architecture that blew her mind.
“She wowed at the intricate carvings and scintillating statues and did not want to leave. She particularly loved the golden Lingam at the Trimbakeshwar Shiva Temple. It is then when I realised that I should take her out more often,” says Krishnan. They spent a night in a vineyard in Nasik and Krishnan’s amma got a chance to know about wine, which she had never experienced earlier.
From Nasik, the mom-son duo visited Pune, Lonavla and returned to Mumbai to take the flight back to Kerala. What apparently happened to be just a two-day trip lasted for nine long days. Since then there has been no stopping the duo.
Varanasi and Himachal, the son’s Valentine’s Day gift to his mom
Four months after their Maharashtra trip, Krishnan had a strange dream where he woke up to the Shiva aarti at the Dashashwamedh Ghat in Varanasi holding his mom’s hands and that was his clarion call. He quickly booked two tickets, made his mom pack the bag in a hurry and left for the city of temples.
“We started our journey on February 14, Valentine’s Day. While most other men celebrate their spouses on this day, I decided to treat my amma,” says Krishnan. They had a fulfilling trip in Varanasi. Starting from the aarti, the Ganges, the Ghats, the temples, the ancient alleys, the pedas, they explored it all. On the scheduled date, they boarded a train to Delhi from where they would catch their flight back to Kerala.
“That’s when the twist in the story happened. The travelling ticket examiner on that train was also from Kerala and while chatting with him during the journey, we came to know that the final destination of our train was Shimla. Within a few minutes my mom and I decided to upgrade our tickets and cover Himachal which wasn’t planned at all. And it was so much fun,” says Krishnan.
The Himachal Blast
When they reached Shimla, they hardly had any woollens to wear and headed straight to the market to get some to keep themselves warm. They booked a woodhouse in a silent valley in Shimla and enjoyed the tranquil mountains and hot water springs.
“We headed to Manali the next day and enjoyed the captivating calm there. From Manali, I decided to book a bike and gift amma a bike ride all the way from Manali to the Rohtang Pass. It was the best decision ever I made in my life. While she was a little tense at the beginning, amma thoroughly enjoyed the ride. She was excited, singing out loud as we cut through the cold breeze, spreading out both her hands. At Rohtang Pass she was rolling on the snow. It was as if the sexagenarian became a teenager in the wink of an eye,” says Krishnan.
The Dubai Adventures
After Himachal, Krishnan took his mom to Agra, Mathura, Amritsar and Kathmandu. In 2018 December, they travelled to Dubai. “This trip was loaded with nostalgia for my mother as she had lived in Dubai with my dad 38 years back. Apart from visiting Abu Dhabi, Ferrari World, we revisited the colony where my parents used to live. That was amma’s wish. I had connected with one of their old neighbour’s daughters in Dubai on Instagram and when we reached there, my amma ran like a child to their old apartment. We visited my parents’ home in Dubai, met with old friends and it was a moment of reunion for mom.”
Krishnan loves travelling with his mom. “It feels amazing to give amma the taste of freedom after she has spent all her life raising three children,” he says.
Geethamma herself is the perfect example of active ageing. She keeps herself engaged in exercise, yoga and unique breathing techniques that help her keep steady when she travels at a higher altitude. “I teach amma these techniques as she needs to keep fit for being able to travel more. I am waiting for the Covid-19 crisis to get a little better. As soon as it settles down, we will plan for our next trip with adequate safety measures,” adds Krishnan.
Image Courtesy: Sarath Krishnan
65-year-old, Saraswathi Ram shares her incredible journey of being a single mother and one of the first BSF lady officers.
Twenty-eight years ago, Saraswathi Ram’s world turned upside down when she lost her husband, Sh. BSJ Ram, Deputy Commandant of Border Security Force (BSF) on active duty in Jammu and Kashmir. It was February 13, 1992 and Ram was now a single mother to her two daughters and a son — 8, 6 and 4 year-olds respectively. With sheer grit and determination, Ram braved all odds and approached the then Director General of BSF for a job, joining BSF as Assistant Sub Inspector and becoming part of the first batch of women officers in Border Security Force at the age of 39. Now 65, Ram carried forward her late husband’s passion of serving the country until her retirement and is a proud mother who single-handedly raised three children.
Saraswathi Ram with her husband, late Sh. BSJ Ram, Deputy Commandant of Border Security Force (BSF) on their reception day on August 29, 1980
“I met Anantha Chari, the then Director-General of Border Security Force, explained my situation and requested him to provide a job in the Administration Department of BSF to the educated women who lost their husbands and were living without proper support, on compassionate grounds. He considered my request and selected 25 ladies from all the ranks and appointed us as Assistant Sub Inspectors and Constables. We were posted in various parts of the country in 1994 and were the first batch of women officers to get trained in BSF,” remembers Ram.
After joining BSF, Ram along with 24 other women from her batch underwent army training for 10 months which included physical training like March Past, running, drills and firing with a range of weapons. Throughout her 18-year-long career with BSF, Ram served at several wings of the BSF, eventually retiring in 2012 at the age of 57.
“During my career, I have never given a single chance to any of my senior officers or subordinates to utter a negative remark about my professionalism even though I was a single woman working among a crowd of men who were indeed supportive of my children and me,” says Ram.
Ram on her way to office after joining BSF
Recalling her challenging working days, Ram says she had to wake up in the wee hours in the morning, around 5 AM, prepare breakfast and lunch for her children and get them ready for school. “After sending them off to school, I would get ready, put on my khaki uniform and reach the office by 8:50 AM on my Kinetic Honda Scooter. I used to live inside the BSF Campus in Yelahanka, Bangalore which was 8 km away from my office.”
Being a single mom working a demanding job meant multi-tasking. Ram would get a lunch break for one and half hours and she would utilise this time to get back home and prepare evening snacks for the children, reporting back to work at 3 pm., Once back home at 6 pm, there was no respite as Ram would help the children with their homework, cook dinner, and put them to sleep. “While being with my children, I ensured they were always happy and never gave them the chance to think that they did not have a father,” adds Ram.
Ram after taking the oath as a sub-inspector
Ram has a hearty laugh when she walks down memory lane and realises how innocent she was at the time of her marriage. “Mine was an arranged marriage and my life after that was full of thrills. While I was a girl from a typical orthodox Brahmin family, my husband was Assistant Commandant in BSF and I had to often attend parties that I had never been to earlier. Their lifestyle, social mingling and food habits were very different from mine. Initially, I would get confused, feel uneasy and upset. I also faced a massive language problem as I did not know how to speak in Hindi and could only speak English and my mother tongue which most of the others could not comprehend. However, my husband was a guiding light for me and helped me to socialise and freely mingle with various communities. Today, I love being in the company of friends with varied thoughts and I know to speak in 12 languages and Hindi with fluency.”
The first batch of women officers in BSF including Ram playing Holi at the BSF training campus
Losing her husband was a great blow and Ram always kept worrying if she would be able to educate her children well. “My elder daughter is an engineer, now settled in Canada, my son did an MBA in Finance and is working in Chennai and my younger daughter is a doctor, now settled in London. I feel super proud to see them do so well,” says Ram.
Post-retirement, Ram started exploring social engagement possibilities and making new friends until she joined Silver Talkies a few months back. “I am in love with this vibrant community of young seniors. It has opened up a whole new world for me. From yoga classes to music therapy classes, getting introduced to new friends and activities and learning present-day technology, Silver Talkies has made my life colourful especially during the Covid days,” says Ram.
She believes that not panicking in a situation, being bold and being proud to be born as a woman can make her overcome all obstacles and live with dignity. From the time she asked the Director-General of BSF for a job to the service she finished with dignity and hard work, Ram’s indomitable spirit is nothing less than an inspiration.
Subramanian’s father S Thiagarajan wrote a book at the 101. His son gives us a peek into the late centenarian’s incredible life.
We landed at the Kempegowda International Airport, Bengaluru one fine afternoon on the short flight from Coimbatore. My father and I were returning home after celebrating my father Thiagarajan’s 100th birthday in a befitting manner with all religious fervor attended by friends and relatives. My father was in good spirits after consuming the tasty veg sandwich given during the short flight. I had also bought him a cup of ice cream, which was very tasty for him but he was shocked to learn its price. All the passengers had departed, and we were waiting for the wheelchair.
My father became impatient and took his walking stick in his hands, ready to get down from the steps and walk across. I knew perfectly well he can comfortably do that even at 100, but I had to restrain him for two reasons. First, the airline staff would wonder why we had booked a wheelchair in the first place, and second, it will take unduly much time to reach our car with his slow and extra cautious walking. I even suspected for a moment that the hostesses might be a bit confused as to whom the wheelchair was meant for – for me (age 74) who looked older or for my younger looking father (age 100).
100th birthday celebration of S Thiagarajan
After a couple of weeks, my father strolled one day into my room, where I was relaxing with a newspaper, and declared he is thoroughly bored, and he wants some exciting project for him to remain engaged. Having run out of ideas with his past projects, I promised to come up with something in a couple of days. Luckily that evening, my former colleague, Mr. Upadhyay, called to enquire about the ‘Poornaabhishekham‘ as the 100th birthday was called and regretted that he could not attend the same at Coimbatore. He specifically requested an elaborate chat with my father as he wanted to hear from him firsthand the secrets for his healthy longevity, cheerfulness, and excellent mental and physical fitness. While promising to arrange for the discussion, I realized that he has just given me an idea to keep my father engaged.
I suggested to my father that he write a book based on his personal experiences on how one can age gracefully and enjoy life. I pointed out that he is still eager and comfortable to work on his laptop; he has the experience of having written half a dozen books on his hobby and passion ‘Photography,’ though some decades earlier. I recalled many young and old becoming awed looking at his sprightly demeanor at that age. I reminded him about the incident at the nearby Post Office where he drew his pension. After seeing his age record on the computer screen, the lady at the counter rushed and did a ‘Sashtanga Namaskaram‘ then and there in the busy office to the wonderment of the staff and customers. The Postmaster informed my father of being the rare centenarian in the Karnataka Postal Circle drawing double the pension. She went on to seek practical tips and suggestions, stating she would be retiring soon from her service.
The informal release of ‘Start Life Afresh At 60’
Catching my enthusiasm and realizing the value in my proposal, my father consented to put the required effort. I provided him with a selection of reference books from my library. He set about his task right earnestly, and the result is his book ‘Start Life Afresh at 60’ published in June 2019.
Later, at a formal launch in Coimbatore, my father summed up in his short speech that at old age, adopting especially a more flexible approach, positive attitude to life, cultivating an attached detachment, and remaining engaged in some productive activity or other about which one is passionate – all these matter much and will make a significant difference to the elder’s life. He stressed the importance for one to remain mentally and physically active. He pointed out that he did not miss his morning rounds with slow walking for about an hour and stretched his limbs despite his age. His recent book project kept him mentally energized for almost a year. Now he is delighted to see the outcome and its usefulness to many in their life.
My father suddenly and unexpectedly passed away peacefully in the first week of September 2019.
The consolation was that my father lived to write and see the finished book and its success and the readers’ acclaims. Deepa Cherian, a young finance professional from Singapore said that the book gave her some profound insights into the mind of the elderly and how to be prepared for the topic that we all avoid discussing until it hits us personally – aging.
“The author shares how to deal with health challenges, which gets amplified with the passing of years and the need to keep both bodies and minds healthy. Another fascinating aspect he shares in the book is the need to change with the times, acquire new interests (like he did with his computer skills and writing a book), and be receptive to the ideas of the new generation. There are several lovely snippets in the book like the ones where Mr. Thiagarajan shares the thought process he goes through when getting ready to go out, or his reaction to seeing his granddaughter’s fiancé sporting a beard. All these are written in simple and engaging prose, which makes completing the book a breeze. It is a book that not only helps us be more empathetic to our aging parents but also prepared for old age. This book is an inspiration for the elderly to embrace old age and see it as a new beginning. I finished the book with great admiration for Mr. Thiagarajan, who not only lived a long life but lived life to the fullest.’
Prof. Dr. V.M. Iyer, the renowned Orthopedic Surgeon, Sholapur, Maharashtra, and an octogenarian, thanked the author from the bottom of his heart, wishing he had come across this book some 30 yrs ago. “I would recommend this to everyone in their fifties. Their other life would be a memorable one. There are so many things in the book worth appreciating/emulating,” he said.
Such feedback gives one satisfaction that the author’s enormous efforts at his age in writing this book proved to be worthwhile in helping senior citizens and provided a glimpse to the youngsters of an aged person’s life and requirements.
True to the quote by Socrates in Plato’s Republic included in the book which says, ‘There is nothing which for my part I like better (Cephalus) than conversing with aged men; for I regard them as travelers who have gone a journey which I too may have to go, and of whom I ought to enquire, whether the way is smooth and easy, or rugged and difficult,’ the book ‘Start Life Afresh at 60’ by the amazing centenarian Thiagarajan illuminates an exciting path for our senior citizens to take in their golden years.
In case you want to buy a copy of this book written by the late centenarian, you can order on the following two links:
https://www.amazon.in/dp/9385745336/ref=cm_sw_r_wa_apa_i_YjmDEbW161DR7
http://startlifeafreshat60.saanviemporium.com/
You may also buy copies by writing to Subramanian at subramanian.t47@gmail.com.
Image Courtesy: Members of Thiagarajan’s Family
On Indian Air Force Day, Minnku Buttar, an award-winning transformational facilitator, energy healer and a proud daughter writes a heartfelt piece about her late father who was an Airforce Pilot, recalling the golden lessons she has learnt from him.
“The bond that links your true family is not one of blood, but of respect and joy in each other’s life.” — Richard Bach
Ten years after my father, a passionate, intelligent Airforce Pilot passed away, memories continue to fly in. I am proud of the 20 years he dedicated to this nation, his valour, deep sense of solidarity, fortitude and dedication. His real-life adventures, high-spirited nature and art of spinning tales, always got him a very rapt and fascinated audience. My favourite one was him zipping into a hostile enemy air space, to help guide back a friend who had ventured there by mistake. The chance of both planes getting shot was a millisecond away. I remember his tales of flying and landing in the worst climatic conditions, carrying food and arms for the army battalions at 15000 feet, at temperatures of -35 degrees Celsius.
I trusted his stories. He told us how, one night while walking the dog, he came across a spirit, floating a foot above the ground, and he could see her. Or how Sathya Sai Baba’s Vibhooti (incense dust, meant to be a blessing) arrived in our mailbox one day as a blessing just when my uncle had gone to the American Embassy to apply for a visa. My most fascinating one is when as an instructor, the engines of the plane dad was in, spluttered and stopped, and the test pilot, who was flying and was inexperienced didn’t notice anything was wrong. Dad sat calmly and told the pilot five minutes later what he needed to do to save them from crashing. I wondered for many years, where his calm during emergencies came from.
It is said that fathers have a unique bond with their daughters and when they live a life of integrity and honesty, setting a positive example, their daughters too develop into strong, confident women, ready to handle the world. I feel blessed to have inherited that free and honest spirit from my dad, who taught me to value myself and stand up for my convictions.
There are so many fond memories that pop up when I go down the nostalgia lane. As a one-year-old, I’m told that every time I would hear dad’s car drive in through the gates, I would toddle funnily on my feet like a drunk kangaroo and go running to him. This was more for the 5-star chocolates he always had in his kit — a requisite for every pilot in case they were shot down behind enemy lines and needed to survive in jungles.
Minnku’s father in Airforce uniform
Once, he had flown from Srinagar to Chandigarh in an unstable and faulty plane during bad weather, because he had promised to be back on time for my 4th birthday party. I was my father’s tiny angel that no one could scold. As I grew up, I have memories of him scolding my younger brother, but for my whims and fancies, dad was like butter in a hot frying pan, melting to my pouts. Once after an overseas trip, an Indian Customs officer demanded one of the two whiskey bottles he had bought along with the ‘Black Rose’ chocolates that I had specially asked for. I still remember the glee on my face and the song in my heart, when I heard how dad had dug his heels in and refused to part with the chocolates. Though he did part with his second bottle of whiskey in the bargain! Dad was my hero. I looked up to him so much and dreamt about becoming a pilot too — the thought of flying amongst the clouds and reaching distant lands is captivating.
There is more than one enduring memory I have of my father. I remember standing so proudly in front of a Cheetah he had shot on one of his hunting trips. Dangerous tales would spill over whiskey bottles and chats and I would never tire of listening to them.
He would spring up a sudden movie plan (and ensure we always got tickets despite a sold-out sign outside theatres), and I always wondered how he did that. I remember special folding seats being laid out for us in the aisles for the movie Bobby as the regular seats were sold out.
I think I have inherited this resourcefulness from him because I have often surprised my children by managing precarious and impossible results in certain situations. The trick dad had said is: “Try. Try asking. You lose nothing and worse comes to worst; you only hear a no.”
“It is admirable for a man to take his son fishing, but there is a special place in heaven for the father who takes his daughter shopping.” – John Sinor. I still have fond memories of dad patiently walking alongside me and teasing me when I innocently tried my novice attempts at bargaining.
Toddler Minkku with her mom and dad
Dad was the only person in and around his village to become a commissioned officer. He was also a generous soul, who welcomed every Tom, Dick and Harry Singh from Punjab to our home, where they would arrive to get work done through his goodwill and social connections. This left my poor mom to cook massive meals that had an impact on her energy and health. I saw many arguments between my parents because of this — my mother trying to stand up to dad’s over-generosity towards his relatives and his over-controlling and strong personality.
The arguments ensured I wanted to seek out a relationship in which I had equal say and standing so that I wouldn’t have to battle as my mother did. Unfortunately, as luck would have it, I struggled with many egoist battles in my first marriage.
Ten years after dad’s gone, I have learnt to own my imperfections. Something I couldn’t when he was alive because, at times, I tried too hard to be what I thought he wanted me to be. I worked hard to start loving myself again. I am today, the best version of me.
Sometimes my dad’s masculinity would clash with his high handedness and stubbornness and he would say: “I can’t let everything slide, let your every misdemeanour go by unnoticed and unaddressed. If I did, you might never learn right from wrong, might not become the best version of yourself.” I am grateful he did that because even today when faced with challenges, his voice rings in my ears — ‘You’re brighter than the sun baby girl, don’t let a few dark clouds define your worth’.
77-year-old photographer, cinematographer and director, Ashok Talwar’s life houses tons of incredible memories of the partition and Independence Years.
A youth witnessing his father getting slaughtered in front of his own eyes while crossing the border during the Partition of India and Pakistan in 1947. A mother whose love for her two children, one brought up in India and the other in Pakistan, could not be divided. An Indian septuagenarian’s thrill of unknowingly visiting his grandfather’s home in Lahore, Pakistan after more than six decades and realising that was home. Talwar is known for his works on Doordarshan like Maila Anchal, Police File Se, Space City Sigma and more. He looked into his storehouse of memories for us.
Talwar, 77, whose life has been deeply influenced by the memories of India-Pakistan Partition
Father stabbed to death in front of his son during the Partition riots
At the time of India’s Independence, Talwar was 4-year-old and was settled in Delhi with his parents. However, several relations from both his father’s and mother’s ends were on the other side of the border. Talwar believes his perception as a film director has been heavily influenced by the Partition and recalls the experience his paternal aunt, Bua’s family had to go through while crossing the border in 1947.
“My Bua had come earlier to Delhi from Lahore, now in Pakistan, to stay with us during the times of Independence and Partition. My cousin brothers along with my Fufaji were supposed to come a little later. When they were crossing the border to come to India from Pakistan, they were provided shelter during the night by someone whose house was nearby the India-Pakistan border. Those were unimaginable days of riots and horror. The house where my cousins and Fufaji took refuge for the night was surrounded by high compound walls. In the middle of the night, the house owner secretly informed his neighbours that they were staying at his place. A group of people broke in to slaughter my brothers and uncle. While my brothers were young enough to jump over the compound wall, Fufaji was old and he could not manage to escape the wall. He was stabbed to death right in front of his two sons who were in the early twenties then,” says Talwar.
His cousins managed to reach Talwar in Delhi and stayed there with him and his parents. “There were many relatives who crossed the border and came and lived with us in my father’s bungalow in Delhi. That’s why I have always grown up in a big joint family with lots of people around and even today I do not like living alone,” he adds.
Dividing the nation could not kill a mother’s love
Talwar feels lucky to have experienced some magic stories of India’s Independence that have etched a mark on him forever but have remained unknown. During the 1970s, he was farming for a short while in Khasa border, a few kilometers away from the Attari border in Amritsar. There, he befriended a Singh, a Sikh farmer who worked on his farm and lived with his only son. When Talwar enquired about his wife, the farmer revealed that his wife had gone to Pakistan as she is a Pakistani. Talwar was surprised and out of curiosity wanted to know more.
“The story that I heard was something that I have never heard before. While we have made several movies on Partition of India, this story that speaks of the love and commitment of a mother is a truly deserving movie plot. During the partition, several Indian Muslims were crossing the border on foot to go to Pakistan and a lot of bloodsheds took place. Singh’s wife was a young girl then and was crossing the border with her father and brothers when Singh and some others caught and killed them. Singh decided to marry the girl, had a son with her and after a few years, she went to Pakistan,” recaps Talwar.
It was during Talwar’s stay in Khasa that the wife returned all of a sudden after almost 15 years. He adds: “I was overwhelmed to see the woman back to her husband and son after such a long time. She walked across the border just as she had gone earlier. I went for a chai party to her place and wanted to know where she was and why she went off to Pakistan. She told me that she was already married and had a son when she was crossing the border in 1947 and Singh captured and married her. Her first-born is now a citizen of Pakistan and she has never denied being a mother to both his sons. She keeps on crossing borders for the sake of motherhood and tends to both her sons, one in Pakistan and the other in India.”
Talwar took part in a delegation and visited Pakistan a few years back
Partition could not cut off ties of blood and friendship
Talwar, who is a photographer, took part in a delegation called by the photographers of Pakistan and visited Lahore 2006. His grandfather who was a well-known barrister in Lahore had died a few months earlier and the rest of the family had migrated to India during the partition.
Talwar says: “I expressed my desire of visiting my grandfather’s house to one of our hosts, who was a member of the Pakistan Planning Commission. I gave him the address and he wanted to take me there himself as he said he was living on the same road and his house was right next to my grandfather’s. However, he informed me that my grandfather’s house is not there anymore and some government buildings have been raised in the same plot. After our visit, he took me to his place and offered me tea. There, he showed me around the house and also took me to the library of his father who also happened to be an eminent lawyer in Lahore and had recently passed away. It was an old library and something strange happened to me when I stepped in. Difficult to put in words but even at the risk of being overdramatic, it was almost like I was being pulled back in time.”
Talwar’s cherished moments in Lahore, Pakistan during his visit
On returning to India he spoke about it with his elder sister. He was awestruck to find from her that he had carried the wrong address of his grandfather’s house in Lahore and the house and library that he visited was his grandfathers.
“I immediately called back my host who had taken me to his house and then he disclosed that his father was a practicing lawyer in Amritsar. When he and his family crossed over to Pakistan during the partition, they were allotted this bungalow. He said that his father had heard of my grandfather and admired him and it is because of this respect and admiration that his father never changed or renovated the library. The library that I visited was actually my grandfather’s and nearly the same as he had left nearly 60 yrs ago.”
Talwar believes India’s Independence was not just freeing our country from years of Imperialism, but also a collage of untold feelings and emotions.
How was India’s first Independence Day celebrated? These seniors take us back to August 15, 1947.
Spending some family time on a national holiday, wishing each other Happy Independence Day, shuffling through TV channels to watch the live national flag hoisting program, listening to patriotic music and watching films on India’s struggle for freedom, taking part in some Independence Day exclusive events and relishing special lunch or dinner at home, – that’s how most of us generally observe August 15, our Independence Day. While all of us may have heard thrilling stories of our freedom fighters and their remarkable sacrifice, have you ever wondered what the first Independence Day back in 1947 was exactly like? How did India look like on her own after 200 years of colonialism? As we celebrate the 74th year of India’s freedom, Silver Talkies speaks to senior citizens who witnessed the first Independence Day celebration, over seven decades ago.
This nonagenarian was a part of the music band that performed on the first Independence Day
Rukmini Srinivas who is fondly called Rukka by her friends and family is 93 and her memories of the celebration of India’s first Independence are anything but faint. When Silver Talkies reached out to her, she was brimming with joy as she recollected those golden days.
Srinivas, who was born in Bangalore in 1927 and grew up in the British cantonment areas all over India as her father was an officer in the Military Accounts Department, had a dichotomy. “I went to British schools in Pune, Madras (now Chennai) and Jabalpur. There, our lives were about British customs and culture. We sang God Save our Gracious King for George the Sixth on every public occasion, we celebrated Christmas and read the King James Bible and Shakespeare. At home on the other hand, though my father loved English literature, and wore western clothes, the talk in the house was of the struggle for freedom. I remember distinctly my father took my sister and me to Yerawada Jail in Pune where Gandhiji and other freedom fighters had been imprisoned. He told us about the Dandi March and about Mahatma Gandhi’s life. We crossed the bridge at the Mula Mutha River and spent several moments staring at the cell where Gandhiji spent countless days, planning and hoping for a free India,” she says.
Rukmini Srinivas took part in the celebration of the first Independence Day on August 15, 1947
After finishing school in Pune, Srinivas went to Madras, joined the prestigious Queen Mary’s College in 1946 and was among the first generations of women to get a college education in free India.
“In college, I joined Manjubhashini’s Seva Dal and went every weekend from my hostel to practice drill and marching. She used to read to us stories of the freedom struggle, of Gandhiji’s and Nehru’s life. The following year of my joining Queen Mary’s College, India celebrated independence from British colonial rule. I was 20 years old then. Meanwhile, my professors had noticed that I had a good voice and was enthusiastic about the upcoming Independence day festivities. They selected me as one of six singers to train under Harindranath Chattopadhyay, the husband of Kamaladevi Chattopadhyay, both noted freedom fighters. Harindranath played the harmonium and taught us the famous song, “Kadam kadam badaye ja, khushi se geet gaye ja!” I still remember the rousing tune to this day and sing it to my daughters.”
On August 15, 1947, Rukka, along with other students from the hostel marched in a parade all along the Marina to Fort St. George where the British flag, the Union Jack, used to fly on the ramparts. “On this momentous day, I remember how the Indian tricolor was hoisted and the British Union Jack was lowered. There were shouts of joy and applause while the band played. I felt very proud. We came back to a special dinner at the hostel mess that day. Our principal talked to us about the importance of education for girls and women in the new India,” says Srinivas who has written about her memories of pre-Independence India in her memoir and cookbook Tiffin: Memories and Recipes of Indian Vegetarian Food. At present, she is finishing a book on her memories of this exciting time in India’s history and other stories, titled Rukka’s Reminiscences.
India’s struggle for freedom shaped the life of this octogenarian
Indira Narsimhachar, 82, was 9 when she witnessed a new India on August 15, 1947. Recollecting the pre-Independence days, she says: My sister and I were living with our grandparents as my parents were in a remote place where there was no schooling facility. The elders at home excitedly used to read the newspaper and listen to radio news every day. They used to talk about freedom fighters which we listened to with excitement. We also got scared when we heard about the communal riots.
Communal riot before Independence
“I remember the first Independence Day very well,” she tells us.“There was excitement and joy everywhere. My grandfather hoisted the national flag on top of the house. We all saluted the flag. We had decorated the whole house with buntings. My grandmother made sweets and distributed them to all in the neighborhood. My grandfather sat glued to the radio. In school, we were taught the national anthem which we kept singing joyfully. Expressing how it felt to sing the National Anthem for the first time ever in free India is beyond words.”
Freedom was indeed precious for these super silvers and so it is for all of us. We thank them for sharing with us what liberty means in its truest sense.
Image Courtesy: Pinterest
Peepal Baba is the right name for this green warrior who walks the environment talk and hasn’t stopped even during the lockdown.
Clear, blue skies, cleaner lakes and rivers, chirping birds in the heart of the concrete jungle and dolphins at Marine Drive have been some of the positive sides of the pandemic outbreak and lockdown. While most people stayed indoors and almost everything came to an abrupt halt over the last few months, this man never gave up his passion for planting trees and keeping nature going. Meet Swami Prem Parivartan, 54, more popularly known as Peepal Baba, a name he has earned for planting over two crore trees in the last 44 years. And guess what, he keeps a count on all of them and maintains an old book that records each of the trees that he has planted.
Founded in 2011, Parivartan runs an NGO – Give Me Trees Trust that has 30 full-time workers helping him in his endeavour. He has planted trees in 202 districts covering 18 states like Uttar Pradesh, Delhi – NCR, Haryana, Maharashtra, Jammu and Kashmir, Himachal Pradesh and Rajasthan. He also supports 14,000 volunteers in the country. He trains communities in planting and maintaining trees in specific areas.
Since childhood, Parivartan has been an environment lover. He often spoke about the importance of the environment with his teachers and grandmother who was a nature lover as well. At the age of 10, he was saddened to hear from his teacher that the rivers would dry up in the future due to climate change, global warming and increasing pollution. When he shared his concern with his grandmom, she asked him to plant a tree. That’s how his journey began. He went to a nursery, bought nine plants and planted them along the Range Hill Road, Khadki Cantonment, Pune.
Parivartan worked as an English education officer in various companies while planting trees side by side until he completely dedicated himself to planting and taking care of the trees. He also started taking tuitions for livelihood with full support from his family.
For the last two decades, he has been planting trees across the country, making Delhi his base camp. Very recently amid the Coronavirus outbreak, he visited Haridwar to get saplings and ended up in planting 1064 trees in the surrounding villages during the lockdown. Not just in Haridwar, he has carried his plantation drive in Lucknow, Noida and Delhi as well, planting as many as 8064 trees during the Coronavirus crisis till now.
Parivartan and his band of tree warriors do not just plant trees and take care of them but also keep track of each tree they have planted. 1.25 billion trees out of two crore trees that he has planted are Neem and Peepal is why he has earned the moniker ‘Peepal Baba’. Others include guava, berries, tamarind and other trees suiting the various places.
He believes that while he cannot reduce the number of people cutting the trees, he can certainly increase the number of people planting trees. The 54-year-old hardly takes a break from planting trees and promises to continue doing that and encouraging more people to join his tribe.
Find out more here: https://t.co/6JndjP3LCv?amp=1
As the world is gearing up for World Bicycle Day on June 3, here's the inspiring tale of Dr Ali Poonawala, 65, a well-acclaimed urologist in Bangalore who uses his bicycle to keep the child within him alive.
"I love to feel the wind in my hair when I am on my bicycle, pedalling across the busy streets of Bengaluru," says Dr Poonawala whose excitement about cycling knows no bounds.
His passion has now become a habit. Dr Poonawala has not used his four-wheeler for years. He enjoys commuting on his bicycle, be it to his workplace which is 7 kilometers away from his home, or to fetch groceries or to his favourite places to unwind. He believes his love for pedalling has given him back enough. Talk about his lively spirit and stress-free mind; his endeavours towards raising funds for charity or his desire to ignite the passion of cycling among senior citizens and you can see how his bicycle has remained a dear friend throughout the journey. Dr Poonawala has been to Pune from Bangalore and to Coorg from Mysore on his bicycle. "Whenever there is an opportunity, I try to cycle."
How did cycling begin for him? We will have to go back to his childhood when Dr Poonawala was crazy about touring his neighbourhood on his bike. However, as he grew up, academics and career outweighed his fondness for cycling until 2010 when it was re-ignited after watching a television ad. He joined a cycling community in Whitefield, Bangalore and the rollercoaster ride began. He was 55 and started taking part in cyclothons which involved pedalling for 20 to 25 kilometres. This broke his fear of traffic and today he commutes only on his bicycle.
"When you cycle you become fit by default. It is a cardio exercise to be specific. Whatever road you take, there are always ups and downs. Ups become a challenge then and you can take them at a different speed and it becomes cardio exercise. It also reduces your frustration and makes you stress-free. It saves your time and you do not have to wait in the traffic for hours," says Dr Poonawala who has a strong family trait of cardiac issues. Cycling has helped him to improve his cardiac health to a great extent, also improving his balance sensory system and reflexes.
Dr Poonawala believes that joining a cycling community can be an excellent way of social engagement among the seniors. "The group energy is very positive and you will have like-minded people with whom you can connect well and they, later on, become your guide and mentors. I was lucky that the Bangalore Bikers Club is there. It is a Google group and for me, it has become a knowledge-sharing platform. I get to know about so many things related to cycling, say appropriate diet or the importance of remaining hydrated and more. There are many other cycling communities these days and I would always recommend seniors to join such groups," he says.
The avid cyclist is keen about helping others in mastering the art of pedalling and practising it on a regular basis. He is a part of Bangalore Bicycle School, a social services organisation that teaches adults who want to come back to cycling or are new learners of cycling. Dr Poonawala believes that age is just a number when it comes to learning or polishing your cycling skills and he takes great pride in having taught cycling to several senior citizens above 60. He has trained about 200 cycle enthusiasts and his senior-most student was a 66-year-old woman who runs her errands on a bicycle now. In fact, most of his students are women.
According to Dr Poonawala, if you are a senior citizen and do not have very serious cardiac issues, you can take up cycling at any time. There are no medical reasons why a senior citizen cannot cycle. All you need is to win the fear, be confident and have a sharp eyesight and hearing power.
Mail us at connect@silvertalkies.com if you want to be a part of the Silver Talkies' World Bicycle Day initiative, 'Peddle Your Blues Away' on June 6, 2020, Saturday at 04:30 PM and hear Dr Poonawala speak about his bicycle journey.
Here’s how Primus Reflection is making life post-retirement comfortable for seniors by providing them with a one-stop destination for all conveniences.
The retirement years are meant to be lived by your own will and choice. Ask most senior citizens and they will tell you their dream of a one-stop-hub of convenience that would take care of their needs and comforts without having to depend on children who are often busy or staying far away from them.
Primus Reflection, built on an area of 2.5 acres on Kanakapura Main Road, Bangalore, just 500 meters from the Art of Living Ashram, seems to be the perfect destination to fulfill that dream. Be it the luxury of living in the lap of green and fresh air away from the din and bustle of the city or enjoying the comfort of getting assisted in all necessary chores done just in the wink of an eye or getting a platform to nurture one’s creative side and explore new hobbies, Primus Reflection comes with a bouquet of senior-friendly services. It is a sale model offering 1, 1.5, 2, and 2.5 BHK homes out of which the 1 BHKs and 1.5 BHKs have already been sold out to seniors who chose to make their silver years larger than life.
Vatsala Vittal, 78 years, living in Bangalore for the past 30 years chose Primus Reflection after retirement, and guess what, the picturesque environment around the senior living community in Bangalore has made her a photographer today. “My hobbies have been knitting, gardening and after coming to Primus I have got a new hobby – photography. After moving in here I have been able to devote time to things I like. Our kids are abroad and we all spend time together and get to learn new and different things from each other. Primus has taught me that age is just a number. It has also given me the privilege of making the best use of time when my son visits me from the USA. He loves to visit this place as the food is good and they have a really comfortable and well-provisioned guest studio room. When they come for a vacation, we remain relaxed we don’t need to cook or worry about the house cleaning. So, it’s really a nice holiday for them and us,” says Vittal.
How does Primus make your life comfortable? Here’s a list of services that they offer
Home Finesse – Housekeeping Service
A well-trained hospitality team takes care of all housekeeping needs of the residents, from making the bed to washing the dishes to dusting the house and more. A dedicated team is always there to keep the house sparkling clean.
Nutrition Nation – In House Restaurant
The on-campus restaurant serves tasty and healthy meals to all senior residents. It serves only vegetarian food in the restaurant and ensures there is a variety of food keeping in mind all the nutrients needed for seniors.
Medical Centre
The on-campus medical center comes with several facilities.
Empyrean Concierge
The concierge team takes care of every unique demand. From paying bills to booking tickets to depositing cheques at the bank, the team works diligently to run all the errands of senior residents.
Life Enrichment Centre
This is where interest-based activities are organized on a regular basis including yoga, meditation, gardening, music, swimming lessons, photography, and much more. Art sessions and brain quizzes are also conducted for cognitive learning.
Keeping senior residents socially and mentally engaged?
Creative and enriching activities at Primus, such as games involving puzzles and quizzes and connection games, encourage seniors to explore and express their artistic side, sharpen their minds, boost memory and promote agility in a fun, casual, and social ecosystem. These activities, including daily physiotherapy sessions, increase motor skills and coordination helping the residents remain smart and nimble. Primus also organizes sessions along with Silver Talkies, a Bangalore-based social enterprise startup that has built a community of active and engaged older adults across the city. Here, several artists and speakers are brought from outside and they perform at Primus Reflection and interact with the senior residents.
A huge relief for caregivers and families
"Primus plays a vital role in relieving the caregivers and the family members of senior residents living far away. Adarsh Narahari, managing director of Primus says: “With parents living in Primus, the children do not have the constant worry about them living alone. Caring for an elder can be a physically onerous task. Also, domestic help becomes an added burden for seniors living alone and their children as they do not know when they will take leave next. However, in Primus, quality care 24/7 is always there. The Primus team is hired following a rigorous screening process ensuring the staff’s knowledge of appropriate catering to seniors. Here, the seniors get more personal attention than they receive at home while living alone."-
Narahari believes that living at Primus helps seniors age better. They live with like-minded people and never feel lonely. It’s pocket friendly in comparison to making a home .senior-friendly, involving costly repairs, domestic staff, and home management. A Primus home takes care of all – medical care, safety, meals, hygiene, and cleaning services, thereby making it financially more reasonable. Besides taking care of the daily conveniences, Primus also provides an opportunity for seniors to follow their lost passions and the family members love to see their parents enjoying their silver years amid various recreational activities.
With the future plan of expanding services in other cities, Primus is all set to come up with senior homes in North Bangalore soon. If you are planning to book your dream home post-retirement, call 1800-121-411111 and visit their website: https://www.primusreflection.com/#
Photograph Courtesy: Primus Reflection
Note for readers: This is a promotional feature
Silver Talkies’ co-founder Nidhi Chawla spoke to RJ Kay of Radio One for the show Kay’s Spotlight recently. It was a fun chat about our Covid-19 Elders’ Support initiative and going live and online with our talks and workshops for seniors across India and the world. If you missed out on listening in, here’s a recap!
RJ Kay: Good morning and welcome to my show. It’s 94.3 Radio One. Listen, the lockdown might be extended. But of course, I keep you entertained every single weekday right here, 7:00 AM to 12 noon. Now to address this little community, fifty-five and above with me on the phone lines is a person who has significant experience in the field because she runs a start-up that addresses that very community. They’re called Silver Talkies and the founder of Silver Talkies is on the phone lines with me – Nidhi Chawla. Nidhi, how are you? Good morning.
Nidhi: Hey Kay, Good to be here. Thank you so much for having us.
Kay: It’s good to speak with you and honestly, you’ve listened to the show in the past.
Nidhi: Oh yes, I’m a big fan of yours.
Kay: How sweet! Thank you. It was so cool to connect with you because I love what Silver Talkies does. A lot of times we tend to neglect this population, above the age of 55, for a particular reason that sometimes we just don’t look into it enough. Can you explain to me why this community 55 above is so vulnerable, specifically in a time like this?
Nidhi: You’re right Kay. I think we completely forget about them esp. how they are affected because at that age their mobility is affected. While 55 is still very young, the older people are struggling hard to manage their day-to-day chores especially with getting essentials, getting their medicines, or even managing without their house help, many of them are finding it very difficult. Here I am talking about the super seniors, people who are around 70 plus 80 plus.
Kay: You are making it, can I say slightly better for them? Can I say that?
Nidhi: We are trying, yes.
Kay: And weirdly, this is not something that you’ve kind of just discovered after the lockdown. This is something you guys have been doing constantly as Silver Talkies. So let’s come back on the other side and tell everybody about the stuff that you guys do as Silver Talkies, a Bangalore-based startup that looks into the welfare of the age bracket above 55 and talk to them a little bit more.
Kay: Nidhi, I loved the whole idea when I got to know what Silver Talkies does. Tell me about the kind of things that Silver Talkies does. Let’s remove the time of COVID-19. Let’s just say generally, what do you guys do?
Nidhi: Okay. Silver Talkies is an organization which very firmly believes that retirement is not about hanging up your boots. It’s not re-tiring, but it’s about re-wiring. So, we believe that for the age segment, 55 and above, it’s time for them to have fun and do things for which they have never had a chance while they were taking care of their responsibilities. What we do at Silver Talkies – we are a social and intellectual engagement platform where we have social clubs, which anybody who’s above 55 can be a member of. We keep them engaged through a lot of curated activities, events, and workshops that we organize for them. We also give them a space to make new friends and meet new like-minded people. We also run a digital magazine, which is our website www.silvertalkies.com, where they can find information which would very useful and of relevance to them, around a variety of aspects – health, nutrition, feature a lot of seniors who can put many of our youngsters to shame or inspire them to do something different.
Kay: I love it. I love it. I love, I love that viewpoint. I agree with you on many counts. I’m one of those people who love my grandparents and loves spending time with them and sometimes I feel that they’re way younger than I am. Helping out this age bracket 55 and above daily must put a big smile on your face. Am I right?
Nidhi: Oh yes. It’s very gratifying to get those blessings and even with the smallest of things that you do for them the kind of feedback you get from them, it’s humbling.
Kay: So let me ask you, in the time of COVID-19, you’re making a lot of efforts. As we’ve spoken about the things that you guys have done generally but in this time of COVID-19 tell me some of the things that you guys are doing to help out that age bracket a little bit.
Nidhi: Sure. So, we have been trying a few different things. First of all, we are running a volunteering initiative where we have a group of youngsters who have come forward to help out seniors who are home alone and cannot fend for themselves and cannot get groceries or medicines. So, these volunteers step out and buy what they need and deliver it to them. Secondly, we took this time to move our social engagement activities from being offline to an online platform. So, we have continued to engage seniors with our activities. For example, a few days ago, we did a playback theatre workshop with our members. We have something coming up for them again, which is a tea tasting or a tea party, which would be a virtual tea party, where they will be able to see each other and talk to each other while sitting in the comfort of their homes.
Also, we have been, making sure that we get them authentic and genuine information, especially in a time when all social media, is full of fake news and all kinds of forwards. So, we have been speaking to experts and relevant organizations to get information, which is pertinent and genuine for that particular age group. We did a talk on mental health for instance.
Kay: That’s one of the major things I’ve been, one of the areas that you need to focus on in a time like this, especially for them. I want to come back on the other side and I want you to tell me one of the most beautiful stories that Silver Talkies has kind of witnessed from the time that it came into inception to now. I’m sure there’s one story that sticks in your head, which kind of brings a big smile on your face. And let’s also address that issue of not social distancing, but social isolation that happens in a time like this.
Kay: So now tell me what is the one amazing story that comes to your mind about Silver Talkies?
Nidhi: Well actually, there are plenty, but there is one that brings a smile to my face. Very recently we had a program where we had a performance put up by seniors. One of the members who was participating, she was getting onto the stage after some 55 years. She had participated in a stage program when she was 10 years old and had performed on the song Mera Naam Chin Chin Chu and she ended up performing on that song all over again in her old age. She was so excited and thrilled and she set the stage on fire. So, it was really beautiful.
Kay: That’s beautiful. Wow. That must have been like a big, like a happy moment for you guys honestly.
Nidhi: Oh yes, it was. It indeed was.
Kay: Let’s just quickly move over to this whole issue of social isolation in a time of social distancing. These people go through a lot, the age bracket above 55. What can we do to kind of help out as individuals? What is your shout-out to the whole of Bangalore?
Nidhi: I would say even if you’re staying with your seniors or you’re away from your elders, please do make it a point to talk to them because I think a few minutes of conversation makes a lot of difference to them. So, staying in touch, come what may check in on them, check in on what they need, or even just have a friendly conversation, I think that really counts, especially in times like these.
Kay: Awesome. Nidhi I want to wish you guys all the very best. Keep up the amazing work and it’s so lovely speaking with you and I hope to be at one of your little gatherings once we’re over this entire hurdle.
Nidhi: Oh, our group of seniors would be delighted to see you!
Kay: That’s super. Lots of love. Thank you so much
Silver Talkies’ co-founder Nidhi Chawla spoke to RJ Kay of Radio One for the show Kay’s Spotlight recently. It was a fun chat about our Covid-19 Elders’ Support initiative and going live and online with our talks and workshops for seniors across India and the world. If you missed out on listening in, here’s a recap!
RJ Kay: Good morning and welcome to my show. It’s 94.3 Radio One. Listen, the lockdown might be extended. But of course, I keep you entertained every single weekday right here, 7:00 AM to 12 noon. Now to address this little community, fifty-five and above with me on the phone lines is a person who has significant experience in the field because she runs a start-up that addresses that very community. They’re called Silver Talkies and the founder of Silver Talkies is on the phone lines with me – Nidhi Chawla. Nidhi, how are you? Good morning.
Nidhi: Hey Kay, Good to be here. Thank you so much for having us.
Kay: It’s good to speak with you and honestly, you’ve listened to the show in the past.
Nidhi: Oh yes, I’m a big fan of yours.
Kay: How sweet! Thank you. It was so cool to connect with you because I love what Silver Talkies does. A lot of times we tend to neglect this population, above the age of 55, for a particular reason that sometimes we just don’t look into it enough. Can you explain to me why this community 55 above is so vulnerable, specifically in a time like this?
Nidhi: You’re right Kay. I think we completely forget about them esp. how they are affected because at that age their mobility is affected. While 55 is still very young, the older people are struggling hard to manage their day-to-day chores especially with getting essentials, getting their medicines, or even managing without their house help, many of them are finding it very difficult. Here I am talking about the super seniors, people who are around 70 plus 80 plus.
Kay: You are making it, can I say slightly better for them? Can I say that?
Nidhi: We are trying, yes.
Kay: And weirdly, this is not something that you’ve kind of just discovered after the lockdown. This is something you guys have been doing constantly as Silver Talkies. So let’s come back on the other side and tell everybody about the stuff that you guys do as Silver Talkies, a Bangalore-based startup that looks into the welfare of the age bracket above 55 and talk to them a little bit more.
Kay: Nidhi, I loved the whole idea when I got to know what Silver Talkies does. Tell me about the kind of things that Silver Talkies does. Let’s remove the time of COVID-19. Let’s just say generally, what do you guys do?
Nidhi: Okay. Silver Talkies is an organization which very firmly believes that retirement is not about hanging up your boots. It’s not re-tiring, but it’s about re-wiring. So, we believe that for the age segment, 55 and above, it’s time for them to have fun and do things for which they have never had a chance while they were taking care of their responsibilities. What we do at Silver Talkies – we are a social and intellectual engagement platform where we have social clubs, which anybody who’s above 55 can be a member of. We keep them engaged through a lot of curated activities, events, and workshops that we organize for them. We also give them a space to make new friends and meet new like-minded people. We also run a digital magazine, which is our website www.silvertalkies.com, where they can find information which would very useful and of relevance to them, around a variety of aspects – health, nutrition, feature a lot of seniors who can put many of our youngsters to shame or inspire them to do something different.
Kay: I love it. I love it. I love, I love that viewpoint. I agree with you on many counts. I’m one of those people who love my grandparents and loves spending time with them and sometimes I feel that they’re way younger than I am. Helping out this age bracket 55 and above daily must put a big smile on your face. Am I right?
Nidhi: Oh yes. It’s very gratifying to get those blessings and even with the smallest of things that you do for them the kind of feedback you get from them, it’s humbling.
Kay: So let me ask you, in the time of COVID-19, you’re making a lot of efforts. As we’ve spoken about the things that you guys have done generally but in this time of COVID-19 tell me some of the things that you guys are doing to help out that age bracket a little bit.
Nidhi: Sure. So, we have been trying a few different things. First of all, we are running a volunteering initiative where we have a group of youngsters who have come forward to help out seniors who are home alone and cannot fend for themselves and cannot get groceries or medicines. So, these volunteers step out and buy what they need and deliver it to them. Secondly, we took this time to move our social engagement activities from being offline to an online platform. So, we have continued to engage seniors with our activities. For example, a few days ago, we did a playback theatre workshop with our members. We have something coming up for them again, which is a tea tasting or a tea party, which would be a virtual tea party, where they will be able to see each other and talk to each other while sitting in the comfort of their homes.
Also, we have been, making sure that we get them authentic and genuine information, especially in a time when all social media, is full of fake news and all kinds of forwards. So, we have been speaking to experts and relevant organizations to get information, which is pertinent and genuine for that particular age group. We did a talk on mental health for instance.
Kay: That’s one of the major things I’ve been, one of the areas that you need to focus on in a time like this, especially for them. I want to come back on the other side and I want you to tell me one of the most beautiful stories that Silver Talkies has kind of witnessed from the time that it came into inception to now. I’m sure there’s one story that sticks in your head, which kind of brings a big smile on your face. And let’s also address that issue of not social distancing, but social isolation that happens in a time like this.
Kay: So now tell me what is the one amazing story that comes to your mind about Silver Talkies?
Nidhi: Well actually, there are plenty, but there is one that brings a smile to my face. Very recently we had a program where we had a performance put up by seniors. One of the members who was participating, she was getting onto the stage after some 55 years. She had participated in a stage program when she was 10 years old and had performed on the song Mera Naam Chin Chin Chu and she ended up performing on that song all over again in her old age. She was so excited and thrilled and she set the stage on fire. So, it was really beautiful.
Kay: That’s beautiful. Wow. That must have been like a big, like a happy moment for you guys honestly.
Nidhi: Oh yes, it was. It indeed was.
Kay: Let’s just quickly move over to this whole issue of social isolation in a time of social distancing. These people go through a lot, the age bracket above 55. What can we do to kind of help out as individuals? What is your shout-out to the whole of Bangalore?
Nidhi: I would say even if you’re staying with your seniors or you’re away from your elders, please do make it a point to talk to them because I think a few minutes of conversation makes a lot of difference to them. So, staying in touch, come what may check in on them, check in on what they need, or even just have a friendly conversation, I think that really counts, especially in times like these.
Kay: Awesome. Nidhi I want to wish you guys all the very best. Keep up the amazing work and it’s so lovely speaking with you and I hope to be at one of your little gatherings once we’re over this entire hurdle.
Nidhi: Oh, our group of seniors would be delighted to see you!
Kay: That’s super. Lots of love. Thank you so much
Here is all you need to know about the inspiring story of Arunaraje Patil, 74, the Indian film industry’s iconic and pathbreaking woman technician and director who struggled against chauvinism for years.
She was a class topper, got into medicine but chose passion over everything to become the first woman technician in Bollywood with a degree. Arunaraje Patil, 74 is the Indian film industry’s iconic and path-breaking woman technician and director. it may be hard to believe but Patil was at the receiving end of a patriarchal society and struggled against chauvinism for years. She has directed films like Rihaee (1988) that were bold and spoke of female agency and empowerment much before its time.
Patil has had a chequered life with both highs and lows. The recipient of five national awards had to bear the pain of losing her only daughter to cancer; she has fought her battle all alone, still standing strong in the 70s. She is now a life coach, lives in Mumbai and is growing older in the most active way possible. Excerpts from an interview.
What brought you to the film industry?
Movies have been an obsession since childhood. My mother was a film buff and we used to watch a lot of movies. But around 1963-64, girls from good families did not go into movies so I chose to do Medicine. I managed to get into Grant Medical College in Mumbai on merit. But I hated cutting up the dead bodies in the Anatomy class and ended up failing in that subject. I used to act in a lot of inter-collegiate plays and had won many awards. A family friend suggested that I get trained in acting at Film and Television Institute of India (FTII), Pune. I didn’t do well in the audition and they offered me another course — a double diploma in Editing-Direction which I could do in four years instead of five. I passed out with a Gold Medal but chose not to spend another two years to get the Direction diploma. I felt I had learnt what I needed to.
How exactly was it being one of the very few female filmmakers in a male-dominated industry in the 70s and 80s?
It was very very difficult. The only women in movies those days were actresses or hairdressers. I was the first woman technician in the film industry. People would come peep into the editing room, look at me and whisper ‘ladki hai’ and go away as if I were some animal in a zoo. On the sets, people would stop and stare and not listen. As it is, men don’t like to take orders from women and a director has to give orders like the captain of the team. Those days I used to work with my then-husband as a duo under the name of Aruna-Vikas and I had to work a thousand times harder to prove that I knew my job. It took me quite a long time to show them that I knew my job after which they began to listen to me and follow my instructions. There was a lot of unwanted attention and propositioning particularly after my marriage broke up but most of the time I chose to walk away. There were even times when I have had to throw people out of my house or find a strategy to leave the location safe and in one piece.
Your path-breaking film Rihaee talked about sexual liberation and equal opportunity for women at a time when such things remained unspoken. What gave you the courage and conviction to make a film like that?
The basis of Rihaee was a real incident that happened in Rajasthan and that’s how I had the courage and the conviction to make it because it was a fact, not fiction. The characters, situations and locations I created were fictional but the core idea was real. I got amazing reactions to the film. Women in Bhopal and Lucknow were not allowed to go to the theatre which showed my film but they watched it on video. As against that when I sat in a Delhi theatre with the majority of viewers being male, it surprised me to hear them clapping in the last scene when the women rebel. I realised then, it was not so much about gender at that moment but standing for the underdogs which were women. I got a lot of appreciation for the film. Rihaee did well and was watched on video quite a lot, so much so, that people began to relate to me as an advocate and fighter for women’s rights and without realising I became a voice for women. Over time, I lived the role and became an activist for empowering women and worked on various platforms, writing, lecturing, doing workshops, etc.
What has feminism meant to you?
According to me, men and women having equal opportunities in life and the space to express themselves is feminism. They both need each other and need to create a new equation based on mutual love and respect.
Do you feel senior citizens play a remarkable part as an audience of Indian cinema?
The audience has evolved quite a lot thanks to the exposure to world cinema available on satellite, television, internet and OTT platforms, etc. People began to reject the old cliched sub-standard formulae of telling stories, forcing producers and directors to create fresher and more authentic content.
What’s been the turning points in life for you?
There was a time when the press called my ex-husband and me the ‘made-for-each-other-couple’. We worked together and raised our children together – a girl and a boy – it was perfect. Then a tragedy struck and destroyed everything we had built together. My 9-year-old daughter had cancer. At the end of that one year, she died of cancer and my marriage fell apart. He asked me for divorce within 24 hours of her passing away. He had gotten into a relationship with my friend who would visit to give us moral support. It devastated me because I couldn’t deal with it in one go. I said ‘no’ to the divorce but came under intense pressure to do so. Though I had another child, a boy of seven and worried for him, I tried to end my life. I did not succeed and out of sheer helplessness went to my friend who was a psychiatrist to get some help. I began to heal and knew that I had to stand and create my life anew. I agreed to the divorce and started working on my film Rihaee. I had my son with me, I brought him up and continued to make films. I was very bold and confident on the outside but a very sad woman on the inside, until my second major turning point.
At the persuasion of a close friend, I did the Landmark Forum which is a transformational program. I heard the leader make a statement that suffering is a choice. It meant taking full responsibility for your life and finding alternate ways to deal with it. I called up my ex-husband and my ex-friend who had now married him and spoke to them. Those conversations were the most difficult ones ever in my life. My voice quivered and my hand trembled as I spoke. All I said was ‘I don’t blame you for what happened. I take full responsibility for my life. Be happy!’ When the conversations finished it was nothing less than magic. I was free. My life was lit up with new possibilities as I declared, ‘the sky is not the limit’. For the first time in many years, I laughed. I then travelled to many parts of the world, painted, read, wrote and trained myself to lead transformational programs. I have lead programs for over fifty thousand people at least. The lesson of ‘letting go of my past’ and forgiveness and moving on transformed my entire life.
What has growing older meant to you? How active have you been with work?
For me, age has never been a problem. Somebody started counting and they created young, middle-aged and old. But, like all things that go through a passage of time and become ‘old’, the body too ages. Even at 73+, I am still working. I am quite unstoppable. I am still making films like the recent ‘Firebrand’ released on Netflix; conducting workshops besides running a home and a production company. I don’t feel old in my head or heart and mingle with people of all ages. Currently, I am writing for my next feature film. Last year, I also did workshops on life conversations, screenwriting and film appreciation.
Do you think urban Indian senior citizens are evolving now?
I do think the urban Indian senior citizen has evolved. Many are doing things they have never done before in their lives – items from the bucket list so to say. I found a lot of senior citizen couples at loggerheads with each other. For some, the outcome was ignoring the other and doing what they pleased which again made them fight and made their children very unhappy. Some others created a space of ‘live and let live’ each being a friend to the other rather than a demanding spouse. The space allowed for peace and harmony in the home. In such cases, I saw that each was free to pursue something that they liked – doing a music or dance class or even travelling with an unknown group.
Raje’s autobiography – ‘Freedom – My story’ was published recently. (https://www.amazon.in/Freedom-My-Story-Arunaraje-Patil/dp/9352641388)
Looking beyond the grim situation due to worldwide Coronavirus outbreak, here is a heart-warming story of an octogenarian from West Bengal that instills in us new hope, positivity and inspiration.
When Subhash Chandra Banerjee, 82, a retired professor of Dinabandhu Mahavidyalaya College waved down a police patrol from his window last Saturday, the officials thought he was seeking some help. They were surprised when Banerjee told them he wanted to contribute some money to help combat the Covid-19 outbreak and handed over a cheque worth Rs 10,000 in favour of the Chief Minister’s Relief Fund.
Banerjee resides alone in a flat behind Netaji Subhash Chandra Bose International Airport in Dumdum and lives on a pension. He retired in 1998, cannot walk at a stretch and does not know how to use online banking.
“The current situation had me worried, not for my daily supplies, but that I was unable to do anything to help people fight because of the coronavirus outbreak. I was looking for ways to contribute but a man my age cannot do much in terms of physically helping out people. When I saw the police team, I was relieved. I called them and gave them the cheque. I wanted to contribute more as each one of us should step forward in order to help combat this situation. However, I spend most of my pension to buy medicines that I have to take regularly,” Banerjee has been quoted saying.
We salute Banerjee’s spirit of overcoming his own difficulties and lending out his hands to help those in the worst condition following the Coronavirus outbreak.
Image Courtesy: Twitter
Here’s the story of a 61-year-old who tackled severe depression and obesity and pursued modelling in the second innings of life with sheer will power.
‘Mashallah, kya lagte ho aap. I want to look like you in my 60s’
That was what Bollywood superstar Salman Khan told senior model and actor Dinesh Mohan, 61, when they first met on the sets of the Salman-Katrina starrer, Bharat. It was an enthralling encounter for sure. “I am an absolute outsider for the film industry. I was into photography modelling when I got a call from Mukesh Chhabra, the casting director of Bharat. I had no clue that it was Salman Khan’s movie until I met him on the sets!” Mohan says.
A perfectly toned body, lots of glamour, an eye-catching style statement and signature handlebar moustache are what define Mohan, 61, a senior citizen and in-demand model, today. Be it rugged jeans or fluorescent sneakers or traditional sherwanis, Mohan fits into everything, giving steady competition to any youngster.
But back in 2004, his story was just the reverse. With a whopping 130 kg bodyweight, Mohan, then 44, had slipped into depression, become immobile, lost his motor functions and was completely bedridden for a year. For seven long years, he continued to fight obesity, panic attacks, vertigo and could hardly walk a few steps. Mohan shared his impeccable tale of transformation with us that also gifted him an interesting second inning.
Mohan was working with the Haryana government as an officer when in 2004 he gave up his job and took voluntary retirement, being unable to cope with physical and mental conditions. He slipped into a dark phase of clinical depression along with several other health issues. “You name an illness and I had it. Most of these were the outcome of my own negative thinking. After about almost a decade of suffering, I got fed up with my negativity and decided to rewire myself at 55. The first thing I did is getting back into shape and it took eight months of intense hard labour,” he says.
Light at the end of the tunnel
With immense willpower and determination, Mohan dragged himself out of home, joined swimming classes and got into a strict diet regime despite being a foodie. His driving force was being independent. “I never wanted to be dependent on anybody else during my silver years. Had I been in the same physical and mental condition I was earlier I could have never become independent. That made it possible for me to give up a lot of things I loved to become what I am today. At the end of the tunnel, I always saw the light.”
In 2016, Mohan, then 57, got his first break in modelling. He believes that modelling was in his destiny. “I did nothing to get into modelling and it just came by chance. That’s why I try to put my heart and soul into it,” he says. He has done about 2,000 ad shoots in the last four years and has worked for almost all major Indian brands including garments, jewellery, accessories and more and several international brands as well. He is often seen in TV commercials for ‘All Out’ (directed by Shoojit Sarkar), Ferns n Petals, Morri Shirts, Seven Hills Tea, and more. Mohan has even done music videos with Neha Kakkar and others and has been featured in Vogue and GQ Magazines.
Encounters of the starry kind
2019 was a turning point for his career when he got a break in the movie industry and worked with a number of superstars. He was a part of Salman Khan’s Bharat and Tapsee Pannu and Bhumi Pednekar’s Saand Ki Aankh. He also worked with Rajnikanth in Darbar and with Javed Jaffrey in a Malayalam movie, Happy Punjabi and in a Punjabi movie called Highend Yaarian. Two more movies in which he has acted are due to release in the next few months.
In 2018, Mohan walked on the ramp at Amazon India Fashion Week. “I was the first one to walk on the ramp and open the show and I became very emotional that day. I couldn’t believe that the person who could hardly walk properly just a few years back was opening a grand fashion show with the entire auditorium looking at him and applauding him,” he adds.
Inspiring older adults to pursue their dreams
Mohan adores his job and is very comfortable working with everyone, young and adult. He believes that the fashion industry is extremely welcoming for older models and the young models always try to bridge that generation gap and gel in well with seniors.
“I have got the best projects, the best respect and the best acceptance from the fashion industry. Money is not everything for me. It feels great when older adults get inspired by me and try to pursue their dreams in the second innings of their life.”
Mohan believes that growing older has added more swag, more energy and more life in him and looking at him we would agree wholeheartedly with what Salman Khan said. Apart from modelling, he loves to travel, hang out with friends and go shopping.
Want to get inspired by the story of 72-year-old Saroja Velan who became an entrepreneur when she was 70 and is the driving force of Eat Raja, India’s first zero-waste juice bar? Silver Talkies’ new series Silver Talkies Culture Trail has lots in store for you.
Image captured by Anand Raj BSN, Saroja Velan’s son
Are you aware of India’s first zero-waste juice bar- Eat Raja in the heart of Malleswaram, one of Bengaluru’s oldest places? Did you know that the driving force behind this novel juice bar that has achieved zero waste generation by completely banning the usage of plastic and paper cups, straws and pet bottles and making use of fruit peel cups to serve fresh juice to its customers, is none other than 72-year-old Saroja Velan? This septuagenarian had stepped into the shoes of an entrepreneur just two years back in 2018 and with her son’s support, has become the talk of the country today for her noble initiative towards making her business zero-waste. She has been invited by the International Institute of Waste Management to be a part of the Women’s Day special Wave Conclave in Jaipur that aims to celebrate women entrepreneurs in the country on March 31 this year. As a part of its Culture Trail Series, Silver Talkies recently visited the juice counter of Eat Raja to get to know about the inspiring journey of this 72-year-old.
Image Courtesy: Silver Talkies
Velan was clueless about running a business and was a homemaker until September 2017 when she lost her spouse. Her husband ran a juice shop for 50 years until his demise and never wanted Velan to step out of the house and join the business. “After his death, we had to shut the shop for about six months when I expressed my desire to start something new as I felt lonely at home. All I knew was cooking as that is what I have been doing all my life. My son suggested turning my cooking skills into a business. That’s how Eat Raja was conceptualised in March 2018,” says Velan who has never been absent for work for a single day in the last two years despite failing health.
Velan’s entrepreneurial journey is a story of how the young and old joining hands could do things in a fresher and greener way. Anand Raj BSN, Velan’s son who quit a 13-year-long career as a radio jockey to help his mom do well in her new venture was all in to support Velan but had one condition. “I told Mom that we won’t do the business the way my dad did. This time we won‘t use any paper or plastic cups, straws and pet bottles. Instead, we will use fruit peel cups to serve juice to our customers. While initially, she said it won’t work, she now explains to her customers why we use fruit peel cups and convince them,” says Raj.
The 72-year-old faced all odds that came her way
While grit and determination made Velan start it off all alone as a café in 2018, it was not easy. Initially, she started making some roti-sabji and juice for her customers and found it difficult to get trustworthy helping hands at the shop. Also, she had never run a business before and knew nothing about how to do a business transaction. After her husband’s death, she had also lost a number of loyal customers. In order to make it a zero-waste business, she had stopped parcelling juice and customers were initially not used to drinking juice from fruit peel cups at the counter. That cut down many of her customers. But she never gave up.
Image Courtesy: Silver Talkies
“My son explained to me how excessive use of plastic and wastage of water are ruining the environment and I made my customers realise the same. Using fruit peel cups prevents me from wasting water to wash the glasses. My customers have gradually embraced the new concept and now they visit my shop only to enjoy fresh juices in fruit peel cups,” says Velan.
Zero-waste business strategy is what made her juice bar famous
Image Courtesy: Silver Talkies
While the mother-son duo started with watermelon shells and gradually moved on to using muskmelon and sun melon shells as juice cups, they now serve juices only in several fruit cups including cucumber shells and coconut shells, going completely waste-free. “Our juice bar has no disposable waste at all, be it paper cups, plastic glasses, straws or pet bottles and we don’t use them. Thus, there’s hardly any dry waste generation. Wet waste includes fruit cups, citrus peels, pulp and seed filters. My mom uses seed filters to do some artwork like rangoli and more. We make bio-enzymes from the citrus peels and 80 per cent of the fruit waste is consumed by our cow. Thus, we make sure nothing goes to the landfill,” says Raj.
As an entrepreneur, Velan makes sure all her staff get their salary on the same day without any delay. She is a firm believer in zero-waste and is a multitasker and a true example of active ageing. Even at 72, she manages everything efficiently, be it the shop, the household chores, her finances or business planning and is very strict about the quality of juices being served at her shop. She’s shown us that age is never a bar when it comes to learning something new and trying it out — be it business or going green.
We started the Pathbreaker series to identify men and women who were the firsts (or sort of) in their field. However, now, our series also celebrates those who are blazing a trail of sorts and doing something beyond the ordinary. Meet Kalpana Rao who has started her brand new career as an actor at 55 and has made her second innings the most promising one.
She ruled the advertising industry as a model for 4 years, shared screen space with Shah Rukh Khan, winded up her 24 year-long business, stepped into a new city to become an actor last year, landed in Mumbai to go straight to the audition, bagged four movies in less than a year’s time, played a judge in the recently released Dabaang 3 starring Salman Khan, shot with superstar Rajnikanth for her second movie, Darbar and is currently shooting for two others. Before you get breathless we shall take a pause because the inimitable Kalpana Rao’s achievements don’t quite end here. She also has a couple of serials on her plate, is a motivational speaker and has been invited for a Ted Talk in Chandigarh. Meet Kalpana Rao, 56, who has made her second innings the most promising one, taking the big leap after her 50th birthday.
Acting was something Rao wanted to get into right from childhood. “At the age of 16 when I approached my mom and told her I want to do acting, I got the standard response that girls from respectable households do not do things like acting and those days we did not get to revolt against our parents the way it happens now,” says Rao. However, she did not give up and today, when she stands in front of the camera, her magnetic personality, confidence and young-at-heart attitude inspire everyone.
Facing the camera was not a cake-walk for this braveheart
It may seem like a fairytale but the back story that made Rao what she is today is indeed inspiring. In 2008, Rao, then 44, got detected with a condition called sciatica due to cysts in her lower spine that made her severely obese. She was unable to do daily activities due to excruciating pain and could not walk straight and had to slouch. “The pain stopped me from reducing weight and I started wearing baggy clothes to hide up how I look. I used to feel very ugly and this added to my list of insecurities. I felt miserable but could not afford to become bedridden as I had a business, two children and my mother-in-law to take care of,” says Rao who continued struggling for six long years. Despite her painful condition, Rao joined the ballroom dance workshop organised by Silver Talkies and danced her way through and made new silver friends.
The turning point in her life came in 2014 when she visited England for her daughter’s graduation. “There I saw women of different shapes and sizes wearing all kinds of clothes and looking and feeling nice in them. I felt why should I not feel good about myself when women who are actually larger in size than me are feeling good about themselves. After I came back to India, I changed my wardrobe. I stopped colouring my hair black, I used to stoop a lot, that’s why I made an effort to stop slouching and stood in front of the mirror giving myself positive affirmations. I had completely lost any kind of self-worth in myself. I would face my mirror, look into my own eyes and say ‘I love you’ and make myself realise that I am worthy enough to be loved and to live,” says Rao.
Believe in yourself and not what people say is Rao’s secret to active ageing
Rao believes that expecting support from people around them is not wise. When she began the battle of loving herself once more and working on feeling good about herself, not everyone around her was happy. “I believed in something called mind over matter and sought the help of the inner powers and healed myself so that I could move on. I slowly got back on my feet and I was mentally very strong. I was given a whole list of don’ts but today there’s hardly anything that I don’t do. However, I could do nothing about losing weight. When I stopped coloring my hair or started making efforts to walk straight and wearing my size dresses, derogatory comments flooded in. Most people were like you are past 50 and how does it matter now how you look.” Rao didn’t let them cow her down. “I said this is my life and I will have to love myself which I haven’t for many years.”
In 2015 just after her 51st birthday she got a call and was offered an ad. For her, it was a dream coming true and with support from her two children, she plunged into the world of advertisement. She continued doing ads in Bangalore for the next four years, went through ups and downs in business and finally decided to draw the finishing line to her role as an entrepreneur in 2018. Rao believes that the silver years of an individual need not get restricted to only helping kids raise their kids but can actually become a second chance to explore one’s unfulfilled dream. And that is exactly what she did. At 55, she moved to Mumbai to start a brand-new career as an actor and success just followed. Today she visits places as a motivational speaker and inspires young students to live and love life to the fullest.
“It is very easy to give a talk but practicing something that you believe in and then inspiring others to do the same is what I learned when I started loving myself the way I am. I don’t behave my age and I am not sorry for that at all,” she giggles.
Sudha Mahalingam, 68, is the author of the book, The Travel Gods Must Be Crazy and the author of the blog www.footlooseindian.com. She also redefines the word crazy with her adventurous, free-spirited travel across the world. She has gone skydiving, been locked up at the top of a minaret in Yazd, sailed the Mekong without an itinerary, and recently risked life and limb to trek up the Tsingy Stone Forest in Madagascar. Here are her thoughts on traveling the globe, footloose and free.
My first solo trip was Kailash Mansarovar in 1996 when my son was four and a half years old. The Ministry of External Affairs had just opened the route up and I felt that I wanted to go. It was a 32-day trekking trip with complete strangers.
I like being on my own when I travel. I have done plenty of travel with family too but then you become responsible for them. You are constantly catering to their needs. Even when I travel with friends, sometimes there are differences. When I travel alone the risks are mine and the rewards are mine too. For instance, during a trip down the Mekong river, my friends were unprepared for kind of boat we eventually found.
I like traveling without an extremely planned itinerary.
Initially, my family would be worried but after 2-3 trips they understood that I could manage. They also realized I can handle unplanned situations and that I’m a much better-adjusted person after when I’m able to do what I want to do.-
Money To Travel
I started travel writing and photography to finance my travel in the initial days because otherwise, it can make a dent in the family finances. Once I started specializing and working in the oil and gas industry my travel cost was largely taken care of as I traveled a lot on conferences. Of course, the supplemental cost of my personal travel was taken care of by me. If you wish to raise money to travel here are a few things to remember: Extreme focus and being good in your mainline profession is a must. I worked all the time and being committed for 15 years is very hard but I did it. So while I traveled a lot I also worked towards it, along with balancing my family and other responsibilities. I also prefer to stay in simple places and don’t need five-star luxury. Though if the situation demands it, I will not take unnecessary risks and will spend the required money.
How to Travel Unplanned
Unplanned travel is largely done by teenagers and young people in their early 20s. I meet a lot of them as I choose to stay in hostels. Most youngsters have an unplanned itinerary. I tap into people resources and get live information on what is good to see around. The structure I have to my free-spirited travel is a return ticket. I’m ready to rough it out as well. I have stayed in a caravanserai in Yazd, Central Iran in a windowless dorm for instance.
What Has Travelling The World Taught Me
I visited my 66th country, Madagascar recently and the more I travel, the more I realize that people are essentially the same everywhere. They want a good future, a clean environment. Everywhere I go, I’m struck by the sameness of what people want. I also have an inherent trust in the goodness of human beings. I don’t think everyone is out to harm you. At best they will try to hustle with you. So in that sense, my risk perception is different. It’s what made me jump into a rickety cab in the middle of a blizzard on an evening outside Bishek airport to visit Lake Issyk-Kul in Kyrgyzstan.
I trust people. I have realized that most people have ordinary needs and are just trying to make some extra money. You just need to be alert and ready.-
Advantages of Being An Older Traveller
I think above a certain age you become invisible and don’t have strangers hitting on you. Even hustlers don’t bother you. I’m 68 now and one of the biggest advantages of being older is the experience of years. I can anticipate things that can happen. For instance, even if I’m doing something impromptu, I’ll never leave my passport behind; I will always have money stashed away in different places and as an older traveler, I’m a lot more aware of what can go wrong. I’m also blessed with good instinct and it has been wonderful for me.
For all my spontaneity and self-travel, I will always ask for help where required and not take unnecessary risks. E.g., at the Tsingy stone forest in Madagascar, during a 4-hour climb through needle-edged jagged limestone rocks, I asked the guide and porter for help as I couldn’t have done it otherwise.-
Fear Factor
The only time I have known fear is when I went diving in the Great Barrier Reef with a group. Except for me, the rest were seasoned divers so the guide dropped me at one dive point while they went ahead to explore. I came up after the stipulated 45 minutes and there was no sign of the boat as I kept bobbing up and down. At that time I did think this is the end as it was a long wait but I did not give up. Other than this instance, I have only known mild apprehension, never fear. I think of the thrill before I think of the consequences, that’s how my personality is. It doesn’t matter if I die. At least I’ll die doing something.
Being A Vegetarian Traveller Across The World
Food cannot stop you from traveling. You do get something to eat almost everywhere. In Madagascar, I ate plain rice most of the time. I never carry any food. Fruits are available everywhere you go. I did find eating in countries like Myanmar, Bangladesh, and Indonesia difficult as the smell of meat and fish was overpowering for me. But you always find raw veggies you can eat, bread and fruits everywhere. Food has never come between me and travel. It’s just something to give me energy and if you can make some sacrifices about not having the perfect meal, you will never perish for want of food.
Balancing My Travel
My mom used to say, you can’t bathe in the sea if you wait for the waves to subside. Like that, life too has waves and if I wait for them to subside, I’ll never do anything. So I balance things. I am the caregiver to an aunt in Chennai and I meet her and ensure care for her but I go ahead with my travel plans. I organize things at home for my husband and adult children. You have only one life and it will just speed past you fast. You don’t want to regret later.-
Sudha Mahalingam spoke to Reshmi Chakraborty. All photos are courtesy Sudha Mahalingam.
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Sometimes in life, we meet some unexpected miracle workers. Here’s the story of one.
It took me 11 years. Finally, I met Yashwant for the first time on Oct. 31, 2018, at the Maharashtra Tourism Development Corporation (MTDC) office in Pune.
Our story goes like this:
It is May 22nd, 2007, two days before our silver jubilee on 24th. My wife proposes a visit to Matheran, a small hill station in Maharashtra. She had seldom asked me for any gift like that having walked with me on an interesting tough road of life. I had to put all my resources to use ensuring that I get a booking.
I call up every resort. Rooms are not available. Not one to lose hope, I dial MTDC, Mumbai. Yashwant, an office attendant, picks up the phone. After an honest introduction of my being a no-body, I tell him about my emotional need. And that my wife for the first time in 25 years had asked for something from me. He listens to me and decides to help me talk to his boss who is out for lunch and offers me his mobile number as it was easy for him to get me connected to his boss.
After 30 mins, when I make the call, he connects me to his boss who confirms that they could offer me a smaller room and asks me to deposit Rs.700 at their office. I express my inability as I am 8 hours away. Well, he too regrets and I ask him to give the phone back to Yashwant. I needed to say thanks to him for the effort. Yashwant, a complete stranger, on finding what had happened, offers to pay on my behalf. I sit overwhelmed with goose-bumps appearing silently.
I say: NO. He listens not. I give in. He pays and faxes my receipt.
We visit Matheran on 24th May and have a wonderful holiday.
Yashwant Bhadwalkar lives in Chiplun near Goa after retirement. He is around 65 years of age now. For the reasons best known to him, which I never dared to ask, he has wished me on every festival, every year without fail. I wait for the call this Diwali having already received it on Dussehra. I often wonder what energies are at play. On getting a call that he is in Pune, I make a plan to meet this angel for the first time.
As we talk, I ask him -“What had made you pay for me that day?”
“It was my heart directing,” he smiles.
A rare one, I hug him and leave but not before capturing the moment.
Thanks to the miracles at work in life!
For more such stories of magic working its way into life and human connections, follow Ramesh Sood here.
A car driven up to the border as a gesture of goodwill, a well-established family starting afresh, the women keeping the rhythms of the home going – Aarti David shares her grandparents’ story of life in undivided India and crossing over before Partition 1947.
My grandparents, both sets of them, migrated to India post the partition in 1947. My paternal grandparents especially my grandma, whom I called ‘Dadiji’ had lots of stories to tell about undivided India and her life there. I only have vague memories of all that I heard from her. But rich enough to stay with me even after all these years.
She talked about the period when Dadaji, my grandfather — the youngest in his family of seven siblings (five brothers and two sisters, one of whom was married to the famous actor Balraj Sahni. Her son is the actor Parikshit Sahni) — and she got engaged to be married. She would go in the horse carriage to catch a glimpse of him or for a short and rare conversation. Courtship or any meeting before marriage outside of the home was unimaginable in those days.
Dadiji in her garden
We heard horrifying tales of Partition from Dadiji — of women and children being slaughtered and murdered; of how she and her family were saved and reached across the border to Ambala Cantonment as refugees, where they were allotted some land by the Government of India. An entire family of highly-qualified and well-placed individuals suddenly found their lives in complete disarray. Dadaji’s father was a famous doctor who had a running practice in Rawalpindi. Three of his brothers were doctors too and one of them was an academic who went on to establish a college in Ambala, that continues to be in existence even today.
Dadaji had studied to be a lawyer but found the profession to be too disillusioning and himself not cut out to handle the complexities of the same. “Lawyers were liars,” he thought and he couldn’t be one. He was working for a British General Insurance company. In the days leading to August 1947, it became evident that Partition would lead to riots. As he was heading the North-Western region, the management instructed him not to issue any pre-dated riot covers. He was a very honest man and did the needful, however, one of his junior managers issued lots of pre-dated riot covers and made money from that.
Dadaji, the honest man
By this time the entire family had moved to Ambala Cantonment without even a handbag, leaving fully furnished properties in Rawalpindi and Peshawar. After some weeks, Dadaji received a wire message from the UK and he was summoned to Bombay to answer for the fraud committed. Since he had proof that the junior manager had committed the fraud, he showed the management the forged signatures. Upon realising their mistake, the company was very apologetic and offered to open a branch in either Bombay, Delhi or Ambala to reinstate him. Dadaji declined. His integrity and honesty were challenged and he couldn’t work with them anymore.
Dadaji ‘s brother-in-law Balraj Sahni with two of his nephews and Prof. Ramesh
Dadaji chose to stand by his principles. He decided to delve into new terrain and went to Amritsar to get electrical parts on credit for 30-45 days. He returned to Ambala, got a bicycle and started selling to military workshops. For months he was the sole breadwinner of the family.
The funds were low as the entire family relied on the single salary that came from dadaji’s earnings in those days. Yet they managed to stay happy and content in the given circumstances.
There were nearly 80 people in the space that had been allotted to the family. To feed such a large family was no mean feat. The women would be up early to run a kitchen that never closed down at any point of time during the day. A big tub of dal would be cooked twice a day and the ladies of the family, including dadiji, would make tandoori rotis twice a day. Since they had so many mouths to feed and such large quantities to cook, they barely had time to take care of their little ones. The children would find ways to keep themselves occupied and were always up to mischief while the mothers worked hard to tackle the food situation.
Some good memories stood out amidst those harsh times.
A Muslim friend of dadaji drove all the way to the border to hand over his car, which had been left in his custody. There is an interesting story about the car as well. Dadaji had refused to marry in 1939 until he purchased his car. He was able to do that only in January 1940 and married dadiji that very month. This car was a British make called the Baby Morris, left behind in Peshawar as he had to bring his entire family to Rawalpindi in an Army Dakota plane and from there travel safely to Ambala. What’s unique to the story is that the car had a case of scotch whiskey (dadaji’s favourite) which remained intact when the car came to India.
This act was just for friendship or old times sake and an unthinkable gesture of kindness. Despite all the barbaric and inhuman acts of violence that were committed in those days, this is one story that has stuck with me for life. It reflects how people still believed in each other and how in some instances, humanity was more important than your religious identity.
Every August, Silver Talkies records memories and instances of humanity, fortitude and courage during the Independence Years — stories of life in a newly independent India; crossing over during Partition and stories of finding freedom.
Fall prevention for elders can be done with new-age innovations that make an older adult’s home and surroundings a safe space to live in.
Fall-related injuries are one of the common problems we hear about the elderly’s health. According to the US Centres for Disease Control & Prevention, one in four Americans aged 65+ falls each year. Falls are the leading cause of fatal injury and the most common cause of nonfatal trauma-related hospital admissions among older adults. Estimates in India show that nearly a third of the people above the age of 65 and 50 percent of those aged 80 and above have a fall at least once a year, according to a report in Hindustan Times.
“Falls are the sixth leading cause of death among people over 65 years old. If it doesn’t kill you, then it will lead to serious health conditions needing hospitalization,” Dr. Rajesh Malhotra, head of the orthopedic department and chief of the Trauma Centre at AIIMS has been quoted saying in news reports recently.-
While there are several risk factors for falls (weak muscle, arthritis, balance problem, vision, etc), some falls happen inside the house, where the elderly feel safest. This is often due to factors that can be easily taken care of. With new-age innovations, homes can be made fall-proof to the best extent possible. Fall prevention at home starts with creating a safe space and here’s how you can do it.
Fall Prevention in the Bathroom
One space that’s highly prone to falls is the bathroom. Slippery floors and difficulty in navigating the toilet area often lead to falls in the bathroom. However, this can be easily avoided. You do not need to remodel the entire bathroom. You can simply install fall-prevention accessories that will help your loved one use the bathroom with safety and ease.
Install grab bars and handrails. Some grab bars come with four hand grips that make it easy to climb to a standing position slowly from the toilet seat or bath chair, without straining your knees or your back.
SK Birla who installed a grab bar for his wife says: I purchased the Curve Grab Bar by Stander for my wife who is 82 years old. Once it was fitted, my wife’s remark was – “This is my dream handle. I am getting all the support and relief what I wished for!”-
Toilet frames are also another good option with support available on both sides of the toilet seat. The width can be adjusted according to your toilet seat, making getting up a smooth experience without the fear of falling.
It’s also important to make the bathroom nonslip. Bathtubs, shower areas, as well as the bathroom floor can become dangerous when wet and slippery. Anti-slip bath and shower stickers have excellent slip protection, are non-abrasive, and easy to clean. You can also use rubber grip bath mats that come with suction grips and drainage holes so that water does not accumulate.
Fall prevention in the Bedroom
One of the best ways to avoid falls in the bedroom is to stow away clutter. Remove rugs, electrical cords, and anything that may come in the way and make an elderly person trip and fall.
In some cases, the elderly may fall off from the bed. This could be due to disorientation, vertigo, or even poor balance. Bed rails such as these are very useful at such times.
“It’s the best thing I got for my mother,” says Pratibha C. “She rolled off the bed in her sleep and I needed an immediate solution. This is such a blessing. Lightweight yet strong. Pullout for full length if needed. Has pockets where my mom keeps her tissues, Pain balms, mobile, even a small bottle of water that she can just reach out easily. Folds down easy in the day. So easily that my mom with her Parkinson’s hands can manage it on her own.”-
Bed rails come in various options depending on the usage: Whether you want one simply for fall protection, or another which would also serve the purpose of helping to get in and out of bed. You can see a wide range of bedrails here.
Fall Prevention while Walking
Another leading cause of falls among the elderly is lack of balance when walking. These falls can occur inside or outside the house. A walking stick is the most common aid if your elderly loved one’s balance isn’t what it used to be. There are walking sticks that provide additional support for people with arthritic/painful hands. Explore various options before finding the one that works for you.
Elders who like to be out and about on their own and go for long nature walks might find the EZ Fold and Go Walker of good use. It’s ultra-light-weight and portable and can be fitted anywhere – in your car or your shopping cart.
If your elderly loved one has a neurological condition, then the uniquely designed and patented U-step II Walker (pictured above) would be an ideal solution to mobility issues. For elders with conditions like Parkinson’s Disease, Multiple Sclerosis or a history of stroke or brain injury, this walker can drastically improve your gait.
If you get tired easily and prefer to take rest at short intervals while walking, some rollators come with a seat option. The 2-in-1 Rollator and Transit Chair turns into a transit chair with a simple flip of the footrest, and the seat and backrest are padded for comfort when seated. There is an under-seat bag for carrying small items. It easily folds and can be transported with you wherever you go.
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Note: This is a promotional feature
Silver Talkies Social member Shakunthala Pai’s mother Sundari Pai is a beautiful 102. She has in her kitty a bottomless well of stories and life advice. We met her to listen in to a century of stories…
What’s the earliest memory of your childhood:
Growing up my friends were mostly my neighbours who were of the same age and went to the same school, all of us barefooted. Horse-drawn carriages were a luxury in those days.
A wow moment you remember:
The first time I saw the magic of electricity. After 25 years of growing up without electricity, I couldn’t believe that water could be pumped and could reach our homes through a pipe!
What was the fashion for young women in those days:
I started wearing a saree at when I was 11 years old and wore a saree even to school. I remember a saree used to cost about Rs.3 back then and for special occasions, we would wear a Kancheevaram saree which was about Rs.18. So yes, my fashion statement, if you would want to know, was being the Saree and Barefooted girl!
Horse-drawn carriages such as this one were a luxury when Sundari was young. Photograph: Wikimedia Commons
Was schooling rare for girls? How did yours come about?
Yes, it was rare, but my father was the Inspector of schools, and that is why he wanted both his girls and boys to be educated. We were 8 siblings. Only I am alive now.
Did you have a favourite sport?
I was in an all girls school and loved playing basketball. In one of the games, I scored the highest number of baskets, and our team won. I got a tin of talcum powder as the prized gift for this game. Most of the girls from my school came to my house to see my present, and that was a moment of pride!
What is your earliest memory of a responsibility?
Taking care of my younger brothers when I was 14
Anything you wish to have done differently?
Absolutely not. I have no regrets, and I try to be positive at all times and situations. But my children complain that I keep worrying about everyone’s wellbeing and get stressed unnecessarily.
How did you celebrate your 100th birthday?
My 100th birthday was celebrated at my daughter’s house. 100 guests were invited. My entire family is musically inclined, so everybody played musical instruments, danced and sang for me. Oh, and a write up about my fun 100th was featured in one of the newspapers in Mangalore!
What are some of the most important lessons you have learnt throughout your life?
Live and let live. Be friendly with your neighbours and help people around you as much as you can.
What could you buy with a Rupee when you were young?
I remember being able to buy a basket full of vegetables for 1 rupee
Did you meet your husband before you got married?
No. The first time I saw my husband was at on the day of our wedding while we exchanged garlands.
How do you keep your memory so sharp even now? Tell us the secret.
Every day I repeat all nursery rhymes and songs that I know until I fall asleep.
A life-event that made you feel blessed:
Gandhiji came to my school, the Annie Besant School, Mangalore. We were made to stand in a row, and he passed by where my friends and I were standing. I was lucky to touch his feet and take his blessings.
Any advice for our current generation:
Don’t be glued to your gadgets. Spend time with your family. Don’t eat all the unhealthy food outside. It seems so tough to lead a simple life these days!
Jacqueline Colaco, 69, a former hockey player for India, didn’t let early onset rheumatoid arthritis keep her down. She’s become an active campaigner for disability rights. She tells us why she ‘runs’ as a Champion with Disability in the TCS World 10K run held in Bangalore.
I am a person with a disability; a PwD – person who dares! A person with drive, who accepts challenges!
That’s why I have registered for my 12th annual ‘run’ in a wheelchair, at the forthcoming TCS World Bengaluru 10K Run on 19th May 2019. No stranger to the sports arena, I have participated in athletics at the Kanteerava Stadium, Bangalore through my academic years and thereafter, specialized in hockey, representing Mysore and India during the ‘60s and ‘70s.
At the TCS World 10k run in 2011
Being a ‘Champion with Disability’ in the Charity segment of this Run, my aim is to raise awareness and funds for an NGO – Diya Foundation, which trains young, intellectually challenged adults to raise them to a level of independent yet assisted living.
This is similar to my physical situation after Rheumatoid Arthritis hit me at the tender age of 37, and my minimal dependence on caregivers since. I am convinced of a need for greater understanding, sensitivity and outreach towards this much-neglected sector of mental health where social stigma deters us from viewing such folk as ‘especially equal’; as requiring enabling and empowering in order to mainstream them. My statement is also that being a Person with Disability (PwD) need not stop you from ‘running’ to achieve your purpose in life. Hence, at 69, I am excited to be ‘running’, even though I normally limp around on arthritic legs. Sport and social outreach are embedded in my blood!
In the ‘wheelchair run’ category, some like me have an escort-pusher; others are self-propelled. During my sports days, I never dreamed I’d return 50 years later for a ‘different kind’ of ‘run’ and for a cause! As rookies in 2008, my zealous young volunteer escort and I realized what novices we were at the game. Our co-participants zoomed away while we zig-zagged all over the roads. My wheelchair encounters had until then been limited to postoperative trips down smooth hospital corridors, gently manoeuvred by expert attendants. My escort was a first timer too, so for both of us this ‘hard to control’ adventure began fairly traumatically. I had no intention of ‘flying out’ of the wheelchair (no seat belt here) through an accidental bump into a sidewalk. It was initially difficult though to convince my companion that I was not here to win the race, but only to show my spirit for the game. Thankfully my message did get through in a short while and thereafter the ride was slow, smooth and enjoyable.
We had the road to ourselves as we wheeled along some decent ones (both these experiences rare in today’s Bangalore). Early morning walkers cheered us along, as I distributed my poem ‘Beatitudes of the Disabled’. I also spoke to media crews about the need for more awareness among our people that the disabled can be more productive in society’s mainstream. I told them of this possibility if basic and better facilities of infrastructure like ramp access to buildings and disabled friendly roads and transport are provided. My message was well received and I hope is bearing some fruit.
The author during the 2017 run with her wheelchair buddy.
The event, which was a truly fun-filled experience of camaraderie among Bangalore citizens, brought us in a happy and fulfilled ‘last to finish’. Even though tired, and by now, my enthusiastic escort panting as well, we had achieved our mission to spread the vision of the inspiring organization in whose cause we had ‘run.’ Now we’re veterans!
In 2012 I received the award for being the highest fundraiser among Women Care Champions with my collection of Rs.10.01 lakhs, and in 2017 with the ICare award for highest Individual Fundraiser. Truly proud to dare! I am now ready and set to ‘run’ once more on May 19, 2019, and to raise Rs.5 lakhs and more if I can.
TCS 10 K Run registrations are on till Friday, April 26, 2019. If Jackie’s story has inspired you to register, click here: https://tcsworld10k.procamrunning.in/apply-now
Featured image: The author receiving the ICare Award from actor Puneeth Rajkumar in 2017.
All photographs courtesy the author
Chalo Chalein, the vote song, is Bangalore couple Nivedita Dutt and Ashis Dutta’s effort towards encouraging people to step out and vote. They tell us how it came about.
Chalo Chalein, chalo chalein…
Adhikar sang vote dene, desh pukare…
The Vote song, sung in the sweet voice of classical singer Nivedita Dutt, 54 and written by her husband and software entrepreneur Ashis Dutta, 60+, is a rousing composition, asking us to step out and cast our vote and explaining its importance in the simplest of terms. Popular on social media, the song has now been translated into 9 more languages, an initiative of Janaagraha, a Bangalore based NGO run by Swati & Ramesh Ramanathan and working towards citizen participation in public governance.
The Vote Song was composed before the 2014 elections, over a dining table conversation. “We discuss a lot of things over the dinner table,” Nivedita told Silver Talkies. “Sometimes many things come out of mundane conversations,” agrees Ashis. “We were doing a lot of talking and decided to do something instead. We are a musical family so thought of creating a song.” The couple doesn’t exactly remember if Nivedita started composing the music or Ashis wrote the lyrics first – it was truly a joint effort.
The couple were clear about one thing: “The song had to be strictly apolitical and we were not going to canvas for any party. Our aim was to motivate people to come out and vote.”
Ashis, who has written songs earlier and has a working knowledge of street Hindi, kept the Hindi lyrics simple. It was composed in Raag Desh by Nivedita, a Raag he feels has a “subliminal patriotism to it.” Vande Mataram, composed by Rabindranath Tagore is one of the most well-known Raag Desh compositions. They eventually gave the song to Janaagraha with the agreement that the NGO could give it to other organizations, with Nivedita and Ashis’s copyright and credit retained.
And that’s how the Vote Song was picked up by the Election Commission. In fact, the couple had been unaware of it until they got a call from Association for Democratic Reforms (ADR), an election watch forum, asking if they could compose a similar song on ‘bhrashtachar (corruption)’ due to the popularity of the Vote Song.
Chalo Chalein has been used extensively during state elections in Uttar Pradesh and with a Kannada version during the state elections in Karnataka in 2018. Now, with the translation into 9 languages (10 in total, including the original Hindi), Ashis, Nivedita and the Janagraha team are hoping to motivate more people.
You can hear the original Hindi version in this Election Commission video
The song has been translated in Kannada, Tamil, Telugu, Malayalam, Gujarati, Marathi, Punjabi, Bengali and Odiya with the help of volunteers from across the country, a joint effort of Janaagraha and the couple. Nivedita, who speaks Bengali, Hindi and English did find singing the translated versions a challenge at times. “I would ask volunteers to read out the words line by line to get the correct pronunciations,” she says. Her greatest challenge was singing in Malayalam. “I asked some of my students who speak the language to help me with the correct pronunciation. I would record and send it to them for approval,” she notes. You can hear all the translated version here, courtesy a playlist from Janaagraha:
Many of us sit and lament about governance issues but as we all know — the first step is to exercise our vote. It’s heartening to see the effort and interest put in by Nivedita and Ashis in creating something that would encourage people to do that. And it’s an effort that is all heart. When they couldn’t find a translator for the Odiya language, Ashis reached out to a former classmate, now a Head of Department at IIT Kanpur and sought his help with the translation. A volunteer in interior Maharashtra helped them with the Marathi translation. It was also a challenge to set the lyrics in rhythm with the original tunes and often took many iterations. Do they think it has encouraged people? “It has motivated my help at home and my driver to go and out vote,” says Nivedita, who thinks it has influenced many of their friends too. The couple wrote and recorded the song for the common man and Ashis feels their purpose would be served if an auto driver or the helping hand at a grocery store heard the song and felt inspired to go out and vote. “Even if the song inspires 1 per cent, especially the younger people, that is something we are thankful for,” they feel. As for the Brashtachar song, it’s probably waiting for another dinner table conversation. To be composed, recorded and inspire. Someday soon.
At 60, Turban Traveller Amarjeet Singh Chawla is fulfilling a long-cherished dream – of road tripping around the globe. Here’s his story in his own words.
I am Amarjeet Singh Chawla, a 60 years young retired businessman turned filmmaker from New Delhi. I am now also known as ‘The Turban Traveler’ who is following his passion and dream to travel all around the globe by road in his own car.
I love my new identity, as this is where and what I wanted to be — A traveller, who wants to see the whole world before he closes his eyes for the final time and meet God’s beautiful creation — people.
What has been my objective and motivation behind this journey?
I am a strong believer of the Indian philosophy of ‘Vasudhaiva Kutumbakam,’ which means ‘The world is one family’ and the saying of our 10th Guru, Sahib Sri Guru Gobind Singh ji that ‘Manas ki jaat sabhe eke hi pehchan bo’ or ‘All human beings are the same. There is no distinction between one and another, no caste, no creed, no religion.’ I am spreading out these messages to the world through my road journey.
My other objective is to tell people that age is just a number and nothing can stop you to achieve and conquer what is yours. One should live their dreams and experience this beautiful world of ours. As that saying goes, the world is a book and those who do not travel read only one page.
Chawla on the road
My Journey So Far
Most people in India and abroad still don’t know that one can travel from Delhi to London by road. Therefore, making a travel documentary on this road journey is also one of my objectives. It will let people know what kind of homework and preparations are required. Through the documentary, I also wanted to share my lifetime travel experiences about driving, border crossing, food, culture, health, challenges and the stories of the nice, beautiful people of this world who helped me in each and every country unconditionally.
I started my dream expedition on July 7, 2018, from New Delhi. It’s a dream I have chased for 40 years now.
I drove from Delhi to London in my 2013 model old Toyota Fortuner SUV and travelled approximately 40000 km across 30 countries and more than 150 cities ?in 135 days?. I was the sole driver and had a crew of two guys with me who were shooting my documentary film — Luqmaan Malik was the camera person and Dev Malik the assistant director. I started from India to Nepal, covering China, Kyrgyzstan, Uzbekistan, Kazakhstan, Russia, Estonia, Lithuania, Latvia, Finland Sweden, Norway, Denmark, Netherlands Germany, Czech Republic, Poland, Hungary, Slovenia, Liechtenstein, Austria, Switzerland, Italy, Monaco, Spain, Portugal, France, Luxembourg, Belgium and finally reached London (UK) on December 16, 2018.
I fulfilled my dream of travelling by road as a solo driver from Uzbekistan onwards with lots of serious health issues. This journey was very challenging physically, emotionally and professionally but with God’s blessing and my family’s support, I was able to finish it gracefully.
I shipped my car from London to Mumbai and drove from Mumbai to Delhi on Feb 20. En route, I visited Ahmedabad, Jaipur and Amritsar and reached Delhi on March 1, 2019. My total journey from Delhi to London is now 39,508 km.
The Experience
This journey of mine was magical and filled with self-discoveries. I met more than 700 people and more than 400 people have signed the car, starting from Arnold Schwarzenegger, one of the biggest Hollywood stars to politicians, ministers, ambassadors, mayors, Bollywood Actors, directors to the common man.
Meeting The Terminator!
I found that this world is full of very nice human beings who gave me unconditional love, respect and support. My colourful turban and white beard with a car full of signatures become the centre of attraction everywhere. When people met me, their first reaction is WOW and then HOW and finally WHY. After explaining and signing on my car, my journey becomes their journey and their journey becomes our journey.
Unknown people who became my friends invited me for lunch, dinner and to stay with them and helped throughout in my journey selflessly. I realised that this world is full of kind-hearted, helpful, caring, loving and compassionate people.
My family was of great support to me. My son took care of my parents who are 84 and 80 and live with me and told me to chase my dreams. My daughter took care of my wife who has diabetic foot and couldn’t accompany me on such a long trip. Both my daughter and wife came to London to receive me and stayed with me for two weeks.
The Challenges I Faced
Being vegetarian, I had to face problems with food in China, Central Asia and Russia. Western toilets were another issue on this route until I reached Russia. I also met with three road accidents but God was kind and we were back on the road within 15 to 20 minutes each time. After every accident, I did not stop and think about what happened and worry over it. Instead, I focused on what could have been happened and the fact that we were all safe with God’s blessing.
In Central Asia, diesel was also not available everywhere and people were selling it in the black market.
In Tibet and Kashgar, you can’t take video interviews or photograph government officials and government properties. Our phones were tapped and cops were following us. Chinese immigration people were not polite in all the check posts. But in spite of all these challenges, I never stopped my journey.
What’s Next
Now I am ready to drive to all 7 continents and travel to 100 countries covering 2,00,000 kms in the next 18 months. I will be starting my next journey in August 2019 from New Delhi and cover all the 29 states of India. I’ll then visit Singapore, 10 countries and after that ship my car to Los Angeles to cover North, South & Latin America, Antarctica and from there to Australia, New Zealand and Africa.
How I Managed My Expenses
We had lots of sponsors who supported us by giving equipment, hard drive, food and hotel stay, covered one of the major expenses which were obtaining China road crossing permission of Rs
7 lakh, Carnet certificate (International Customs document)of Rs 1.5 lakh and approximately Rs 2.5 lakh car shipping cost from London to Mumbai. My total cost for this trip would have been approximately Rs 35 lakh for which I used my life savings. My sponsors included Swiss Films, Austrian Tourism, Uzbekistan Film Promotion Board, Sony, DJI China, Edelknore USA, ZNIYUN China, Hakko, LaCie, Seagate and G.K.Fashions Pvt Ltd.
The Message I Want To Spread
People are very nice all around the world and we just need to be more interactive with them to explore this. The whole world should be one global village without the visa and boundaries this is my dream. You can follow my journey on my Facebook page: The Turban Traveller
–– Mr Chawla spoke to Reshmi Chakraborty
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Usha Desai’s Tree Appreciation Walks come packed with a wealth of information on the trees around us. Read this Second Innings Story to know how this extraordinary woman learnt more about trees and followed her passion for them after retirement.
It is 7.10 a.m. and I am already 10 minutes late for the Tree Appreciation Walk conducted by Mumbai based Dr. Usha Desai at the Goa University campus, near Panaji, Goa.
I do not like to miss these walks even for a minute as I know that within that time Dr. Desai will share some information about trees that I had no idea about. I’ve been part of these walks for more than two years and our motley group of tree walkers in Goa wait for Dr. Desai’s visit. In these two years, we have learned about trees found in our gardens and parks, a variety of native, exotic trees, palms and also about the mangrove forest.
Dr. Usha Desai is a trained tree expert and a doctor by profession. The love for trees is her passion and that’s how Tree Appreciation Walks was born in Mumbai in 2010 when she was 71. Along with her friend Renee Vyas, she has conducted 100 tree walks in the concrete jungle of Mumbai until now. These walks are held once a month in different green spaces of Mumbai and they do not charge any fee for it!
Dr. Usha Desai and Renee Vyas with a poster celebrating their 100th tree walk in-Mumbai.
Photo: Preeti SP/Tree Appreciation Walks, Mumbai
The walks are well-researched. The curators do a recce of the place, then identify around 20 trees for the walk. The walk is not just scientific information about trees; it is also woven with history and interesting stories from mythology, films and literature related to these trees. Dr. Desai, who recently turned 80, conducts these walks with the same enthusiasm and curiosity, with which she started the tree journey in her early 50s.
The beautifully bloomed Indian Coral tree (Erythrina variegate) at the MGM Hospital campus in Mumbai, where she used to practice, made her curious. “These trees blossom during Holi festival and have beautiful orangish-red flowers. So, I was curious to know them and joined the Bombay Natural History Society (BNHS) in 1992 and attended late Dr. Almeida and Dr. Latoo’s field visits. I also bought some books and identified the trees and got them labeled. That was in 1995 when I was 56.”
She continued this hobby after retirement in 1997, by starting nature walks with BNHS. But the realization that she needed in-depth knowledge about trees, made her go back to learning in her 60s, starting a second innings in doing something she loved.
In 2000, Dr Desai did a six-week course in Botany with BNHS, followed by a one-year course in entomology, lead biodiversity. She followed that up with a six-week course in Voluntary Training at Conservation Education Centre. She started volunteering there and met Renee Vyas. Together, they did a one-year course in Botany with BNHS in 2008 under Dr. Swapna Prabhu.
Dr Desai and Vyas would cover green areas of Mumbai, studying and sharing information about trees. “During those tree walks, we were approached by various friends and even strangers to share the joy we felt and the knowledge we gained. We realized that there was a need for such walks and that’s how Tree Appreciation Walks was born in 2010,” Dr Desai adds.
When they started, the duo knew only 100 plants. Now they know of more than 600, which include climbers, wildflowers, herbs, medicinal plants, grass and bamboos, among others. Knowing trees can’t be done in isolation as it is necessary to learn about methods like seed dispersal and pollination, among others.
Dr. Desai loves to narrate the relationship between fig trees and wasps. For every type of fig tree in the world, there is a specific species of wasps, and they play an important role in pollination, which is a very complex process. Dr. Desai explains this by drawing simply on a piece of paper. Her walks are attended by botany students and teachers as they find it is an interesting way to learn. During her talks, Dr. Desai also refers to objects of daily use, like the broom, used every day in Indian homes. It is made from Broom Grass (Thysanolaena maxima) and comes all the way from Assam!
She explains how the Bougainvillea (Bougainvillea Sp.), a native of South America, was accidentally discovered during Louis Antoine de Bougainville’s expedition to circumnavigate the globe in the 18th Century, possibly by a European lady, Jeanne Baret, the first woman to circumnavigate the globe.
Ever smiling Dr. Desai. Photo by Arti Das
The tree walks last for more than three hours at times and can be tiring. But not for Dr Desai. You wonder where she gets her energy from. “The source of this energy is passion, curiosity, and interest,” she states.
These walks are not a simple walk in the park. Dr. Desai gives out detailed information. She equips herself with a voice enhancer as she has a soft voice, images of trees and fruits, reference books and a little box of found materials- seeds, leaves, etc. She literally doesn’t leave any leaf unturned during her walks.
Her field trips with Vyas last for six hours and she still travels by the local train to conduct her walks in Mumbai. Renee Vyas, who has a finance background and is 62, shares, “Usha’s passion to learn and share about trees, plants, insects etc, gives her immense energy to go on for hours in rain, sunshine. I have learned many things from her but the most important is her persistent effort to go deep inside the detail of the subject till it is understood perfectly by her. She never leaves it to the chance or is satisfied with half knowledge.”
“One of the most unique aspects of Dr. Usha’s walks is the way she weaves stories about trees, animals and human life,” says architect Tallulah D’Silva from Goa, who initiated a tree walking group in Goa lead by Dr. Usha. “She [Dr. Usha] is so keen to learn like a student. I think that’s an asset. She is so honest too and when she does not know enough about something she finds out and shares it with the group. She exudes so much love and positivity, it’s impossible not to love her and all the trees you meet with her! And at 80 years, she is my oldest walk buddy!”
Looking back, Dr. Desai mentions that her love for trees started as a student. Her school campus had many trees and during the tree plantation program, they would sing songs of the trees. “Unfortunately, we could not identify all the trees except the common ones like Imli, Parijat, Mango, Asopalav, Bakool. Recently, I visited the same school and identified all the trees,” she confirms.
What is the most gratifying thing about these walks? Dr. Desai states, “It is when we see the joy of recognition [of trees] on the faces of the participants. Most first-timers say they are now in love with trees and know why they should be preserved. Many have started conducting tree walks.”
Neither Dr. Desai nor her walk participants want her to slow down. Her love for trees is unstoppable and surely an inspiration for all. As she rightly concludes, “As Maya Angelou says I too would like to say, ‘My mission in life is not merely to survive, but to thrive; and to do so with some passion, some compassion, some humour, and some style.”
You can know more here about Tree Appreciation Walk, Mumbai and their schedule.
We all have skills within us that the world could benefit from. On Women’s Day, here are few women who decided to use their everyday skills and hobbies to make a difference and deliver goodness to the world.
Henry Todd’s Die Empty asks people to die empty of all the goodness that is within you. Deliver it to the world, before you leave.
If you have an idea perform it.
If you have a knowledge give it out.
If you have a goal achieve it.
Love, share and distribute, do not keep it inside.
The following story is all about the wonderful women who are carrying the above belief forward and are doing works to get over the empty nest syndrome and ensure that they share their skills for the greater good.
Pramila Mukherjea, 80, better known among her friends as Pimi, is one of three daughters of a Punjabi soldier. Mukherjea went on to marry a Bengali soldier and is a skilled craftsperson, who is still carrying forward the needlecraft she learnt when she was barely 10-year-old. She and her husband retired in Secunderabad, where even after his death her hobbies of knitting and stitching keep her physically fit and active. Mukherjea’s belief, “Knitting is very mathematical” is probably what keeps her mind sharp and agile. She still knits on orders and requests and makes a little pocket money. In the last two years, Mukherjea, who also spends time with her children in the US, has been knitting caps in all colours for charity. She gives them away to most of the maids who have kids and grandkids. Her gratification?
“When these poor women send me mobile pictures of the little ones wearing the caps and smiling into the camera, that is the payment for me. It makes me happy that they value what I do for them.”
A project where a charitable organization has asked for a large number of caps of all sizes has already set her “knitting brain” in a tizzy as she identifies friends who can help her in this endeavour.
Teamwork Tales
Sudha Gorthi, Lalitha Ayer, Sudha Raghuram are all in their 70s. Gulshan Bamboat, Vimla Madon, Manjula Reddy and Deepa Shailendra are the younger members of the same group that is gearing up for the fifth year of their Charity Jumble sale (the featured image above shows the group). The idea of raising money for charity by selling someone else’s trash has caught on in a big way. People donate things they do not want, while this group puts tags on them and sells them to people who need them. Deepa is the ‘Internet wizard’ of the group. When the word goes out from her, people donate generously from far and wide. The others give their homes, time and their energy for tagging, pricing and the segregation of products. When the stalls go up, they sell the used products for reasonable amounts from Rs 10 to Rs 100.
Some of the larger donations are also sold online and through word of mouth. Whatever does not get sold is collected by another charitable organization that gives out clothes to the poor and the homeless. The money raised from the sale is given out to various charitable organizations and individuals who are doing real service to humanity. The investment is zero but the love, care and energy spent on this project is invaluable and the money that is raised goes beyond expectations. It may come as no surprise that the preparations for the sale take months and the donated goods keep coming in almost till the last date. The products donated include clothes ranging from saris, kurtas, salwar kameez sets, jeans and jackets to utensils like pressure cookers, plates and glasses to shoes and books, just to name a few. People also discard junk jewellery and electronic goods in both working and non-working conditions. I do need to add here that the above group of women also take care of their health apart from this unique charity initiative — they exercise together and once summer comes, they will go for swimming too! Lalitha Ayer has joined piano lessons to go with her classical vocal training and Gulshan Bambot is a volunteer with a couple of organizations.
Towards an Arty Cause
Amita Talwar, 65, started out as a journalist with her own little magazine booklet called Channel Six, where she did most of the editing and photography. She gave it all up to travel and concentrate on photography, which is her first love. Occasionally, she dabbles in painting with acrylics. She is now part of a group that raises money for charity through art exhibitions titled ‘Art for causes.’ She encourages people to donate their artworks and when the money is raised it is given to various charities. Art for Causes allows Talwar to go truly creative with her art and photography, blending and reinventing images.
Art for Causes is also working with children from slums and underprivileged communities. Currently, they are involved in teaching photography to children from the slums – every Sunday a group from Art for Causes spends time with these kids, teaching them to compose and click pictures. After six months, they wish to hold an exhibition-cum-sale of photographic prints done by these kids.
“It is a win-win situation for all of us – we enjoy the time and the kids are learning something new and exciting, away from their daily boring studies. Some of the kids have the talent and have captured some startling images. We hope to sell the prints and raise some money for their own welfare,” Talwar shares.
Isn’t sharing part of yourself with the world fun? Especially when you are older and with responsibilities taken care of may find a lot of time on your hand. Follow the suggestions given by Henry Todd — give of yourself– volunteer for groups like the above, get involved in social work using the skills you possess and you will find that suddenly your life is full.
All you need to do is reach out!
Meet Uma Jain Deendayal, the woman preserving the legacy of Raja Deen Dayal, the father of photography in India.
In 1966, as a 23-year-old when Uma Jain entered the Deendayal home in Secunderabad after marrying Prabhas Deendayal, the fourth-generation scion of the Deendayal family, she was struck by the artistic work that the family was involved in. Raja Deendayal, the iconic legend of photography in India had already passed into history, having created a highly valued body of work between 1844 and 1910. Raja Deen Dayal’s son Gyanchand and his sons were carrying forward the legacy when young Uma joined the family.
In her 70s now, she is working hard towards preserving that legacy.
Coming from a background of Literature and Arts, Uma’s sense of aesthetics helped her dive into the craft in a whole-hearted fashion. She learnt all about what goes on in a dark room, the invaluable glass plate negatives and about preserving and protecting the enduring legacy of the patriarch – Raja Deen Dayal.
A Commemorative Stamp of Raja Deen Dayal was released in November 2006
Uma’s husband Prabhas Deendayal was managing Foto Crafts at Abids – one of the six photography studios run by the family. After his sudden death in 1996, Uma took over the running of the studio. It was a challenge.
Shutting the studio down seemed a reasonable thing to do as technology had changed photography completely. “Everyone became a photographer with his or her mobile phone. There was no longer any craft involved in printing pictures. People had started doing their prints on home computers! So, we became redundant as digital printers came into the market,” she says.
Uma went back to join something of greater value. She focused on preserving and starting the digitization of the Deendayal archives because they were really “precious” and needed to be cared for. She admits, “My father in law had this vast body of work from the years 1930 to 1984 and also the earlier works of Lala Gyanchand and Lala Deendayal. We have it all and it is our duty to preserve and protect it from the ravages of time.”
Uma holding the original glass plate negative
The process of transferring the images on the glass plates to the digital format is a complicated one and Uma mentions special scanners have been purchased for the purpose. A result of that was an exhibition of archival prints from the Deendayal Collection, held at the Guruswamy Centre in Secunderabad recently.
Under Uma’s supervision, the archives of Raja Deendayal are once again being noticed and admired. She shares a family anecdote about the legendary Raja Deen Dayal.
Memories on the wall: Top row ,left Raja Deen Dayal, Dharamchand and his wife; 2nd row, left Gyanchand and his wife, Amichand, father in law of Uma Jain Deendayal
In 2006, the Government of India issued a stamp to commemorate the legendary photographer’s work. Meanwhile Uma Jain Deendayal carries on with the conservation of the archives, on occasion readying prints for exhibitions and the rare sale. She is working on the digitization of the fragile prints to preserve them for longer. She also welcomes research students and serious scholars if they wish to view the vintage photographs from the collection. The family is also seriously contemplating starting a museum, where all the work of the Deendayal family can be exhibited.
You can read more on their website laladeendayal.in
Hari Baskaran is cycling 4000 kms across India to spread the message of old age care. It’s also a great day to start his 70th year. We found out what keeps him motivated.
Most people plan a vacation or a get together with family and friends on their 70th birthday. But most people aren’t Hari Baskaran. The 70 year young-at-heart former corporate leader, mentor and executive coach is celebrating his entry into the 70s doing what he loves — a cross-country cyclothon of 4000 km that will start at Marina Beach, Chennai and end at India Gate, New Delhi.
The cyclothon, called Project Golden Sunset, will start today on Baskaran’s birthday. He expects it to continue for approximately 72 days and end this test of endurance at India Gate in March. The project has the support of HelpAge India, who will help Baskaran with medical care as well as the opportunity to visit and raise awareness about old age homes along the route. TI Cycles is the other partner in this venture, as is Big Basket.
Baskaran is no stranger to long-distance cycling. And most of these have been for a good cause. His last one was a 250 km plus ride at the Desert 500 event in Rajasthan, for the care and rehabilitation of disadvantaged children affected by cancer. Baskaran is also an avid trekker and has done some tough ones like the Thamser Pass, among others.
Baskaran lives up to what ‘#ActiveAgeing’ actually is. A list of his activities post-retirement will show you that he has truly pursued interests close to his heart once he found the time. He is an author of several books, including an interesting one on Anglo-Indians, a community he grew up among; he is an avid photographer (You can check his blog here: https://haribaskaran.com/blog/), a follower of Buddhism and an active member of Bharat Sokka Gakai. “When I reached 60, my kids and colleagues had multiple parties, nevertheless I decided I should have an agenda for my life,” he says, pointing out that he created several buckets to divide his time into. His most active one but naturally is the outdoor bucket — apart from the treks and cycling, Baskaran has done some inter city rides and walked on the pilgrimage circuit from Chennai to Velankanni, a distance of 350 kms. All this in his late 60s.
Baskaran was an executive director in Xerox India and the executive vice president in HCL Infosystems Ltd. prior to his retirement. Now, he keeps himself active not just by following his passion for the outdoor life and writing but also by working hard at his mind. “I have a cerebral bucket too. I am looking for skills to learn all the time and things that keep me mentally sharp.” He does chess puzzles and Sudoku regularly. “I never shy away from learning anything and I keep my brain active very consciously.”
Baskaran has come across several elders among family and friends who have embraced life in their golden years in different ways. He mentions an elderly relative who went into a decline after the death of his spouse, something he feels could have been easily avoided had the person explored other areas of interest. He also mentions meeting octogenarians whose zeal for life could put youngsters to shame. “I wanted to sensitise people to the needs of old age care, especially for the disadvantaged elderly,” he mentions the idea behind the cyclothon. “I also wanted to spread the word about the concept of active ageing and active living.” With Helpage India’s support Baskaran will encourage active elders to join him for some of the distance if they wish to. He would also be visiting old age homes and meet elders to find out what they need.
Baskaran’s journey has already garnered enough interest. A group of ex-navy officers in Bangalore are all set to cycle some distance with him, while his entire family is readying for the big start. His wife is accompanying him in the support vehicle. Silver Talkies wishes this incredible senior and his upcoming adventure for a noble cause, all the very best.
All photographs courtesy Hari Baskaran
Vijayan and Mohana are the tea seller couple from Kerala who are following their dream to travel the world in their late 60s. Here’s their inspiring story.
Meet Vijayan and Mohana. The tea seller couple from Kerala globetrotting the world and fulfilling a dream that would seem impossible to many. Sometime in early 2000, Vijayan, a tea seller from Kerala, was on a pilgrimage to Tirupati with his friends. A plane flew above the temple and Vijayan told his friends – someday I want to go on that plane. His friends laughed. It’s only for rich men, they said. Not for poor people like us.
Famous last words.
Vijayan & Mohana
In 2007, Vijayan and his wife Mohana, who run a tea shop in Kochi, Kerala called Shree Balaji Coffee House, went on their first trip. “Jordan, Palestine, Sharjah, Dubai…” he rattles off. It’s 2019 and the couple have completed visiting their 23rd country. They have been to US, China, Thailand and Europe. Apart from the Middle East. Scandinavian countries are next on the list. Vijayan is 69, Mohana is 67. After spending a not-so-easy life earning a living and raising a family, the couple didn’t let limited resources come in their way and are travelling the world in their older years.
“He has that drive, both him and Mohana do. If they set their mind to something, they make sure they do it,” says filmmaker Hari M Mohanan, who made a short film called Invisible Wings on the globetrotting tea selling couple. The film was the winner in the ‘Best Film-Non-Fiction Category’ in the Filmfare Awards, 2018. Mohanan first met the couple in 2013, having heard about them through local Malayalam newspapers. He spent a year following and meeting them for the movie.
What does he think motivates Vijayan and Mohana? “They just want to see the world. He knows a lot about the world and is interested in reading books. He wants to see all the places.”
Silver Talkies spoke to Vijayan while he was in his teashop in Kochi. The small space is decorated with maps and photographs from their journeys around the world. “I have always enjoyed travelling, it opens your mind,” Vijayan says, recollecting how he visited several temples with his father throughout his childhood.
He and Mohana have been married for 45 years now. She shares Vijayan’s enthusiasm and interest and has been his source of support. Mohanan says she’s his backbone. “She knows how to allocate money and manages everything if they want to travel. She’ll sell off the gold and motivate him.”
So how do Vijayan and Mohana fund their travel? Incredible as it may sound, their only source of income is the tea shop. Vijayan doesn’t believe in savings and investments and keeps all the money earned through the shop for their travels. The couple put aside some money on a daily basis to fund their travel.
“I open the shop at 6.30 am and go on till 8.30 pm. We do not have any employees in the shop other than me and my wife so we do not have to spend money on salaries,” he tells Silver Talkies. His daughter and her husband help out sometime.
He also takes banks loans to travel though the repayment takes almost 3 years. Vijayan and Mohana have also occasionally been helped by travel agencies and celebrities (According to his granddaughter, he has received help from Amitabh Bachchan, Anupam Kher and Shashi Tharoor among others) who have paid the couple’s travel fare and tour cost after they became better known because of their travel obsession.
Recently, a Facebook Video about the couple shot by travel blogger Drew Binsky went viral.
“They saved 300 Rupees every day for decades, and they used this income (together with bank loans) to fund travels to 23 countries! From Switzerland to Brazil to the USA, they don’t plan on stopping anytime soon,” Binsky gushes in the video, standing at Vijayan’s tea shop.
It has got the couple several more admirers, including Industrialist Anand Mahindra who had this to say:
Mahindra also asked people if they would like to crowdfund a campaign to gift a holiday to the couple on their anniversary.
Vijayan himself is rather philosophical about all the admiration and help that has come his way. He is a simple man who has a simple way of looking at his life goals. “I have no money and so no worries. By God’s grace I get it when I need it,” he says.
He is also a man who is happy with what he is earning and not really looking at cashing in on his newfound fame. Tea at his shop still costs Rs 5 and at Rs 40, you can have a hearty breakfast. The shop serves tea, Idiappam and curry, boiled bananas, idli and upma.
Vijayan’s shop gets at least 250 to 300 people every day. Sometimes even more. Located near Ernakulam bus stand, the couple are quite well known in the area thanks to their against-the-odds story.
When Vijayan and Mohana travel, the shop is shut and it does result in a loss of at least Rs 2000 per day but the couple aren’t bothered. “If I worry about all this, I will never be able to take a day off from work till the day I die,” he says in Mohanan’s film, summing up his philosophy in life.
The couple keep their daily expenses to the minimum, saving the most for their travels. They usually take package tours when they go on trips, as it is cost-effective and helps them navigate new places and foreign languages easily. They rarely buy souvenirs or spend money on food during their trips, carrying basic chutney and podi (roasted spice powders) with them instead. “You can find rice everywhere.”
Mohanan who cycled 5000 km across Southern India to show his film Invisible Wings to people in the remotest of villages, says their story never fails to inspire. “People watch it and say, if he can do, we can too!”
Having known the couple quite well now, he admires how they are celebrating life in their 60s. “Earlier life has been very tough for them. But now they have found their balance and the bond they share is beautiful.”
There have of course been detractors. People have laughed at the couple for not saving up; for taking loans to travel and for not thinking about the future. But to Vijayan, the criticism is water off a duck’s back. Thankfully, Vijayan and Mohana have an extremely supportive family. They have two daughters, one a teacher and another working in a hospital. “We encourage them as they are an inspiration to so many others,” says his grand-daughter Amrita who helps connect me to her grandfather. “Even if they have any health problems sometimes, it doesn’t matter to them if they have to travel.”
When Vijayan was small and travelled with his father, he dreamt of visiting Ernakulam. Mohana, who is from the city, had never stepped out of it. Their globe-trotting story is proof that age cannot stop you from doing what you want. What is needed is a dream and the drive to see it through.
You can watch Hari M Mohanan’s award winning film about Vijayan and Mohana here:
Featured image: A screengrab from Mohanan’s film Invisible Wings
2018 has been a year of inspiring highs for us at Silver Talkies. We met, spoke and interacted with several super silvers this year. Here are 15 Inspiring Silvers We Came Across in 2018:
Sarla Minni is the Kahaniwali Naani who brings back the joy of storytelling by recording her stories for children through a subscription service. An innovative idea that Minni caught on to because of her love for storytelling and the availability of technology to reach out to a large number of kids.
Sarla Minni
Read more about her here: https://silvertalkies.com/how-sarla-minni-kahaniwali-nani/
VG Narendra, 70, is the brain behind India’s first and only cartoon gallery, the Indian Institute of Cartoonists, Bangalore. He credits his success in the field of political cartooning to his sheer passion for the art, a little help from his brother and being influenced by the cartoons of the great Shankar since his school days.Read more about him here: https://silvertalkies.com/tickling-funny-bone-veteran-cartoonist-vg-narendra/
Author John B Monteiro, 80, set up the Johnlyn Toy Exchange & Book Bank in memory of his late wife and to provide the joy of books and toys to needy children. Here is a silver who used a simple idea (asking people to gift gently used and pre loved books and toys) and the time available to him to bring a smile on many faces. Here’s more on his initiative: https://silvertalkies.com/johnlyn-toy-exchange-many-children-mangalore/
Storyteller Geeta Ramanujam, 61, has been synonymous with the revival of storytelling and its application in education and other areas. The Kathalaya Trust, started by her in 1998, runs the Kathalaya Academy of Storytelling, the only internationally recognised academy for storytelling worldwide. Read more about her here: https://silvertalkies.com/how-geeta-ramanujam-revived-the-art-of-storytelling-in-a-modern-context/
73-year-old Lalringthara of Mizoram went back to school on April 3, 2018 to finish his education at a ripe old age. This Grade 5 student, the oldest of all teaching and non-teaching staff in his school, is fulfilling a childhood dream to finish his schooling that was interrupted due to lack of family support at an early age. Today, he sits in a classroom with children who are at least 60 years younger than him. Here’s to dreams that do not fade. No matter how old you are. More on him here: https://silvertalkies.com/this-73-year-old-mizo-man-has-gone-back-to-school-to-learn-english/
And here’s a senior whose passion for learning didn’t diminish even at 98! The Limca Book of Records recognized 98-year-old Raj Kumar Vaishya, born in 1920 in Bareilly, as the oldest person to enroll in a Master’s degree programme in the country. Vaishya recently finished his MA in Economics from Patna’s Nalanda Open University, fulfilling a life-long dream to become a postgraduate. Why Economics? Vaishya says he wanted to study why India has failed to solve the problem of poverty even after so many years of independence. Here’s more on him: https://silvertalkies.com/98-year-old-grandfather-becomes-indias-oldest-postgraduate/
Appala Chari
In the uncertain times we are living in, this silver deserves full credit for trying to bridge the communal divide in his own way. Appala Chari, a 90-year-old cancer survivor, has never allowed age to stop him from taking on scholarly challenges. His latest effort will help bridge a religious divide. Currently based in Kenya, he has discovered a new passion in life at this advanced age – he is reading the Quran in Urdu to understand its essence and find a commonality between its teachings and those of the Bhagavad Gita. Read more here: https://silvertalkies.com/90-cancer-survivor-bridging-religious-divide-scholarly-work/
Meet the silvers who haven’t let age come in the way of adventure. Dilip Chauhan (61) and his wife Pooja (57) – residents of Ujjain, embarked on a bike journey across the length and breadth of the country on their Royal Enfield motorcycle. The middle class couple travelled on a modest budget and undertook the journey despite health hiccups. Here’s more about them: https://silvertalkies.com/these-road-tripper-seniors-are-giving-todays-millennials-some-serious-travel-goals/
The biking Chauhans
Retired IAS officer SN Shukla fought a 14 year battle to get former UP chief ministers to vacate their government bungalows. He finally won the fight in May 2018. In the 15 years that he has been retired, Shukla has been a busy man, fighting a battle over a decade to get former UP chief ministers out of government bungalows, among other petitions. More on this honest crusader here: https://silvertalkies.com/retired-ias-officer-sn-shukla-challenged-former-cms-refusing-vacate-govt-bungalows-won/
Meet Sarojini Agarwal, 81, mother to 800 abandoned and destitute girls. Forty years ago, Sarojini Agarwal was driving a two-wheeler with her 8-year-old daughter Manisha riding pillion when she met with an accident in Lucknow. Sarojini survived but Manisha lost her life in the tragic incident. The heartbroken mother grieved for a long time before finding the answer she was looking for: there were so many more Manishas in the world who needed the care and affection of a loving mother. Sarojini Agarwal set up Manisha Mandir in three rooms in her home in 1985. A PhD in Hindi Literature and author of several books, she poured her savings into this labour of love – of adopting abandoned and destitute girls to give them an education and home. More on her here: https://silvertalkies.com/this-mothers-day-meet-sarojini-agarwal-maa-to-over-800-girls-2/
Sarojini with her girls
Meet the silver who proves it’s never too late to start your own venture. Latika Chakrabarty has always worked with leftover fabric, turning them into bags and finally launched her own venture at 89. She loves collecting old saris, kurtas, and clothes from all over India and upcycles them into handbags and pouches on her 64-year-old sewing machine. More on her here: https://silvertalkies.com/latika-chakrabarty-turned-entrepreneur-89/
Latika Chakrabarty
65-year-old Parimal Gandhi should be an example for anyone with health issues, senior or not. He has battled three episodes of cancer; been blind twice, had five corneal transplants, two surgeries for glaucoma and is battling diabetes and hypertension. Yet he continues to work and has even written a book. Here’s more of his inpsiring story: https://silvertalkies.com/he-fought-a-battle-against-all-odds-to-overcome-cancer-and-blindness/
Parimal Gandhi
Meet Hari Baskaran. The 69 year young-at-heart former corporate leader, mentor and executive coach is celebrating his entry into the 70s doing what he loves — a cross-country cyclothon of 4000 km that will start at Marina Beach, Chennai and end at India Gate, New Delhi. More on him here: https://www.facebook.com/notes/silvertalkies/pushing-the-pedal-why-hari-baskaran-is-planning-a-4000-km-cyclothon-on-his-70th-/1973151569440498/
Meet Savitri Rao who is probably the oldest female Yakshagana performer in the country. Mangalore based Rao completed her 100th Yakshagana performance as Duryodhana in the mythological story ‘Narakasura Vadhe’ on May 2018. She was a young at heart 73! Don’t miss reading more about her:
https://silvertalkies.com/meet-savitri-rao-yakshagana-performer-who-never-gave-up-on-her-dream/
Savitri Rao performing Yakshagana
Sunalini Menon, who is in her 70s and is Asia’s first woman coffee taster. She is also the founder of Coffeelab Limited, an organisation based in Bengaluru which evaluates the quality of coffee in India. Menon has broken through the glass ceiling in her field and created a name for herself in a male dominated area. Find out more here: https://silvertalkies.com/meet-sunalini-menon-woman/
In our series called Chai Stories, courtesy a unique blog on life in tea plantations, Ranu Singh Taragi writes about the unpredictable twists and turns of life in the land of tea and the staff who ensure life runs smooth.
Tea Garden bungalows are mostly huge, and a plethora of staff, inside and outside, ensure their day to day running and upkeep. Each position is recognized by a name, which gives a clue to the duties that go with it. So you have a bawarchi, a paniwala, a bearer (or two), a sweeper, the babalog ki ayah, the bagaal (incharge of the ‘gohali’ ) , a bada (senior) mali plus his team, the chowkidars (day and night) and so on. From my experience in ‘Chai’ there is one more person who enjoys a prominent and elevated position — the ‘Burra Saab’s driver.’
Walk into the bungalow kitchen around breakfast time and spot him, lolling comfily on a stool. While his ‘saab’ enjoys his porridge and eggs, this man is no less pampered by the kitchen staff. In all probability, he could be tucking into a hot paratha! Come weekends, when the ‘saab’ and his family visit another planter, looking forward to some sumptuous hospitality, the driver has an equally entertaining time, exchanging local news with the bungalow staff, the other end.
There are plenty of outings – the club suppers, the sports events, annual picnics…the fun list is long.
But in all seriousness, the ‘Burra Saab’s driver’ has important responsibilities. Familiar with the garden roads, he drives the Manager on his garden rounds. More often than not, he has prior inkling of brewing labour dissatisfaction and impending gheraos, so diverts the manager’s Gypsy through alternative routes. He drives the manager to district meetings and union negotiations, and behaves discreetly when he is privy to important information. He receives the visitors from head office when they land at the airport, and his attitude and small talk makes them welcome.
My mind also drifts back to a time when I didn’t know how to drive. Then, one morning, I caught sight of a young memsaab bride drive into a football do, smartly swishing her Maruti Suzuki 800 between two ‘managerial’ Gypsies and at that exact moment, the desire to repeat this fine feat reached a feverish pitch. I hounded Naresh into giving me driving lessons –utter disasters, enveloping us in clouds of dislike. Personal cars are prized possessions on the tea gardens.
The next sensible course was to take help from our driver. So, a couple of times a week, when he could be spared, ‘Taetra’ would turn up at the bungalow….and this is how the lessons began: Bungalow Six, where we lived, had a vast area around it, split into three sections. The middle housed the seasonal flowers and fruit trees and flowering annuals adorned the second, while the third part was a big bare field. It was here that the tractor-trolleys would trundle in, to off-load the firewood, gas cylinders, etc. Most mornings, the bungalow cow would be let loose for a gentle walk-about cum munching session.
Taetra announced that we’d begin here. So with memsaab at the wheel and him settled as passenger, we began. We lurched up and down this field and my confidence grew. And then, all of a sudden, coming face to face with the cow caught us both off-guard. Instead of the brake, I accelerated in panic. The bovine was equally alarmed, and took off, with her tail high in the air…and only Taetra kept his senses. He wrenched the steering to safety. Whew!
As for the cow, she kept away during the lessons.
After a couple of days, Taetra decided that I was ready to tackle the garden roads. I welcomed the news with nervous excitement, but obviously my instructor had faith in my readiness. However, there was to be a change in the seating arrangement. Having no second set of floor pedals, as in the vehicles of motor driving schools, Taetra and I would have to share the driving seat! So with me at the helm and him towards the door we set off. Dear Taetra, the perfect gentleman, was now half out of the window — much like a black cat commando atop a VIP car! From this vantage point, he kept survey of the garden roads and lo! if any tractor trolley loaded with fresh leaf or a brisk line of workers, bringing in the morning patti came in sight he would wave them off, never mind where they scrambled!
He would vociferously holler, ‘Memsahib Ayunche….Rasta denu!’
The lessons gave me a taste of what royalty feels like on a freeway, and needless to say left me ill-equipped for a venture into real ‘live’ traffic. It was only years later, in Dehradun, that I mastered the speedy juggle between accelerator, brake and clutch.
Life in the wilderness can take sudden frightening turns. We had barely settled in a garden, in the Birpara area of Dooars, where the workforce was notorious for its strong reactions. Each day brought us face to face with new emergencies: there was hardly any breathing space. One evening, hoping to get away from all the problems, we headed to our nearest neighbouring garden. There were four of us, the driver Ganeshi, our four year old son, Naresh and I. We set off in the garden Gypsy. Just about to drive out of the barra bungalow, our cook suggested diffidently in an aside, that we should halt at the garden temple and take blessings. We never found out why he said what he did, but we did take his advice. Just as we prepared to sit in the Gypsy, something prompted Naresh to change the seating. He decided to take care of the driving. I seated myself in the passenger seat in the front, with our son on my lap, while Ganeshi was now free to sit behind the driving seat.
On the way, there lay a dry river bed, with a sharp incline, in and out, both sides. So one had no way of knowing what lay in the depression, till you were already half way down the dip. It was dusk when we entered the river bed. We were shocked to see masked men, racing to close in, around the vehicle, brandishing country rifles. Naresh speeded up – the only way out was to race up the opposite incline. Noticing that we had no intention of slowing down, the men raced closer, one of them gave a vicious knock to the windscreen. It was fortunate that Naresh shouted to me to duck low while he did the same. I pushed our boy to the floor of the Gypsy and crouched over him. Just in the nick of time – for a second later we were showered with the shards of the smashed front glass.
Naresh kept his wits about him and didn’t drop the speed of our car. At the same time he yelled at the hitherto frozen Ganeshi to lean over his shoulder and help him manoeuvre us up the incline. This presence of mind and teamwork saved our lives. We roared up the slope, on to the highway and soon reached our friends’ place. Hot cups of tea, loving fuss to soothe us …it all felt good. But as long as we stayed in that area and every time we crossed the river bed, memories of that evening came back. Anything could have happened and only the blessings of God protected us.
Residing in remote locations, such shared experiences tend to dissolve boundaries and forge friendships, based on mutual reliance. So today I raise my mid-morning ‘cuppa’ to the lord of the garden – the Gypsy!
This story was first published on Indian Chai Stories.
Savitri Rao is probably the oldest female Yakshagana performer in the country. She’s also a person who never gave up on her dream.
Satchel Paige says, “Age is a case of mind over matter. If you don’t mind, it doesn’t matter.”
Savitri Rao proves this to the dot. Probably the oldest female Yakshagana performer in India, Mangalore based Rao completed her 100th Yakshagana performance as Duryodhana in the mythological story ‘Narakasura Vadhe’ on May 2018. She was a young at heart 73! Not only is Rao one of the oldest Yakshagana performers in the country, she is also one of the happiest people you are likely to come across.
For those who are unaware, Yakshagana is one of the most popular folk theatre forms in Karnataka. It includes music, colourful costumes, energetic dance movements and dialogues. Passionate about theatre since childhood, the young Rao would pick up branches from trees and tiles on the ground, pretending they were weapons. She would colour her face with charcoal for makeup and pretend she was performing on stage. But in those days, young girls and women were not encouraged to learn Yakshagana, traditionally considered a male-dominated art form, although it is changing today. So Savitri used every opportunity to participate in any other theatre program in her hometown to fulfil her passion. She loved watching Yakshagana and other ‘bayalaata’ performances. Bayalaata is a form of Yakshagana performed in Southern Kannada.
Despite her love for performing arts, Rao went on to become a teacher and did it well, even receiving a ‘Best Teacher’ award from the Indian Council for Child education in 1987. But her dream to perform as a Yakshagana artist never quite died. It finally came true in her 60s, almost as a second innings. By the time she was 66, Rao discovered Yakshagana troupes for women in her hometown Mangalore. She did not let age be a barrier and started learning the basics of Yakshagana, from Guru Rakesh Rai Adka.
Sumangala Rathnakar, Director, Yaksharadhana Kala Kendra, Mangalore encouraged Rao, and offered her the opportunity to enact various roles. This continued and Rao performed at different places. She is now also a well-versed artist of ‘Tala Maddale’ another folk art of Dakshina Kannada district.
Given that Yakshagana is a physically demanding art form, Rao decided to play on her strengths and took up verbose roles, which didn’t require much physical exertion, given her age. Playing the characters she had always admired, performing literary pieces she had read all her life was a dream come true.
The role of Krishna’s guru in the play ‘Gurudakshine’, ‘Dharmaraya’ from different works based on the ‘Mahabharata’ and Vibhishana’s role from Ramayana are some of her favourites. She is hugely supported by her husband, Srinivasa Rao, who encourages her to perform and helps her take care of the house. Yakshagana is not the only thing that binds this couple. Together, they started ‘Makkala Sahithya Sangama’ years ago to encourage children to cultivate their literaray talents and write in Kannada. She also visits schools and conducts a story telling program in Kannada to sustain children’s interest in the language.
At 74, Rao is enjoying every bit of her life without regrets or complaints. “I don’t feel any fatigue or difficulty because I love what I do,” she says about performing on stage. As she completes her 110th performance, she stands as an inspiration to every person who has a passion they don’t wish to give up on. Age no bar.
Featured image: Savitri Rao on stage during her 100th performance. Image courtesy: Twitter
Lifelong learning is the secret to happiness in an older age, benefiting both the body and mind. Meet the seniors for whom learning has never stopped.
“Do not grow old, no matter how long you live. Never cease to stand like curious children before the great mystery into which we were born.” ~ Albert Einstein
Lifelong learning is the secret to happiness in old age, benefiting both the body and mind. A plethora of scientific studies have shown that a healthy mix of both physical and intellectual activity as we age, helps us maintain a healthy mind and body and aids in delaying, mitigating or even eliminating the onsets of physical injuries, plus ailments like Parkinson’s and Alzheimer’s.
When Sulekha Patankar retired in 1998 from a lifetime of teaching, she moved to Bangalore and decided she wanted to continue learning and following her interests. She learnt Hindustani vocal music for six years and also gained a Mastership in Reiki. Travelling opened her horizons as she learnt more about new cultures across the world. But her biggest passion became her project on the Bhagwad Gita. Over the years, she read it over and over until finally in her 70s she decided to write her own understanding of the Bhagwad Gita.
Sulekha Patankar
Patankar studied the three schools of Philosophy and did a lot of research. There are 700 verses in the Gita and she tried to understand and interpret each, writing 1500 pages by hand initially until she learnt to do it on the computer. It took her three and half years to complete her copy of the three volumes of the Gita. Talk about dedication!
“The emphasis laid in all 700 verses is not on renunciation from action and but on the renunciation of the egoistic presumption of the ‘doer-ship’ attitude, the renunciation of the expectations of rewards for ones actions and renunciation of emotions attached to the actions as well as the results. I found the entire process extremely satisfying, even more than when I got my Phd. in Education,” Patankar says with real pride and joy in her voice.
For Suman Kumar in Hyderabad, learning to sing at 59 became a spiritual path. Kumar had no previous exposure to music but the last 11 years of learning classical Hindustani music has become an ongoing enlightenment for her, something that makes her eager and happy. Her teacher Sudeshna Gupta inspires her to express the joy of singing in dance form too. Festivals find Kumar and her friends in the group learning to dance, telling a story and finding cheer and fulfillment in grace and form.
“I feel benefited! It’s a sadhana (spiritual practice),” says Kumar, adding, “My journey with music in short is like a child’s journey through the 1st to 10th grades. Now I understand what adult education involves – agonies and ecstasies. Hats off to guruji, my didi, for being patient, affectionate, persevering and for keeping me on my toes with her strictness.”
Paul & Joyce
Paul Siromoni from Chennai has proved that you are never too old to go back to school! He earned his PhD. at 90 and was awarded his doctorate in February 2017. His soft and gentle voice holds a twinkle of laughter as he explains that one is never too old to learn and excel. His topic of research was ‘Gods call to the Church in transforming the world into a kingdom of love.’ He spent many hours studying, writing exams and attending several seminars to acquire his doctorate. Siromani is actively involved in research projects, loves reading and feels it is an absolute pleasure to study . “Treat each other as persons, as human beings, and not as someone with a role to play,” says he adding, “it is the answer to healing in this world.”
Siromani and his wife have also spent time teaching in the slums of Bangalore, helping people to learn about health and hygiene and skills to make a living. By continuing to be active mentally and physically, Siromani and his wife are working at bringing peace, love, justice and knowledge to the world around them. His cheerful outlook to life is an inspiration to all around him.
Shakuntala Kilpady
74 year old Shakuntala Kilpady has spent 27 fulfilling years being a principal in various schools in Mumbai. In February 2015, she heard about Philosophy classes through a cousin. Intrigued and curious she decided to join them. Her teacher Harianto Mehta is her guide, explaining and discussing the intricacies of Philosophy. “I am the student now!” exclaims Kilpady in her young at heart voice. “I feel motivated, encouraged, strengthened. I feel there is a purpose to life and there is something to look forward to.” Kilpady feels learning helps one to take the rightful path, to become a better person and she tries to inspire others to learn too. For the past ten years she has also been practicing Buddhism , the learning of which has given her immense peace and inner harmony. And now in her 70’s she enjoys trying out new and exotic dishes to cook and eat!
Who said learning stops with school or college? In the university of life, for these inspirational seniors, it surely doesn’t.
Featured image: Suman Kumar (on the harmonium) learning music from her Guruji didi.
Sunalini Menon is Asia’s first woman coffee taster and a pathbreaker in her field. Here’s her inspiring story.
For many of us the unique freshness of a cup of morning coffee is irreplaceable. The same can be said about the unique work done by Sunalini Menon, who is in her 70s and is Asia’s first woman coffee taster. She is also the founder of Coffeelab Limited, an organisation based in Bengaluru which evaluates the quality of coffee in India. The office has a charm of its own and gives the feeling of entering a museum, where you can find coffee pots, coffee cups and mugs from different countries around the world and collected by her on her trips.
The lab was started after the liberalisation of the coffee market in 1995, which before that was regulated by the Coffee Board of India. The quality department at the board was headed by Menon. Talking about her work, she says, “I don’t know if it was an inspiration or whether it was just destiny that sort of guided me to this profession, because the time that I was growing up, I don’t think there were any coffee tasters in India; even when I took on the profession there were no coffee tasters in India. It was a tough job.” Despite this, her family was very supportive and her mother motivated her to go ahead and live alone in Bengaluru for her work. Her husband, who unfortunately, passed away in December 2017, was very supportive of her work too.
Menon had to work hard to prove her worth.
“Coffee, even today, is a male dominated field. I was very young, just about 20, had no knowledge of coffee and nobody wanted to take instructions from a young woman, especially my staff, who were much much older than myself. First of all, to become the head of the department was a struggle, because my boss retired at the end of the two years of my joining the Board and I was the senior of the two individuals who were recruited. So, I was sent to Switzerland for training and when I came back, based on my tasting credentials the Board had no choice but to make me — a woman — the Head of the Department.”
Her journey started after this. The work demanded her to become an expert. Today, after 20 years in the Coffee Board she runs her own company and has become a pathbreaker in her field in India.
The one question everyone wants to ask Menon is about Coffee tasting. It isn’t an easy thing to do. Menon says, “I have to depend on my senses of sight, sound, smell and taste. I need to ensure that the acuity of taste that is innately present in me, is preserved, now how do I preserve it? Smoking, drinking, having hot spicy food, late hours could be detrimental for your senses. If I have had a late night, the next day I know I am going to have problems with my tasting so I tell my staff that I am not going to taste today. Hence, ensuring and maintaining health, is very important to preserve your sense of taste.”
Ethiopian Yirgacheffe is Menon’s favourite coffee and she describes the coffee bean as a live bean. Her knowledge and love for the work comes through when she talks about it. “Coffee is brewed from a tiny bean. When we harvest the cherry, the bean inside is alive, I can take that bean and put it into soil and I can have a plant growing, unlike tea, which is prepared from a manufactured leaf and a plant cannot be grown from this manufactured tea leaf. What I am trying to say is that the farmer goes through a lot of difficulties, a lot of hardwork, and his entire life is based on the cultivation of the plant, harvesting of the cherry/ fruit, extricating the seed, and preserving it very carefully as it is a living bean, which can deteriorate very fast in its taste profile. One never understands these aspects nor know these steps when one drinks a cup of coffee.”
On January 20, 2018, Menon was felicitated as the ‘First Lady’ of coffee by President Ram Nath Kovind. Describing the experience, she says, “My office people didn’t tell me anything, they all came as a big group and stood in front of me, I asked them what is happening and then they produced the email and I was so shocked; there was a letter from the Women and Child Development Minister Maneka Gandhi and from the President of India stating, ‘You have been selected as the first lady achiever in the field of coffee tasting’, and that was the most thrilling moment in my life. I went to Delhi and I was so fascinated to see so many women from different fields receiving awards, I was so happy to see professionals in professions I never thought women will be in. I think that was the crowning glory for me that my own country was able to fathom a tiny drop of coffee lying somewhere in a cup of coffee in one of the states of India and to identify that drop as the first of its kind in that aromatic cup.”
The Sonis prove why couples need to support each other as they grow old together. Here’s a look at their life and how couples could maintain their individuality as well as be each other’s support system.
He is 66 and retired. She is 57 and working. In their 36 years of married life, Subhash and Rajni Soni have always supported each other. So, it was no surprise that when she got promoted to Principal at a Government school that was 100 kms away from their home, the newly retired Subhash decided that they would move closer to her work and he would help run the household while she worked!
Rajni and Subhash Soni from Dharamshala, Himachal Pradesh have been Government employees – he worked with the Himachal Pradesh State Electricity Board and retired as Assistant Executive Engineer in 2010; she is currently Principal, Government Senior Secondary School, Forsythganj – Dharamshala. Like in any Government service, their life has seen its fair share of transfers and the journey has been quite a ‘mountainous’ one! However, their dedication and support towards each other has never faltered.
The Family Years
A B.Ed by training, Rajni got her government job offer when her son was only two and decided to take it up even though the school was a two hour train ride away. “It was not essential for me to work but I always felt that a double income family would allow us to have a more stable future. And a government job offer doesn’t come every day; I didn’t want to let this opportunity go away. Plus I knew that my husband would help me out.”
As the years progressed, they divided the workload, something that was to continue a lifetime. By the time both their children started going to school, the Soni household ran like clockwork. Both of them would be up by 6.30 am; Rajni managed the kitchen while Subhash dusted and swept the house and got the children ready. And by 8.30 am the entire family was ready! At night while Rajni cooked, Subhash looked into the children’s homework and even lent a helping hand in the kitchen.
Retirement For One; Work For Another
In 2010, Subhash retired from his job and was ready to lead a relaxed life in the home they had built in Dharamshala. By this time their children had flown the nest – their son was a commissioned officer in the Indian Navy and their daughter was completing her Bachelors in Dental Surgery from Sundernagar. In late 2013, Rajni was promoted to the post of Principal and was transferred to Government Senior Secondary School, Jwalaji; nearly 55 kms away from home, an approximately 3 hours bus ride in mountainous terrain each way.
That’s when Subhash decided to put his retirement to good use and support his wife. The couple shifted to a rented place close to her school and while she went to work, he did his usual household chores plus some cooking. Then he would go visit the nearby temple, catch up with the neighbours, do the daily bazaar at the market and lunch would be together at home. In the evenings, they would go for a walk together; sometimes he would help her with her office administration work and at night they would wrap up the remaining household work as the team they had always been.
“This dependency on each other is good as it builds emotional support,” says Amruta Lovekar, a gerontologist working with geriatric social enterprise Echoing Healthy Ageing. But she also cautions that “one must develop other relationships outside the marriage.”
Lovekar talks about the importance of finding a purpose in life while people are still young, something outside the marital relationship. “It could be a hobby, an interest or even other relationships. This is extremely important because when a void is created at the loss of a spouse, the grieving partner has something that helps bridge the emotional gap.”
Subhash lends a helping hand in the kitchen. Photograph Heena Soni
Partners In Life
Being each other’s support system comes naturally to Subhash and Rajni and could be an example to many. “I knew that if I didn’t support her, she would have taken voluntary retirement. I was not doing anything, so I felt that I should help her out.” said Subhash.
This sentiment is shared by Rajni who felt that if he hadn’t travelled with her to these stations in the last few years, she may have given up her job.
There were times when Rajni felt that she was being unfair to Subhash, he was supposed to be relaxing and enjoying his retirement but here he was travelling around the countryside for her work. Subhash talks about how sometimes he would be too tired to drive and his arms would hurt or how when he developed cataract his confidence of driving in the dark was reduced immensely. But he is quick to add “It was my responsibility to make sure she was at work on time, how could I not do that? So, I would tie bandages on my arms and drive!”
According to Geriatric Psychiatrist Dr. Soumya Hegde, a companionship like this ensures that one leads a healthier lifestyle. Older couples choose to stay active and alert because they have each other to look forward too. “While loneliness kills, it is companionship that keeps you alive.” Many of Dr Hegde’s patients come to her when they lose ‘the person around whom their world revolved’ and she is constantly trying to help them overcome this emotional emptiness by discovering a spark – something that gives them joy and a purpose to life.
For Subhash and Rajni, that spark is being discovered gradually as the time to retire from the professional world is drawing close. Rajni, who is now posted back in Dharamshala is due to retire in May 2019. The Sonis have gotten older, their energy levels are not the same but their desire to be independent is still very much intact. The couple have joined their local Rotary Club and actively participate in its activities. Rajni wants to immerse herself in cooking up a storm at every meal; Subhash would rather sit back and enjoy a peaceful religious discourse or a heated political discussion! However, ask the team what they would like to do together, it is no surprise that with the journey they have had they both say – “Travel!”
Getting an elderly person involved in some type of creative activity can help improve both quality of life and mental functioning, say experts. Guru Nath proves this with his zeal to learn art.
Until three months ago, Guru Nath, a 76 year-old former electrical engineer never thought of himself as an artist. It was then that he discovered the talent in him through the master strokes of Australian artist Len Hend, delivered via videos on his website. Guru Nath is now a self-taught acrylic painter. So strong has been his artistic calling that today he is propagating art to other pensioners and encouraging them to take up painting as a hobby through his self-designed website www.arts4aged.com. “Children aren’t the only ones who can benefit from creative activities such as art, writing, and dance. In some cases, getting an elderly person involved in some type of creative activity can help improve both quality of life and mental functioning,” says his website.
Based out of Chennai, Guru Nath primarily leads a solitary life as his two children are settled abroad and he visits them every six months. He led most of his growing years in Mumbai and Scotland and studied to be an electrical engineer at Edinburgh University. His working years were spent in Scotland from where he returned to India as a UK pensioner. Settled comfortably in his Chennai home for the last 20 years, Guru Nath has been spending his time on various projects – helping fisher folk with developing efficient fishing crafts, earthworm breeding projects, etc.
So how did art come into his life? “I have always been interested in art and had been looking at various painter’s websites for last ten years but found nothing appealing. Recently when I was in Singapore with my daughter, I came across Len Hend’s website and found that painting can be easy and fun. Henceforth, started my artistic journey. “Today all my paintings are bought by my friends and family and are sold in the range of Rs.900 to Rs.1800,” he adds. Nath’s talents are not limited to painting as he is a carpenter too and makes his own frames for the paintings. He has also come up with an innovative idea to use paper plates as palettes with disposable linings.
Nath is now a man on a mission and wants more and more seniors to come forward and experiment with art. “It is contagious. You won’t leave it. I can bet on it,” he says with aplomb and continues, “It is easy for anyone to pick it up and at any age.” He promises to help all those interested through his website and has recently introduced supply of basic learning videos by Len Hend in DVD format, free of cost. The painter has agreed to the reproduction of his learning videos and has agreed to donate advanced DVDs for further learning. But this is not all. Nath plans to help all budding artists generate income and also boost their confidence by helping them sell their paintings. He dreams of approaching corporates with paintings from pensioners and also plans to hold an exhibition as well as sell them online at international galleries. Arts4aged has a gallery page where paintings are available on sale.
So if you are looking at acquiring a new skill and keeping yourself engaged in your silver years, do leverage Nath’s help and have fruitful years ahead. Also if you are a supporter of seniors do show them your support by buying their paintings.
For more details please log onto www.arts4aged.com. Enrolment is easy and free of cost.
Photographs: Silver Talkies
Three episodes of cancer. One, a near miss. Blind twice, five corneal transplants with one more coming up in 2018. Cardiac bypass. Two surgeries for glaucoma. Battling diabetes and hypertension. Here is an excerpt from 65-year-old Parimal Gandhi?s unbelievably inspiring book Can Surmount.
I was born in Ahmedabad.
All through my youth, many professions attracted me. The air force, aeronautical engineering, journalism and so on. I am a nationally ranked Science Talent Search Scholar and almost became a Research Chemist. But, I finally chose to study Chemical Engineering at Vadodara (Baroda), leaving home for the first time at the age of 17.
It was the second year of the course, and a typical hot March day in 1974. I was perched at my desk in the Engineering Design Hall of the Maharaja Sayajirao University. The lecturer?s voice could be heard over the murmur of students discussing the design problem at hand. As usual, the teacher wanted more neatness and attention to detail. The whirling fans battled the summer like heat valiantly, but in vain.
And then it happened.
I thought something had fallen into my eyes. I could not keep them open. I splashed water into them. Some friends blew air and others warmed a handkerchief and put it on my eyes. Slowly but surely, the pain became unbearable. It was as if someone was sitting on my eyeballs and rubbing them with sandpaper.
My friends Heta, Geeta, Nina, Prashant, Ashok and three others accompanied me to the eye doctor, filling up his waiting room. He must have been delighted to see so many patients! Later, he remarked wryly that he had never seen 8 people accompanying a single patient. He diagnosed corneal ulceration in both eyes, put in ointment, bandaged both eyes and told me to rest for a month. My friends and I were shocked. I lived in a student hostel. How was I to manage?
My parents arrived and took me to our home in Ahmedabad. More visits to ophthalmologists, as many opinions, eye drops, ointments and bandages later, I found myself at a well-known government eye hospital. Dr. R. P. Dhanda diagnosed me as having bilateral corneal dystrophy. There had been extensive deterioration and the corneas of both eyes were becoming opaque. An eye MD had seen the condition when I was 12 years old, had drawn it on my chart but had omitted to alert my parents or me. My vision had already reduced considerably, and the condition would continue to worsen until both corneas became totally opaque. I was then 21 years old, and had most of my life ahead of me. It seemed as if I had only increasing darkness to look forward to.
On Dr. Dhanda?s team was Dr. Vasudha Kalevar, a pretty ophthalmologist. She carried out a number of the eye exams using a slit lamp. To examine different parts of my eyes, she would point at her left or right ear and ask me to look at it. The earrings kept changing and had been very aesthetically selected! They were a wonderful distraction from the pain of powerful beams of light shining into my sensitive eyes!
No, my reading habit had nothing to do with my eye problem. It was genetics. But then no relative on my father?s or my mother?s sides of the family tree had suffered from an eye problem. So why I have this problem which has dogged my footsteps all through my life remains a mystery.
I remember my only major regret at that time. If I lost my vision, I would not be able to read. Someone was very cruelly locking my window to the world.
There was a silver lining, though. I could undergo a corneal transplant. A number of patients who undergo this surgery regain their vision and can lead their lives comfortably and normally.
Corneal transplants are not without risks. But my vision was so low that I had nothing to lose. The risk-reward ratio was in my favor.
So there I was, in the Ahmedabad Civil Hospital, waiting for some generous soul to leave me a gift of vision. This happened after a week ? a long wait indeed, considering that hundreds of people die every day and have no further use for their eyes. An accident victim left me his cornea. I wanted to thank his family but, as in the case of blood donation, donor and beneficiary never learn each other?s identities. May God bless all organ and fluid donors!
Once again, all my friends and many members of my family came for the surgery, filling up the ante room to the operation theater. They assured me that all would be well and wished me luck.
It was in this unlikeliest of locations that my first ?God in a Machine? lowered herself onto the stage! A Goddess actually. More on Gods and Machines later.
Amongst the visitors was Jagruti. Both of us were students in Baroda and had been meeting quite often over the past few months, becoming increasingly close to each other. As I lay on the prep room bed with my eyes closed, she sat down beside me and held my hand, a bold gesture in those times. She was unconcerned about the twenty pairs of eyes watching her every move with great interest! She had her finger in my right palm and was making designs in it. On focusing my mind, which was full of thoughts about the impending surgery, I realized with a start that she was repeatedly scribbling, ?I love you? into my palm.
I had been feeling pangs of anxiety about my future and here was someone offering me her ultimate support. Before I could figure out how to respond, I was wheeled into the Operation Theater! She visited me often in the hospital as did her sister and mother. She made sure all through the next months that I never lost hope or felt demotivated. We got engaged that year and got married 3 years later.
As I look back, I realize that no girl in her right mind would have chosen that particular moment to declare her feelings. By all accounts, I was about to go blind and who wants a potentially blind husband? But if it is ?practical? and calculative, it is not love. All she knew was that she loved me and I needed her support.
The accident victim?s cornea was grafted into my right eye ? a reasonably painless affair with the anesthesia hurting longer than the surgery. But, I was kept in the hospital six long weeks and before I was discharged, the stitches were removed. Afterwards, I used to visit the hospital periodically for checkups. There were no restrictions worth mentioning. The left eye was ?not yet bad enough to do.?
Today, you can walk into a modern eye clinic, get a corneal transplant and walk right out in three hours. No stay is needed. It is all done under local anesthesia. Of course, you do have to wait for the cornea to become available.
For the first few days, a blood-spattered man in white would appear in my dreams and ask me for something incoherently. The second night this happened, I realized that it was the accident victim asking me to return his cornea.
I was shocked and told my mother about my dreams. She wisely asked me to thank the man with folded hands, tell him that I would take good care of it and ask his soul to go on with its journey. I did just that. It worked and the soul never returned. Only my gratitude remains.
(You can buy Parimal Gandhi?s book by going to his website cansurmount.com or on Amazon.
In our new series called Chai Stories, courtesy a unique blog on life in tea plantations, Shalini Mehra writes about visitors trying to reach her home in the remote tea gardens of Assam and the comedy of errors that inevitably happened before their arrival.
Almost at a sprint and out of breath we reached the platform only to see the fading lights of the last bogie of the train. ?Not again?, I told myself.
Luckily, we were not boarding.
We had arrived at Tinsukia station well in time to receive my parents, aunt, brothers and sisters, most of them on their first trip to Assam. Though they were booked to Dibrugarh, we had planned to receive them at Tinsukia so as to save them an extra hour on the train. But it was too late now. Once back on the highway we sped up to keep pace with the train. This was well before the days of insulated AC compartments and we hoped someone from the family would peep out of the train window and spot us. Our four-year-old son Vicky, unable to contain his excitement, was literally hanging out of the car window in anticipation of some fun; while our good old Ambassador rattled ahead trying to catch up with the train which had now gathered speed.
It is very interesting to see how closely parallel the train track and national highway run for a distance of almost 48 kilometers from Tinsukia to Dibrugarh, so much so that at certain points one can easily shake hands with the passengers on the train. But on this evening the sky was overcast with dark clouds, resulting in poor visibility. We had raced up and then slowed down, covering the length of the moving train, to sight a familiar face; but most of the shutters were closed. Disappointed and reconciled to a long drive to Dibrugarh, we carried on.
My mind was racing back in time to the day, a month back, when I had received a letter confirming my family?s travel plans ? but the much awaited telegram had never arrived. Apprehensions grew whether they were on the train or not. Had they changed their minds?
The year was 1977 and we were posted at Oaklands ? a little Eden on the banks of the Brahmaputra. The out garden was tucked away in a corner, a place where telephones were hardly ever functional, roads rarely motorable. Despite the unpredictable communications, we had confirmed the arrival time from the railway inquiry through a friend. However, taking no chances, we had arrived at Tinsukia well in time, only to be told that the train was two hours late. Taking advantage of the time, we proceeded to have a cup of tea in town with a friend. The hostess had barely poured tea in the cups when the hoot of an engine sounded and our friend, living in close vicinity of the station for years, exclaimed with surety, ?I think that?s your train.?
Leaving our cups untouched we hurried towards the station but by the time we meandered through the traffic and parked, considerable time had elapsed. We had missed the train, and this was not the first time ? but that is another story. It is a fact that till air travel improved and the broad gauge was installed, no one ? I repeat no one ? from outside Assam reached us on a personal visit without a hitch.
To continue, as if in response to little Vicky?s prayers, as we crossed Dikom Station (no halt) I saw my sister looking out from her compartment window and at the same moment she spotted us. One by one more shutters were rolled up and beaming faces of my younger siblings grinned at us. What excitement ensued! We were all waving, laughing and singing a la Rajesh Khanna from the Bollywood blockbuster Aradhana. This continued Dikom onwards till the rail track and the road parted as we neared Dibrugarh. By the time we reached the platform the train was chugging in and screeching to a halt. Well, all?s well that ends well. A ?miss? at Tinsukia earlier had resulted in great fun. All of us still treasure the memory of that journey with nostalgia and affection.
Another incident took place much earlier in 1973, the year we got married and I came to Salonah in Nowgong district. A clerk from my father-in-law?s office was visiting Assam and was carrying a parcel of mangoes. The exotic king of fruits was a rare commodity in Assam then. His journey brought him very close to his destination but not close enough. At the railway inquiry office in Guwahati he showed our postal address and was thrilled to see the name of Salona station on the rail chart. Salona was a small railway station, very close to Salonah tea garden, where one local passenger and one goods train would arrive every day.
Secure with this information he boarded the only train to his destination. The Metro-city man, expecting a cemented platform with regular information announcements, porters to carry luggage and auto-rickshaws in waiting, was in for the shock of his life. He found that he was the only passenger who had got down at Salona. There was no platform and just a small shack for an office. A single beam of light emerging from it barely penetrated the darkness that had descended very early. Dragging his own suitcase and the mango parcel he somehow walked up to the cabin to find a solution for his colossal problem ? where was Salonah tea garden and how could he reach it? But no words answered him. Only a finger pointed towards one direction.
He dragged himself a little further ahead and saw a man on a bicycle carrying a cane basket piled with dozens of raw bananas. On inquiry he was once again given a direction but no manual help to carry his luggage. With a pounding heart he waited, wondering what to do next. Moments dragged on; his imagination playing tricks on him started to cast shadows of prowling wild life in the darkness and a shiver crept through his body.
After what seemed ages but was only a few minutes, he saw another man ? and as luck would have it, it was a Salonah garden labourer. On hearing the familiar name ?Rajan Mehra? he immediately paid his customary obeisance, ?Salaam sahib,? and offered to carry the parcel and guide him to our bungalow. Thus arrived on our doorstep our first visitor from Delhi, very shaky and stressed out indeed but with the mango parcel intact. Years later I came to know that he would regale the entire office staff with his exaggerated version of the story in which the imaginary prowling animal became a real one!
Note: The photograph of the train in the featured image above was taken by Gowri Mohanakrishnan on the line between Tinsukia Jn and Dibrugarh in 2018. The image of mangoes is courtesy Pixabay.
This story was first published on Indian Chai Stories. You can read Gowri?s recollection of her tea plantation life here
My father, who is now 95, was 12 when Swami and Friends was published in 1935 and Malgudi arrived in our collective psyche. The fictional town created by R.K. Narayan, where 12-year-old Swami lived and had many adventures, could well be the life of Sheshagiri and his siblings, growing up in Belgaum as the children of M. Ramabrahma, Headmaster of Sardar?s High School.
It was also twelve years to Independence. The crescendo was building and everyone was looking to Gandhi, Nehru and all the other giants who were steering India towards freedom.
Sheshagiri and friends were too young to be involved, but never too young to be informed. The Headmaster?s residence often hosted eminent writers and people from other fields who were known to the family, and conversations at home were lively and interesting. The most famous house guest was the well-known humourist and playwright, T.P. Kailasam, who wrote adroitly in both Kannada and English.
The children, evidently, soaked up a lot more information from just being around than their elders suspected. The happy consequence is that eight decades later, Sheshagiri, now a venerable but sprightly 95, shares vignettes of those times with his inquisitive family.
Life at the Headmaster?s House
Living at the Headmaster?s residence on the campus, Sheshagiri and his elder brother Pandurang , more or less lived the life of Swami and Friends, except that their father was the Headmaster!
Sheshagiri remembers vividly the large presence of trains in every day Belgaum life, They watched the train winding its way steamily down the countryside, as they played their games in a field near the Fort, and they often heard the siren wailing balefully, announcing an arrival or departure. Railway stations were easily accessible then and they often went to watch the exciting goings-on at the locomotive shed, like engine shunting (there was a turntable for the engines and it was manually operated). Of course, in the eyes of Sheshagiri, this was the most exciting job in the world.
The trains of those days, with steam engines and coaches that looked like they were taking Cinderella to the ball, were 30-seaters. Sometimes, they were 8-seaters, used by attendants of British officers travelling on duty or the servants of the rich Indians who would be travelling royally in First Class. Occasionally, even royalty travelled in these trains and the Mysore Maharaja?s guards, resplendent in their gear, added intrigue and fascination to the journey.
Belgaum Gets Electricity
When Sheshagiri was busy being a boy in the 1930s, Belgaum got electricity. It was in 1933, Sheshagiri reckons. Everyone welcomed it and embraced the power it gave them. They could go to the cinema, and stay out even after sunset.
Sheshagiri remembers the ?Lamp Lighters? who would come each evening to light the street lamps with their long sticks, at the end of which was a burning wick. Rather like the bitter-sweet poem, ?The Lamp Lighter?, by R.L.Stevenson in A Child?s Garden of Verses.
In Headmaster Ramabrahma?s home, the lengthening shadows beckoned the boys playing outside the house and the night fell on empty streets, barring a few stragglers who hurried home, and the lamplighter, whose ?day? was only just beginning.
Sardar?s High School in Belgaum, 2018.
Inside, it was time to light up the lamps. There were all kinds of lamps to choose from ? kerosene lamps, paraffin lamps. Not all rooms in the house were lit. The women finished up work in the kitchen as soon as they could in the daylight, and the family generally gathered in the living room, around a warm lamp. Sometimes, the servants lingered, keeping a light in the study for the Headmaster, who preferred to be among his books and papers.
Evening hours, therefore, were a time for sitting around a comforting lamp, and listening to stories. Their mother Venkamma, a lady of great wit who had delighted Mr. Kailasam with her talent for tri-lingual puns, regaled the children with stories of Kuppa-Kuppi, mythology, some flavourful Tamil folktales, and sometimes it was their elder sisters, Kokila, Mangala and Sushila who chased the monsters of the dark away for Pandu, Sheshagiri and their baby sister Vimala.
India Was Making Its Final Bid For Freedom
School, of course, went on, far removed from an India making its final bid for freedom. Outside, everywhere, the evidence was inescapable. After the Government of India Act was passed in 1935 granting partial autonomy to India, elections were held in 1936. The bus stand, the Mission High School Grounds, were the venues where Gandhi, Nehru, Kripalani came to campaign, and made speeches.
Sheshagiri and friends went to watch the pandals being put up, and he remembers glimpsing Gandhiji once. ?There were no policemen to regulate the crowds. It was all done by volunteers,? he remembers.
In 1939, Sheshagiri went to Solapur to join DAV college. He moved in with his uncle, Dr M.Subramanyam, who was the Health Officer of Solapur City. He had served in the World War and was now in charge of the city?s health and hygiene.
As an 18-year-old, Sheshagiri continued to plod away at his studies, but kept abreast of what was happening to India via newspapers, radio and soaking up like a sponge all the conversation going on around him. The drama of Salt Satyagraha, Quit India Movement was a reality, and Sheshagiri?s generation of young Indians kept abreast of issues, be it the Congress Party?s opposition to India joining the War Effort, or others who thought differently, like M.N.Roy, for instance. During the Quit India movement, schools and colleges were closed, Sheshagiri recalls.
Of Movies and Movie Stars
They enjoyed watching movies ? the English movies that came to town, as well as Indian films. Sheshagiri remembers with much amusement the movie Ben Hur, a silent movie reissued with background music. It featured Ramon Navarro. The original had cost $3.9 million, making it the costliest silent movie. The 1931 reissue added sound effects and music by the original composers Willian Axt and David Mendoza. Navarro was quickly given an Indian name, and referred to as ?Ramannavaru?!
The lack of film magazines that shared gossip about actors and other denizens of the industry didn?t mean people were disinterested in them. Their little whimsies and foibles, their private lives and romances or lack thereof, catching a glimpse of the stars or meeting them, were desirable goals to aspire to. The captivating Shanta Apte, a beauty who was also a great singer, was arguably the first femme fatale of the Indian silver screen. Long before Sharmila Tagore?s swimsuit outing, it appears a certain Ms Meenakshi Shirodkar had, way back in 1938, stunned and thrilled audiences singing ?Yamuna Jali Khelu Khel? wearing a swimsuit and sporting a two-plait style that instantly became the rage among teenage girls, in the film Brahmachari.
On August 15, 1947, Sheshagiri was in Chikmagalur, a coffee-growing district in Karnataka. His elder sister, Dr Kokila Ramabrahma, was posted there as the medical officer. Sheshagiri was to join the National Dairy Research Institute (NDRI) in November for his Diploma in Dairying. As India woke to freedom, this aspiring Dairy Officer watched all the Government buildings in Chikmagalur proudly hoist the National Tri-color.
When the first elections were held in 1952, Sheshagiri was unable to vote, but he was a full-fledged Dairy Officer, posted in Mangalore. He was the presiding officer for elections in one of the constituencies there.
Eight decades later, Sheshagiri sits, fiddling with his iPad, coaxing it to play M.S.Subbulakshmi?s ?Akhilandeshwari rakshamam?? or quietly pulling up Shante Hublikar?s song ?Kis liye kal ki baat?? with headphones on, and rhapsodies over Shata Apte in the 1930s film Duniya Na Maane. Our very own Forrest Gump, he now watches history unfold in an endless tableau of memories, and indulgently acquiesces when his family asks him for stories from his childhood and from his youth.
(Featured pic: Sheshagiri at the age of 17 and again in 2018).
Alladi Jayasri blogs at sweetkharacoffee. You may also want to read more about her father A.R. Sheshagiri?s college days here.
If you are finding it hard to inspire yourself on a Monday morning, here?s a story that will surely do the trick! Grandmother Latika Chakrabarty turned entrepreneur at 89 with her family?s encouragement. Here?s to finding your passion, no matter what the age.
Latika Chakrabarty is an 89-year old grandma who loves collecting old saris, kurtas, and clothes from all over India and upcycles them into handbags and pouches on her 64-year-old sewing machine. Her love for up-cycling now has an online home with her own website, filled with beautiful images of up-cycled handmade bags created by her from fabric she has collected and saved over the years.
This isn?t a new hobby for her and the octogenarian actually embodies a habit her generation has always adopted, much before up-cycling and recycling became environment-friendly new-age buzzwords.
?My hobbies are to collect old things which can be later put to use. I don?t like to throw away anything,? she says, before continuing, ?In my younger days I used to do lot of knitting, stitching and sewing. Our generation was thrifty having seen hard days. Housewives of our times took pride in our ability to clothe our children with homemade dresses and woollens. Later when my three children grew up, I started making dolls?
So how did bags come about? ?About four or five years ago, one day my daughter-in-law Sumita asked me to make a potli bag to match with her suit. Suddenly I realised I had a natural talent for making bags. That is how my bag-making started,? Chakrabarty says.
So she started making potli bags, much appreciated by friends and family and started gifting it to people she knew and loved on birthdays and special occasions.
Chakrabarty wouldn?t have started her venture, had it not been for the support she received from her family ? especially her grandchildren. In fact, her story is an example many families with skilled and talented seniors could follow, to showcase not just their talent but also preserve a legacy.
Making the bags with pre-loved fabric
?My business venture is totally due to my grandson Joy. On a visit from Germany last month he saw me working and he felt I should have an online presence. He created the website. Later my grand-daughter Priyanka and Joy spread the word through social media, namely, Twitter, FB and Instagram.? Rana, one of her grandsons living in Auckland, New Zealand, was her first customer.
We asked Joy Chakravorty what motivated him and his siblings to share their grandmother?s creativity with the world. We got a heartfelt response:
?My nani passed away this year and this had a huge impact on the entire family. My dadi is the last grandparent I have and I wanted to do something that would make sure that her legacy would not only remain with us but also be spread across the globe. She is more than someone?s mother or grandmother and her creations and her blog is a testament to that.?
The rest of the family chips in with inputs as well. ?My daughter-in-law Sumita helped me to create the bags, my son handles the business part and my family supports and encourages me in every way. So you can say it is a family venture,? says this creative grandmom, adding further, My daughters Minakshi and Manjira are my source of strength. They speak to me frequently.?
Chakrabarty was born in 1929 in in Dhubri, Assam. ?We were 14 brothers and sisters and my father Jatindra Mohun Roy was a lawyer. He used to dote on me. My childhood memories are pleasant. I had lots of friends and family members around.?
She was a meritorious student and by her own admission, ?never stood second in my life.? She married Krishna Lal Chakrabarty in 1949. He was an Officer Surveyor in Survey of India and clearly a gentleman ahead of his times, encouraging his wife to study and educate herself further. Chakrabarty completed her graduation and tells us that her name is in the roll of honour of her college (BholaNath College) for the year 1950. Chakrabarty has worked as a teacher too in the early 60s, when she taught in Sophia Convent, Mount Abu, after her husband?s transfer to the region. Inspired by the famous Bengali author Ashapurna Devi, she is an avid writer and has filled up many diaries and notebooks over the years.
A potli bag by Latika
With creativity running in her veins, it?s no wonder that she had zero doubts about venturing into business at the age of 89. In fact, the spirited senior seems to have been looking forward to it, with her family cheering her on. ?As I had already created more than 300 bags. I still had 100 in my stock after gifting away the rest.?
Given her age and the fact that she does this out of love, Chakrabarty isn?t looking for a huge surge of orders. She does have her share of clients and admirers though, who visit her frequently, and make an appearance on her Instagram page too.
?I have received some orders from abroad but they are mostly from my family and friends who have settled abroad or my grandson?s friends who live abroad. We had to cancel some orders from abroad because sending them by courier is very costly. It is a new business but sales is picking up steadily. Sometimes people come home and buy. However I am pursuing this venture mostly for my legacy to leave behind for the future generations.?
Chakrabarty devotes two to three hours in a day to her venture, depending upon her health. She has quite a collection of pre-loved fabric to choose from.
?Raw material is generally discarded clothes which I collect from time to time. The accessories are bought locally from a shop in my neighbourhood called ?Smaran,??
A lot of the raw material she uses has seen a previous life as beautiful saris, kurtas, and eclectic pieces of clothing, each with a unique story of its own. So in many ways, her family thinks, each of Chakrabarty ?s bags tell a story of a different time and place in India.
Latika Chakrabarty can take limited orders for making personalised bags. To see her work, visit https://www.latikasbags.com
All photographs courtesy: Latika Chakrabarty and her family
Compiled through family albums, home videos, journal entries, and interviews, the book Yarn: An Interwoven Memoir follows the life of Shyama, the author?s grandmother, who was pushed by the Partition, at the age of 10, from Pakistan to India. We bring you an excerpt.
In this chapter of ?Yarn: An Interwoven Memoir?, Shyama learns what it?s like to have one?s life uprooted overnight.
Fatima and her daughter Sulo visited Shyama with empty buckets. The constant supply of water from an outdoor faucet brought many families to Shyama?s home, and it was her responsibility to turn the water on and off, because Muslims could not touch their faucet. While the water poured into their buckets, Shyama sat on the jute-woven charpoy, singing songs with Sulo who, along with her mother, squatted on the ground.
Do kothiya do dvar, hichonnikaliya thanedar
thanedar ne bhinnibheli, hichonnikaliyabuddhatheli
buddhetheli ne paighani, hichonnikalirallitakhani
rallitakhani ne rinikheer, hichonnikaliyaikphakeer
Two houses, two doors, out comes the police officer
The policeman bakes a sugar cake, and out comes the oil man
The old oil man puts a mustard seed in the oil press, and out comes Rali the carpentress
Rali the carpentress cooks some pudding, out comes a hermit.
?Are you coming over for Eid?? Sulo?s large eyes appeared darker because of the kajal that lined the rims of her eyes. Wide cloth ribbon held the edge of her pigtails in place.
?What kind of question is that,? Fatima said, ?Shyama always comes over for Eid.?
?I?ll have to ask Mataji,? Shyama said. Her mother had recently begun reminding Shyama how she was almost a woman. Shyama wondered what that meant.
?Ammi, will you talk to Shyama?s bebe??
?Of course I will. Now get up.?
?Ammi, can we stay for one more song??
?Sulo, get up.?
?Why not??
?Don?t ask so many questions.?
?Just one more song,? Shyama said, ?please??
?Please?? Sulo?s eyes grew even wider with hope.
Fatima looked at her daughter. Shyama knew that look. Mataji used it often. Sulo got up silently.
?See you on Eid, Shyama.?
Once Fatima and Sulo left, dadi came outside with a handful of ash and rubbed the faucets clean.
?Why do you do this, bebe?? Pitaji chided dadi for her discrimination. ?The paltani who takes our old rotis smells,? he reasoned, ?but Fatima keeps herself so clean.? Dadi, silently resolute, continued her cleansing ritual.
Jallan?s people cultivated peace through the maintenance of social hierarchy. Each community knew its place, and this awareness led to unspoken rules of interaction. Intercaste marriage was naturally forbidden, but each group knew precisely the nature of its overlap with other groups. The Jats farmed, the Khatris managed, and the Mahajans lent money. Living in the outskirts of Jallan, the Merasis played the dhol, and the Chureys, isolated in a fringe of shanties, swept the streets. Dadi had something to say about each community, and in these sayings Shyama learned about identity.
?There is no salvation without a spiritual guru, there is no honour without a money lender.?
?A Jat should not be taken as dead until all the death ceremonies are complete.?
?Even if a Merasi child cries, he will cry according to the rules of music.?
?Take nine away from ten, you get one,? Aakash said, chuckling, ?take brains away from man, you get a Sikh son.?
As Khatris, Shyama?s family enjoyed relative privilege in this ladder of Hindus, a privilege that defined their interactions with Muslims. A privilege that was about to be challenged.
Shyama, before the Partition.
August 1947 rode unsuspectedly into Jallan, redefining unspoken rules overnight. The Hindus of the village suddenly became foreigners, for the country they inhabited was now called Pakistan. Many Hindu families left for India soon after the split, but Shyama?s family, her parents and taya and bua, stayed on, trusting the inter-generational bonds of co-existence. In this time of uncertainty, Shyama visited Fatima and Sulo?s home during Eid.
While Mataji never invited Muslims into their home, Fatima opened her hearth to Shyama and Gopal at every Eid celebration, where Shyama devoured the firini and kalejiyan placed in front of her. The Eid after August 1947 was no different, with one exception. The village seemed emptier.
?Will we have to leave too,? Shyama asked, ?Mataji says we have to move to where the other Hindus are.?
?Ammi, why does Shyama have to leave??
?She doesn?t have to leave. We?ll protect her.?
?Then why are they leaving??
?Stop asking so many questions.?
?You can?t leave,? Sulo said, her mouth stuffed with kalejiyan, ?I still don?t know what happens to Sita after Ram rescues her.?
?And I want to learn all the songs you know.? Shyama looked at Fatima. ?I don?t want to leave.?
?Eat, Shyama,? Fatima whispered, smiling, ?Eat more.?
It was only when Muslims from India arrived in Jallan that Pitaji realised their home was lost.
?The Hindus need to leave,? the recent arrivals told the local Muslims, ?we left our homes so we could move into their homes. If you don?t force them to evacuate, we?ll kill them.?
Pitaji didn?t talk much anymore. After he returned from Hafizabad in the evening, Shyama saw him combing the mane of his horse. Shyama spent this time with her father in silence, as he stroked the horse?s back and combed the horse?s mane. Pitaji washed the horse every morning now, feeding him channa soaked in water. Sometimes, Shyama helped him.
It was decided. They would leave Jallan in ten days. Each migrating family was allotted two iron trunks to take with them. Shyama packed Gopal?s green sweater, her knitting needles, and her wooden box of savings. Why did they have to leave? Why could Fatima and Sulo stay? Who made these new rules? What would happen if she didn?t follow them? Like Sulo, was she asking too many questions? Why did no one have the answers?
On their last day in Jallan, Shyama combed the horse?s black coat and fed him black channa soaked in water. She held his reins one last time. The day?s clackle of wheels and hooves had just begun when Pitaji handed the horse and the carriage to a Muslim neighbour, still believing ? in a tiny pocket of his shaken mind ? that his family would return.
On the morning of their departure, the rules suddenly changed to accommodate only one trunk per family. Mataji unlocked one of the bulky metal boxes, poured its contents onto the street, and burned half of all she had considered important. The alternative, their things being used by Muslims, was worse. As she stared at the flames, Shyama didn?t know which of her items burned.
In this way, when Shyama was ten years old, the Partition uprooted her stability, her childhood, her home. Driving away on a military truck from all she had known, Shyama passed Lahore and along the way, bodies of the discarded dead. Pitaji stared ahead, wheezing and coughing occasionally. Her head covered with a cotton dupatta, Mataji rocked Shyama?s youngest sister Gauri in her arms. Gauri wouldn?t stop crying. Shyama lost track of time.
?Muslims are raping our women,? taya said to no one in particular, ?they are murdering their own neighbours. It is inhuman, the crimes they are committing. So much death.? Dadi began to cry.
?Muslims and Hindus can never live in peace,? Mataji said.
?So much death,? dadi said.
Shyama?s madrassa teacher sat at the inner edge of the truck, whispering a Sikh prayer.
Tumhéchhaadkoeeavarnaadhiyaaoo(n). jo bar chon so tum tépaaoo(n). sevak sikhhamaraitaareeahé. chunchunsatrhamaarémaareeahé.
Aaphaathdaimujhaiubariyai. marankaalkatraasnivariyai. hoojosadaa hamaarépachhaa. sireeasdhujjookariyhorachhaa.
Leaving You, may I never worship another. All my needs, I get from You. You save my Sikhs & Devotees. One-by-One you demolish my foes.
With your Hand guard me. destroy my fear of death. Always side with me. With your Sword protect me.
From Shyama?s receding truck, the dead looked unreal. Had they been killed because they didn?t heed the threats of their new neighbours? Were they caught in a battle of vengeance? Did they die of no fault of their own? Were they Hindu or Muslim?
As one scene left, another arrived. It was like a movie, and she wanted to forget the sad parts. She would never see Sulo again. Who would teach her songs about oilmen and hermits? Would Sulo forget her? Perhaps her dadi and Mataji and taya were right. Perhaps Hindus and Muslims couldn?t be friends. Shyama didn?t entirely comprehend the angry exclamations of her uncle, nor did she have answers for the questions that fizzed in her head. And yet she was sure of one thing ? her life would never be the same again.
(Featured pic: Shyama, second from left, with her family.)
Yarn: An Interwoven Memoir is available on Amazon. You can also follow Pragya?s work on Facebook.
Have you thought of joining Silver Talkies Social yet? Silver Talkies Social is a fun club for 55+. Making it even more fun are our super awesome members. Come and meet them.
Meet Sutapa Dasgupta, member at Silver Talkies Social. At 61, this former content writer?s next goal is to do a Kailash Mansarovar trek. Sutapa loves trails and walks and tries to fit these into her travel schedule whenever she can and enjoyed our recent fitness session for Stronger Seniors ? Exercise and Fitness Tips for Seniors by Ritesh.
Sutapa and her husband trail walking at Bryce Canyon US
?I like easy to medium treks.
It gives me a good feeling when I complete them that I can also do it at this age.?
Sutapa enjoys reading and listening to music and is also a caregiver to her mother-in-law and occasionally her mother. Despite her busy schedule, she manages to take short breaks for herself, like attending the activities at Social.
Though she calls herself an introvert by nature, Sutapa does love the Silver Talkies Social activities and interactions because of their unique factor. What she loves the most is the introduction to new things, the Painting session with Brushworks for instance, though she regrets missing the Ballroom Dancing session with Valentine Ward and is looking forward to another one soon.
Having fun at the Paint party
?It?s always better to go and get active even as you grow older,? she says about being a part of interesting activities, ?Go with an open mind and do the best you can.?
Silver Talkies Social is a group of active, energetic, fun-loving 55+ like Sutapa. To know more about Social, click here. To join, send us an email on connect@silvertalkies.com
84-year-old Ummi Abdullah, culinary doyenne and author of several cookbooks, is widely known as the queen of Kerala’s unique and exotic Moplah cuisine.
In the 7th century and later, many Arabs who came to trade spices, textiles and precious stones in Kerala began to stay back and marry local women. Today, many of their descendants form the Moplah community, who are Malayalam speaking Muslims living in the Malabar region of Kerala. The food they cook is known as Moplah cuisine. The word ‘moplah’ is derived from the Tamil word “maappillai” or ‘new groom’.
Octogenarian Ummi Abdullah is the foremost world expert in this exotic cuisine. Author of six cookbooks and creator of several YouTube videos, she has travelled the world cooking and teaching to showcase the best of Moplah cuisine and train chefs in the intricacies of pathiri (rice flour breads) and mutta surka (a fried rice and egg snack).
Although 84 now, Abdullah is no mood to take a break from cooking. She goes into the kitchen as usual every morning, although since her legs hurt now she has assistants who work under her direction. However, Abdullah still feels that after so many years as a chef she is still trying to recreate the flavours of her Ummumma’s (grandmother’s) kitchen.
Abdullah did not learn cooking from her grandmother, who was secretive because she was superstitious that the food she cooked would get spoilt if someone was watching her. The door to the kitchen would be shut and no one was allowed in – not her daughter, nor the servants. But little Ummi got to watch her create some typical Moplah delicacies. Years later, after she was married for many years and almost 40 years old, encouraged by her foodie husband, Ummi began to experiment with the dishes she remembered her grandmother cooking.
Finally, she became such an expert that from catering at parties and running a pickling unit, she went to travelling internationally and training chefs around the world.
Now Abdullah’s granddaughter Nazneen Jalaluddin, an IT consultant in Bangalore, is taking her legacy forward with the book A Kitchen Full of Recipes, in which she has documented stories of Abdullah’s childhood along with the recipes. So there are stories of how in Abdullah’s village, for instance, since rice was collected from the granaries after being freshly husked and pounded every day, lunch was served only in the late afternoon. Boats laden with fish came to the shore by 2 pm and the fish was sold thereafter. And so a staple lunch of fish curry and rice also became a late meal.
Recipes of Malabar fish curry (fish cubes slow cooked in red chilli and coconut gravy enhanced with aniseed), varutharacha curry (chicken cooked in broiled coconut gravy), muringakka manga charu (spiced raw mango and drumstick curry) and vendakka mulakittathu (okra in spicy chilli tamarind gravy), Unnakkayi (a plantain sweet), Meen Pathiri, (steamed rice pancakes stuffed with fish) and Mutta Mala (a dessert made from egg yolk), reveal the rich heritage of Moplah cuisine with its Dutch, Portuguese and particularly strong Arab influences.
The layered Malabar parotta made of flour (maida) mimics the Middle Eastern filo pastry, and both Kahwa and the Sulaimani chai are Arabic in origin although they are an inherent part of a Moplah meal today.
Alissa, a porridge made with meat or chicken, wheat, ghee and sugar, is directly related to Harisa cooked in Yemen. Mandi is very similar to biryani and of course the date and pickle chutney is a cross mixture of Arab and Indian influences.
Age has certainly not slowed down Abdullah – if anything her passion for cooking and creating new recipes seem to be the secret to her health and enthusiasm at an age when most people have long since hung up their working boots to lead more sedate lives. We wish her the best for her future culinary adventures.
Aanchal Malhotra is documenting our subcontinent?s shared past with her book and digital museum of material memory. Here?s a special story on India?s 72nd Independence Day.
In 2013, Aanchal Malhotra, then doing her Masters in Fine Arts from Concordia University, Montreal, accompanied a journalist friend for a story he was doing on old houses to her maternal grandparents? home in North Delhi. And while the family talked about their past, out came some old items (a ghara or metallic vessel and a gaz or yardstick) that had been in the family?s possession as they moved from Lahore to Amritsar and then to Delhi, just before the partition of India and Pakistan in 1947.
?These two objects transported my grandfather?s brother to Lahore in a way I hadn?t imagined,? says Malhotra, describing the excavation of memories that unfolded in front of her that day. ?An object sometimes has no value, unless you put the value of experience to it. I?m speaking specifically of ordinary, mundane objects that are now old and not considered conventionally valuable and expensive.?
That realisation led to a multidisciplinary project that Malhotra says has taken up the better part of her 20s. She was 23 when it all started. She?s 28 now and still curating objects that invoke memories of a sometimes troubled, sometimes pleasant past. A past whose history is the shared history of the subcontinent and the price we paid for freedom.
Malhotra?s book with her grandmother?s maang tikka on the cover; Photo: Silver Talkies
The Project
Malhotra?s project includes her first book, Remnants of a Separation: A History of the Partition through Material Memory (HarperCollins India, 2017), which is the story of the belongings refugees from either side of the border carried with them during the partition of India in 1947. A paperback version would be out soon with more stories and interviews. The book has 19 chapters, narrated to Malhotra by people from both India and Pakistan, with emotions that are often brought to surface after years of hibernation.
?I told you not to revisit the times gone by, but now it is all before my eyes. Malakwal, Qadirabad, the cotton factory, the police station, Kingsway Camp. I know that it will never leave me, but there is no point in being consumed by the past,? Malhotra?s late grandfather Balraj Bahri tells her in one of the chapters.
Malhotra had heard him talk about the hardships the family faced as refugees many times in passing but it is only when he shared his story that she was able to grasp the heartbreak that still stayed within him.
The same heartbreak and a yearning for homes and a way of life left behind appears in several other chapters, the emotions unveiled through the objects that have moved with the family or has been retrieved by them and which they hold dear, knowingly or simply because these had been in their possession for years.
Her grandfather?s utensils that came from Malakwal
In Lahore, Pakistan, Mian Faiz Rabbani shows Malhotra an old stone plaque that belonged to Shams Manzil, the house he left behind in Jullundur during partition. It was brought back by his niece on a visit in 2008.
?It was as if a long-lost part of me had been returned,? the old man tells her. ?We had resigned ourselves to Partition. But on touching this stone after nearly six decades, whatever the Divide had managed to destroy within me came back to life?.Jullundur was already here with me, in this house, contained in this rectangular stone plaque.?
One thing that often stands out throughout Malhotra?s book is the lack of immense grudge or misgiving. ?There is little or much less hatred towards the ?other? than how we are shown the ?other? in the media these days,? she says. It?s something Malhotra feels is important to highlight in today?s times. ?This is the only way to go beyond fortified borders.? She feels by sharing stories like these, over time probably children in schools and colleges won?t get swayed along communal lines.
Certificates carried across the border
Malhotra is also the co-founder of the Museum of Material Memory, a ?digital repository of material culture and memory from the Indian subcontinent. While it?s a digital museum, she has smartly tapped into social media to publicise the stories and interest the younger generation though Instagram. Malhotra points out that this is not a museum only of Partition. ?It is a digital museum recording and archiving stories of objects of age not limited to the period of partition, but extending before and after it.?
Interestingly enough, her Instagram account @museumofmaterialmemory has followers who are far removed from the period she is documenting, a proof that history can be interesting and immersive, when told in a way that brings it alive and adds meaning to dates and events. It is also a way for individuals to share their own history. Malhotra feels these stories of how people lived and crossed over to either side are important, even after 72 years of Independence because ?Kids are not encouraged to ask questions beyond textbooks.?
Asking For Memories
Finding objects associated with bittersweet memories wasn?t an easy task for Malhotra. Initially she asked among family and friends, with her aunt even stopping people during her morning walks to ask if they had carried something with them. she was taken on board as a researcher by the Citizens Archive of Pakistan, which helped her find stories across the border. Malhotra was and is extremely careful how she documents the memories shared with her. ?I?m very careful of the memory and the context that you say it in. I?m respectful of the relevance and that?s why I?m in every chapter, listening.?
Jewellery was often carried along
The entire project has been a journey in self-learning for Malhotra. ?I had never studied History. How do you class the weight of historical experience?? Today, after years of interviews, she is a proficient listener and by her own admission, more comfortable in a room with a 90-year-old conversing in Hindi and Urdu than with her own millennial generation.
The interviews weren?t always easy to conduct, Malhotra tells us. The focus was ostensibly an object, though she never had any doubt that the conversation would shift to something else. ?How do you ask people to tell you the worst thing that has happened to them? The difficult part was I knew I was sometimes causing pain to the person but I continued asking questions.? It often took Malhotra several hours of sitting with people to get their stories. What she got in return was immensely rewarding. ?I was listening to stories I?d never heard before. I?d think how?s it possible I?ve never read about this in school. All these stories were not about violence but also of friendships between communities and how people lived.?
She feels one of the reasons people opened up to her was because she was young, almost a granddaughter?s age for most of the people she spoke to. It could also be one of the reasons why there are many young people behind some recent projects trying to archive South Asian history. The distance that the third generation has from these traumatic incidents helps. ?My granddad was always saying we must look forward. Looking back at the past was a luxury the first generation that had lived through these experiences could not afford. They were busy rebuilding their lives! Our generation has the distance and education and the ability to see it from the outside.?
There is also the realisation that this generation with the experiences won?t live for much longer. ?It?s important to collect these memories now or else these experiences will die in silence.?
You can find Aanchal Malhotra?s book and work here:
https://www.aanchalmalhotra.com/
Photographs courtesy: Aanchal Malhotra
This month the honour goes to Shabnam Ramaswamy.We met her when she showcased her organization?s fabulous collection of Kantha at A Hundred Hands. This super vibrant, spirited senior?s life could be an inspiration to many. She is the force behind the project Street Survivor?s India, based in Katna, a small village in West Bengal?s Murshidabad district. SSI focuses on education, justice for abandoned or ill treated women and runs an empowerment project throughkatna?s kantha, which makes use of the inherent kantha (a traditional Bengali form of threadwork) making skills of rural women and generates not just income for these women but also empowerment. Shabnam?s latest project is the Jagriti Computer Training Centre, where educated unemployed rural youth are trained in job oriented courses to create sustainable livelihoods and employment opportunities. More power to this firebrand!
Silver Talkies presented a voucher for audio books sponsored by Reado.com to Shabnam Ramaswamy.
Rameshchand Garg sent us this entry for our Father’s Day Contest. He remembers a father who asked him to spread his wings. This is one of our Top 5 entries. Enjoy…
I was born in a small village, Sikandrabad, in Uttar Pradaesh. It was in May 1956 that I passed my Intermediate Exam, from UP Board with good marks. We had lots of mango trees which would be given on contract for the season. My father use to look after it as a small business.
After my passing Intermediate, my father asked me what were my plans for future? I told him that I waned to stay in the village and help him in his business of selling mango- groves to contractors. My father told me, look this is a small and seasonal business and even if you join it you will not be adding much to the money which I earn. There was no degree college in my village. My father advised me that you are intelligent and you should go to Delhi and further your studies. Also you can take up a job at Delhi as there are degree colleges in Delhi which conduct classes in the evening, i.e., after office hours. Further he told that he himself was not much educated and he suffered in life due to lack of education.
I accepted my father’s advice and came to Delhi and stayed with my elder sister, who was staying in Delhi after her marriage. I got a government job after two months and pursued my studies. In 1960, when I passed my MA in Economics, my father came to Delhi and told, look I told you can do it and you have done.
Today I realize that even though my father was not much educated, he realized the value of education. I always thank God for blessing me with such a wonderful father. He is no more in this world but I always remember him for this wonderful advice.
Rameshchand Garg is a member of Nightingale’s Elder Enrichment Centre, Bangalore.
These golden oldies got on the phone to have a good laugh about their college days at the National Dairy Research Institute. A daughter tells their tale.
One February evening in Bangalore, two men who, between them, have been on this planet 195 years, got together to remember their salad days (or in their case, milk days). Another 90-year-old joined them to share his own memories for a few minutes on the phone from Pune. The three men were Sheshagiri, aka our Appa, who turned 95 in March, Dasanna the centenarian, and Tulupule, the youngest, at 90 something.
All of them are alumni of the National Dairy Research Institute, Audugodi. Bangalore. They joined the two-year Indian Dairy Diploma (IDD) course in 1947, and two years later, in 1949, emerged as newly qualified dairy technologists, the first batch to graduate in Independent India!
After completing their course, Dasanna and Sheshagiri joined the Karnataka State Cooperative Department as Dairy Officers. Tulupule joined the National Dairy Development Board and worked with the great Verghese Kurien for a while. Another friend, Subba Rao, served in the Animal Husbandry Department. It is not too long ago that Appa was still telling us of Mr. Tulupule’s little trips out of Pune to give consultation to needy dairy entrepreneurs! In 2000, NDRI celebrated its platinum jubilee. It also happened to be the golden anniversary of the class of 1949! The four friends, whose friendship began in times that were simpler and far less competitive, returned to their alma mater for a reunion.
Sheshagiri and Subba Rao wrote a nostalgic piece in the platinum jubilee souvenir. It is reproduced below.
Chewing the Cud!
(Reminiscences of Two Golden Oldies- Batch of 1949)
In November 1947, we entered with great pride the portals of IDRI (Indian Dairy Research Institute, as it was known then) for the first time. Two years later, exactly fifty years ago in 1949, it was with great pride that we came of the institute as technical members of the dairy fraternity, qualifying as we did in the first batch produced by free India.
The year of our graduation coincided with the silver jubilee of our alma mater, and now, in its platinum year, we are indeed fortunate to celebrate the golden jubilee of our class of 1949.
The heart-warming welcome we newcomers received from the senior residents of the hostel who hailed from different regions of India is still fresh in our minds. Our initial feeling of strangeness in our new surroundings vanished amidst this air of friendliness and solicitude.
Friendly food wars
In the beginning, food posed a major problem for the students, coming as we did from different areas and having varied food habits and preferences. Broadly speaking, North Indians wanted mainly wheat and for the South Indians rice was staple! There were already three messes working — one non-vegetarian, one vegetarian catering to the northerners, and a third one managed by the Bengali and Assamese students. We southerners added the fourth dimension to the existing mess situation! For some time we enjoyed our favourite rice dishes with sambhar and rasam.
Soon there was a direction from the Centre that this kind of regional bias was against the spirit of national integration and there should be only two sections — vegetarian and non-vegetarian. This was immediately implemented. Mess secretaries were chosen, committees to advise on the menu were formed, and a happy formula was evolved to the satisfaction of all.
Soon, we began our training. Batches were formed, and the codes of uniforms and behaviour were explained — khaki shorts, shirt and cap for cattle yard and agriculture, white shorts, shirt and cap for dairy technology. If anybody was not in the proper uniform, he would not be allowed to attend the class.
Working hard till the cows came home
Practicals started very early in the morning. Each batch used to work in the cattle yard, farm section, dairy technology section, or engineering section for one week, by rotation. In the afternoon, we worked in dairy bacteriology or dairy chemistry laboratories. And, as you might have guessed, our favorite language of communication was ‘dairy English’!
We teased the northerners, asking them, “Yeh kya cheese hai?” And the Maharashtrians’ penchant for “tasting” the milk instead of testing it caused much mirth in the lab!
Naturally, our dairy training started at the cattle yard. The best way to learn about the cows was to attend to them personally. We washed the cows, rubbed them with kafai and groomed them with curry comb. We attended to their feeding and finally, to the milking, which started, at three in the morning with our gurus — the gowalas — the permanent cattle yard attendants!
They showed us how to tie the legs of the cows with one swing of the rope and untie them with one pull of the rope end. The Institute possessed a large herd of high-yielding milch cows. They were docile, well-trained, very patient, and cooperated very well with their novice classmates!
The dairy technology section was the favourite of all. Butter making and cheese making practicals offered full scope for developing our individual skills and ability in dairy techniques. We took in our stride the various agricultural operations — ploughing, planting grassroots, cutting grass, and irrigating the plots. During the engineering practicals, we chiseled and filed iron and wood blocks. Indeed, a dairyman had to be a man of many parts!
Of travels and triumphs
The most interesting part of our curriculum was the study tours we went on. These tours, apart from being a source of education and entertainment, certainly helped in broadening our vision of dairying in India. In our first year, we toured Kangayam Cattle Farm at Palaykotta, Thirupur, Coimbatore, Ooty, Coonoor, and Madurai. During the second year, we toured North India, visiting Delhi, Lucknow, Izatnagar, Hissar and Karnal. The North Indian tour was always organised to coincide with the All India Cattle Show at Delhi, which offered an opportunity to make a comparative study of various breeds of cattle in India at one place.
The unforgettable event during our training was the celebration of the Silver Jubilee of IDRI in 1948. The main function was presided over by the then Maharaja of Mysore, Sri Jayachamarajendra Wodeyar. Dr. Kothawala, a prominent figure in Indian dairying and Dr. Khurody, the Milk Commissioner of Bombay, graced the occasion!
We enjoyed our dairy course and benefitted greatly from it. It not only shaped our careers but also gave direction and purpose to our lives.
By the end of two years, we learnt a great truth — how vast any subject can be if one aspires to be an expert! To the team of dedicated scientists and teachers like Dr Sen, the Director of the Institute, Dr Dastur, Dr Ray, Dr Iya, Dr Basu, Dr Ananthakrishnan, Mr. Rangaswamy and Mr. Lazarus, we owe them our Diplomas in Dairying.
The two years spent in the Indian Dairy Research Institute were the best period of our lives together. The memories of the happy days at the Institute still form the “cud” to ruminate over in our twilight years.
(Featured pic shows Dasanna, Vinayak Tulupule, Subba Rao and A. R. Sheshagiris at there Alma Mater in early 2000. This write up first appeared on sweetkharacoffee@wordpress.com.)
Like going down memory lane? You may enjoy reading: Hearing Tryst With Destiny Live On Radio & Other Memories
Do send us your own yesteryear memories as well at connect@silvertalkies.com.
At 77, Iti Misra has turned her lifelong love for food into a profitable hobby-cum-career. She tells us about enjoying her fourth innings.
“I have so many passions that one lifetime is not enough!” laughs the feisty Iti Misra, food consultant and home-chef over the phone from Kolkata. At 77, Misra is on to her “fourth innings,” cooking up a feast and making the most of it. Misra worked with British Airways for a long time, after which she opened an office to sell international cruises. She followed this up with an academic stint at the South Point School, Kolkata, teaching English and Public Speaking for four years before getting involved in what has been a long-time passion for her – food.
Food was always an important part of Misra’s life but over the past few years, has made a comeback as a “profitable hobby,” in her own words. In fact, her willingness to expand her culinary expertise across diverse areas and collaborating with younger teams is both admirable and inspirational.
The Bengali Bhoj created by Iti Misra for The Bombay Canteen
Foodie Trysts
Misra is an official host with Traveling Spoon, a service that helps people experience authentic local cuisine and food in people’s homes around the world. She has also recently collaborated with The Bombay Canteen, a trendy Mumbai restaurant, to create a Bengali feast pop-up. With both vegetarian and non-vegetarian dishes on offer, the pop-up is a smorgasbord of flavours you are unlikely to find outside a Bengali home.
Misra has held Bengali feast pop-ups earlier with Bengaluru Oota Company and at The Monkey Bar, including one at a five-star hotel in Patna. “When I first entered the huge kitchen of the five-star hotel, the cooks were initially skeptical about me.” She went on to gain their respect when they realised she knew her food. “Every expert respects the other. If these chefs had 25-30 years of experience, I have had 50 years of experience when it comes to cooking!”
Misra is completely enjoying her professional tryst with food.
“I love to cook and I love to feed people but it’s an expensive hobby! These events are a wonderful outlet for my creativity. I don’t have to worry about the commercial aspect and can indulge in my creative abilities,” she says.
Misra with Thomas Zacharias and Sous Chef Shannon Lawrence
For the Bombay Canteen pop up, Misra and the restaurant’s chef-partner Thomas Zacharias looked at authentic Bengali dishes that were not typically found in restaurant menus. “I also wanted food that was evocative and brought memories,” Misra says. Given a fine-dining restaurant set-up, it also had to be food that could be prepared on a large scale, looked good enough to plate and serve and would sell. “Thomas and his team were very enthusiastic and we tested about 50 dishes, eventually narrowing it down to about 27, with some specials on the menu.” Misra has also included a number of vegetarian dishes, as she wanted to correct the misconception that Bengalis eat only fish. Her collaborative effort has also seen lesser known delicacies like Horo Gauri, where the fish is cooked in a duo of different sauces on either side and Muitha Dalna, where fish dumplings are cooked in a traditional curry, apart from traditional favourites like Shukto and Daab Chingri.
Feeding & Feasting
Misra grew up around good food but never really entered the kitchen until after her marriage, when she moved to a small town in Andhra Pradesh. “My husband and I had to socialize a lot, so I started cooking as a sort of compulsion.” It ended up being a passion as Misra realised she not only enjoyed cooking but also had a knack for it.
In her home-chef avatar, Misra enjoys the feeding part to the core but she also enjoys meeting people from all over the world and the stories she finds during her food research. “As a Traveling Spoon host, I’ve met lawyers, musicians, even a French beekeeper,” she says, sharing one of her most interesting encounters – meeting a Japanese chef running an Indian restaurant in Tokyo, who visited her for a meal during a food research trip.
Her fourth innings into food has been an eye opener when it comes to Bengali cuisine.
“When I started doing this, I realised how proud I was of my heritage and started finding out about rare delicacies. I discovered the scientific thought behind each dish, why certain ingredients went together, the importance of texture…while I had never given it much thought earlier, I now discovered the reason behind the way much of our food is cooked.”
Misra is working on a book of food stories and recipes (Pic: Sanjay Ramchandran)
She also discovered interesting stories, many of which have found their way into a book Misra is working on. “It’s an anthology of stories of people I have known and the food I have learnt from them,” she says, adding that nothing in the food menu she creates comes from a recipe book. Most of the dishes that find their way into Misra’s feasts are sourced from her own home or those of her family and friends. “Some of the recipes are my mother’s, some my aunt’s; my sister married into a East Bengal family and the food in their house was cooked differently. Since I was always interested in food, I would ask how it had been cooked and I have recreated some of those.”
When she isn’t cooking, this septuagenarian is an avid traveller at heart. Her last trip was a holiday in Iran with friends. Misra was widowed many years ago and has been living on her own for 25 years now. She believes older people should live their life the way they wish to and not let their children dictate their lives. Her own children, like her late husband, have been extremely supportive of everything she does.
While Misra believes people shouldn’t let old age bring them down, she acknowledges having been lucky on the health front. “It has been a blessing, though I watch what I eat and walk a lot.”
This creative senior thinks everyone has a talent they can use. “It doesn’t have to be marketable all the time,” come her self-assured words. “Don’t think what people will say. They wouldn’t be here when you are lonely and bored. It’s you who is important.”
Featured image: Iti Misra at The Bombay Canteen Bengali Bhoj (Photograph courtesy: Swaraj Sriwastav/The Bombay Canteen)
Senior citizens are increasingly going to the parlour. Not a beauty one but a tattoo parlour. Here’s more on being a tattooed senior citizen and loving it.
Did you know that one of the world’s most tattooed senior citizens is a 69-year-old woman with 98.75% of her body covered in ink? Charlotte Gutenberg of Florida, USA, clearly loves tatttoos and has been brave enough to get herself inked all over. In fact, she was first recognised by Guinness World Records in 2015 as the world’s Most tattooed senior citizen (female) according to a report in The Independent and maintains the record in the 2017 and 2018 Guinness World Record Editions as well. Incidentally, her partner Chuck Helmke holds the record for Most tattooed senior citizen (male) and together the couple surely make quite an entrance!
The two widowers met, where else, but at a tattoo parlor, where Helmke held Gutenberg’s hand through the painful process of getting inked! What’s even more interesting is that Gutenberg got her first tattoo not at 20 but at the age of 57 as a birthday gift to herself.
Closer home, in India, we may not have someone with Gutenberg and Helmke’s full suit tattoos yet but recent reports show that it is not just the young and hip, older adults are getting inked too.
A report in The Times of India talks of seniors getting tattoos in increasing numbers. And while spiritual tattoos are the most in-demand ones among older adults in India, they aren’t sacrificing the style quotient just yet. Tattoo artist Dr Jitendra Bharadwaj says customised fonts and styles are what seniors want. And seniors are getting tattoos not just for all that’s holy but also to commemorate their love for someone special. While some go for tattoos with religious tones like ‘Om Namah Shivay’ others get inked with names of their loved ones, like a 60 year old businessman who got inked for the first time in Goa with his wife’s initials. A 69-year-old hotelier has even influenced others in his peer group to take the inky plunge.
According to Bhardwaj, tattoos are also a way for seniors to bridge the gap with millennials. Gutenberg agrees. She told The Independent, “One of the things we both (she and Helmke) have noted, is that many young people come up to us in public and strike up conversations with us. Ordinarily, they probably would not consider talking to people in our age bracket. We think our tattoos make us more approachable – they realize we are just like them despite our ages. The titles have given us the opportunity to promote a better understanding of tattooed people, especially older tattooed people, as well as affording us the ability to bridge age and gender gaps.”
So if you are thinking of getting inked on the next holiday or special occasion, keep in mind that the tattoo artist may use a special ink with less alcohol content for those who are diabetic or over 50 to speed up the healing. It is also important to maintain good tattoo care and hygiene and only get inked from a safe, well-maintained place for the best results. If you’ve always wanted an expression of creativity on your body, tattoos are a great bet. Get creative with your skin and get inked!
Featured image courtesy: Guinness World Records
A septuagenarian villager from the Northeast, who works as a humble chowkidar in a church, is living proof that it is never too late to learn. This 73-year-old Mizo man has gone back to school to finish his education at a ripe old age.
April 3, 2018, was truly the dawn of a new day in the life of 73-year-old Lalringthara of Mizoram as he packed a school bag full of text books and donned a new uniform to head to the only middle school in his village. This Grade 5 student, the oldest of all teaching and non-teaching staff in his school, is fulfilling a childhood dream to finish his schooling that was interrupted due to lack of family support at an early age. Today, he sits in a classroom with children who are at least 60 years younger than him.
Born in 1945 in Khuangleng village, Lalringthara’s father died when he was just two years old. His mother remarried and entrusted his upkeep to a distant relative who discontinued the boy’s schooling after Grade 2 and made him work in a rice field instead. After moving from one place to another, Lalringthara finally settled in New Hruaikawn village in 1995.
This septuagenarian’s schooling is being sponsored by the government’s Sarva Shiksha Abhiyan and he is attending classes at the Upper Middle School in New Hruaikawn village in Champhai district located on the Mizoram-Myanmar border. Lalringthara also works as a chowkidar in the local Presbyterian church in the same village to earn his living.
Lalringthara has no problem reading and writing in the local Mizo language. He has read the Old Testament 14 times and the New Testament 16 times. His main motive in going to school is to learn English so that he can write an application in English and also read the newspaper and watch news on the English channels on television.
(Featured image source: Eclectic NorthEast)
Bridget White Kumar is known for her cookbooks on Anglo-Indian cuisine and extensive research on Anglo-Indian food. She shares her Easter favourites with Silver Talkies readers in her own words.
The word ?Easter? is supposedly named after ?Eastre?, the Anglo-Saxon goddess of spring. A festival was held in her honor every year at the vernal equinox as a ?salute to spring? marking re-birth. There are many symbols associated with Easter Sunday such as eggs, rabbits, chickens, lilies, etc. It is believed that Easter Eggs represent the beginning of life while rabbits and chickens represent the rebirth of the earth. The ?Easter Bunny? or the ?Easter Hare?, became symbols of fertility because hares and rabbits give birth to frequent multiple young ones.
A hot cross bun is a spiced sweet bun made with currants or raisins and marked with a cross on the top, traditionally eaten on Good Friday. The Cross represents the crucifixion of Jesus Christ. Many will remember the old Nursery Rhyme ?Hot Cross Buns, Hot Cross Buns, One a penny, Two a Penny, Hot Cross Buns.?
The Easter Cake represents all the good stuff that were sacrificed during the 40 days of Lent. Easter Sunday is the time to rejoice and be happy at the resurrection of Christ and what better way to rejoice than to indulge in a rich cake with sweet butter icing!
Here are some easy recipes for delicious Easter Treats from my Recipe Book A Collection of Simple Anglo-Indian Recipes. The recipes are very simple to follow and readers would love making them no matter what the occasion.
Bridget White Kumar in her kitchen
EASTER BUTTER SPONGE CAKE WITH BUTTER ICING
Serves 6
Time required: 1 hour
Ingredients
300 grams refined flour or Maida
200 grams powdered sugar
250 grams butter
4 eggs beaten well
½ cup milk
1 teaspoon baking powder
1 teaspoon vanilla essence
Preheat the oven to 200 Degrees C.
Sift the flour and baking powder together. Cream the butter and sugar together. Add the beaten eggs and vanilla essence and mix well. Fold in the flour a little at a time. Add milk if the mixture is too thick. Pour into a greased and floured cake tin and bake in a moderate oven (180 Degrees C) for 40 to 45 minutes (Or until a wooden toothpick comes out clean) . Cool and then remove from the tin.
FOR THE BUTTER ICING
Beat 200 grams butter and 500 grams icing sugar together until creamy. Add 2 teaspoons vanilla essence and 2 drops pink or green food colour. Using a spatula, cover the cake with the butter icing. Then with a wet fork make soft peaks across the surface of the icing. Decorate as desired
HOME MADE CHOCOLATE EASTER EGGS
Makes 10 small eggs
Ingredients
500 grams icing sugar
50 grams cocoa powder or drinking chocolate
100 grams butter
1 teaspoon vanilla essence
¼ teaspoon salt
2 bars cooking chocolate melted
½ cup warm water
Blend the icing sugar. Cocoa powder / drinking chocolate, butter, vanilla essence, salt, melted chocolate and warm water together. Mix well to a smooth dough. Form into 10 small balls and mould into egg shapes. Decorate as desired.
HOME MADE MARZIPAN EASTER EGGS
Makes 10 small eggs
Ingredients
250 grams almonds
250 grams sugar
300 grams icing sugar
2 egg whites
A little rose water for grinding
¼ teaspoon almond essence
Grind the almonds with the egg whites and rose water to a smooth paste. Transfer the paste into a heavy bottomed pan and add the sugar. Cook on low heat stirring all the time till the mixture forms a ball. Remove from heat and add the icing sugar and a few drops of colour of your choice. Knead till it forms a dry ball. Divide the mixture into 10 even sized balls and mould into egg shapes. Decorate with royal icing.
Silver Talkies featured Bridget White Kumar and her immense work with Anglo-Indian food earlier. Read it here.
Author John B Monteiro, 79, set up the Johnlyn Toy Exchange & Book Bank in memory of his late wife and to provide the joy of books and toys to needy children.
The story behind former journalist and Mangalore resident John B Monteiro’s Johnlyn Toy Exchange & Book Bank is as heart-warming as they come. When his daughter, Primrose Monteiro-D’souza was growing up in Mumbai, John and his wife Lynette, did not have the means to buy the expensive toys that his child saw on the showroom windows of high-end shops on Colaba Causeway, where the family lived.
On a business trip to Gulf, John, a loving father, wanted to get the shiny toys displayed in the fancy stores for his daughter and finally managed to save enough to get an 18” battery operated walkie-talkie doll named Catherine. To his dismay, the Customs department demanded Rs.500 as duty for the doll once he landed in Mumbai. “I had only enough money left for taxi fare to Colaba, which in those days was about Rs 30. When I explained my mental turmoil, the customs man melted,” John, now 79, recalls. “He advanced me Rs 500 to pay the duty and said I could return the money later. I still remember his name, Radhakrishna. By sunset the same day, I had borrowed the money and travelling by train and bus, repaid him.”
It’s a story that touches not just for the simplicity of the times gone by but also for the way it stayed on in John’s mind all these years. Needless to add that his daughter was delighted with the present and like all children do, showered attention on it until it became old enough for her to grow bored of it. “The doll was mothballed as I did not have the heart to throw it or give it away,” says John.
The happy children with their toys
An Inspiring Idea
Over the years, John visited friends and family and often spotted toys that were mothballed and kept as the children had outgrown them. He remembered his own daughter’s desire for toys in the days when he could barely afford them and was inspired to do something for children who were not lucky enough to enjoy a childhood playing with toys.
This was the idea behind John’s recently launched initiative, Johnlyn Toy Exchange & Book Bank in Mangalore. It is also a tribute to his late wife Lynette, who had been an ardent reader and crossword-solver and loved books.
The Johnlyn Toy Exchange and Book Bank is located near Bondel Junction, Vijaya Bank Lane, Mangalore. The toys and books collected are meant to be distributed at remand homes, orphanages and Bal Bhavans for underprivileged children, says John, who is supported in the endeavour by his two children, Primrose and Mohan Monteiro.
John is in the process of setting up collection centres (apart from Johnlyn Cottage) in Mangalore, where donations of books and toys can be dropped off. He is also working to ensure that the donations reach the underprivileged children and the distribution is done equally and methodically. “I have a list from the district administration of the institutions that host and care for children in Mangalore’s urban area and Mangalore rural.” Though he would love to provide the help to rural children as well, John is honest about his resources and limitations at the moment. He calls it a “lone wolf plunge” though since the launch, he has been flooded with donations and requests from interested volunteers.
John B Monteiro’s plans include donating the books to children from various organizations during holidays and even doing an hour-long program with them, inviting them to sing and act. A Laughter Therapy enthusiast for the last 35 years, John also intends to introduce a laughter session for the children he would be sharing the donations with. Their first outreach has been with 34 children from Bal Bhavan in Bondel, Mangalore.
The Johnlyn Toy Exchange and Book Bank accepts donations of used and presentable toys and books.
“The toys would be collected and we would aggregate them to make cocktails of presents and label them with distinct numbers. The prospective beneficiary would pick a number and the corresponding would be handed over. In addition to collection centres being negotiated at sites such as church and school offices, donors can deliver the toys to Johnlyn Cottage between 9 am-12 pm and 3 pm-6 pm on all Sundays and public holidays,” says John. Toys could include the following: Board games, art and craft sets, puzzles with all pieces intact, soft toys, rattles, musical toys, bath toys, push and pull toys, among others.
The books that can be donated could be children’s books that have been used but are no longer needed.
If you have extra toys and books at home that your grandchildren or children no longer use and wish to put a smile on a needy child’s face, do help this noted author and journalist in his endeavour as he shows all of us how the retired years could be put to good use!
To contact John Monteiro, please call 9886276608 for details.
You can also see their Facebook page here: Johnlyn Toy Exchange & Book Bank
Featured image: John B Monteiro with the collection
All images courtesy: John B Monteiro, Primrose Monteiro-Dsouza
When life entered her art, Dr Anita Ratnam stayed true to it and created a new dance style called Neo-Bharatam. She shares her journey with Silver Talkies as part of our Pathbreakers series.
Beautiful and striking are two words that come to mind when you think of Dr Anita Ratnam, 62, acclaimed performer and pathbreaker. But what makes Dr Ratnam most endearing is her approachability and candour. Not one to put herself behind a wall, she has lived life on her own terms, much of which also reflects in the art she performs. A Sangeet Natak Akademi Award recipient for contemporary dance in 2017, Ratnam is known for Neo-Bharatam, a dance vocabulary she conceptualized gradually after moving back to Chennai from US.
Anita performing Ma3ka
What brought in the break from tradition?
“Life entered my art and made me question,” says Ratnam simply. A single mom for the past 30 years, Ratnam walked out of her marriage with a three- week old son and two-and-half year old daughter. She had been working in television during her time in New York, where she lived then, having done a Masters in Theatre and Television from the University of New Orleans earlier. Though her family “had her back” during the divorce that followed, Ratnam’s way of looking at art and her own way of performing changed forever.
“When you take hard decisions like that your work has to step up too. Somehow, I could no longer play the coy Radha making garlands for Krishna,” says Ratnam, never one to mince her words.
Finding Her Voice
Given her classically steeped training, finding her own voice took Ratnam time. She explored various forms of movement arts and joined a physical theatre group in Chennai. She also explored modern dance and storytelling before finding the solution within herself. “I had a lifetime of Yoga in me, I had done classical dances like Bharatnatyam, Mohiniyattam, Kathakali for years, I loved social dances like Twist and Jive…I looked at the movement vocabulary I already had within me and tried to create a new language,” she shares the story of her journey. “We come from a country of great stories and I wanted to tap into my own narrative, the stories of the women in my family and bring them into the larger arc of the stories of Goddesses.” The result was Neo-Bharatam – a contemporary Indian movement vocabulary for the mature, evolving body, a form that celebrates dance-theatre and storytelling.
Ratnam’s dance theatre with acclaimed pieces like A Million Sitas, Seven Graces, Ma3ka (pronounced Ma-tri-ka) and Neelam is an amalgamation of mythology, hymns, drums, devised movements, costumes and lights – with everybody an equal collaborator. Women remain a strong theme in her work, a reflection of her own feminist identity and of the strong women who brought her up. Her mother played tennis at the State level, judged dog shows officially, studied German and in Ratnam’s own words, was a fashionista, who would dress up in beautiful organza saris. And though her father’s side of the family was more conservative, her parents gave Ratnam and her two siblings, a balanced and liberal world view, though her mother’s support and modern outlook remains central to Ratnam’s upbringing. “Going on stage to dance was not seen very favourably in the Chennai of 60s and 70s but my mother persisted. I was a natural on stage,” she recalls as one of those instances of support. Ratnam trained under Guru Raji Narayan followed by Adyar K Lakshman in the Kalakshetra tradition. “The women in my life have had a greater impact than the men in the shaping of my character and outlook to life,” she declares.
Ahead of the curve
Once she had started experimenting with her own style, the acceptance didn’t come easy. Ratnam honestly says she floundered for 3-4 years, “trying to find what will suit my body.” She calls her journey back into the world of dance a step by step climb. “The minute you step out of something that is familiar and prescribed, it’s like a train going off the track. Eyebrows are raised as to why someone who is successful and has trained for years in the traditional style, would want to do something different.”
But Ratnam has never been one to heed raised eyebrows.
“My work is different and is always pushing people’s comfort zones. I collaborate with a wide circle of creative people who have never worked with a dancer before. In that endeavour, many new talents have been unearthed. Sometimes dance critics have found my work too decorative but for me it is a 360-degree experience. The colours and lights are all co-performers with me.”
This is why moments like receiving the Sangeet Natak Akademi award stand out for her. “You don’t work for the award. You hope what you create will find some resonance. With this, I feel my work has made an impact,” she says.
Anita in her Dance rehearsal space.
Photography: Birana Blasko
Always ahead of the curve, Ratnam set up Narthaki.com, the largest website on Indian dance in 2000. She also established the Arangham Trust, which acts as an umbrella body for all her performances and initiatives. Many of those initiatives have been for social causes. She has worked on issues of mental health and with rescued and rehabilitated women from the organization Sanved in Kolkata, as well as with old age homes. ‘It’s not a big and constant part of my portfolio,” Ratnam admits, “But I want to know how I can knowledgeably use this space.”
Ratnam has also set up dance festivals over the years. The Other Festival, the first annual contemporary dance festival in India is one of them. Among all her work, Ratnam’s own favourite remains her work Ma3ka and A Million Sitas, highlighting the silent women of the Ramayana as well as Seven Graces, on the Tibetan Goddess Tara.” It takes Ratnam one whole year to “think up work.” She believes that revisiting and retelling of mythology is as important as it is interesting. Ratnam also believes in the power of collaboration. From the costume to the lights and the music, everything is star of the show in her performances.
Anita working with rescued women at Sanved, Kolkata
Ageing gracefully
Ratnam’s dance vocabulary is about the changing maturing body. Naturally beautiful in her 60s, she believes fitness is a lifelong commitment any professional artist should have. Ratnam does cardio training with a personal trainer, has a lifetime of Yoga practice in her and does Pilates twice a week. She also does Intermittent Fasting, where she doesn’t eat anything for 16 hours. During performances, she has warm water with Himalayan salt, green tea or coconut water. At the same time, Ratnam, who travels a lot, is adventurous with her food. “I love a glass of red wine, port or sherry, with the right food and the right company.”
A complete individualist, this single mum has the admiration of her two talented children, who understand her “absolute stubborn fierceness” and the fact that “striving for excellence is an everyday effort.” Ratnam has a wide circle of friends from everywhere, including the LGBQT community and says as a result her children have grown up to be “non-judgmental.” It’s an asset in today’s world, she asserts.
Age surely can’t wither this fiery, passionate and creative soul. Ratnam believes as you grow older, you need to listen to your body. “The body is gently slowing down and one has to acknowledge that. You have to accept what you see in the mirror and ask yourself, how can we go out and be the best that day?”
You can’t have a better argument to live your life the best way you can than that!
Storyteller Geeta Ramanujam has been synonymous with the revival of storytelling and its application in education and other areas. She shares her journey with Silver Talkies.
It’s hard to believe that storyteller Geeta Ramanujam, 61, was once shy of public spaces and scared to be the first one to raise her hand and answer a question. Watching her now — enacting a little kitten and playful puppy, her voice rising high and low, eyes expressive, fingers dancing to the rhythm of her story — is an enthralling experience. Ramanujam, who founded the Kathalaya Trust to revive the traditional art of storytelling, has been a pioneer in using stories as a learning tool and has introduced the concept across several schools and even among corporate organizations in India.
Setting Up The House of Stories
“I was the first one to bring a modern application to the ancient knowledge system of storytelling,” says Ramanujam, acknowledging the belief she had in the importance of storytelling in education. The Kathalaya Trust, started by her in 1998, runs the Kathalaya Academy of Storytelling, the only internationally recognised academy for storytelling worldwide. She set it up after discovering that her true calling lay in using stories to make a difference in the way children learnt. “As a history and social science teacher, I used storytelling as a methodology to transact learning and make it interesting for the students. While the children enjoyed them, some teachers and people had an adverse reaction and felt it was deviating from the normal system of rote learning,”
Ramanujam says she was “extricated” from her role as a teacher and put in charge of the school library. She turned, what many would view as an adversity, into an opportunity that changed the course of her life. “I saw that the children were returning books unread and would use storytelling to engage children and draw them towards books specially the classic tales or books that they would not naturally take to.”
“One of the parents thought it was a brilliant idea to have a workshop on storytelling and invited me to organise one in their summer camp that April. That was 1996 and my first storytelling workshop in Bangalore. It went off extremely well and unknown to me in the audience there was a person who even wrote about it in the newspaper, describing the storytelling session and giving my number.” There was no looking back after this. “The phone calls never ceased and I was invited to do a workshop in a school to train teachers.”
Ramanujam has trained over 85,000 people since then!
Kathalaya’s 3-day Beginner’s Course in Storytelling is an extremely in-demand and coveted course for many, both for professional and personal reasons. “I often hear at the end of the three-day workshop how it was great academically but they got more out of it because it completely changed someone’s way of thinking. It is easy to acquire a skill but it is also possible for us to know oneself through something like this. It addresses intelligence and also the emotional quotient,” Ramanujam adds.
Evolving With Stories
Ramanujam grew up listening to stories from both her parents. Her mother narrated them in Tamil and her father told her stories in English. In those days, without any access to televisions, computers or cell phones, with the radio being the only source of entertainment, she had time to listen to discourses, watch films and read books, all of which helped in her journey as a storyteller. “My keen observation led me to emote characters and voices after listening to discourses or watching films. These latent talents helped me later in my journey as a storyteller.”
Storytelling has helped Ramanujam, unassuming yet impactful in her trademark bindi and beautiful sarees, in multiple areas. “I was scared of the dark. Now I travel the world alone. And all these phobias I had of loneliness, of wanting to prove myself…all these fell apart when I began storytelling,” she says with disarming honesty. “Storytelling came as a breath of fresh air and stories resolved and dissolved all those hidden figures within.” It’s a journey many people she trains in her workshops experience themselves, as they share their personal stories, describe their inner journey and emotions that have often been hidden deep within.
Storytelling is all about acceptance, Ramanujam believes.
“Through storytelling and through my journey, I discovered how to deal with relationships and people and how to deal with adversities and pain too. I believe that when you gift someone a story it transforms their lives and the stories remain etched in their hearts thus healing them.”
A Long Journey
Ramanujam’s own journey has been one of learning and acceptance at both ends. Her family did not quite understand her passion for storytelling and her drive to start an institute for teaching it in the beginning but gave her the time and space to do her work undisturbed. “There were days when I slept at 2 am and woke up at 6 am,” she reminisces, adding that despite the success of Kathalaya, that drive hasn’t wavered. “I just rest when I need to.”
The road to Kathalaya hasn’t been without its struggles.
“I had to cross many hurdles along the way. I almost reached the brink of closing down the institution many times when kind hearted volunteers, children, or good souls showed me new paths or shared innovative ideas to sustain the organisation,” she says. Serendipity and belief in her hard work paid off gradually. “In 2003, I visited the USA for a personal reason and got invited to attend a Storytelling festival. Eventually, I also performed there and became the festival’s guest of honour. In addition to this I met the Mayor of Tennessee who also happened to be the organizer of the festival. He offered to help me with the required affiliations to start the International Academy of Storytelling in India. I also won accolades like the Ashoka Foundation fellowship, the Best storyteller award and more recently the Bengaluru Hero Award in 2018, which has helped me to continue with storytelling.”
Ramanujam’s perseverance and reputation as an internationally renowned storyteller has helped her establish Kathalaya into a truly global institute and increase the courses on offer. “I wanted to add a Diploma in Storytelling and got the much needed support and affiliations from the University of Edinburgh and the Ministry of Culture Sweden.” Kathalaya would be completing the 100th batch of its academy course soon and is gearing up to celebrate 20 years of a rich storytelling legacy. A publication of 20 different stories is in the pipeline.
All the awards and accolades received over the years has only motivated Ramanujam further. Her calendar is full 365 days a year with travel, training and performances around the world and despite the full utilization of storytelling in learning yet to take shape, she continues her journey with the same dedication and energy she started it with. She is also sure that she doesn’t want to become an workaholic. “I always find time to do things close to my heart. I still find happiness in little things like cooking, cleaning, reading and spending time with family members, attending family functions, chatting with siblings and mom and still finding time for my meditative jaunts,” says Ramanujam, who has one daughter who lives overseas.
Like any good raconteur, Ramanujam does have plans for a book in the future. “I will soon be compiling all my travel and stories for upcoming storytellers and future generations.” And there are several more stories stored up in the various corners of her consciousness, waiting to be used “A good storyteller should be ready to accept and adapt to new environments, culture, regions and merge with the local scenario. Make your story the star,” says Ramanujam, as an advice to all storytellers. “It should be like a perfume that lingers.”
To know more about Geeta and the courses offered by Kathalaya, please visit http://www.kathalaya.org
Veteran cartoonist VG Narendra started the Indian Institute of Cartoonists in Bangalore to share his passion with others. He tells Silver Talkies about a life spent inking political satire.
VG Narendra, 70, is the brain behind India’s first and only cartoon gallery, the Indian Institute of Cartoonists, Bangalore. He credits his success in the field of political cartooning to his sheer passion for the art, a little help from his brother and being influenced by the cartoons of the great Shankar since his school days.
Scribbling A Start
Narendra would scribble since childhood and watch & observe cartoons drawn by others. He would go to the public library whenever he got a chance to see Shankar’s Weekly, a cartooning magazine by Kesava Shankara Pillai, better known as Shankar, considered the father of political cartooning in India. Narendra’s interest in cartoons started when he was about 12 years old. He started imitating cartoons drawn by Shankar and sent it to weekly magazines and was thrilled when they got published in the local newspaper. Self-taught, he always had a flair for drawing and developed that into cartooning. His brother, a good painter, helped him out with the necessary accessories and the encouragement to pursue his passion. Despite being a Science major, cartooning was Narendra’s strength and passion. He started drawing pocket and political cartoons for newspapers during his college days and this got him noticed by a lot of senior cartoonists, historians, journalists and novelists who appreciated his talent.
V.G. Narendra
His Biggest Influence
Armed with a science degree from Karnataka University, Narendra headed to Mumbai to carve out a career. A chance visit to the office of the Free Press Journal resulted in an invitation to contribute political cartoons to the paper. His work caught the eye of Shankar, who asked for a meeting in Delhi. Narendra went over and worked with Shankar on an experimental basis for a week. An impressed Shankar invited him to join Shankar’s Weekly, a turning point in Narendra’s life. Two years later in 1975, when then Prime Minister Indira Gandhi declared a state of emergency across the country, freedom of expression through editorials and cartoons were banned. Shankar’s Weekly was then forced to close and Narendra moved to Bangalore and joined Samyukta Karnataka daily as a staff cartoonist, followed by a stint in another daily. Apart from all Indian newspapers and periodicals, Narendra’s cartoons have been published in several foreign magazines as well.
Leading cartoonist R K Laxman at the Gallery, IIC
Narendra goes on to speak about another iconic cartoonist he met while working in Mumbai – RK Laxman. Laxman, like others, appreciated his political cartoons and encouraged his work. Narendra invited him to a conference of cartoonists while he was the president of the Karnataka Cartoonists Association. Explaining the great popularity of Laxman’s cartoon characters, Narendra says, “His cartoons were filled with lot of wit and humor and were easily understood by the Indian readers. The Times of India’s popularity helped R.K.Laxman to gain popularity and vice versa.”
Creating Cartooning Associations
Narendra was instrumental in forming the Karnataka Cartoonists’ Association in 1977 and became its President in 1978. He organized a conference of cartoonists, in which many leading cartoonists like R.K. Lakshman, Abu Abraham and Mario Miranda participated. His enthusiasm saw the organization holding several cartoon exhibitions throughout Karnataka.
He is the brain behind the Indian Institute of Cartoonists, the first National-level organization of cartoonists in India. The institute, based in Bangalore, is the first of its kind in India, established with the aim of promoting the art of cartooning in the country. In 10 years, the gallery has hosted 150 cartoon exhibitions and has been visited by cartoonists from across India and several global artists. The institute regularly associates with foreign cartoon organizations in Turkey, Norway, and U.S.A.
His Next Big Vision, House of Cartoons
Narendra is now working towards developing an integrated campus for cartoons and cartoonists of India. This state of the art campus will not only act as a gallery to host all cartoon exhibitions but also host a well-equipped library and archival centre along with a training and development centre for budding amateur and professional cartoonists. The intention is to dedicate this centre to the future generation of India.
Moving on with the times, Narendra says though cartoons drawn by hand are still the best and will never go out of style, to develop the art their cartooning workshop also touches upon aspect of animation, using software to colour cartoons. “I constantly keep the art of cartooning alive to the youth through various forms of social media,” he says. Also to help youth learn through veteran cartoonists, he has helped digitize most of the old treasured books of cartoons and makes sure they are available to cartooning enthusiasts.
Narendra’s cartoon in Shankar’s weekly
Age No Bar To Pick Up The Art of Cartooning
Narendra says anyone who can hold a pencil and draw a line can learn the beautiful art of cartooning and feels that “cartooning is a form of art therapy especially therapeutic for senior citizens”. It enhances one’s hand-eye coordination, motor skills, and creativity. The specially designed foundation cartoon workshop at Narendra’s institute is a great outlet to reduce stress levels as well as a method of relaxation.
His oldest student has been Prof. C V Vishveshwara, the founder-director of Jawaharlal Nehru Planetarium, Bangalore. Vishveshwara attended the 2-day cartooning workshop at the age of 70. He says there has been a steady flow of surgeons, doctors and army officers who come and enroll for the cartooning workshop to relax and explore their creative side.
Narendra says that his work routine at the gallery, meeting people from all walks of life and interacting with youngsters makes him grow every day. Constantly learning and being increasingly insightful is his mantra. An early riser, he wakes up by 5 am, does his yoga and exercise to make sure he is fit and able to take on the day ahead. In fact, there is no stopping this veteran cartoonist and Narendra will be releasing his first book titled ‘My Times, My Views’ (see our cover picture on top) in February 2018. The book will feature a collection of the cartoons that were published in Shankar’s Weekly by him.
Silver Talkies is joining hands with Indian Institute of Cartoonists and will be soon rolling out a 2-day cartooning workshop. It is going to be super fun and will provide a collaborative and empowering space for the creation & sharing of an expanded comic art form. To know more, mail us on connect@silvertalkies.com.
You can check out Narendra’s work at http://cartoonistsindia.com/htm/home.htm
Senior entrepreneur and fabric paint artist Jayasree Chakraborty believes in keeping her art alive by refining her work every day. She tells us how running a business in her older years keeps her mentally energetic.
It’s close to 1 am and senior entrepreneur Jayasree Chakraborty has no intentions of going to bed. The paisley design she is repeating on the two-and-a-half meter piece of chanderi cotton is an intricate design. At least, it’s intricate to the novice eye. But Chakraborty’s hands are rock steady as she guides the fine paintbrush over a swirl before sliding it smoothly down a curve and completing the mango-shaped design.
Chakraborty is the creator and entrepreneur behind The Sari Show, home business of fabric-painted dupattas, sarees, and soft furnishings. She started it formally around 1991, after years of painting on every available fabric surface at home — her own sarees, her daughter’s skirts, cushion covers, bed sheets…
The painting came to her as a natural talent but it had never occurred to her to harness it and turn it into a business. “Setting up a business was associated with a lot of work in my head. What it actually takes is effort, a bit of investment, and a little initiative,” she now says, reflecting back.
Gradually, as her children grew up and got all set to move away from home, Chakraborty, who always put family first, had more time on her hand and a desire to do something with it. She used to work in a bank when she married and enjoyed the job, earning her own money, sharing some of it with her sisters, buying her own sarees, and even contributing to her home funds. Her husband’s transferable job and the arrival of children meant an end to all that, though some part of her had always regretted it.
Perhaps it was the need to do something that spurred her on and led her to start her own business with small exhibitions. Chakraborty lived in Goa then and together with some friends, other homemakers who were equally creative and enterprising, she started participating in exhibitions with her hand-painted fabric creations.
People loved her work.
Hand-painted dupattas and sarees were not that common way back in the 90s and foreign tourists often picked up dupattas as sarongs or as unusual gifts to take back home. It wasn’t the most lucrative of businesses but enough to keep her on a roll.
“I loved what I was doing,” says Chakraborty, “Painting was and is my stress-buster. I love matching the color of the fabric with that of the design and usually can spend hours debating the merits of metallic green over burnt sienna or Fluorescent orange over Yellow Ochre.” She discovered she was the happiest when she painted and found a passion that would have no retirement.
Now 68, Chakraborty’s small home-based set-up ‘The Sari Show’ has its own FB page and has a small but loyal fan following among her regular clients. She has kept it small deliberately as she wants to work at a relaxed pace and create designs that are different and exclusive. Working on a dupatta usually takes her a week, while hand painting a saree may take up to a month. She also ensures that only the best quality of the fabric, suitable for the paint has been used and usually sources these from Kolkata’s Burrabazar area or Delhi’s Sadar Bazar. She does the sourcing herself and won’t let age slow her down. The only thing she will take slow is the way she paints.
“I don’t like working in a hurry as it takes away the joy of it,” she says. Intricate, traditional Indian designs with a Bengali touch are her specialty and she makes those come alive in Kolkata cotton sarees and Chanderi cotton dupattas.
The dupattas come in wider, bigger sizes as well as in smaller, stolen sizes. Chakraborty retails mostly from home, word of her work spreading through her FB page and personal recommendations. “When someone wants to buy, they can send me a message on Whatsapp. If I have the dupatta or sari available, they can buy it immediately or else I can create something similar for them,” she says, adding with a caution that this being handcrafted art, no two designs can be exactly similar. “It’s humanely impossible and also not interesting enough.”
She has realized the advantage of using technology to spread the word about her work and uses her smartphone to a great advantage to promote it. “I learned how to use Facebook & Whatsapp from my children. When I make a new design, I photograph it myself, share it on Facebook, and also share it with a group of clients I have on Whatsapp.”
Age, dwindling eyesight, and health problems all disappear for her once she sits on her work table. “I can’t sleep well at night if I have not painted at least once throughout the way,” she laughs. Being involved in her own work also means less time for unnecessary thoughts. “At our age, many elders have a lot of free time and think unnecessary things about who said what and who is doing what. Keeping yourself busy with a passion you have always had is not only stimulating mentally but also keeps your mind free of negative thoughts.” She also feels one shouldn’t give much thought to the aches and pains that come with age. “These are part of life. Don’t let these keep you away from doing what you love and keeping you active. Try to stay mobile and do as much work, even if it is simple housework, as long as you can.”
Running your own business, even if a small one from home requires a change in mindset feels Chakraborty. “People are happy to receive handmade things as a gift but many are not willing to value the time that goes into creating it and pay for it. Initially, I gave away much of my work as a gift but then I realized the value of my art and the time spent on it. There is nothing wrong is being open and upfront about pricing if you know your work is good, valued, and appreciated.”
Jayasree Chakraborty’s work can be seen on her Facebook page https://www.facebook.com/thesarishow
At 61, homemaker Sarla Minni is the Kahaniwali Nani, sharing her storytelling magic with thousands of Indian children across the world.
In India, we traditionally associate storytelling with grandparents, the dadas and dadis, nanas and naanis, thathas and paatis. Some of the lucky ones among us have fond childhood memories of listening to bedtime stories from them, as we drifted into dreamland. With families becoming smaller and busier and grandparents often staying far away, the tradition is on its way out. But what if you could have a virtual grandparent who read children some bedtime stories? Whose gentle yet assuring voice told them tales that many elders have grown up with? A grandmother who loves telling stories and has smartly used technology to reach out to thousands of children who enjoy listening to them?
Meet Sarla Minni, the Kahaniwali Nani. The 61-year-old Bangalore resident has always been a storyteller, enthralling the children in her family with her tales, some from mythology, some folktales, some created on her own. Encouraged by her niece, graphic designer Parul Rampuria from Surat, who has grown up listening to Minni’s stories and is part of a large family, Minni decided to record her stories. They circulated a few among family and friends over Whatsapp and the response was encouraging enough for Minni to start her own audio storytelling service. She started in March 2017, as a free service on Whatsapp and before she knew it, her listener base had expanded to 10,000! She has since then moved to the messaging app Telegram (because the Whatsapp broadcast list wasn’t enough) and once had 800 subscribers in a single day from Mumbai!
Minni puts a lot of thought and hard work into her stories. She records the stories in one sitting without any sound effects. In fact, if you listen closely enough, there are sounds of daily life going on in the background, though that never interferes with the experience of listening. Minni’s voice is warm and intimate and her flawless diction and the gentle pauses make it a home-like experience. It’s almost like having your grandma or favourite aunt sitting next to you, narrating a story about the boy named Bittu and his antics or how Birbal outsmarted some cunning courtiers.
Always The Storyteller
Minni has always been an avid reader and her bag of stories is rather full. But she doesn’t take the responsibility towards her increasing subscriber base lightly despite being a trove of stories herself. “I research folktales from everywhere and read various versions of them. I improvise on them a little so that they can understand. Then I take feedback from my daughter in law and niece,” she tells us. She also goes by her listeners’ suggestions. “Some want mythology, some want fairy tales, some want stories with lessons and morals, like biting nails not being a good habit or the importance of saving money.”
Each story takes Minni, a homemaker, two to three days to prepare. The character Bittu is her own creation, one she has successfully narrated to her nephews and nieces when they were young. Then there are value-based stories, folk tales, tales of animals and stories around festivals and how these started. Her aim is to send her listeners a balanced set of stories, that encompass various worlds and cultures. Though Minni focuses on the two to ten-year-old age group, that’s not her only follower base. “I also have some grandmothers and even doctors on my subscriber list,” she says, a smile in her voice.
When they started the initiative, Minni and Rampuria’s aim was to keep children away from television screens. Going by the success of her podcasts, that aim has been achieved to quite an extent. Kahaniwali Nani is also on YouTube, where the focus is on audio stories, not visuals. As I write this, there’s Shikha Bittu Ki Kahani going on in the background, a story about the importance of doing things on time. Bittu’s standard answer to everything that has to be done is ‘Bas ek minute.’ Minni’s voice is gentle, with the simplest of modulations and before I know it, my six-year-old is sitting beside, engrossed in listening. ‘This is exactly like a nani telling a story to her grandchildren’ and ‘We feel somebody is sitting in front of us and telling us a story’ is what Minni hears most often from her listeners, so I’m not surprised that junior has ditched television to listen in.
Minni’s favourite feedback has been one from Kashmir, where a subscriber living in a village 30 kilometers from the border told Minni that she downloaded Kahaniwali Nani’s stories for her children whenever she could. Because in the absence of a regular internet connection and during prolonged curfews, nani’s stories were a source of comfort and learning to them. A caller from Delhi told her that his child was hooked to Doraemon (a Japanese cartoon character) on television but now wanted nani’s stories as soon as he was back from school.
It’s responses like these that keep Minni going, despite the increasing volume of work. She sends out stories twice a week. Hindi stories are sent out on a Tuesday and English on a Friday. The 61-year-old has had several offers to put her stories on other platforms and is exploring options along with her niece and software engineer son. In fact, Minni’s own story of becoming Kahaniwali Nani would be incomplete without mentioning her family, who are her main source of encouragement. If her skills were honed by reading out to her brother’s children and her own grandchildren over the years, it’s her niece Parul who realized the potential of Minni’s storytelling talent and thought of an ingenious idea to take it further with the aid of technology. “Everyone in the family has been encouraging,” says Minni, who finishes her chores and sits down to record, proving that technology and tradition can come together to create something wonderful.
“It’s difficult to keep pace sometimes with the growing user base,” Minni admits candidly, one of the main reasons she moved from Whatsapp. But Minni has no desire to stop telling her stories. After all, being Kahaniwali Nani to grandchildren across the world has brought her immense satisfaction. ”It is a stress buster for me,” she tells us, “When I read and record I forget everything.” Listen to her narrating a tale and you would know what she means. It’s just Minni, her voice, and the story. And of course, the rapt listener.
To hear Kahaniwali Nani’s stories, you can subscribe to her on Telegram or her Channel on YouTube. Here are the links:
https://t.me/KahaniwaliNaniEnglish
Valentine Ward teaches ballroom dancing in Bangalore and has been the man behind teaching many couples their first dance for the wedding day. We couldn?t let Christmas go without meeting him. Here?s how this young-at-heart 74 keeps life on its toes!
The thought of exercise may make some people groan and sigh in anticipation. But Ballroom dancer Valentine Ward, 74, believes physical activity doesn?t have to be grueling or boring. Engaging in dance is wonderful for healthy aging and keeping seniors strong while they have a ball (We love our puns intended!)
On A Song & Dance
Valentine Ward and his 13 siblings take after their father?s love for ballroom dancing. His dad Fredrick Ward was a Ballroom dancer during his time. He used to wind the gramophone after the family was back from church on Sunday mornings and taught all his kids the beauty of dance. Val, as this septuagenarian is fondly known, adds, ?Dad let us have our lunch only after we finished our Sunday session of ballroom dancing at home.?
Valentine Ward with his parents and siblings
The practice sessions paid off. In fact, Ward?s sister Avril, who?s 78 is still one of the top ballroom dancers in England. Music has always been part of Ward?s life. He formed his first band at 18 with four others in Kashmir, while living near Dal Lake in Kashmir. ?We called it Aquarius, because all five members were born in the month of Aquarius,? says Ward. Unfortunately, they were forced to leave the place during the Indo-Pakistan of 1971. ?I was the lead singer and bass guitarist and we played Doors, Jimi Hendrix, Beatles, Cliff Richards and Elvis Presley.?
Ward lost his ?professional signing voice? after a Bypass surgery in 1994 but that didn?t stop him from crooning. His daughter, Miracle (in the top image with him) took over the singing genes from him. She is a physiotherapist and music teacher and is now involved with gospel ministry singing in Goa.
Being On His Feet
Always an active man, Ward was the Physical Education teacher at Baldwins boys high school, Bangalore for 30 years and also the cultural chairman. He then moved to Bethany High School as a liaison officer and sports adviser and helped his students with dance classes too for 10 yrs. His last few working years was at The Indus Early Learning School where he trained children on motor coordination and motor skills through sports and clubbed it with dancing. Needless to say, the children always looked forward to their run on the field and salsa and rock and roll on the floor with their favourite teacher. Until his recent retirement, Ward, a young-at-heart 73 then, ran the ground with his students and even today stands tall as a pillar of support and inspiration to them. Known for his benevolent spirit and powerful presence, Ward has many awards showered upon him by the schools he taught at.
With his sister Victoreen
Apart from dance, he has even won an award for his name!
In 2015, Ward and his sister Victoreen won the jiving competition held for senior citizens on Valentine?s day in Goan Heritage Resort in Goa. He also got an award for his name being ?Valentine? that marked the day!
Staying On Top Of His Health
Ward is a fitness fanatic. He went through a bypass surgery in 1994 and has two stents but has managed to stay fit and active, the spring in his step intact! A year after his operation, in 1995, he skipped 4600 steps non-stop for 30 mins at 150 skips/minute. He felt completely fit and proved to himself that he was ?Yaay and hearty!? The stents may have taken his stamina away but didn?t stop Ward from dancing, diet and workouts.
He says, ?I am very fierce about things that I believe in like singing, dancing and sports and never gave up on them despite the health hurdles that came my way.?
Ward has been learning and teaching all his life. While teaching students in the school, he continued to learn various forms of ballroom dancing from the best in the industry. Even at 74, he teaches all forms of dance to anyone who reaches out to him and has the passion to learn. The teaching is what keeps him going. He is the Master of Ceremony for most Anglo-Indian weddings in the city and also teaches couples their first dance. ?Often while teaching couples their first dance I notice the girls pick the moves quickly while the guys are hesitant and tell me they have two left feet. I assure all those grooms that I will help them find their right feet!? Ward considers himself lucky to learn from the likes of Lourd Vijay, Richard Thaloor and Yana Lewis. He smiles like a happy little boy when he quickly adds ?At the age of 65, I danced at the International Salsa Congress held at Leela Palace, Bangalore along with Lourd Vijay and Richard Thaloor.? He says these two top international dancers helped him better his moves in Salsa, Merengue and Cha Cha Cha.
Always on a song
Can Dance Help Older Adults?
Dance is an activity that burns calories, works the heart muscle and is appropriate for any age and level of fitness. Dancing reduces the risk of high blood pressure and diabetes, strengthens your heart and improves your overall mood. Additionally, they provide great opportunities for socialization with other seniors.
Ward urges every senior citizen to embrace dance and says it is never too late to strut your happy feet. His suggestion is line dancing, especially for senior citizens. Line dancing is a form of dance that takes place in a group and the emphasis is on Country and Western. Ward conducts line dancing classes for seniors that is targeted at the older people in the community, although all ages are welcome. It is designed to give them an outlet where they can come for some gentle exercise without the stress of a full-on line dance class. The music is generally slower and the dance sequences are shorter.
Ask old age to take a hike
?My motto has always been, if it feels right and it feels good, go for it! It?s never too late in life to channel your inner dancer.? Says Ward. ?Age is all about your thoughts and positive thinking. Though your body ages with passing years, your thinking and lifestyle can be young and fulfilling if you let it be. A healthy diet and lifestyle coupled with any form of exercise you love is the key. My wife Grace, 65, continues to work as a commercial executive at a private firm and keeps herself actively engaged. Never stop leading an active and fulfilling life that is the secret to asking old age to take a hike!?
Silver Talkies loves giving a platform to talented seniors like Valentine Ward to help them share their skill with others. We have been conducting ballroom dancing classes for 55+ with him in Bangalore. If you wish to learn dance from Valentine, write to us at connect@silvertalkies.com
To see images from the class, click here
Writer Kamna Chandra, now in her 80s, penned some of the best known movies of Hindi cinema, including a refreshing movie this year. She tells Silver Talkies about her journey and how her pen isn?t ready to retire yet.
It?s not everyday that you have a story you want to narrate to none other than the legendary showman Raj Kapoor. A story you feel can be brought to life with his direction alone. A story you want to narrate to the man himself and no one else.
?No I won?t narrate the story to his assistant. Main kahani Raj Kapoor ji ko hi sunaoongi.? Kamna Chandra, then a writer of plays for All India Radio (AIR) and Doordarshan was her assertive best with Harish Bhibra, Raj Kapoor?s secretary, trying to persuade him to get her an audience with the famous director. The ?kahani? in question was a real-life story she had heard from her mother; one that had been in her mind for a long time. It went on to become Prem Rog, one of the biggest romantic hits of Hindi cinema and got Chandra, one of Hindi cinema?s rare women writers in the 70s and 80s, her first Filmfare Award nomination in 1983. She had tough competition that year with Nikaah & Bazaar among the other nominees, before losing to writer Samaresh Basu for Namkeen.
Chandra with daughters Tanuja (left) and Anupama (right).
Chandra, now over 80, went on to write few more stories that became trailblazing hits in the Hindi movie industry. One of them was the Sridevi-starrer superhit Chandni, directed by Yash Chopra. ?His wife Pam called me to ask if I had a story and this was what I had in mind.? She also wrote Kareeb and both the story and screenplay for the Vidhu Vinod Chopra directed superhit, 1942: A Love Story. Her latest is the story for the 2017 movie Qarib Qarib Singlle, directed by her talented daughter Tanuja Chandra and one of the most refreshing movies of the year. ?I wrote it long ago for radio. Tanuja and Gazal gave it a contemporary flavour,? she says.
Always The Wordsmith
Writing began long ago for Chandra and she never imagined being associated with the Hindi film industry. She grew up in UP, in a home where ?padai likhai? held great value and where the daughter?s education was given equal importance as the son?s. She is a 1953 Graduate in English Literature from Allahabad University.
?In fact, my BA results came out on the same day as my marriage, so when the baraatis (groom?s family) arrived by train, they were very happy to know that their bahu was a BA pass!? She says with a hearty laugh over the phone when we speak. Navin Chandra, her husband of 64 years, worked in the corporate world. He has been her rock through these years. Their relationship, love and respect for each other deepened over time, something that reflects in her stories. Romance in Chandra?s writing can be gradual, finding its way with a slow but sure footing. ?I like her treatment as well as love for human emotions in her stories. It?s that which draws viewers in to her stories and the simple but sweet sense of humour as well. It?s tough being funny in a natural kind of way. That?s what she does well. Most importantly, she brings her life experiences and her own personal sense of humour into her writing and that is the most valuable lesson I?ve learned,? says daughter Tanuja, the director of women oriented hits like Dushman and Sangharsh.
Chandra had been writing through school, marriage and motherhood and apart from radio, had even written for well-known magazines of her time, like Vama and Sarita. But it?s Mumbai that gave her writing the wing to fly. Chandra?s started writing plays for All India Radio and Doordarshan after her husband?s transfer to Mumbai. This was in the late 70s and early 80s, when Doordarshan (DD) in Mumbai was going through its best creative phase. Not many know that she wrote Trishna, an adaptation of Jane Austen?s Pride & Prejudice, for DD. ?I met Meena Vaishnavi of DD and she asked me to adapt it in the Indian context. We worked together and I wrote 13 episodes, which were hugely successful.? Trishna was a super hit, especially among young women and Chandra went on to tell more stories, create more original work, including Kashish, yet another romantic DD hit from 1993.
Writing For The Movies
When it came to cinema, Kamna Chandra mostly wrote the main story and preferred to let the director and their story department take over the screenplay and dialogue (as she did for Prem Rog & Chandni). ?I never felt insecure about it. Mujhe lagta tha jo bhi karenge achcha hi karenge,? she says, adding that she was fortunate to have been part of a simpler way of doing things in the film industry. The one exception she made was for her would be son-in-law, director Vidhu Vinod Chopra, who insisted she write the screenplay.
Chandra wrote the story for for 1942: A Love Story after she watched Chopra?s path-breaking film Parinda. Once again, she approached a director because she liked his work and felt there was a story she had for him. ?I had gone visiting my daughters in USA where they were studying. We watched Vinod?s film Parinda together and were blown away by it. My daughter Anupama (Now married to the director) suggested why don?t you approach him with a story and I did.?
Back in the late 70s, when Chandra requested her audience with Raj Kapoor, she had never expected a call back. Within a week she did. ?I was so excited and kept going over the story in my mind. I met him in RK Studios. He made me extremely comfortable and heard the story of Prem Rog with rapt attention for almost two hours. He asked me to write a draft, though his team worked on the screenplay and dialogues. When the movie released, I had single credit for the story. He was a gentleman to work with,? she remembers fondly.
Balancing Her Two Lives
Chandra was living in Hong Kong with her family when Prem Rog released in 1983 and returned to India only after that year. But the movie had given her recognition for her work and there were enough offers. She wrote ?Chandni? for Yash Chopra soon after. Chandni was his first hit after four or five flops. Chandra went on to write more for cinema and was one of the rare women screenwriters of her time but her first choice was always home. ?Meri priority ghar aur bachche the,? she says with absolute conviction.
Yet Chandra managed to balance both work and home to the extent that made her happy.
Kamna Chandra with her husband Navin Chandra
?My mother insisted I study, even after my father?s death. In those days I stayed in a boarding during high school and at my mother?s insistence, completed my BA. I wanted to utilise that education, which was rare for a woman in the 50s, and I?m glad that I did. The work that came my way ensured I did something creative, put my education to use and at the same time got the satisfaction of managing my house.? Her pride in her family is hard to miss and is peppered through her conversation as she fondly talks about her supportive husband and the three children who seem to have inherited her talent ? Tanuja the writer-director, Vikram Chandra, the writer of acclaimed novels (and now a trending show on Netflix) like Sacred Games and Anupama Chopra, the film critic.
Chandra?s stories have always had strong women in them, whether it was Manorama, the character played by Padmini Kolhapure in Prem Rog, Sridevi?s character in Chandni or Manisha Koirala?s Rajjo in 1942: A Love Story. ?I wrote about women because I am one and I know the most about myself,? Chandra simply says. ?I agree I was one of the few women writers around but I didn?t grab the opportunities that came my way. I was happy doing the work that I had.?
Chandra?s stories deal with unusual circumstances but are relatable. She gets the pulse of India in a smaller town setting and those fast disappearing old world niceties. In Prem Rog, which deals with a social taboo, she weaves the story around caste and widowhood; 1942: A Love Story is a romance set against awakening patriotism.?Her stories are unusual but at the same time they come from the lives people live. Which is the reason for their longevity,? thinks Tanuja, who may have turned Qarib Qarib Singlle into a contemporary story along with her co-writer Gazal Dhaliwal but says that it?s her mother Kamna?s original story which is the core of the film. ?That story works even today.?
Prem Rog remains Tanuja?s favourite film from her mother?s oeuvre. ?It?s from years ago but one can still watch it today and get completely sucked into the fascinating film made by the great Raj Kapoor. It?s as relevant today as it was then because traditional prejudices very much exist in today?s India even though they may appear different. I also like 1942 ? A Love Story.? Chandra?s journey as a writer, both for radio, television and Hindi cinema has been a quiet but impactful one. Chandra is thankful for the single line credits she has got in the movies and for the chance to work with legends but remains largely unfazed by it all. There?s more writing left in her she tells me. As we speak, she asks me to watch ?Bhairavi? a lesser known film directed by Aruna Raje and written by her. Not too many people have heard of the movie but for Chandra, her work for it remains as special as her work for the Chopras and Kapoors.
?I am very warm in my approach to people and was excited to work with big names but I was never intimidated by anybody,? she says. If anything, she wears her success lightly. In this day and age of instant celebrity and PR culture, she represents a grace and old-world charm that?s rare to find. She has worked with some legendary names in Hindi cinema and been the writer behind some of the most popular movies, yet remains down to earth and approachable, even downplaying her achievements to some extent. ?I have been very lucky that I got the chance to work with big names and I have been very fortunate in meeting good people but I?m a lazy writer. I took this more as a hobby and have been fortunate.?
And we, the audience, have certainly been fortunate for the stories.
(All photographs courtesy Tanuja Chandra)
‘Tuition uncle’ CS Narayanan has been teaching underprivileged children in his neighbourhood. His is an example of a senior citizen volunteering and using his skill and expertise for the greater good.
On his 74th birthday in November this year, CS Narayanan got a wonderful surprise party. It was thrown for him by his students, children from the slums near his South Bangalore home, whom ‘Tuition Uncle’ Narayanan has been teaching for almost 5 years. “I was touched but told them they don’t need to do anything like this to make me happy. Their good results and success is what I want to see,” says Narayanan who shares a close connection with his ex-students and the seven he currently teaches.
Breaking the cycle of poverty and illiteracy, that’s what Narayanan, a Radiation Physicist who practiced in the US for years, had always wanted to do. His vocation in the retired years is a testimony to that. Narayanan teaches English and Math to children from underprivileged backgrounds. Most of them are children of maids and drivers who work in the South Bangalore condominium where he lives with his wife. It’s amazing to see the changes Narayanan has brought about in these children’s lives (and also his, he is quick to add) with what he does.
Narayanan moved to USA in 1971 and went on to do his MS, specializing in Medical Radiation applicable to Cancer treatment. He retired in 2012 and returned to India after almost 40 years overseas. Once here, Narayanan wanted to give something back to the society by sharing his skill. Teaching was something that he liked doing. He approached hospitals offering to share his expertise but bureaucratic hurdles ensured that it came to nothing. It was then that he met Usha Rajagopalan, author and chairperson of the Puttenahalli Neighbourhood Lake Improvement Trust on his morning walk around the lake in his neighbourhood. It was a perfect fit. Rajagopalan was looking for a volunteer to teach the children from the slum adjoining the lake and Narayanan had time on hand and a desire to do something meaningful with it.
“I felt that there was a need to educate our young children who have no support mechanism at home. I thought if I could help them and motivate them to study, they could become somebody in the future and stand on their own,” he says. There was only one problem though. After years in the US, Narayanan thought he spoke English with a “funny US accent,” one he felt the children might find difficult to understand.
Five years later, the American accent hasn’t proven to be a roadblock.
Narayanan started classes at the tiny gazebo next to the lake with two girls. The news caught on soon enough and his students increased. Though his classes at the lake have stopped now, Narayanan teaches a large number of students from his home in South Bangalore. It’s a path he didn’t foresee taking but is one that he is immensely connected to: “I feel a sense of responsibility towards these children.”
Narayanan in his office in USA before retirement
Narayanan’s volunteering effort has not been without its challenges.
“The big hurdle has been the fact that all the children go to different schools and have different books. The students range from Grade 5 to Grade 10 and with different books to teach different children, it becomes a problem,” he says. The other big problem is that Narayanan does not speak Kannada, the local language in Bangalore and speaks English with a mixed American accent that can sometimes become hard for the children to follow, as most are not well versed in English.
Narayanan, a man of science, has worked around the challenge by getting technology to come to his rescue. “I use my iPad to teach and use YouTube and Google heavily. I use YouTube lessons and also lessons from websites like Khan Academy. Technological resources deviate from the old-fashioned way of rote learning. When you see me with my iPad and iPhone with a bunch of kids, we are not just playing but learning!
Narayanan has also invested in the students in different ways and says it has been possible with the support of his family. “The children often have food with us, if their classes run on late,” he says, praising his wife Kamala, who always asks them to stay on after class and eat. He also buys them English to Kannada and Kannada to English dictionaries. “They have to select 10 words and write 10 sentences every day. I give them topics to write and since they are weak in English I also help them with Social studies and Science, the text books being in English.”
Help and support has poured in for Narayanan’s work from friends in USA and also some residents of his apartment. While he arranged for two laptops and some funds through his friends overseas for the students, some local residents help Narayanan each year with donations of books, school bags and some money when he sends out an appeal. With his landlord’s permission, he has also rented out the garage allocated to him in the building where he lives and uses the money collected for the children’s education.
Despite his age, Narayanan puts in a lot of hard work every day. “I teach from 4.30 PM to 8.30 PM every day and also on weekends. Since these students are from different schools and grades, I have to run different sessions. Weekends are always busy.” He travels to US every year but is mindful of matching his travel dates with his students’ vacation time. “Since I have taken on the responsibility to educate them, I also need to fulfill it,” he says.
His hard work has not been without rewards. The two students he started teaching with have gone on to study in college, with one doing Computer Science and the other studying Commerce. There have been “success stories” too. “Of these, two siblings stand out. Their mother is employed in our house as a cook. Her children were studying in a Kannada medium school in the village and she brought them here (Bangalore) and asked me to teach them. They did not know a word of English. Now they are able to converse in English and doing well. The girl is doing her Second Year PUC (Pre-university) and the boy is in Grade 10. He has got scholarships and some monetary award by writing an exam I helped him prepare for.”
Narayanan feels such success stories are because of the students themselves, who are motivated to learn and do well, despite difficult circumstances that often prevail in their homes. “It is very enriching and rewarding to see them progress,” he says, adding that he does weed out students who are not really interested and keep missing class.
One of the best parts of his work with students has been getting a chance to refresh his knowledge. Narayanan does a lot of research online to understand certain concepts as the method of education is very different from the time when he studied. He hasn’t stopped being a student himself and perhaps this is the attribute that endears him to those he teaches.
Narayanan was recently honoured by the Millennium Elders’ Forum (an active network of senior citizens in the neighbourhood) with the MEF Unsung Heroes Award 2017. While rewards and gratification have come in the form of his students doing well, what makes Tuition uncle Narayanan’s story stand out is the amount of effort, responsibility and initiative he has put into his volunteering activity to ensure he is able to teach these children the right way.
Whether it is getting them dictionaries, organising computers or helping them write an exam, Narayanan’s idea is to see his students through their educational journey. He also thinks knowledge and experience should be put to use. “My advice to retirees would be to make use of the knowledge and experience you have gained during your productive years and help others who need a helping hand. It will be the most satisfying thing you ever did.”
Meet lawyer turned organic farmer H.R. Jayaram, who believes in giving back to nature and practices what he preaches.
Green revolutionist H.R.Jayaram was born in the lap of nature in a dense forest on the outskirts of Karnataka. It’s no surprise then that he got into organic. It was always his true calling and is his way of giving back to mother nature and celebrating the endless happiness she brings. Jayaram, 60, is an organic farmer, environmentalist and seasoned marathon runner in Bangalore and the founder of Green Path, a set of diverse eco-initiatives. He gave up his lucrative career as a lawyer to take up natural farming and lead the gen next by example. Jayaram’s mantra is, “celebrate life with nature!”
The Beginning Of A Change
As a village boy coming from a humble background with an inspiring mother and a strong passion towards nature, Jayaram says he always wanted to study, earn enough money and pump it back into his true love – farming. He gave up his career as a successful lawyer in Bangalore, to get his hands dirty and make the land we live on cleaner and greener. With all his savings he bought a barren piece of land on the outskirts of Bangalore in 1998 and started farming. This beauty of a land now is the Sukrishi Farm, which is also known as ‘the food forest’ “My mother is my biggest inspiration in life,” says Jayaram. “Though she had a difficult life she never let that show on her children. She made sure we were well educated and always taught us to live a life without attachments and embrace minimalism. She made sure we connected with nature and learnt how to celebrate life in its purest form.”
The Greenpath Organic State in Bangalore
Building A Second Career
Jayaram discovered the benefits of going organic in a gradual way. In the first two years of farming his land, he started using chemical fertilizers and realised its bad side effects. He witnessed first-hand how the whole process contaminates the air we breathe, the water we drink, the soil we live on and the produce we consume. As Jayaram experienced the chemical side of farming and understood what’s really happening to the earth under our feet, it helped him make the conscious choice of taking a leap into organic farming. While he started off using chemical farming methods, Jayaram remembers reading the book ‘One Straw Revolution’ by Masanobu Fukuoka, a farmer,trained scientist and philosopher born and raised in Japan, who shifted from chemical agriculture to natural farming. The wealth of knowledge from this book helped this Bangalore lawyer realise that the best way to approach agriculture was to abide by nature’s own law. “I highly recommend this book to whoever wants to turn a new leaf into organic farming and be inspired,” he says.
Once Jayaram embraced organic farming and a sustainable way of life, he decided to equip himself with knowledge. He traveled to Europe and attended BIOFACH, the world’s leading trade fair for organic food to learn more about organic farming. That is where he met fellow farmers and activists from all over the world and decided to take organic farming ahead and reach more people in the heart of the city.
He then opened India’s first organic food store called Era organic in Bangalore. This was in 2007. Jayaram has since then fuelled his green energy towards opening The Eco Hotel, Bangalore on the lines of organic sustainable living; The Green Path Eco Retreat in Coorg, which has won prestigious awards for its eco-conscious construction and responsible tourism; The Green Path, Bangalore, India’s largest organic destination for shopping, eating and eco-friendly get-togethers.
Jayaram’s mission is to create easy to replicate models of sustainable living through organic farming and inspire people, especially the younger generation, to pick the ropes of green revolution and pave the way for a greener and eco-conscious lifestyle ahead. He says “I measure my success by being able to create future leaders in the society.”
Eco Retreat, Coorg
You Are Never Too Old To Start Something New
When asked about his evergreen advise for seniors who wish to pursue their passion and second career opportunities, Jayaram says, “Every day is a new beginning. The opportunities are endless and nothing will come to you easily. Irrespective of your age, always work hard with true passion and just go with your gut.” He says age is definitely just a number and the biggest gift each one of us have is the joy of being alive.
What keeps him going as a senior entrepreneur is good mix of constant learning, a healthy and active lifestyle and inspired living. He loves to read and makes sure no matter how long or tiring his day is, he reads something informative and inspirational every night before going to bed and always sleep likes a baby knowing his day was well spent.
The most influential factor in his business has been total dedication and keeping himself informed and aware. Even then, this green warrior feels he is yet to reach his greatest moment of success.
To know more about HR Jayaram’s work, visit his website The Green Path.
All photographs courtesy The Green Path
We have all read about Jawaharlal Nehru’s famous speech Tryst with Destiny in History books. But hearing it live on radio would’ve been a completely enthralling experience altogether. As would have been walking through the decorated and festooned streets at midnight on August 15, 1947, as India kept its date with freedom. In this lovingly penned account by Kala Sunder, senior citizens recall what it was like being part of the very first day of Independence.
“I will never forget 15th August 1947,” began a then 65-year-old. “For a long time, we had been pestering my father to buy a radio but he maintained it was an untried contraption and the waves it emitted might be bad for health. It would distract us from our studies, expose us to God knows what evil and immoral influences, and above all, it was beyond our means. But when he learned that Nehru’s midnight speech would be broadcast live, all these
objections were forgotten and he ran out and bought home a radio! This big,” he spread his hands wide, then high, “like a microwave.” All heads nodded. “So it was a double celebration in our house, for Independence and Radio.”
Everyone remembered tuning in to the Independence broadcast, static and all. One member even intoned the ‘Tryst with Destiny’ speech in Nehru’s very tones, to thundering applause.Seventy and eighty year olds recalled with delight how they were allowed to stay up late! Men, and even few women, spoke of how they walked through the brightly illuminated streets with the tricolour formed in coloured lights. Some got separated from their families in the crush but so great was the camaraderie that they were safely restored to their parents.
There were grand celebrations in schools and special meals at home. “People distributed sweets at 12 o’ clock, like we do now for New Year,” said a retired teacher. “A house with a flag outside meant there would be sweets inside. We would run in and get a handful. We can only dream of such things now.” “Don’t even dream of sweets, your sugar level will shoot up,” warned a diabetic. “I was in Pune on 15th August 1947,” he continued. “The whole city was decorated like a wedding house.”
Photograph courtesy: Pixabay
“In Trichy, we sang Subramanya Bharathi’s songs fearlessly. We were Indians now, not Britishers,” said a retired civil servant. “Aha!” exclaimed the oldest in the group, nicknamed ‘golden oldie’ because he had worked in the Kolar Gold Fields. “The Britishers got fidgety that year and started treating Indians better. I remember…,” he began, waving his walking stick in front of him.
An old Bangalorean quickly butted in before he could into one of his ‘long-playing’ stories. “I remember, the traders on Avenue Road, of all communities distributed flags and laddus to passers-by. But the Cantonment was dark, deserted, and plunged in gloom.”
(The chat session in Nightingales Elder’s Enrichment Centre, Bangalore which inspired Kala Sunder’s account took place in 2000. The topic was ‘15th August 1947: As I Remember It.’ It’s been many years since then but memories don’t really need a time stamp, do they? Being part of history and having experienced the original Independence Day 1947 is worth documenting, anytime, anywhere. We thank Kala Sunder for taking the trouble to look through her notes and dig up such fascinating nuggets of information. She was guided by the late Wg. Cdr (retd.) GR Mulky, who foresaw that the notes she took of that chat would yield really captivating information someday.)
Every August, Silver Talkies records memories and instances of humanity, fortitude and courage during the Independence Years — stories of life in a newly independent India; crossing over during Partition and stories of finding freedom.
The Art School in Bangalore thrives on creativity and colours. Much like its founder Rehana Chaudhuri, whose energy, love and enthusiasm for art has kept the school going.
The first thing that strikes you about The Art School, tucked away in a gorgeous Indiranagar bungalow is the abundance of colour. Works by the school’s many students cover every inch of the wall, taking place of pride. Started by the beautiful Rehana Chaudhuri almost 30 years ago, the school is a testament to its founder’s passion and dedication to art. In fact, it comes as no surprise when Chaudhuri says that all her life and all through her growing up years in Kolkata, all she ever wanted to do was art.
Rehana Chaudhuri in The Art School
When joining art college didn’t find approval with Chaudhuri’s parents, she went on to do her B.Ed from Loreto House in Kolkata, a training that opened doors for her in various educational institutions, equipped her to work in international schools and gave her the ability to teach children in diverse manners. “From Bombay International to Harrington House, Chennai, I taught children from various countries and learnt how to juggle various styles of teaching,” says Chaudhuri. Although she taught all subjects “except Maths” throughout the 12 years she worked as a teacher, it’s her artwork that she was always popular for. “I would do a lot of extra work with the students and at Harrington House, there was a hearing impaired boy who would start beaming almost as soon as he would enter my class, as it would be bright and colourful.”
Chaudhuri travelled extensively with her husband who was posted at various places and finally got an opportunity to learn art formally with the artist Terry Denise in Colombo, Sri Lanka. She started The Art School only after moving to Bangalore in 1990, with immense encouragement from her husband Dhrubo Chaudhuri, a banker. The Art School offers classes for children and adults on how to draw and paint using water colors, charcoal, oil pastels, pencil, acrylic etc. They have also recently worked on collages and had a texture workshop.
Chaudhuri started from a small garage in Koramangala, with a leaky roof and one student. “But within a month I had 35 students!” she says. What worked more than the 100 pamphlets Chaudhuri printed and distributed in the neighbourhood was the work that her students took back home. “It was my best ad,” she says. We look around at the walls, bright and happy with collages, watercolours, oils and are convinced it still is.
Today The Art School hosts not just young students but also adults coming to learn various forms of art, very often with their children. In fact, Chaudhuri encourages inter-generational bonding in her art school and tells us about Dr Nalini Pais, a mother-daughter and grandmother trio coming to learn art. Chaudhuri, who’s 68 herself, encourages older people to come to the school to just try their hands at various art forms. “Painting can be relaxing,”she believes, adding that having a passion and creative hobby at an older age keeps the mind active and helps prevent memory loss. “In fact a lot of elderly come here, former chief secretary of Karnataka, Teresa Bhattacharya, being one of them,” Chaudhuri says and she encourages them to join the acrylic painting workshop. “I serve coffee, play music and there are lot of younger people coming to the workshops anyway, so it’s a fun and relaxing atmosphere.” Because the seniors are not expected to produce anything and there’s no pressure on them, Chaudhuri feels attending a session here makes them happy and cheerful. “They go back forgetting the aches and pains!”
Three generations bonding over art!
Chaudhuri is extremely close to her children who live overseas and is a strong advocate of bonding with them through a shared passion. “Me and my son love to cook for instance,” she says. Parents and children are always encouraged to do shared projects and classes at The Art School. “Even their communication improves this way.”
Acrylic painting classes at The Art School, conducted by Ravi Kumar, a painter from Chikmagalur who teaches here over the weekends are quite popular. Chaudhuri also makes sure there’s a lot of variety in the work her students do, to keep the interest and energy levels up. They have worked with oils, pastels, acrylic and watercolours. The Art School has conducted a texture workshop, a collage exhibition and even participated in Chithra Santhe, an annual art fair in Bangalore. In fact, Chaudhuri even teaches people how to run their own art schools, something a senior citizen passionate about art and looking for a second innings could explore!
The Art School at Chithra Santhe
Chaudhuri, an artist herself, believes in giving her students the freedom to be creative once they have learnt the basic techniques. She has a special, easy to learn formula that has been honed over the many years she has taught art. But she believes in her students expressing themselves. “The feeling of satisfaction only comes when you have done something entirely by yourself.” Chaudhuri herself is big on doing creative things on her own. Not one to sit still, she is a keen golfer and has recently started working on a creative project for a charitable cause, a project she holds dear to her heart.
Her source of inspiration and motivation remains her husband, whom she has known since the age of 10. She adds with a laugh, “Yes, we are childhood sweethearts, if anyone asks me what I do with my time, I say I have my husband and my art.” And while her family and art certainly keep her motivated and young at heart, the energy, drive, passion and love for art and the need to be constantly creative, is of course, entirely Rehana Chaudhuri’s own.
The Art School welcomes students across all age groups, especially senior citizens who wish to learn art. You can learn more about them at https://www.facebook.com/theartschoolbangalore/
They are having an exhibition of works by students on 26th and 27th of August from 9.30am to 1pm.
All photographs courtesy Rehana Chaudhuri
Yoga is a practice many seniors believe in. But few senior citizens decide to practice Water Yoga. Noida’s Mahesh Palta tells us how it has changed his life. By Reshmi Chakraborty
At 72, Mahesh Palta likes to spend his free time underwater, practising Yoga. In fact this young at heart senior is also able to swim 12 ft underwater for a 50 metre distance. Yes, you read that right. Palta indeed practises Yoga, in water and can even do some complicated Asanas.
Palta, who was formerly with the Indian Army and now runs a business, is known around his locality in Noida, Uttar Pradesh for practising Water Yoga. Palta is not new to this 5000 year old practice. In fact, he has been practising Yoga for more than 10 years. But when he learnt how to swim at the age of 60, he decided to combine both.
“I felt a sense of peace and comfort in the water. I had various ailments and realised that after practising Water Yoga, my ailments like diabetes and arthritis had gone,” he says. A firm believer in natural therapies and cure, Palta says he works 12 hours a day, running his own business but seldom feels tired. He attributes it to Yoga and his belief in natural cure.
Palta started off by doing basic exercises and movements in water to get back his health. He gradually realised that “the human body is more supple under water.” The experience also worked like a stress buster for him and gradually, he started performing various Asanas under water. His practice and persistence of over two years paid off. Today, Palta can do Yoga Asanas like the Suryanamashkar, Pawan Muktasana, Shabasana and Shirshasana in the water for almost an hour. “I can also walk on my hands in water for 20 ft,” he adds with a touch of pride.
Palta practises at the Sports Club, Sector 15A, Noida, close to Delhi, for an hour everyday, from 9 am to 10 am. He has also been the inspiration for many senior citizens to get active
and even trains some of them. He cites the example of a gentleman who was wheelchair bound earlier but after doing some basic Water Yoga training with him, is able to walk a few steps on his own. He also teaches a few younger people, who wish to exercise in water and feel relaxed and rejuvenated.
A strong believer in the power of Yoga, Mahesh Palta feels that apart from the obvious fitness factor that Yoga is associated with, it can also help one get over depressions and anxieties. “It is perfect for hectic routines and busy lives,” he adds. Palta attributes his own health and fitness to Water Yoga and a nature inspired diet. He doesn’t believe in allopathic medicines and feels his routine has kept him away from usual age related ailments like high blood pressure, breathlessness, aches and pains, among others.
He is passionate about spreading awareness about Water Yoga and is open to doing a demo for people who know keen interest. Alternatively, you can reach him at +91-9810028040 or visit his website http://maheshpaltayogi.com.
A storytelling session for seniors? Aren’t they the ones supposed to be sharing stories with the younger ones?
If the idea sounds incredulous, think again. Aren’t seniors the treasurers of our most precious heirlooms – the memories of our family? So here’s an account of a storytelling session for senior citizens, done for Silver Talkies by the inimitable Lavanya Prasad. Written by our very own member and well wisher, Pushpa Ranganath.
Our families are like branches on a tree, where we have all grown in different directions yet our roots have remained as one! Alas! Each one of us has been so caught up with living in the present trying to secure the future that we have had no time to relive and relish those beautiful moments, which had made us so happy and cheerful in our childhood. That childhood which is the most precious of all life’s seasons. That childhood where our universe centred around parents, siblings and grandparents; grandparents who were a delightful blend of laughter, caring actions, a treasure trove of wonderful stories and love!
However, sometimes all it needs is a trigger to set in motion the reminiscences of the past, recollecting the wonderful time we spent with our family. And believe me, such a trigger was set off by Lavanya Prasad, a professional storyteller and educator based in Bangalore who conducted a storytelling session for the senior members of Silver Talkies Club, South City Chapter, Bangalore.
Lavanya runs TALEscope, an initiative that uses stories as a medium to conduct workshops and training for children and adults. Lavanya’s verve and passion for her chosen profession is remarkable and was evident on that day as she narrated tales from her own life and made us reach far into our childhoods. Lavanya shared stories from her own family to trigger our hidden memories and the tales from the past.
Lavanya Prasad shows the family book of stories, created to preserve memories of her ancestors for the generations to come
The session began with the rendering of a Kannada folk song, which Lavanya sang so mellifluously keeping beats with her damru, that we were all captivated and transported to a different world.
This was followed by her recollections of her own childhood memories and the wonderful time she spent listening to the engrossing stories told by her grandfather. The narration continued with an account of her adolescence years, her fears, her likes and expectations. You might rightly wonder how that would have stimulated us. Ah! That is the beauty and skilfulness of this sprightly storyteller! By bits and pieces she cleverly started drawing everyone present into thinking back to their past, their own childhood, stories that they had heard, things that they liked and did, the heirlooms they cherished and which till today they possess and consider priceless, not in monetary terms but in terms of sentiments and emotions. Lavanya’s prized possession was a stamp, specially created for her in her name, over 20 years ago by her grandfather, who worked in the collector’s office. For Lavanya, the gift was special because it is associated with the stories she and her grandfather shared and a very special childhood memory.
For many of us attending the session, it was throwback time. One of our members shared about the letters he had inherited from his grandfather, another spoke about coins that had been in the family for years…
While each one was looking back to their own childhood days and trying to remember some interesting anecdotes and stories, I too was transported to those days in my own childhood in Bombay.
Sweet memories lay softly on
The pages of my mind
With tenderness they call me back
To long since by-gone times.
There were many interesting recollections. Once I happened to see the black and white photographs of my parents. One such photo caught my attention! It was my father dressed in all white. In those days, gabardine material was in fashion. With his curly hair and immaculately dressed in white he looked very much like some Don from Hindi films. When I asked my mother, she told me that he used to be very fond of Hindi films. And can you imagine the offshoot of this addiction? We, three siblings, were named after the heroine and heroes of those days. Pushpa, Vijay and Arun! Many of you might have seen Hindi movies of yesteryears where these names were common. Another interesting event etched in my memory is the celebration of Gokulashtami. Being a very important festival for us, there used to be hectic activity in preparing for the decoration of the big ‘mantap’. Shopping for fruits with stems, to hang from the top of the mantap, and tying the various savouries my mother used to make was exciting indeed. After the decorations and the lighting of the diyas before puja the mantap looked like a mini Brindavan! You can imagine the times I might have prayed not for the Lord’s blessings but for the purohit to complete the puja as fast as possible so that I could partake of the mouth-watering sweets and savouries! Although I do follow the custom even now, it’s definitely downscaled. Ah, those sweet memories of childhood – they bring to mind a lovely poem by Arti Chopra:
Sweet memories of childhood,
came to me like a soft breeze,
memories that bought a smile to my lips,
memories that tickle and tease.
long forgotten moments…
of times when we were young and brash,
buried deeply in the folds of time,
surfaced to consciousness like a flash.
…………………………………..
warm love and care of our parents,
a longing for mothers food,
relaxing and chilling in our familiar room,
just being at home felt so good.
………………………………….
but nothing can erase the happy moments,
that lift our spirits like a fragrant breeze,
these are memories imprinted forever,
only in death will they ever cease.
ah childhood…we were so lucky,
to have so much love and care,
such loving parents to guide us,
as we for life prepare.
Before concluding the wonderful session, Lavanya showed us the book she has compiled which chronicles the stories and anecdotes associated with her great grandparents along with a family tree! Lavanya encouraged everyone present to remember the stories, anecdotes etc. that formed a part of their own life to compile them and try to trace their own family tree. She promised all help towards this effort. Thus ended a morning well spent, with camaraderie and laughter.
Senior Carnatic Vocalist Sangeetha Kalacharya Neela Ramgopal will be receiving the Sangeeth Natak Akademi award in July. On the occasion of World Music Day, Silver Talkies features an interview with the 82-year old musician who continues to teach music and performs occasionally.
At 82, Carnatic vocalist Neela Ramgopal teaches music for 8-10 hours a day both at her home in JP Nagar in Bangalore as well as over Skype. She has been teaching students since 1965, the year she gave her first public performance. The only time she took a break was when she was in the hospital for nine months undergoing treatment for cancer. Her voice has a strong timbre, and when she sings a krithi for us, it enraptures one with its bhava (emotion). “I am a musician 24/7. I have been doing it like eating or drinking or talking, it’s just like the rest of my life – a very integral part,” she says.
A Late Start
Born and brought up in Kumbakonam in Tamil Nadu, Neela lived next door to one of the greatest doyens of Carnatic music – Semmangudi Srinivasa Iyer. But in the 1940s, girls were not allowed to go out of their houses and even if she stood outside and looked at passers-by, she would be questioned. Ever under the watchful eye of her mother, she would watch many musicians come and go across the street, but did not realise the significance of having missed the opportunity of a lifetime, until she started learning music years later after moving to Bangalore.
It’s been a long journey since she moved to Karnataka and started her life in Basavangudi. The life-changing moment came when after singing at the Navaratri kolu of an acquaintance, Neela found people ignoring her while they were all praises for a professional singer who had sung before her. “I was not good at singing. People praised the other singer and I felt bad. I took a vow to make myself somebody in music,” she reminiscences.
Neela Ramgopal’s music career has not followed the usual trajectory of classical musicians. She did not start learning early at home and then go on to a paat class and then on to a guru who would make her a professional performer. Her continued success as a performer and teacher goes to show that artistry and vocal ability are not limited or defined by biological age. She had a good voice and her guru recognised that.
“Normally singers start very early, at the age of 3 to 5 years. I started music learning after 23,” says Neela. Unhappy with the unavailability of a guru in Bangalore, she was in constant search of a teacher and decided to start learning under N M Narayanan, a Chennai-based disciple of the legendary Carnatic vocalists Brinda and Muktha. However, this was easier said than done. In an age of no Skype or YouTube, it was challenging to learn from a master based in Chennai while the student resided in Bangalore. Neela’s learning spanned over 15 years while spending only 15 days each year learning from her guru.
“I used to go to Chennai during the Music Season in December and stay in my guru’s house for 15 days every year. Trained by Brinda, he opened my eyes on how Carnatic music should be. While it may seem that I did not have a regular guru, I was urged on by my vow to do something in music. That was my motivation.”
Back home she would repeat everything he taught over and over, till such time that she sounded just like him and he would be taken aback at her ability to internalise his teaching.
A Stellar Career
While starting at the age of 23 is very unusual, it did not preclude a long career, now spanning six decades. On the rare occasions that her guru visited Bangalore, Neela would get a special session. It was a lesson in self-motivation and discipline. “I would head off to Chennai when I felt my motivation was dwindling and get back to my practice recharged.”
Her views on learning and training Carnatic music are invaluable for students who stay far away from their gurus and have only limited access to their teaching. In her time, her source of music was the radio and the concerts that took place near her house. “Concert going was regular. Every day I would go to concerts. Those days there were many sabhas in Bangalore. We would take our two kids in the car, feed them and then listen to music. My husband would take care of our children when I was travelling.”
After the death of her guru, she sought well-known musician T K Rangachary to come to Bangalore and teach her along with others. “I learnt from him for 3-4 years after which our standard went up dramatically.”
Having sung and taught music for over five decades now, Neela Ramgopal says that the only key to voice culture is practice. “There are no special, secret tips to voice culture. Practice is the only aushadi (medicine). I teach 8-9 hours a day. While I’m not singing all through the day, I still do a lot of singing. I have managed to keep the shruthi because I use my throat in such a way that it does not get strained. If you practice well and use modulation, then you don’t need voice culture or aushadi,” says the octogenarian.
Music to her is primarily about touching the heart. “Music is not just about doing pallavis. There are artistes who do avadhani pallavis, keeping tala on both hands. But the bhava is lost. Music should touch your heart. If you sing, tears should come to one’s eyes. That is why Carnatic music is a very difficult field. I may think I’m singing well. But you should tell me that I’m singing very well.”
This July 24, Vidushi Neela Ramgopal will have her own ‘Neela Ramgopal Parampara’ series where 18 students of hers aged between 25 to 60 years will be performing at the Brahma Gana Sabha in Mylapore, Chennai. These students have been learning from her for several years and come from different areas in South Bangalore.
She devotes a large part of her time not just to teaching music but also helping students to understand it. “Having started late my only goal was to shine in the music field. I think I have achieved that. When I got Sangeetha Kalacharya from the Music Academy in 2012, I was immensely satisfied. Unless you are recognised by Music Academy, you have not made it. It was a dream come true.”
Here’s a short video of Neela Ramgopal singing during a recent visit by Silver Talkies to her home:
https://www.facebook.com/silvertalkies/videos/1387216788033982/
British grandmum Alyia Phelps-Gardiner discovered her ancestor Gustav Herman Krumbiegel’s lasting legacy in Bangalore by chance. She has now set up the Gustav Herman Krumbiegel Foundation to take his work forward in the city he loved.
What happens when you discover that your great grandfather wasn’t “just a gardener” as you had thought but actually the person who established the green heritage of Bangalore? That his work found admirers in Maharajahs and horticulturists alike and is admired and respected even today? That he was an important enough person in the history of his adopted city to warrant a mention in the state board’s schoolbooks?
If you are Alyia Phelps-Gardiner, 55, great granddaughter of the renowned botanist and landscape designer G.H. Krumbiegel, the person behind Bangalore’s tree lined avenues that still blossom with raintrees and gulmohars, you pack your bags and set out to discover a part of the heritage you had been mostly unaware of.
Gardiner (carrying flowers) with other green warriors as part of the foundation’s work.
The man responsible for giving Bangalore the tag of ‘Garden City,’ Gustav Herman Krumbiegel was born in Germany in 1865 and trained at the Royal Botanic Gardens Kew, in England. Krumbiegel was known for his work at Bangalore’s Lal Bagh Gardens, where he served as the Superintendent from 1908 to 1932. The ornamental structures in Lalbagh like arches, pedestals and fountains were designed by Krumbiegel, who is also said to have brought in more than 50 per cent of the 9,000 trees from various species in Lalbagh. He also designed the planting of flowering trees along the city’s avenues, designed to blossom seasonally.
Gardiner’s discovery of her lost heritage has been nothing short of serendipitous. While she knew about his work, it was “not to the extent it deserved to be known,” she says. The Krumbiegel women loved India just like he did but had to leave in a rush post Independence, after his death. “So talking about him with my grandmother and mother was a sore subject as they had to leave their home in a hurry,” she says. It was only when she Googled her great grandfather by chance (ironically around his 150th birth anniversary celebrations in both India and Germany) that Gardiner discovered the legacy she had inherited. “An article popped up in a London newspaper looking for descendants of Krumbiegel!” The article had been put up by Richard Ward, advisory editor of the Kew Guild in UK, who was helping with the 150th anniversary celebrations.
“It was like a thunderbolt,” Gardiner, a grandmother herself, admits. And as the saying goes, one thing led to another. “I contacted Richard Ward, went to the Krumbiegel exhibition in Germany, which eventually led me on to Bangalore….” She says, about how she found herself in the Garden City. “Great grandfather made me do this I’m sure.” At the exhibition on Krumbiegel in Germany, Gardiner met Narayana Swamy, a former senior assistant director of Horticulture, Karnataka and discovered more about her ancestor’s work in the city.
Krumbiegel, a former Kew Gardens student, was appointed by the Maharaja of Baroda, Sayaji Rao Gaekwad, to develop ornamental and landscape gardens in his state and personal estates in Bombay and Ooty. The Maharajah of Mysore, Krishnaraja Wodeyar was a good friend of the Gaekwads and persuaded him to send Krumbiegel to the erstwhile state of Mysore for a few years. “My great grandfather started his services for Mysore state in 1908. He was the Superintendent of the government Gardens at Lalbagh, Cubbon Park and Curzon Park. In his time, he did town planning and started many societies, which are still around today,” says Gardiner, who discovered all this during her visit to Bangalore in January 2017 as a special guest at the annual Lalbagh Flower Show.
Bangalore and Lalbagh held a very special place in Krumbiegel’s heart as it did in his family’s. “My mother is now 94 and still tells me how life was so good in India,” Gardiner mentions. She believes that the Krumbiegels found a home here. “He had no allegiance to Germany or indeed even to Britain even though his wife was British and he was very vocal with those views. Due to British-German enmity, he was put in internment camp through both the wars as a enemy of the state and his family were under house arrest. Despite this great-grandfather stuck to his views and thankfully the Maharajah Wodeyar and Sir Mirza Ismail (the Diwan of Mysore) intervened on his behalf both times when he was jailed,” Gardiner recounts.
When Krumbiegel died in 1956, the then Maharaja of Mysore, Jayachamarajendra Wodeyar insisted that he be buried at the Methodist Burial Ground on Langford Road, under his favourite African Tulip tree. His epitaph read, ‘Whatever he touched, he adorned.’
For Gardiner, the discovery of this immense legacy has been like a responsibility that her great-grandfather may have directed towards her from the heavens. She has met people who worked with her great grandfather and had wonderful stories to share and she has seen the beauty and impact of his work firsthand. Saddened by the fast disappearing green cover in Bangalore, she has joined hands with some of Bangalore’s green warriors to restore few things such as Krumbiegel Hall and the Superintendent’s Bungalow at Lalbagh.
Gardiner’s parents with her grandmother Hilda, brother Wayne (centre) and her great grand parents
Gardiner also wants to carry forward her ancestor’s work and has set up the Gustav Herman Krumbiegel (GHK) Foundation to enable that. “The foundation is about greening up previously unloved spaces and citizens taking responsibility towards that end. Our aim is also to make children learn to love and appreciate their land and animals,” she says.
Gardiner has many of Krumbiegel’s letters in her possession. “I hear in his letters how much he loved India and envisioned a city which could balance nature and urban development, which sadly seems to have been forgotten. Maybe I have great-grandfather’s genes deeply running through my veins, because I feel his love for Bangalore and wish to return to plant as many trees, as I have big boots to fill.”
All photographs courtesy: Alyia Phelps-Gardiner
Featured image: The Krumbiegel family. Gustav Krumbiegel and his wife Katie-Clara sitting, with their three daughters behind them. Gardiner’s grandmother Hilda is on the top right hand side.
To know more about Krumbiegel, visit here
The Vodafone ad may have turned celebrated dancing duo Shanta and VP Dhananjayan into household names but the acclaimed artists have been winning hearts way before that.
Simple. Gentle. Humble. The Dhananjayans could be your neighbourhood grandparents. She getting up at 6 am to make sure the house and kitchen are in order; he, passionate about politics and social reforms, writing letters to the editor and sharing his views. But Shanta and VP Dhananjayan, 74 and 78, go beyond that. They are one of the most well-known artistic couples in India, having been partners and collaborators in Bharatanaatyam and life over the last 50 years. Padma Bhushan recipients in 2009, they run Bharata Kalaanjali, an academy of classical dance in Chennai. Despite their illustrious career, the Dhananjayans have charmed India and gained instant popularity because of the role they play in a recently launched Vodafone ad during the Indian Premiere League season. In the ad, they are the cute elderly couple visiting Goa on a second honeymoon and living it up – from grooving on a boat to parasailing.
Photograph courtesy: http://www.bharatakalaanjali.org/
Living it up and not letting age get in the way of their passions is how the Dhananjayans are in real life too. Given their credentials, it perhaps speaks volumes about our lack of cultural awareness that most of the country has got acquainted with them only after the ad and a Whatsapp message forward about the couple’s achievements has gone viral. But the charming Shanta is gracious and happy about it. “I never expected the kind of recognition we got after the ad. The appreciation has been terrific and can be overwhelming sometimes. We went for the IPL finals in Hyderabad and were mobbed!” she says, adding after a pause, “It’s a different kind of experience and I am enjoying it. It’s a very different kind of feeling!”
Going Beyond Age
It was the storyline of the ad, the credentials of the director (Prakash Varma) and the agency (Nirvana Films) that made the Dhananjayans take it up. That and a chance to visit Goa, where the ad was shot. Though they have travelled across the world on their dance tours and also on family holidays, they had never been to Goa when they were approached by the agency through their son Satyajit, a photographer based in Chennai. Dhananjayan has shot for a regional ad film earlier but for Shanta, this was a first time experience. She was glad to have taken it on and says being with the unit and its younger members was like being part of a big family. “Being dancers, we have had some exposure to acting so we decided to take it up as a challenge. There was almost two weeks of work, which required a lot of effort and time but we were able to sail through. In fact, the unit was quite surprised that we were able to do everything continuously,” she laughs. Dhananjayan credits their energy, reflected in the ad, to their 55 years of “natya training and the discipline, devotion and dedication that comes with it.”
There were many firsts. While Dhananjayan, who is usually comfortable in traditional clothes, wore Western clothes and tried his hand at riding a scooter, Shanta tried her hand at parasailing and even went up to an extent. “Next time, I’ll be able to go all the way up,” she chips in with confidence.
The joy and bonhomie of the couple in the ad is perhaps a reflection of how many elderly couples in India are choosing to live their post retirement years now, trying out new experiences. This is true to an extent, thinks Shanta. “People do want to travel and are a little more adventurous. The mindsets are changing. I would say it is 50-50!”
Partners All The Way
The Dhananjayans have always shared a modern mindset that is rooted in the tradition of their art but is forward looking and innovative at the same time. Performing together for almost five decades now, the Dhananjayans, both trained from Kalakshetra in Chennai, set up their dance school, Bharata Kalaanjali in 1968 and will celebrate its 50th year in 2018. They also celebrated their 50th marriage anniversary recently, with a family holiday in Greece. In fact they met at Kalakshetra when she was 8 and he was 13, though love blossomed sometime later. Theirs has been a strong and complementary partnership, something Shanta attributes to knowing each other very well and having the grace and intelligence to acknowledge each other’s strengths. “I know what I’m capable of; when I feel my husband can do certain things better I leave that to him. I feel if you have that give and take, it makes life easy, not just in marriage but in other situations as well. This is a lesson I have learnt.”
Dhanajayan credits his craft again for their happy and successful innings. “Practice of natya has given us strength and tolerance, including spiritual strength. Any art practice is good for a human being and that is why we should have art integrated education,” he thinks. Their partnership as dancers and to establish their own institution has seen many rough patches which the couple have overcome, and has probably helped cement the bond further. It reflects in the Vodafone ad and has added to its appeal in a great measure.
Photograph courtesy: http://www.bharatakalaanjali.org/
As dancers, the duo has tried innovations and themes in their performances, without moving away from the tradition and base that they gained in their alma mater Kalakshetra. “In terms of technique, we have evolved and created our own themes, keeping the ethos of Bharatanaatyam. We have done themes like Jungle book, on women’s liberation, collaborated with the late Pandit Ravi Shankar and done performances on themes related to Buddhism and Christianity,” says Dhananjayan, who considers himself an active social reformer, concerned about several issues, including campaigns against smoking and drinking. Shanta feels their innovations have opened up avenues for other dancers as the duo has been able to break “some of the closed traditions.” We are always open to new experiences, she says, referring not just to their innovations in dance but also their recent viral ad. “Everything is an experience and if anything passes a good message to the society, then why not?”
To know more about their work, visit http://www.bharatakalaanjali.org/
Many grandmas and grandpas we know are natural at recycling. Here are some awesome upcycling ideas from Siliguri resident and retired teacher Kanta Pradhan.
A few weeks ago, thunderstorms in Siliguri, West Bengal, uprooted a tree outside retired teacher Kanta Pradhan’s house. This tree was planted by her almost 12 years ago, so obviously she was heartbroken…
But that wasn’t the end of the story. Pradhan decided not to throw away the tree and upcycle it as an organic planter — The tree itself and a part of the stump.
“What is unbelievable is the way in which these plants are growing – happy and content with the nutrients provided by a dying tree,” says Pradhan’s daughter Manisha Panwar! “In fact, my mum turned away lots of people who wanted to take the tree for wood work!
This is not the first time Pradhan has upcycled something in a creative way. An avid gardener, this former high school Biology teacher regularly upcycles plastic bottles for her verdant garden and has even upcycled an old washing machine into a Tulsi planter!
Now if that is not a reuse in the most creative of ways, we don’t know what is!
Plants thriving !
Pradhan of course does these things in a rather matter of fact way, similar to many seniors who have grown up with upcycling, a catchword now among the eco-conscious, as part of their lives. Now leading a retired life for the past 6 years, she loves to look after her plants, her dog and travel the world. We look forward to more upcyling ideas from her garden.
Do you know another creative soul whose work could inspire others? Share their story with us on connect@silvertalkies.com
How semi-retired business couple Janet and Louis D’souza went on an eight-month 57,373 kms road trip and rediscovered themselves.
Inspirational, adventurous, living to the fullest… any of these words could describe the D’souza couple’s eight month long road trip that spanned 52 countries, 57,373 kms and peak summer to freezing winter temperatures. A ‘journey of a lifetime’ is what it truly was. Perhaps adding the small detail of their age – Janet, 56, and Louis, 63, should explain why.
San Sebastian
It happened like this: Janet and Louis D’souza, married for 36 years and owners of a logistics business in Mumbai, were inspired by Bangalorean Anand Baid and his family’s epic road trip of 111 days covering half the world. They decided this was exactly the kind of adventure they would like to celebrate their semi-retirement with and pledged that their road trip would also benefit two charities — White Dove, Mangalore and Muskaan, Mumbai, by donating Rs.10 for every kilometre that they travelled.
The D’souzas had had a fair amount of practise driving through the south of India, en route to their home in Mangalore from Mumbai, taking detours through Kerala and Tamil Nadu. With Anand Baid’s help, they located a Bangalore-based couple Susan and Michael to accompany them from Guwahati to Moscow. This would not only add to the fun quotient but also allow them to share the cost of hiring a government escort through the territories of China and Myanmar, mandated by their respective governments.
Pretty Andorra
Putting The Plan To Action
“We left on May 20, 2016 and returned on Jan 6, 2017, with a break of four weeks during Christmas. This made the trip eight months long, spanning 57,373 kms, including through 600 kms in snow. The reason for this break was political unrest in Myanmar, but we’ll come to that later,” begins Janet.
An Ukranian lady they met in Georgia
The D’souza’s decided on the road trip in August 2015 and Janet began her research on the route map, destinations for stop-overs and the permissions required. On March 1, 2016, she started applying for Visas. “The respective Indian Embassies helped to arrange our Visa documents to most countries but in some of the countries such as Azerbaijan and Iran, we had to buy the invitation letters through the local travel agents. In all, Visa for about 30 countries had to be applied, e.g., Turkey gave an e-visa; each embassy takes 10 days to issue Visa, so once I got the Passports back I applied for the next Visa. The applications had to be done carefully. “The tricky part was to apply just enough in advance so that the Visa would stay valid up until we travelled through the country,” she explains.
The D’souzas had traded in their old BMW for a brand new BMW SUV X 5 model and driving it through changing terrains was a dream, they say. BMW suggested they use anti-freeze diesel. They also added additives to the fuel where it was cold or in case the fuel had excess sulphur. Even wiper water had to have anti-freeze added to it during the really cold days. And for emergencies like a tyre puncture on the highway far away from a service centre, they downloaded a YouTube tutorial on how to repair a punctured tyre and carried the puncture repair kit along with one donor tyre. Luckily they had only one puncture outside India in Skopje, Macedonia, with the nearest puncture repair service just 20 kms away, Janet adds.
“Food was a little bit of a problem as I prefer vegan food but there wasn’t much choice of this outside India. Louis had to forego his preferred gravy-based curries for dry dishes. But these were minor discomforts. We had also carried ready-to-eat food but I rarely used it. Our staple was a flask of hot water to make our coffee on the highway stopovers and this was accompanied with dry-fruit and nuts that I carried in single-use packets,” says Janet.
The couple drove through a variety of landscapes. Here is the Zhangye Danxia Landform in China
The Highs & Lows
“Typically, if we were crossing the border into another country, we started from our hotel at 6.30 a.m so that we could be among the first ones in the queue. Otherwise, we would leave after breakfast at 9.30 am. Every one and half to two hours, we would stop for rest-room breaks. Usually, we would check into a hotel by early evening and catch up with sight-seeing the next day. Google Translate was our go-to resource for striking up conversations,” explains Janet.
“Europe was gorgeous with its museums and architecture. Travelling through Central Asia, we were delighted to walk through the history and heritage of humanity. Iran was very nice even though we had been warned about car and documents theft. So we had hired a travel agent to book a good hotel and get us a tour guide who could speak English. Iranians are fond of Indians and in some places they exempted us from tolls. Even though Iran has hilly terrain, roads are excellent. There were other strictures in Iran such as a ban on credit cards. And as in other countries, we left our passports with the hotel. Plus, women have to wear long sleeved and below-the-hips dresses with long pants and a veil,” says Janet.
Their worst experience was in Turkmenistan where they were not allowed to take the car into the capital because right hand drive cars were prohibited from entering. This was a new rule which had not shown up in their Internet research and couldn’t be overcome even with the Indian embassy’s intervention. Eventually the travel agent hired by the D’ souza’s found a safe parking place for the car outside the city limits and they toured the city in his car.
Louis is diabetic and they carried insulin in a cool box, along with other medication. How bad was the physical or mental strain of driving? “All the routes and stop-overs were saved on Excel sheets and of course the GPS led our entire trip. Mostly the driving was pretty relaxed because the roads were excellent and the scenery gorgeous. But in China, while driving through the 2,000 km straight road of the Gobi desert with hardly any traffic to keep us alert, we started feeling drowsy. We had to take frequent coffee breaks and change places to drive,” says Louis. “We admired the road discipline in Myanmar because even trucks stop to allow you to pass, and they all give indication for ‘overtake or don’t overtake.’ Also, in Myanmar we found the cleanest toilets even in tiny villages. Sadly, India has the lousiest ones,” says Louis.
Life On The Road
The D’souzas had a pleasant stay at all places. In Europe they had booked stays through Airbnb and Booking.com. Both these sites offer reviews of each place so you know what you are paying for. You can get clean bathrooms, do your laundry and make your breakfast in their kitchen if you feel like. The D’souzas shared the responsibilities. “I did 90 per cent of the driving and Janet did all the rest such as booking accommodation, mapping routes, time, distance, hiring guides, getting Visas, writing the blog,” says Louis. “Oh, he booked one hotel stay and it was the most expensive hotel; he is brand conscious,” tells Janet. “No, I was looking for comfort for us and a safe parking place for the car,” defends Louis.
The journey came with its own challenges and rewards.
The D’souzas with the only Sardar couple in Andorra
The most rewarding experience was the friendship of strangers in every place they visited. Most of these new-found friends continue to be friends on social media and many have invited Janet & Loouis ‘to come stay with them when they visit their country.’
The greatest challenge for the D’souzas was on their return trip at the Ruili border to Myanmar which they could not enter due to political unrest. They applied for fresh permission from Myanmar authorities for entry from the southern side of the country. They parked their car at a hotel in Tachileik, a border town in Eastern Myanmar and flew back to India to celebrate Christmas and New Year with their family. When the permissions came through, they drove to the Tamu border in Myanmar to cross back into India, accompanied by an official from the Ministry of Tourism and a tour guide.
“Each day we woke up with the excitement of discovering new places; driving through no-man’s land and rediscovering ourselves. We realised that it was safe to travel on planet Earth. Although we carried a pepper spray we never needed to use it,” says Janet.
Did they have any panic moments where they felt they had taken on more than they could chew? “Our children tried to dissuade us. But this really is fun for us and we were confident. In our youth and middle age we have struggled to create a good life. I see people around me just continue to work and make more money because that’s all they know. I believe we have come in this world with nothing and will leave with nothing. So let’s enjoy while also doing good for people,” Janet spells out their philosophy.
While the road trip brought novel experiences each day, they had also embarked on this journey of a lifetime to rediscover their relationship. “I like meeting people more than checking out every tourist attraction so, as you can imagine, we had a lot of fights and our Dash cam (dashboard camera) is witness to all our tantrums,” smiles Louis.
“We spent 24/7 for seven months in the confined space of a car and hotel rooms. And it was a true test of endurance of our relationship. I discovered that there are times when I prefer to be myself even when we are on a road trip,” says Janet thoughtfully. Would they do things differently on the next road trip? “Yes,” pipes up Janet, “spend at least two days in each place so that we can unwind before packing up again for the next destination. May be just sit for a while and do nothing…”
The D’souza’s have plans for another road trip within Australia and New Zealand in 2018 but for now Janet is enjoying baby-sitting her two grand children in Belgium.
To find out more details and the route of their trip, check out their blog The Lifetime Journey
All photographs courtesy: Janet & Louis D’souza
Road Trip Must Haves
Medicines
Enough stock of prescription medicines
Cool box for carrying Insulin, etc.
Paracetamol
Antacids
Vitamin supplements
First Aid Kit
Electronic gadgets
GPS
Dash cam
Camera
Mobiles
International SIM card
Tyre repair kit
Essential documents
Passport
Invitation letter
Financial documents such as bank statement, etc.
Visa application & fees
(Carry hard copies and back up digital copies on Google Drive)
What seniors need to keep in mind
Food and water should be available in the vehicle as you never know when delays may happen
Fire extinguisher
Reflector jackets to be worn in case you have to get down to check vehicle after parking or if stopped on the road for any reason.
Creative senior entrepreneur GS Jayanthi dabbles in myriad art forms, creating innovative designs out of several everyday objects.
The next time you enter the kitchen, give your spice box a fresh new look. Did it ever occur to you that you could create some wonderful art with it? In fact, that’s exactly what senior entrepreneur and creative soul GS Jayanthi, 62, does. The multi-faceted Jayanthi has quite an imaginative array of artwork up her sleeve. From framed jewellery work, pebble art to kalamkari block printed T shirts and more, she does it all. Spice Art, where she creates designs out of regular spices found in every Indian kitchen, like cloves, nutmeg, star anise, cinnamon and even curry leaves, mustard, chillies and coriander, is probably the most unique one!
If other people see an explosion of taste in the myriad spices we use in our daily cooking, Jayanthi sees design patterns in them. Incidentally, her inspiration came from art with dried flowers and leaves. “I thought of adding something more to that and for colour started adding dry red chillies.”
Then came a brainwave. “Why not try creating designs only with spices,” Jayanthi says.
The process of creating spice art takes time and requires concentration. Jayanthi ensures the spices are kept moisture free. She dries the wet spices like curry leaves, coriander or rosemary. Once the design has been created, she does a coat of varnish on top to keep it well preserved and creates a double frame to give the final finishing touch. Like any true artist, Jayanthi doesn’t believe in repeating her designs. “Depends on my mood and what I want to do at that moment. Every design I do is different,” she adds.
Design and art have always been part of Jayanthi’s life. She has worked as a costume designer in Kannada films for several years, working alongside her filmmaker son, KM Chaitanya. She also runs a boutique from her home that stocks her unique products. The jewellery embroidery she does is rather unique as well, inspired by traditional South Indian temple jewellery designs. “I’ve been doing that for the last few years and these are very popular as wedding return gifts,” she adds. She has also started doing hand block printed T-shirts recently and designs the blocks herself.
Jewellery inspired embroidery
A member of the handmade collective of artists, A Hundred Hands, Jayanthi has never trained as an artist. Her creativity across diverse art forms has been self taught, explored and experimented with entirely on her own, something she has in common with many creative people featured on Silver Talkies. In fact, her recent foray into pebble art came as a result of collecting pebbles on the beach during a visit overseas. Before long, she was seeing designs in them the way only a creative mind could!
A caregiver to her mother who’s 82, Jayanthi ensures she takes out time for her artwork and doesn’t plan to take a break from that anytime soon. “It helps me cope with everyday life,” says this enthusiastic creator, adding that she gets a lot of encouragement from her family for her work.
Art with pebbles
While spice art, pebble craft and jewellery inspired embroidery keep her busy these days, Jayanthi’s innovative mind is sure to add some more to that repertoire soon. She also does a lot of custom designs for clients if needed and you can check out her work on her Facebook page here https://www.facebook.com/Ananya-104443402967480/
To know more about her work or organise a workshop with her, email us on connect@silvertalkies.com.
All photographs courtesy: GS Jayanthi
Textile artist Leela Cherian’s art quilts are a melange of various kinds of fabric, texture and colours, all coming together to create heirloom pieces of art.
At 76, Leela Cherian’s mind is a storehouse of imagination; brimming with a riot of colours and whimsical ideas. A textile artist, Leela Cherian’s artistry needs no introduction in the world of art quilting. Quilting since 1980, Leela made her first art quilt in the 90’s after an introduction to British textile artist Lara Carter’s work. Leela has been collecting fabric for 30 years now, her creative genius bringing them together to make exceptionally vibrant and spellbinding works of art. Her work draws inspiration and ideas from everywhere – whether it’s her travels in the Yucatan Peninsula, Mexico; to Chinese gardens; the sights and sounds of India or her own beautifully decorated home and garden.
Leela Cherian, the artist
A Fabric of Mixed Media
From a distance, it’s hard to tell that her canvas is fabric and the medium is textiles of various kind – each in multiple shades of colour, luster and texture, accessorised by threads, beads and her limitless imagination. Art has always been Leela’s forte and as a young housewife in Vellore, a small town in Tamil Nadu where her cardiologist husband Dr. George Cherian worked, Leela tried oil painting and terracotta work among other art and craft. Her creativity needed an outlet in a township where the world was largely medical and so Leela enrolled in the Madras College of Art. “I stayed away from my family for three months and did a course in enamelling and terracotta work. I was craft starved,” she says with a laugh.
Quilting was a stroke of luck. “I came across a magazine called McCalls Needlework and Craft in 1978 for the princely sum of Rs 14, which had a photograph of a Hexagon honeycomb quilt. At that time, I did not know what a quilt was and I made my first one without following the proper method!” But the artist in her was hooked and little did she know that the chance introduction was to become a lifelong passion. Leela moved to Kuwait soon after and would ask her husband to get her books on quilting when he travelled. “My main teachers were books!”
Leela’s introduction to art quilting, which doesn’t follow the mathematical pattern that traditional quilting requires was through the work of Lara Carter, a British textile artist, when she held an exhibition in Kuwait in 1996. “She had done spectacular work with scrunched fabric and it struck me that I didn’t have to measure and follow a dimension to create quilt art.”
A Story of Passion
It started her off on journey that she has never looked back from. Leela Cherian’s art quilts see a variety of fabric in use, with an equal array of techniques, right from burning, cutting, sewing to appliqué work. “Fabric has an amazing range and it’s possible to create so much texture with different fabrics like velvet, tulle, organza, silks and cottons.” Leela prefers to hand dye the cotton she uses herself, in a jar, the emerging colour deciding the kind of shading she would use in her work. “I’m an artist and use things intuitively,” says the perfectionist.
Unfortunately, the art world still identifies many like her as crafters and not artists. Leela thinks the lack of artistic status is also because quilts are seen as utility objects and as something traditionally done by women in between chores. “People need to know and understand that there are various forms of art. In India, the mindset largely is that textiles are not art.”
Over the years, Leela has held exhibitions in Kuwait, Bangalore and in USA, where her three daughters live. She has appeared on a show called Simply Quilts on American television to demonstrate one of her quilting techniques in 2001. In 2010, her work ‘Two Pots’ was chosen for publication in the book, ‘500 Art Quilts – An Inspiring Collection of Contemporary Work.’ Her work graces the walls of collectors the world over, including that of her three daughters who love her work, though none of them are into quilting. “They ensure I keep up a steady stream of work,” she adds with a smile.
Her work process is simple and methodical amidst the bouts of intuition and creative energy. “Once I start an art quilt, I draw a full scale picture and put it up on my design wall in the workroom. I experiment with fabric and assess at every stage. The drawing serves as a reference point when she starts making a quilt.” It sure is painstaking work, especially as she has grown older but as Leela says, “when you love what you do, it doesn’t feel like that.”
Is there a style or theme running through her works, we ask, taking in the Mughal style art quilt, the colourful vegetable vendor; the flowers tumbling out of pots and the mesmerising cityscapes that dot the walls of her home. “I do a lot of buildings. I love cities,” says Leela, who comes from a family of architects and clearly loves hers arches and doorways. She also likes to challenge herself and does a variety of themes, instead of sticking to just one.
Leela loves to experiment with a gamut of techniques. “For instance, did you know that you can burn organza to reveal layer after layer?” The experimentation and eye for detail is evident in her work, which draws the viewer in by unraveling several nuances, gradation and depths. Another highlight is the sheer variety of shades, from greens merging into jades and olives, teal to turquoise, orange into amber, sunset gold into rust…
Textile art was clearly the calling that was waiting for Leela. “From the time I saw the Lara Carter exhibition and came home and did my first ‘Crunch & sew’ quilt, I have never looked back because the possibilities are too wide.” And as you look at her range of work, you know instantly what she means. It’s possible to get lost in one of Leela Cherian’s art quilts and imagine the magical, whimsical world that she has created out of fabric and an her unbridled imagination. It’s art in its most magical form.
Leela Cherian’s works range from Rs. 20,000 and go up to Rs. 2,00,000 or more, depending on the size and complexity of the work. To view her work or join her classes, visit www.cheriandesign.com or visit her FB page https://www.facebook.com/cheriandesign.
All photographs, including the artist’s own, are courtesy Leela Cherian & Cherian Designs
A personal tragedy made Raja Ravi Varma’s great, great granddaughter, celebrated artist Rukmini Varma shun the world for three decades. At 76, she’s now facing the world again with her timeless art and a new purpose.
It’s not everyday that you meet a princess who is down to earth and warm – the 200 year old royal heritage she comes from, sitting lightly on her shoulders. Rukmini Varma, 76, born Princess Bharani Thirunal Rukmini Bayi Varma in the Travancore Royal Family, is also the great great granddaughter of Raja Ravi Varma, one of the greatest painters in the history of Indian art. The grandchild of Travancore’s last queen, Maharani Sethu Lakshmi Bayi, Rukmini grew up in Satelmond Palace in Thiruvananthapuram, with all the privileges and trappings that royal life brings. She was also lucky enough to be her grandmother’s favourite. “She always kept me by her side. She was trained to rule and from childhood was trained to conduct herself. You don’t see people with her kind of dignity, charm and regality anymore. She was a big influence on me.”
Art of Magnificence
What about her great, great grandfather’s influence? Glimpses of that artistic lineage show through in her work but Rukmini’s art is very much her own interpretation. She is inspired by her favourite artist, the baroque genius Peter Paul Rubens, in a style that is her own; rich, jewel-hued and classical. The critics have called it Romantic Representative Realism, Rukmini defines it for us simply as romance of the past. ‘Opulence & Eternity’ form the theme of her upcoming show at Gallery G, Bangalore, where her paintings will see the light of the day after 35 years.
This comes after her last show, a sensational one at Jehangir Art Gallery in 1981, when her artwork caused a stir because of the nudes depicted in them, at least on first view. “The initial reaction to it did irritate me,” says Rukmini who had never looked at her work as something that would cause sensationalism. She was inspired by skin tones and the play of light on them and her work depicted that, even if her mythological characters were semi-clad. It won her appreciation from art legends – MF Husain, KH Ara among them and put her paintings on the walls of collectors from across the world. Before Mumbai, she had exhibited in London, in a show opened by Lord Mountbatten and travelled with her work to places like Germany, apart from other Indian cities. Her work was much appreciated and her beauty compared to that of an ‘Ajanta sculpture.’ Princess Rukmini seemed to have the world at her feet.
But fate had other plans in store and life for Rukmini came to a halt with the death of her younger son. “The tragedy finished me off and it was the end of the world for me,” she says, with a catch in her throat. Rukmini retreated into a spiritual shell, taking refuge in her home, taking care of her parents (her father is 101 now) and stepping out only to visit temples. “I did not even go out into the garden of my house. My meditation was my life,” she says. Did she paint? Yes, there were some but more from a “deeply spiritual perspective.” The tragedy was unbearable enough for her to give up all connection with life if not for her late mother, Lalithamba Bayi, whom she describes affectionately as a livewire and who ensured her daughter kept her spirits up. “She told me you can’t give up on life. She loved people, she was social. You couldn’t walk down Commercial Street with her without being stopped by various people, all wishing to greet her!”
A New Lease
It was only when Gitanjali Maini of Gallery G started visiting Rukmini in connection to the Raja Ravi Varma Foundation that she found out about her work. “Gitanjali changed my whole life,” Rukmini says, eyes lighting up in delight, “my whole perspective underwent a change.” Many of Rukmini’s works, which are part of the Opulence & Eternity exhibition were lying unfinished and with Gitanjali’s encouragement and support, she finished them over a six month period. All the works in the exhibition have already been sold out to collectors the world over.
In her art, Rukmini dabbles with the romance of a past that is rich, opulent yet as diverse culturally as it could be, spanning Egyptian to Hoysala kingdoms. Her queens in the series include her grandmother Sethu Lakshmi Bayi and each embody a grandeur that is ethereal and divine, the richness of the gems and jewellery they adorn a contrast with the luminosity of the skin tones, always the core of Rukmini’s work. The highlight of the exhibition is a majestic twelve-foot-tall painting of emperor Vishnuvardhan and his queen, the legendary dancer, Shantala.
Interestingly, Rukmini’s art has always been inspired by visions. She has seen images from ancient civilisations in her mind’s eye, right from childhood. “As I grew up, these became clearer. They were de-stressing for me and symbolised prosperity, wellbeing and good health,” she says. By the time Rukmini started painting these visions in oils, she was around 25, married and a mother. It comes as a surprise to know that art was not always her first option, even though she displayed almost 40 paintings in one of her first shows at Grindlays Bank in Bangalore, in the 1970s. “Art was something I had always been doing, since I was surrounded by it. My father wanted me to pursue academics. I loved science and wanted to be a doctor. Embracing a profession would have been wonderful coming from my background…” she says, a tad ruefully, adding that she’s lucky her parents always had a modern outlook, a contrast with the rest of the family.
“My parents were forward thinking; when they moved our family to Bangalore, it caused a tremendous sensation because it was so daring an act. But we loved it because we got to go to school, mix with other children, whereas in the palace it was always supervised, with a retinue of servants. To be able to come away from the close confines of the palace and the palace politics was something none of us ever regretted.”
A Life In Phases
It is possibly because of the normalcy of the upbringing her parents gave her that Rukmini exudes a simplicity and warmth we don’t always associate with royalty. There is also a quiet sense of humour. Here’s a person who can laugh at herself and wonders why people have been curious to know so much about her life in the past few days. “I’m the most boring person in the world!”
It is hard to reconcile this serene woman with someone who made waves in the world of art in the 70s and 80s and was the belle of the ball, with her talent and beauty. Not every person can reach the heights of their work and then give it all up like Rukmini did but she chooses to accept life as it comes. “I don’t know how to assess and analyse my life. It was very different to start with and then I had my meditative phase and now this…I’m still trying to find a connection.”
At 76, this senior artist is far from done. She still paints and hopes to exhibit her “deeply spiritual paintings” someday. While she doesn’t regret the years of reclusiveness (“I’m like my grandmother, quite reclusive; my sisters have got parts of my mother”), the positive response to her work in her late seventies and after so many years has been overwhelming and energising. It is perhaps in some ways, the legacy she carries coming a full circle. “Art is all about communication; You bring something for people to relate to. That is what my great grandfather did so well and perhaps this is exactly what he would have wanted me to do.”
Manjul Menon runs BEAD, a social enterprise, along with her daughter. Here, in her own words, are the positive lessons running it against all odds has taught the two of them, including a new perspective towards life and work as Menon grows older.
I think this is my third career change, and my second entrepreneurial effort! I have degrees in Pharmacy but have hardly worked in the sector. I went on to do a doctorate from IIM Bangalore and a stint as a management consultant. I left my marriage because of domestic violence when my daughter was thirteen months old. It became increasingly difficult to manage a high-pressure job with life as a single parent, who might lose custody because of the job. I quit, turned to freelance work and also started a social enterprise, called BEAD. Our aim from the beginning has been to empower women from economically weaker backgrounds achieve some level of financial standing. This is our story.
I started with hand-knitted woollens for babies, training girls from poor households, moving on to kids’ clothes, women’s apparel and kurtas for men. On the point of incorporating it, my mother fell ill. I couldn’t keep up the work and took up a part-time job after her death, so that I had more time with my then seven year old.
When she was 13, my daughter discovered that she found it easier to concentrate when her hands were busy. After crumbling countless erasers, she asked if she could make jewelry while she studied and wanted me to buy findings (components for making jewelry). I got the idea of taking forward my earlier inspiration of a social enterprise, to give the child interaction with people from other socio-economic sections and broaden her thinking, since she went to a school with a narrow upper income group student profile. Manini started training a small number of women to make earrings. Her high standards ensured that only two stayed and others had to do other tasks that required less skill! We paid a small stipend each day during training.
The Turning Point
The day after we paid the very first woman’s daily wage, she told our household help that she’d used that money to buy rice, potatoes and cooking oil for her family’s first proper meal in three days. This made a deep impact on Manini and her approach to sales – she completely understood that we needed to sell what we produced, in order to have a sustainable enterprise.
We cast about for a name then decided on an acronym to best convey what we endeavour to do. We came up with BEAD: Believing in Empowerment, Achievement & Dignity.
We soon realised that earrings alone wouldn’t generate enough money to help us fulfill our mission of supplementing family incomes and enhancing women’s standing in their families as earning members. Serendipitously, we heard of a woman who needed work and had a tailoring machine, so we started home linen. It is a slow moving product line; we needed something else, so we launched skirts. This product took time to pick up but is now the mainstay of BEAD. Every time we’ve launched a new product line, it’s been to create work for a new person who’s been desperate for work. We started quilts to create a monthly job for our tailor when our skirts weren’t selling in sufficient numbers. We started patch-worked blouse pieces when someone else needed work. Now we can provide steady work in all product lines.
I’d say we’re inspired by Loren Eiseley’s ‘The Starfish Story’ – we’ve made a difference to the lives of several people, watched their circumstances change for the better. We chose Swarovski crystal starfish earrings as our fundraiser and symbol.
Along the way we’ve created a market for our kind of skirts and refined our understanding of fabric and the larger impacts of our life choices. Manini started learning about textiles in school and brought back her insights to change what we bought and how we bought it. For instance, I love handloom but learnt more: how to tell it apart from powerloom, about the environmental impact of chemical vs. natural dyes, how little crafts persons were paid and the injustice of the creators of beautiful things having to scrounge for a living wage, among other things.
After a 2000 km road trip through South India visiting weavers and craftspersons, our desire to make a difference to the lives of everyone in our supply chain was reinforced. We decided to focus on handloom material, plain or printed by hand with natural dyes. We sought to buy at near-retail prices from the producers, as far as possible. We’ve struggled to financially sustain our value-based work. I’ve dug into depleting savings because we’ve committed, even if in a small way, to do something bigger than ourselves. We can’t let down our people, though we say to each that what we provide is only an additional income.
Our first foray into retail sales was with ‘Asmara,’ a store in Bangalore run by the amazing Ayesha Chandy. Sales picked up and even when she closed down, most of our customers stayed with us. Sangeetha Shankar was one, a friend now, and she was our first model on our Facebook page. Most people find us through our regular, repeat customers. In 2016, we started retailing on a terrific Bangalore-based website, Peacock Colours.com, which has already given us our first orders.
In the past few months, we’ve stepped up the pace. Our sales are growing, and one option is to become an incorporated company later this year, and continue to run as a revenue-sharing not-for-profit. Like the inspiring Kala Charlu of MITU (Multi-initiatives Towards Upliftment), my belief is that we give back to society – engage those less advantaged than us, in productive work which taps into their innate creativity. Most of my tailors input into the colour combinations of our products, particularly for quilts and patch-worked fabric and I think it contributes as much to their satisfaction as what we pay.
Her work with BEAD has helped Manini in many ways. Initially it helped her overcome her shyness. She’s also had exposure to the growing pains of a not-for-profit enterprise, been able to contribute to strategy and given insights into marketing. This helped her grow not only on a personal level but positively impacted her concentration levels and academic performance, besides improving her interpersonal and leadership skills.
Now Manini is off to college and in an ideal world, I’d focus on growing BEAD in accordance with my belief that only large volumes will help us help more people. The main constraint is financial – I need to work to fund BEAD and meet our living expenses. Also, at 55, with some health concerns and high stress levels, it is a growing challenge to run it by myself.
But I enjoy what we do and if I were financially comfortable, maybe this is all I’d focus on! But I think I’ll work too, if I can find work that means more than a paycheque. That I can no longer look forward to another 50 years adds a certain urgency to do something meaningful – and crowd in as much as I can – in the time I have left.
At 55, I feel enthused and ready to open a new chapter in my life. I feel content that my duty as a parent has been enjoyable and, I think, well done. I’m sending a bright, enquiring mind to find her place in the world. I’m still idealistic and raring to go. But I know that my work experience and life experience will inform and enrich whatever I do – that’s an advantage my younger self lacked!
BEAD stocks skirts, stoles, quilts and jewelry for women. To buy from BEAD, you can contact Manjul Madampath Menon on 09243114425 or visit their Facebook page: https://www.facebook.com/bead.socialenterprise/
You can also buy BEAD from Peacock Colours: http://www.peacockcolours.com/fashion-1/skirts-and-legwear-for-women/wrap-around-skirt
All photographs by Manini Menon, for BEAD
As a teacher in Dubai, modelling was never a career option for Rama Srinivasan. She spent 20 years teaching and moulding young students. And when she did retire nearly a decade ago, she returned to her hometown, Bangalore to lead a quiet life with her husband. Then a chance offer from her daughter in law’s friend’s production company opened up a whole new world for her. “They asked me to audition for a television commercial and I said NO,” recalls Srinivasan, now 62 years old. “I just didn’t know what to do in an audition.” Facing the camera was the next big worry. She was asked to introduce herself and speak in English for a Malayalam television commercial that was to be dubbed later. The commercial for a matrimonial site, M4 Matrimony, had her as a girl’s mother looking for a prospective son-in- law.
Rama Srinivasan in a still from the Himalaya Ad film.
Photograph courtesy: Nisha Abraham
“It sounded all too simple but when I faced the camera I froze, I was too astonished to say anything,” laughs Srinivasan, who was finally selected for the ad. Just when she thought she was comfortable with the camera, the reality hit her on the actual day of shooting. “I froze at the sight and size of the production unit; the room was swarming with over 25 odd people comprising spot boys, camera men, makeup artists, etc. I was then shocked to see who I was shooting for. Amal Neerad (well known cinematographer and director) was too big a name for me to even imagine I would be working with!” says Srinivasan who has since then shot for the Himalaya range of products and Kalyan Jewels, and is a popular senior model.
A New Innings
Like children, seniors too appeal well on screen and are capable of selling anything from insurance to beauty products. You could be the face on a catalogue, television or then print advertising or be even walking the ramp. A designer in New York got three 70 year olds to walk the ramp recently, while closer home in neighbouring China, actor Wang Deshun, 80, set the ramp on fire at the China Fashion Week last year. What with silver haired men and women selling everything from wrinkle creams to fitness clubs internationally, India too has seen a surge in demand for senior models in the recent past.
It’s been nine years and Srinivasan has done over 25 commercials and a whole lot of auditions ever since. She has been the face for the Unilever brand Indulekha and has also acted in several films like Charlie and Pirav, both in Malayalam. “It helps to be a known face. The visibility is important but your face has to suit the requirement also,” she says, explaining why there are numerous auditions to go through before bagging the job. One has to keep in mind so many things. First, one has to be comfortable in front of the camera and Srinivasan claims it is not everybody’s cup of tea. “You cannot be camera shy and also need to understand that a lot happens from time of the audition right to the final shoot. There are a whole lot of people who are involved, right from the client, the agency, the director and the camera guy, after you have gone past the casting agency, that is.”
Vidyadhar Karmarkar, the oldest living television actor in India at 90.
All this, however, came easy for 90 year old Vidyadhar Karmarkar who was already a known name in Marathi theatre when he started modelling. You can spot him in ads for Helpage India and Crack Jack biscuits. This Mumbaikar is the oldest living television actor, and has, besides working in television serials, also done films like I (a Tamil film) with director Shankar and more recent, Ritesh Batra’s The Lunchbox. “Acting has been a passion and I am happy to be alive doing what I love doing most,” says Karmarkar who retired from the Central Telegraph office in 1984. In his free time he acted as well as directed plays and was also a known puppeteer. “I started modelling at the age of 82,” says the pensioner who has ever since done over 125 commercials besides a host of Hindi and other regional language films. Theatre stays his first love but it’s his screen presence that makes him a known face and gives him more visibility. Money is incidental, says Karmarkar, who claims that he never got into the line to make money. The perks come when the ad one has shot for gets an award or two, like his first ad for Helpage India did.
Like him the 60 plus Sunita Shirole has been a household face because of her roles in several television serials. Yet she too needs to audition every time she has to get work, and it’s the same with films, television serials or commercials. “The times have changed. Earlier we used to get work through word of mouth, now audition plays a very important role.”
The Way It Works
If auditions are common, so are payment delays. “It is also a fact that kids and seniors are not paid at par with the other models,” says Kavish Sinha, a casting agent who runs his own firm called On My Kayroll. “Let’s face it, modelling is for the upwardly mobile and independent seniors. Besides it is amazing to work with them as they are so young at heart and so vibrant and dynamic.” Sinha recently did the casting for an upcoming Mcdonald ad which required him to get models in the age group between 70 and 90 years. “On the day of the auditions, they actually come and line up and go through the entire process very patiently,” says Sinha who has even cast his own mother for an ad when he found she suited the role. “Of course in the process they have fun and make a lot of friends amongst themselves.”
In reality most of the seniors come with the hope to be seen on screen, admits Sinha. It can sometimes be a challenge to bring their talent out as many may not have faced the camera before. The seniors get paid based on experience, but the sad reality is that this age space is not really valued high when it comes to financial compensation and is based on subject demand. “It cannot be the sole career option for seniors, they should look at it more as an opportunity to go out and do something,” Sinha warns.
The good news for senior models? Consumers are increasingly being wooed with emotions. “The fact is seniors also work as emotional hooks and are more convincing since this age group has the capability to bring to the fore a whole range of life experiences, a treasure of emotions that can portray abandonment, joy, sorrow, happiness, paranoia in a single shot,” says Sinha.
Putting across examples of ads about investment securities or security against burglary etc, Sinha says a senior citizen will emote far better than any other age group because they understand the gist and need not act to show their anxiety or emotional upheaval connected to such situations. Also in ads like the MTR Upma or then the more recent British Airways ad, only a grandmother can bring out the empathy that is needed in such a situation. “This generation understands the value of family ties and relationships and that get easily gets translated to the screen when they emote,” says Sinha who recently cast for the QUED family planning ad. “The casting eventually is a blend of both age and emotion.”
That should explain Shirole’s presence in the recent Sunny Leone ad on No smoking. “It is a fact that it is difficult to get ad films since the competition is very high. It is entirely dependent on what the client wants and many a times they prefer to give the opportunity to their own people,” says the actress who was a full time employee at Sreeram Fertilizers and Chemicals. Her career as an actor took off really after retirement and it was need based because of the financial setback in her family. She turned the adversity into an opportunity and strived hard to keep her family going. She has done several roles in television serials and commercials. “We do have to wait but they treat you with respect. It all depends on your attitude. I don’t feel that I am old,” says the chirpy Shirole. When asked to compare between ad films, serials and cinema, Shirole admits, “the atmosphere is very good in commercial shoots and the payment is instant, and it is over in a day, or maybe two.”
Manjul Menon had an interesting first experience playing grandma as a model! This is how she really looks.
…and that’s her ad film avatar
For Bangalore’s Manjul Menon, 54, it was a chance event that got her first and only break. “It had always been my dream to face the camera at least once and it did happen but quite serendipitously,” she recalls. “I run a clothing related social enterprise called Bead and had a stall at an event when someone came up to me and asked me if I would like to model.” She sent in her photographs but it was a while before she bagged the ad for Housejoy, a local startup. She was given a script and asked to send a video of her reading it. She was then called for a screen test. “On the first day of the shoot, I reported for work at the designated remote location that had no cell signal. There was a lot of make up to be done, and most of my shots took several takes. And since I refused to colour my hair (she has beautiful grey hair) for the final scene, we actually used marmalade on my hair to show the colour change!” In the final ad, Menon is shown to be a woman in her early seventies or late sixties when in real life she is not even 55. That is what comprises the make belief world of advertisements. Menon now hopes she will be able to continue with more assignments as and when they come her way.
Not An Easy Road
It may have its share of fame, fun and even financial benefits but modelling or acting is not an easy path to go down. If modelling is a path seniors wish to try out, it all really depends on how committed you are with your time and if you are alright with waiting for your chance. Unlike any other work place, there is no time limit and you can expect hours of waiting around and even shooting for something that may be axed on the editing table. Also, the payment is never what you want, it is the visibility that gives satisfaction, says Srinivasan.
But the upsides are great too! “Looking back now I feel I was so naive,” says Srinivasan. “It only gets better and better. When I first started, I took over five hours to shoot for my first ad, today I do the same within an hour or two. I have begun to enjoy my work. People respect you for your age and this has by far been the most colourful work experience. I have never regretted it.”
From helping village women earn a living to waste management initiatives, these Pune senior citizens on charitable missions can be role models for many of us.
Most of us spend a lifetime looking after the needs of our family and attending to the rigors of carving out a career. And since nurturing our own passions and attending to the minutiae of daily life takes a fair bit of time, we’re really not left with much, in terms of time and energy, to give back to the society. But here are three senior citizens, who have made it their life’s work to make their city, and the society they live in, a better place, a greener place.
Sudha Pai – the waste-management warrior
If you live in Pune, chances are that you’ve heard about Sudha Pai. And if you’re a green living enthusiast, who wants to reduce the waste that you plough into the city’s landfills and garbage dumps, then you already know that this soft-spoken 81-year-old is the doyenne of waste management who first coined the phrase, “Your garbage is your responsibility”. While this mantra is gaining momentum, with more people trying to learn about garbage segregation and vermicomposting, Pai started on this path many years ago when she moved to Pune in 1977.
“After living in the National Defence Academy in Khadakwasla for many years, where life was very structured, I first saw overflowing garbage bins when we rented a flat in Model colony,” explains Pai. Not someone to turn the other way and ignore the city’s sanitation issues, she started showing other people how to segregate their wet and dry garbage, and compost their kitchen waste and use this black gold in their gardens.
The daughter of an Ayurvedic doctor, who loved gardening, she always had a garden to tend to and working with nature rather than against it, was something she’d been taught to do right from her childhood. Having grown flowers, ornamental plants, medicinal herbs, fruits and vegetables in the various gardens that she has tended all through her life, she believes that it’s her love for nature that eggs her on to help keep her part of the earth, clean and healthy. “Tending to nature is my way of expressing my spirituality. Since we are a part of nature, it’s only fair that we do something to look after it.”
Pai, who joyfully shows me around the gardens that she has built on the different terraces of her bungalow, shares that people wouldn’t have to go to hill stations to enjoy nature, if they could tend to plants in their own home. She gives talks, holds demonstrations and even invites groups of adults as well as children, to her house to teach them simple ways to grow a slice of greenery while reducing the garbage that goes out of their home. While vermi-compost is a way to let earthworms help demolish the wet kitchen waste that you throw out to turn into a rich natural fertiliser; bio-culture and eco-friendly microbe solution, are the two other methods that she teaches to help break down kitchen waste into something that plants thrive on.
Lately, she has been working with the local municipal schools to make the children there more aware of the right methods of garbage disposal. “I invite the children to my house and celebrate their birthdays with a small party and potted plants for each of them. I weave in waste management lessons into the celebrations and then follow up with them about how they’re continuing this work,” she shares.
So, what keeps her going? “I just want to make people aware of the different options available to them, which I hope will stop them from littering,” says Pai.
Sister Rosalia – the nun who helps women earn their families’ respect
At first glance, Ishwari, the skill-building center in Phulgaon, near Pune, that Sister Rosalia runs, looks like an idyllic little farm. With a cottage and a communal kitchen set amidst green kitchen gardens, a winding river in the backyard, and a host of animals – chickens, ducks, dogs, rabbits, cats, cows and once, even a horse, this is the kind of place that soothes an urban soul with the balm of serenity. But don’t let this fool you. Within the sprawling but simple kitchen, there’s always a flurry of activity and a host of heavenly aromas that can give a five star hotel’s state-of-the-art kitchen some serious competition.
A group of local village women turn out treat after treat, baking, cooking, canning and preserving food, all of which is sold at exhibitions or on order at the most pocket-friendly prices. From oven-fresh ginger biscuits and a plethora of pickles to lip-smacking spring rolls, wines, herbal tonics and decadent jams, there’s always a treat to tuck into or bring home if you wander into the kitchens. What is also interesting is that the women who work here are not only trained cooks, but also businesswomen, who learnt all these skills in the 9-month long training program that Sister Rosalia runs for local village girls and women.
“Apart from cooking and baking, we also teach them embroidery, greeting card making, stitching, medicine making and basic business skills,” explains this 81-year-old nun, who started this self-help program 25 years ago, after retiring from the Medical Missionary. “The idea is to teach them life skills that will make them confident, bring out their creativity and make them financially independent.” While some start their own eateries or businesses, others who graduate from this program go on to work in factories or stores, more self-assured after the education they receive. Sister Rosalia also feels that these girls go on to create a more peaceful married life sans domestic violence because of the way they handle situations and people in their lives.
But running a program like this in a village as well as managing a culinary business is anything but easy. From convincing the villagers to send their daughters for this program to coming up with new skills to add to the already-existing repertoire to ensuring that the highest standards and proper hygiene are maintained while creating these products, there’s always something to keep Sister Rosalia on her toes. “We also operate on funds and gently used kitchen equipment that people donate, and so things can be tight,” Sr. Rosalia mentions.
Sheila Christian – the crusader with a passion for helping people and cities
This 69-year-old is a stalwart in the city of Pune, and while many know of her as the lady who helps keep the city clean, she does so much more than this. The Vice-President of the National Society of Clean Cities, she is also the Trustee of St. John’s Trust, where she looks after an old age home, an orphanage, a crèche and schools, where underprivileged children get an excellent education and a chance to eke out a career of their own. Christian is also deeply involved in the social development of battered women and used to run a program at the YWCA to impart vocational skills to them. “We taught them tailoring and embroidery, home nursing care, naturopathy and massage skills to help them set up their own businesses or create a lucrative freelance career so they could become financially independent,” she explains, adding that these days she dedicates most of her time to keeping the city clean and green.
“It was when moved into our flat on Boat Club Road in 1985 and saw overflowing garbage bins that I started trying out vermicomposting and other methods to convert my kitchen waste into food for my garden.” Christian, an avid gardener, used the time when her kids were in school to create a model garden using these innovative waste-management methods and persuaded other people to give it a shot, to make the city a cleaner place to live in. Even today, she conducts workshops across the city to help people manage their wet waste.
For almost 30 years, Christian has been working tirelessly to make the city a better place to live in and has armed several under-privileged citizens with education and skills, to help them cope with their terrifying life situations. So what drives her to continue doing this work, day after day, year, after year? “I think it’s a sort of craziness to do something in the hope that it will make a difference somewhere,” answers this cancer survivor, who has a pocketful of plans for Pune, and some more.
These three Pune senior citizens are surely an inspiration for others. You can not only help them with their work by donating your time, energy, money or simply by learning, you can also mention their work to other senior citizens who may be looking for a way to use their skill and time for the greater good. To get in touch with them, you can contact them at the following numbers:
Sheila Christian: 09881100270
Sister Rosalia: 07798833216
Sudha Pai: 020-26899296 or via her blog at www.garbagetogardens.blogspot.in
Photographs: Chandana Banerjee
This Diwali, we bring you the story of a group of senior citizens in Bangalore who are working towards enriching the lives of students from poorer sections of the society. Meet Senior Citizen’s Bangalore and the inspiring range of work they do to enable this.
It all started with a few pair of shoes. Four retired men sitting together and discussing how they could contribute to the society, suddenly saw a group of schoolchildren pass by barefeet and decided to give shoes to them. One thing led to another and soon they were helping out local schools in looking after the children’s health, nutritional and academic needs and had formed an NGO called Senior Citizen’s Bangalore. Founded in 2001, this group of senior citizens who wish to give back to society, has today grown from four founding members to almost 70 members and more. Senior Citizen’s Bangalore (SCB) is located in Indiranagar, Bangalore. Their objective is social work for the underprivileged and the members have done exemplary work to achieve that.
Widening Opportunities
SCB members give away scholarships
Today almost 4000 children and young adults are being helped by the group, which supports 14 primary and upper primary schools. Thirteen of these are in and around Bangalore and one is in Hoskote. They also support three PU colleges and 1 degree college, apart from running a skill development program and supporting a home for destitutes in Hennur.
“Our recent additions include professional courses and post graduation,” says Chairman BS Lamba, whom we meet along with Shyam Agarwal, the Vice Chairman. Dr VA Shashtri is the secretary. “The addition of colleges is because we found out our students were doing extremely well and they needed a support program financially and also mentoring for further courses.” Mr Lamba adds that some students have gone into professional courses, including engineering.
In keeping with SCB’s aim for their students to have better and brighter careers, they have also opened a Skill Development Centre, in association with Unnati Foundation which was offering basic skill development courses already at RBANMS School premises on Dickenson Road, Bangalore. “One of our members, 93 year old Mr Parthasarathy, was a founder member of Unnati. He proposed the idea,” Mr Lamba adds. The Skill Development Centre, which started in 2015, offers a 50 day soft skills training program for students at PU level and above. The training is imparted by a professional soft skills trainer, along with support from SCB member Arun Sinha, a personal executive trainer himself. Placements are taken care of by SCB and the last batch of almost 85 students were placed at salary levels of almost Rs 30,000. What’s noteworthy is that the course is a free one, envisioned as an industry need by the SCB members, having been at the helm of various fields themselves. “We are looking at future industry requirements,” Mr Lamba and Mr Agarwal add.
In addition to skill development, a huge chunk of the group’s funds are kept aside for scholarships. “Our budget is 15-16 lakhs for scholarships,” Mr Lamba adds. The introduction of scholarships has brought about a huge improvement in higher education especially among students in rural areas.
“In 2012, we gave scholarships for the first time in the school we support in Hoskote Taluk. We gave it to five girls. Today, one of them is doing engineering and the other is doing final year of BCA,” Mr Agarwal informs. “This year scholarships have been given to 106 girls, doing PU 1 to Degree 3. Their average result is around 80%.”
His and the group’s dream is to see at least 3 girls become professionals every year. “This year, out of 15 girls appearing from the rural area for PU 2, one has gone for medical, three have joined engineering, one has joined CA, 2 have taken BSc cardiac care and one has joined Visual Arts,” he adds with justifiable pride.
Generous Hearts
SCB encourages women’s education
Scholarship amounts are collected via member contributions and also corporate support. There are scholarships which were instituted by members, such as a Post-grad Math scholarship instituted by their late member Col. Murthy. Three members have also funded a 45 lakh corpus for scholarships.
It’s interesting to see how the group has delved into their own experiences in school and life to improve things for the children they support. Mr Agarwal has come up with an award for Most Improved Student to encourage slow learners. “In a school, the teachers only know the top 10 students. The award is for those who are at the bottom of the class but have improved the maximum. Ever since we started it we have seen two advantages: The bottom of the class has come up and the teachers have come to know the weaker students better,” he tells us.
The group has also worked towards organising summer workshops in computers, tailoring and beautician courses for girls from RBANMS High School this year. “The aim of the 6 weeks program was to enable children to learn a skill during the holidays,” says Mr Lamba, adding that some of the girls now work as part time beauticians and earn enough during weddings and festivals in the areas they live in.
It’s impossible to write down every little thoughtful thing that the SCB group does to empower, educate and enable children from underprivileged backgrounds. Their aim is wholesome development and with each year, the members of this group have incorporated programs that has added to that.
Holistic Development
Silver Talkies met some of the SCB members five years ago. They have widened their circle of charity in a more structured way since then.
Once they started working with children way back in 2001, the members realised that many of the children came hungry to school. They have been instrumental in facilitating an Akshay Patra Mid Day Meal scheme through which the children are also provided breakfast. “It’s a nutritious mix of Ragi and jaggery,” said their former chairman Bharat Sarronwala, when Silver Talkies met SCB for the first time many years ago. Introducing the breakfast resulted in not only an improvement in the health of the children but also in their attendance. Now the group has gone a step further and introduced an award for maximum attendance as well!
The group’s different members and their families contribute in several ways. One member visited a school aided by the group and personally designed 60 benches for children in the classrooms. Another donated an office space absolutely rent free. Some members have spearheaded educational campaigns, while others have lobbied for corporate sponsorships and got their former employers to donate generously. Organisations like Kelloggs, Sankara Netralaya, Chinmaya Mission Hospital and Dettol among others have helped towards the cause by providing food and health check ups. The group consists of an executive committee of 15 members, most of whom are extremely active. They meet once a month, apart from get togethers and group meets. The membership fee is Rs 5,000 every year with income tax exemption under section 80G of the Income Tax Act of India.
With an average age of 75 plus years, it’s amazing to see the extent of community service and social empowerment that the members of Senior Citizen’s Bangalore have been able to achieve since their inception. Each of them have retired from distinguished careers, with many of them having defence services backgrounds. While the need to give back something to society keeps them going, it also fosters a sense of fellowship they derive from each other. With scholarships awarded every year and more in the offing, skill building programs, nutritious food for children, computer training, medical checkups and other help, members of Senior Citizens Bangalore have dipped into both their pockets and hearts to make the lives of students from poorer backgrounds better. Theirs is an example worth emulating many times over.
SCB members are now looking for volunteers to help educate children and support them in their cause. To know more about their work, we would request you to visit http://www.seniorcitizensblr.com/index.html
With Meghshala Trust, former teacher Jyoti Thyagarajan aims to reach out and enable education for all. Here’s how they do it.
Jyoti Thyagarajan has been busy breaking up a dogfight between her pet and an adopted stray the day we meet. But it hasn’t unfazed her in the least. If anything, dogfights are just another thing the quick-witted, animal loving, founder trustee of Meghshala Trust is adept at resolving. Meghshala, literally translated to ‘school on the cloud’ is a cloud computing based platform. It equips teachers in government schools across Bangalore and its surrounding areas to facilitate better learning and classroom experiences. They are currently reaching over 100 schools and by Jyoti’s “conservative estimate” have impacted at least 3000 children.
Learning For All
Their mission, as described on the website is simple:
To empower teachers with an imaginative curriculum; educate students to be empathetic leaders and innovators and every child learns differently, so teach them in different ways.
Jyoti, 64, has been a teacher for over 30 years. And a much loved one at that. “I’ll never know which student I’ll find when I go back home,” she quips. A nuclear physicist whose first job was as a programmer, she taught Physics and Maths in some of Bangalore’s well-known schools, apart from teaching in Kenya and Zambia. Meghshala Trust is part of Jyoti’s dream to enable education for all. From underprivileged children in government schools lacking basic facilities to children in strife-torn areas like Jammu & Kashmir. Jyoti is an idealist. She strongly feels that to change things around the country, you need to target the bottom 50 per cent when it comes to education. “Our high end education is fine,” she adds, having experienced that first hand. She’s also an idealist whose brain tries to find a solution to what she sees as a problem. Meghshala was the solution to the problem of empowering teachers with a curriculum that was innovative and enabled her to scale up the reach more children who needed to engage with learning. It was developed with fellow founder trustee, entrepreneur and senior technologist Shridhar Ranganathan. Ranganathan has designed the learning management platform that hosts Meghshala apart from the well-known Shankar Mahadevan Academy.
A class in progress using Meghshala’s lessons.
Photograph courtesy: https://www.facebook.com/meghshala/?fref=ts
The Inspiration
Jyoti’s inspiration for Meghshala seems to have been children themselves. “I’ve always worked in high end schools and over the course of 30 years would’ve graduated 600 children, out of which I would have actually taught 300. And I thought to myself, what a colossal waste of teaching, because I’m known to be a good teacher. I should be teaching more kids,” comes her absolutely candid reply. She met Ranganathan at an educational conference on the day she had ‘officially retired’ and merged her experience in education and his tech guidance together. “We are talking 60 million kids out there and the only way we can scale it up and educate everyone is by technology,” she says.
Incidentally, Jyoti was technically ‘retired’ only for 9 hours. Meghshala ensures that she works 12 hour days, with a young team that has an average age of 26. Meghshala reaches 130 schools across rural Bangalore and Karnataka. The lessons in the teach kits are designed with various aids (audio, video) to make them interactive and interesting. These teach kits can be accessed by the teachers through a handheld device and projected on a screen or wall. Teachers are equipped with computers and solar powered projectors.
While most learning management platforms just have the course content, Jyoti calls the platform Meghshala stands on, “A learning management system on steroids.” It’s said as a joke but completely true. Used as a teaching and training tool, with several details thought about, right from the way the teachers talk to the students, this is technology at its very best, being used to empower and make education effective and more reachable.
Teachers for Meghshala are selected based on the team’s interactions with the Block Education Officer, though they are also looking at other options. “Teachers who smile at kids for instance,” says Jyoti. Sometimes, the teachers surprise her, taking the technology a notch higher. Jyoti mentions a teacher who used technology to increase student participation in class. He clicked a picture of the student’s work, projected it and asked the student to share and explain his work with the class. “It’s an amazing way to keep the students engaged,” says Jyoti, for whom, this is the way learning should evolve.
A student projects his work.
Photograph courtesy: https://www.facebook.com/meghshala/?fref=ts
Teaching With Love
What kind of a teacher had she herself been? “Oh I was not a strict teacher,” she says, “People knew for their personal needs they could turn me around their little finger and I would go the whole nine yards and some more…” But she expected quality and encouraged her students to respect their own work. “Nobody gave me sub-standard work and I pushed them to their limit,” says the much loved teacher who cut her teeth teaching Mathematics to two neighbourhood kids when she herself was in the 7th standard. “Both of them are now amazingly successful builders. And you can’t be successful builder unless you are good in math,” she adds with a laugh.
Shubha Sunder, a Boston based writer whom Jyoti taught for two years in Mallya Aditi International School says Jyoti made her fall in love with Physics. Her email makes me wish I’d had Jyoti as my teacher too.
“Jo’s presence in the classroom was elegance itself…” Shubha writes. “Despite the suffocating confines of the ISC syllabus, she made physics beautiful, necessary, fun. I couldn’t help but see Newton’s Laws all around me when I walked out of her class: tension vectors in electric wires, centripetal forces in a turning bus. Science had never been my forte, but I soon became addicted to solving problems. Free-body diagrams brought on a high. Maxwell’s Equations baffled me for days before crystallizing into a grand epiphany. As a writer, I now see that I may have had my literary beginnings in Jo’s physics classes. I fell in love with the subject because she showed me its narrative qualities, its capacity to tell a story of the universe.”
The former student sees Meghshala as a natural extension of her teacher’s enthusiasm for teaching students how to learn for the love of learning, “not for grades or exams, but for a new lens through which to see our world.”
Jyoti probably sees it as a way to create a more equal world. She also treats all children as equals, and the interactions, whether with children in government schools or in elite, high-end schools, remain the same, making the transition from being a teacher in elite schools to the founder of a trust working at the lowest level of the economic spectrum easier.
“I talk to all students the way I wish I would be talked to myself — which is as an equal. I’ve never met a single kid in any of the schools (the schools Meghshala interacts with) who has been anything but completely asking of respect. These children are amazing; they don’t get water; they live in this tiny house and share a small piece of mat to sleep in, yet they are happy and smiling. They are either great actors or great problem solvers but they’re fantastic!”
Two years down the line, Meghshala has signed on about 130 teachers but interestingly has 300 users already (it’s a free product), showing the peak in interest levels among the teachers and their peers! And while the first year was spent building the product and Meghshala only entered classrooms a little over six months ago with 3000 lessons in tow, Jyoti says small changes have already made their way in. “It’s too early to see far reaching successes but a lot of stories happened because we were there; teachers were more excited, kids are smiling more in class, when they didn’t before. The environment is slightly more exciting…”
From 2014 to 2016, the journey has been an incredible one for Meghshala. Jyoti mentions how in one school, the children’s science results shot up after Meghshala’s intervention of just two months. There are stories of hope like this, trickling in everyday, as Meghshala goes from strength to strength; as Jyoti lives her dream of children across various spectrums being able to access what should be a basic right for all.
To know more about Meghshala, please visit http://www.meghshala.org/
Nagamani Rao is in her 70s but her childhood love for dolls remains undiminished. Her Navaratri Gombae had us mesmerised. Here’s how she does it.
Little girls live and breathe dolls till their age reaches the double digits; they usually forget all about them as they step into adulthood. Seldom would one find a girl whose love for dolls followed her well into her womanhood and is still around when she is in her 70s. Meet Nagamani Rao, whose heart is still a home to dolls and so is her residence in Vidyaranyapura, Bangalore.
I met Nagamani as I was invited by a dear friend, her son, to see the Navaratri Gombae display (traditional display of dolls in South Indian homes during Navaratri) at his home. Come see the dolls, is all my friend had said. Little did I know what was in store for me and my daughter because stepping into Nagamani’s home was like entering a fairy tale land. On one side of the living room was the traditional display of dolls on seven steps, while at the other end of the hall was the gateway to a magical land.
A land that had plush green forests on one end, complete with its wild life and tribal folks; an arch (handmade) leading to the forest; a pond (handmade again) with flamingo, ducks, and geese; a waterfall with croaking frogs and chirping birds; a farm land tilled by farmers.
On the other end on display was a modern city with beautiful homes and its many doll people, roads with toy cars, and a train track with toy rail cars. Dolls from all over the globe – Japan, Singapore, and Australia among others, were delicately set on sand that had travelled in a bottle all the way from Dubai with her son. The forest too had a global touch with rocks from the land of Tibet and volcanic rocks from Japan. It was just the right stage to unfold Nagamani’s passion for dolls in full glory. A passion that is supported fully by her husband and sons, for over 35 years now.
Nagamani got introduced to the tradition of Navaratri Gombae as a little girl when she would help her mother set it up every year. Post-marriage, Nagamani travelled across the globe with her husband, sometimes carrying forward the tradition and sometimes not. However, that did not diminish her penchant for dolls as she picked up dolls for her collection, wherever she went. While in Japan she even learnt making dresses for Japanese dolls and has many dolls from Japan looking resplendent in their fine kimonos designed and made by Nagamani herself, adorning every nook and corner of her home. In Australia, she learnt how to make porcelain dolls. Does she make Indian dolls too; I wonder. “Oh! I want to,” pat comes the reply “but I haven’t been able to find a teacher to teach me the same.”
Every year, the septuagenarian starts setting up her dolls very painstakingly, at least 10-15 days before the start of the Navaratri festival, and keeps them on display well beyond the official closure of the festival, as she has visitors making a beeline every year to see the display. “I now take help from my sister to help set up,” says Nagamani. How long does it take her to wind up? “Two days, that’s all!”
As I move from doll to doll, I am reminded of my favourite museum in Delhi, the Doll Museum and I realise Nagamani’s home is a miniature doll museum in itself. I spot a doll that seems to have a special place for herself. Nagamani says, “This is a doll from my childhood that my mother gave to me. This year I wanted to dress her up in a sari but I didn’t find the time to make one.” And just like that, I catch a glimpse of the little girl she once was, madly and deeply in love with dolls.
As I say my goodbyes, I realise my photographs will not do justice to Nagamani’s beautiful Navaratri Gombae. I thank my stars and my friend for allowing me to visit their home on the very last day of the display, for a year would have been too long a wait. I will surely be back again next year to see Nagamani and her beautiful world of dolls.
Silver Talkies aims to highlight hobbies and creative pursuits of senior citizens. If you are a senior citizen with a hobby you love spending time on; if you have a parent or loved one who has a hobby you’d love to tell everyone about, send us a mail on silvertalkies@gmail.com.
Yesteryears newsreaders and announcers of Doordarshan still evoke fond memories for many of us who grew up watching them. These evergreen voices of Doordarshan share the stories of days when there was a single channel on television and being a broadcaster meant both adulation and responsibility.
In an era gone by, when television was the only source of entertainment and there were no channels to flip, no remotes to fight for; when waiting for a weekly program was full of longing and anticipation and when news was all about serenity and professionalism, there was Doordarshan. Many of us have grown up watching Doordarshan (DD) and our faces still light up at the mention of serials like Bharat Ek Khoj, Ramayana, Mahabharata, Hum Log and Nukkad and programs like Surabhi and Chitrahaar. The visuals of Rukawat ke liye khed hai, the signature tune of DD are etched deep in our memory and so are the faces and voices of its many announcers and newsreaders – Salma Sultan, with the signature rose tucked in her hair; the baritone voices of Tejeshwar Singh and Shammi Narang; the impeccable diction of Neethi Ravindran, Rini Simon-Khanna and Suneet Tandon; the mellifluous voices of Sadhna Shrivastav, Minu Talwar and Jyotsana Raj.
DD newsreaders and announcers of yesteryears represented an era of grace and remain unforgettable faces for the generation that grew up watching them. Meeting them evoked many emotions, as I realised that these voices of Doordarshan – Sadhna Shrivastav, Shammi Narang, Rini Simon Khanna and Salma Sultan – still hold a key to our hearts with their lively anecdotes and affable personalities. Here’s their story.
Shammi Narang
Photograph: Silver Talkies
Chance introductions, down the unbeaten path
At an engineering college campus teeming with students, Shammi Narang got called for a microphone test during the construction of an auditorium by United States Information Service. “Thinking they would not understand Hindi, I said Gore, kya haal hai? Tum hamare college mein aa gaye! (Americans, how are you? You came to our college!). Hearing me, an official from the team came over and asked if I had heard myself on the microphone? He told me you are wasting your time, you have got to be a broadcaster,” says Narang about the life changing event that made him the Hindi broadcaster for Voice of America. He was 19 then.
“I was a regular at school debates and declamations. At a felicitation ceremony for the winners at an international festival, where I too had won a gold medal, the then I&B minister Mr. Vasant Sathe heard me compering the program. He told me I was wasting my time and I should look at anchoring shows on the radio. My journey with radio started by anchoring programs for Yuv-vani. I was 15 and a student of class X,” says Rini Simon-Khanna.
For Sadhna Shrivastav it was an act of defiance. Refused permission by her parents to study art and pursue History Honours instead, Shrivastav auditioned for a TV program at 19 and got selected. Discouraged by her parent’s response she decided to stick to her guns and assert her independence.
Sadhna Shrivastav
Photograph: Silver Talkies
In an age when becoming a doctor or an engineer was the norm, media was not a coveted profession. But all of them chose to take the road less travelled, sometimes without support from friends and family.
“My uncle told my father to marry me off to a suitable boy, as the girl had joined media and was working late in nights. My father told him off by saying that this is not how I have raised my daughter and I cannot impose my will on her,” says Shrivastav. So, while she did see a couple of eligible bachelors, the family gave up after she misbehaved when the third boy came visiting.
For Salma Sultan, it was an opportunity courtesy a fellow news reader. “Gopal Kaul was a producer and wanted to get off news reading. One fine day, he decided to go bald and I, until now an announcer, was asked to step in for him. The impromptu assignment was delivered in a tizzy but I was asked to stay on.”
Continuing studies while pursuing professions of their choice, all DD newsreaders and anchors we spoke to for this story, completed their degrees. Most of them took up contractual assignments at DD and continued to pursue alternate careers in their free hours. For Narang it was voice-overs, commercial advertisements and commercial programs like Sarab Sanjhi Gurbani by Texla television; for Shrivastav teaching German and being an interpreter, for Simon-Khanna being a voice-over professional and hosting many events.
For more images from the DD years and a bout of nostalgia, watch our special video, preceding this feature.
Their voices, their passports
“Entry into Doordarshan was not easy, even though I had taken the whole process casually. From the 10,000 applications received, 300 were auditioned, 100 qualified for the written test and 25 appeared for a camera test. I attended the camera test in a torn jeans and T-shirt and was the only one selected by a panel that included the baap of All India Radio, Devaki Nandan Pandey,” reminiscences Narang. Since 1982, when his DD journey started, until today, Narang continues to be a household name, for he is the Voice of the Metro Rail in all major cities, for Hindi announcements along with Simon-Khanna for announcements in English.
Rini Simon-Khanna is still quite sought after for hosting events, such as the Republic Day parade commentary for private channels and hosting events by United Nations, among others. Sadhna Shrivastav continues to be a popular name in the cultural circuit and hosts many prominent cultural events.
Rini Simon-Khanna
Photograph: Silver Talkies
Becoming icons of style and popularity
With popularity came admiration in all forms and sizes. Fan mails were received in bulk which were sometimes answered and sometimes not. They were stalked, mobbed and even followed to their homes. “I and Shammi had to be put under police protection as we were mobbed by crowds during a visit to Agra. They had a hard time making arrangements for us to be let out from the back door,” laughs Shrivastav.
Rini Simon-Khanna also had her share of admiration from many fans. “My father insisted that I acknowledged all my fan mails by replying to them at least once.” Narang too has a story to tell. “I had a lady admirer who would write to me religiously. In one of her letters she promised to never bother me again, if, I acknowledged reading her letters by not placing my pen in my shirt pocket after reading a bulletin, which by then had become a signature statement. I complied.”
Sultan’s rose became the talk of the town and till date people ask her to adorn one when they invite her to their programs. “I once received a letter from a man asking me not to wear a new saree everyday as looking at me his wife demanded sarees from him.” She was also once visited by an elderly gentleman, whose daughter resembled Sultan but was no more.
The responsibility of the role
However, reading the news or anchoring a program was not always glamour and glory. There was a responsibility attached to the role and you needed to stay calm, objective and put up a brave front at times. For Simon-Khanna the lesson came at a very young age. “While in Class 12, I was hosting an Air Force Day parade. During the aerobatics session, an airplane crashed few meters away from the commentary box. Everyone, including the officers, froze in their spots as this was the first time such a crash had happened during a parade. I don’t know what came over me. I instantly took the microphone and started urging people to stay calm, and start filing out in an organised manner. This is when I realised the impact and power of my work and the responsibility that came with it”.
For Shrivastav, it was not an easy task to deliver a program like North Eastern Files during the peak of insurgency by United Liberation Front of Assam (ULFA) in the North Eastern states. But she stayed through it to execute a program of high standing. “It was heart tugging to honour engagements and assignments when faced with personal tragedies, including the demise of my grandparents but I would follow my father’s advice to do my karma, without fail,” she says.
“I remember another incident when in the middle of a program I was asked to relay a heart breaking news of a road accident that had resulted in the death of the father, accompanying a two-year-old. A police constable had come to the studio with the child, seeking help to identify the family. With the child seated in my lap, I broke the news to the family who happened to be watching television at that hour and we received a call at the duty desk instantly.”
Salma Sultan announces the news of Indira Gandhi’s assassination.
While Salma Sultan was the one who announced the news of Indira Gandhi’s assassination, Narang delivered the news of her death. Narang spent 28 days at the studio delivering news back to back during the days of curfew, following her assassination. Simon-Khanna too was cooped up in the studio for 4 days, around the same time as she lived close to the studio, and was possibly the only woman reading news on those difficult days.
With no hand holding and only on-the-job trainings, they all carved their own niche and left DD on a high, around the time private channels were emerging, to pursue careers they were best at. They still enjoy great camaraderie with each other and remember their DD days fondly. I ask if they miss their Doordarshan days? The unanimous answer is NO. While it was really good till it lasted and gave them identities and memories they will always cherish, they all believe in living in the present. Rini Simon-Khanna sums it up beautifully “My last visiting card is my last assignment.” We wish there will never be.
Reading news in the 80s and 90s was all about keeping calm while sometimes the traffic of everything that could go bad rushed around you. Rini Simon Khanna, Doordarshan’s famous newsreader spoke to us recently and shared about the roller coaster ride working in the newsroom was in the good ol’ eighties. Click here and hear her out.
It is Navratri, a time for fasting in North India and of Bommaikolu or Golu in the South. An annual event, Golu or Kolu is basically a display of clay dolls in vibrant colours on some form of steps. The dolls may be of Gods and Goddesses depicting various scenes from our mythology or they may depict scenes from our day to day life, like ladies washing vessels, vegetable seller, marriage, etc. As a Navratri special, we being you the reminiscences of 88-year-old Lalitha Athai from Chennai or Maiji as she is fondly called by everyone. She writes about her memories of Kolu over the years.
Maiji’s Kolu Diary
My first recollection of this nine-day festival is that a kolu would appear overnight in our pooja room like magic. Arranged on nine steps covered with a white cloth, the images of all the Gods and Goddesses, along with the family’s collection of curios, arranged artistically under a canopy of white cloth, edged with red and green frilled border, and decorated with rainbow coloured paper garlands, it would seem to us children like a magic show.
In a single night after we children were sent to bed, my mother with the help of my elder brother and sisters would have the show ready. For the rest of the 355 days, these dolls and everything else were stored in my mother’s tallboys in her store room. During Navarathri in the evenings, my sister and I, dressed in our best pavadai uduppu (long skirt and blouse) were sent to neigbouring houses to invite the womenfolk there to visit our kolu and accept manjalkumkumam (auspicious objects). In the homes where they had also arranged kolu, we would be welcomed, seated on apattupai,(silken mat) asked to sing a song, and finally treated to the sundal and any sweet prepared as neivedhiyam (sacred offering to the gods), along with vetrilai pakku (betel leaves and nuts), coconuts, and blouse pieces as gifts. We used to feel like VIP s, when we returned home with our loot. All the while my mother too would be doing the same to visitors at our homes who would have come to invite us. Those ten days were really fun for me and I enjoyed them thoroughly.
Dolls for the Kolu
When I got married and set up my own home in Delhi, I was astonished to find that kolu was non-existent in the north. Very few families belonging to the south, about four or five, had kolu. When my eldest daughter was one year old, I started the kolu with a handful of bommais, typical Delhi made ones – and thus introduced the festival of kolu to my neighbours. My first kolu was a very small one with just two steps, two feet long and one foot wide. From that kolu, in a period of twenty years, my kolu grew in size and shape, decorated with all the frills my mother had, and also admired by one and all. I am not boasting, but my kolus were well appreciated, and I enjoyed readying them.
Come September, I would start planning for kolu. Apart from the seven steps, I enjoyed having some side shows on the floor, all prepared and made at home with the help of my children. One year it would be a small town with a temple with four towers in the centre, small shops selling things one sees in the towns, around the temple walls; small lanes with bullock carts. Sometimes it would be a hill temple with fields around, and the rich crop nodding their heads, (the crops were grown using fenugreek seeds) and a park with children playing. One year in Pondicherry, I made a model of the whole length of Rajpath of New Delhi, from the Secretariat to Indian Gate, with the lawns, the fountains, and all the buildings including the Parliament House. Everything was hand made with cardboard. Another year it was the seafront of Pondicherry with the sea and the waves, and the buildings on the seashore. Another year I made the map of India, marked the main cities with important buildings, and people dressed in the costumes of the regions.
Maiji’s Kolu in 1978
A week before kolu started I would be ready with my plans and start to prepare the hills, the fields and parks with loose earth carried in from outside by the bucketful. The mud was moulded by hand into various objects like walls, shops, huts, with windows and doors. Ice cream cups painted red were used as pots for plants and shrubs. And gradually we had collected a large number of bommais, all big and small from Trichy, Chingleput and Pondicherry, including the famous Bunrutti bommais. My centerpiece was a Lakshmi, about a foot tall, sitting on a lotus flower, six inches high and size of a dinner plate. Two elephants, big, white ones stood on either side of the Goddess with a garland each held in its trunk.
My last kolu was in 1978 in Delhi. Somehow with elders no more, and the older children leaving home, and us moving to a smaller house dampened my enthusiasm. My only regret now is I never thought of taking any photos of the kolu in Pondicherry – they were worth it. Now all my dolls are decorating the kolus of my friends and relatives, to whom I gave them away. Only two dolls, a Lakshmi and a Saraswathi, more than 50 years old, remain at my daughter’s place – a reminder of the days gone by.
To our readers: Do you have a festive memory that stands out in your mind? That you wish to record forever? If there is a tradition you would like to share with us, send your words and photographs to connect@silvertalkies.com.
Radhe Krishna Golu Dolls Image Courtesy: Vinoth Chandar/ Chennai/CC 2.0, Wikimedia Commons
National award winning artist Aabid Surti once watched his mother fight for water in Mumbai chawls. Now his NGO Drop Dead Foundation works to save every drop by fixing leaking taps.
Aabid Surti, 80, has had a wonderfully chequered life. From selling his cartoons at an early age to working as a spot boy and then a scriptwriter in the Hindi film industry to creating popular comic characters like Dabbuji, Bahadur and Bela, which became iconic in the Sixties and Seventies. In other words, you could say this national award winning octogenarian artist and writer has done it all.
But it’s his avatar as a water warrior and founder of the NGO, Drop Dead Foundation (DDF) that’s probably closest to his heart. Surti launched it in his 70s, when he visited a friend’s house and was bothered by the sound of a leaking tap. “When I asked why didn’t he get the leak fixed, he said no plumber would come for such minor work.” So Surti got hold of a plumber and got the tap fixed. It was the start of DDF in 2007. Together, Surti, the plumber and a volunteer made rounds of homes in Mira Road, the Mumbai suburb where he lives, fixing leaking taps and providing a much needed free service.
Aabid Surti with his team
Why would the sound of leaking tap bother him enough to start an initiative? The answer lies in Surti’s childhood in the chawls. He remembers the daily struggle for water his mother went through, waking up at daybreak and standing in queue for water at the common tap every morning.“There were times when fights broke out between the women, for their share of water. It’s a very strong childhood memory that kept on haunting me whenever I saw a leaking tap or water wastage anywhere,” he says. Think of it as his tribute to the struggle his mother made for something that is a basic right.
Around the time he started DDF, Surti read an article that said, if one drop of water is wasted every second, 1,000 litres goes down the drain every month. “That’s 1,000 One litre Bisleri bottles!” says Surti, who couldn’t imagine that kind of loss and thought he had to do something.
According to Surti’s website, between February 2007 to February 2008, DDF visited 1,666 houses on Mira Road, fixed 414 leaking taps free of charge, and saved about 4.14 lakh liters of water. Surti says in all these years of functioning, DDF has probably saved 10 million litres water. All because one man decided he could take up a big cause in the smallest possible way.
The zeal to follow his passion seems to be an inherent trait in this talented artist, writer and cartoonist, whose series Bahadur found a fan following among many Indian children growing up in the early 80s, including Bollywood superstar Shah Rukh Khan. “I was reading about your tap drive,” SRK wrote to him in an email in 2007, “It sounds like one of the little big things my dad would have done.” He goes on to add that he was a fan of Bahadur comics in his childhood.
Surti’s first interest in cartooning came from Mickey Mouse comics thrown by British soldiers when their train passed Mumbai’s VT Station in the days after World War II. As he became adept at drawing cartoons, he also seized the opportunity to market them. “I was part of Boy Scouts and there used to be a day when we had to earn money for our food. I walked into the Times of India office, which was close to my house and went up the editor and showed him the cartoons I had made.” His cartoons were sold and Surti had started earning a livelihood, no matter how small the sum was.
Surti applies the same zeal to the Drop Dead Foundation, leaving no stone unturned to spread his message of saving water. The process they follow is simple yet methodical.“On Mondays, the plumber, a volunteer, and I approach the building secretary for permission. If the secretary agrees, then we put up posters on the housing society’s notice board on the ground floor or near the lift, with our tagline ‘Save Every Drop or Drop Dead.’ We also send pamphlets that explain what Drop Dead is and visit the homes on Sunday morning.” There were of course initial hiccups that Surti and his team faced but he is emphatic that in most cases, the reception from people is positive and even full of love and admiration.
DDF fixes a leak
Funded entirely by Surti, the main expense of the initiative are the plumber’s charges (though the plumber has also worked for him for free) and the commute to the various apartment complexes. Funds are however constantly required to keep DDF going and Surti raises money by selling T shirts of the NGO at exhibitions and fairs. He also attributes the continuation of his NGO to God, who he says, has always come to his help when there has been a shortfall. When he started in 2007, Surti was worried about funds. Almost as a sign of things to come, he was awarded Rs 100,000 as a Lifetime Achievement Award from the Uttar Pradesh Sahithya Sanstha. He used the money to fund his campaign for another three years and just when he was wondering how to sustain his work further, he was awarded Rs. 50,000 for his contribution to Hindi Literature from the Maharashtra government. In 2015, superstar Amitabh Bachchan decided to contribute money towards Surti’s NGO, helping him to further propel his work. “God is my fundraiser,” Surti says and it certainly seems to be so.
Surti encourages everyone to take up the initiative. He isn’t looking for a name, all he wants is to save water. People who wish to take up the Drop Dead Foundation’s work in their locality are encouraged by him to do so. “Especially senior citizens, who can easily spare one Sunday and take this up,” he says, adding, “If I can, you can.”
15 million people crossed the Radcliffe Line during the partition. Yet, there is no structured documentation of this mammoth event in South Asia’s history. The 1947 Partition Archive is probably the largest effort to digitally document partition. We speak to its founder and director Dr. Guneeta Singh Bhalla to find out more. Excerpts from an interview…
Nearly 15 million people became refugees in 1947 after the partition of India and Pakistan. It was the largest mass displacement of the 20th century. Yet, except for mentions in movies and literature and stories being passed down orally from a generation that is almost gone, the 1947 partition has not been documented on a structured scale.
Dr. Guneeta Singh Bhalla, founder of The 1947 Partition Archive is working towards changing that. Guneeta is a San Francisco based research physicist (she left her work in 2013 to focus on the archive) who grew up in US but always heard stories of partition from her grandparents. The 1947 Partition Archive is not just her tribute to them but also an effort to document a mammoth event that still impacts the psyche of India and Pakistan. The global effort now has a 21 member team in South Asia and 5 in the USA, with over 500 citizen historians in 9 countries. Here in her own words, is the story of how it all started and why we need to document stories that may be gone soon, with those who lived through them.
Guneeta with a Partition witness whom she interviewed, Waheed Siddiqui and his wife; Photo courtesy: The 1947 Partition Archive
How It Started
I grew up listening to stories about partition from both sets of my grandparents, but mainly from my paternal grandparents who actually did the migration. They never really got over having to leave their ancestral home and land behind, even 50 or 60 years later. I knew it was a really traumatic and large scale event but I never learned about it in high school in US. In fact, it was not even mentioned in my textbooks while in contrast we learned about the Holocaust in Europe and Hiroshima/Nagasaki for a whole semester in my World History class. At the time when I had tried to tell my classmates, and even years later when I tried to talk about it in college and graduate school, the reaction was always the same: It was probably not “a big deal” because it was not written about in textbooks. That bothered me because the sentiment contrasted so sharply with the stories I heard. The thought that we could let such a massive historical event slip through the cracks without documenting it at the level that it should have been, deeply troubled me. I feared we were going to live in a world where history would keep repeating itself. In the early 2000s for example, I saw the same chaos unfold in Iraq on television, as had happened during Partition, when an entire system of governance was replaced very quickly. In my mind, knowing what I had about Partition, the events I was seeing on television were predictable.
First Hand Stories
I also realised that first hand accounts validated the experience of Partition. They made it human, palatable and accessible. The numbers that we find on Wikipedia and in books simply cannot convey the true meaning of Partition and what it meant to live through that time and the decisions made during that time. People needed to hear about Partition from my grandmother, and not me or books. Only those with lived experiences could truly attempt to convey the horrors and trauma of that time. A trauma that affected millions upon millions of people — a population larger than many Western European nations combined! Yet, no one was talking about it!
Story Scholar Fakhra Hassan interviewing Kishwar Jahan in Lahore; Photo courtesy: The 1947 Partition Archive
The Final Trigger
I had been living with the thoughts and sentiments I mentioned above for years and years. I knew one day I wanted to change the lack of knowledge about Partition. I did not know how until I visited the Hiroshima Peace Memorial in Japan in 2008. My great grandfather was stationed there during World War II and was not far from Hiroshima when the bomb was dropped. That was my motivation to visit. However, when I came across the witness archives in Hiroshima, that’s when it clicked. It was so powerful to hear the stories of experiencing the atomic bomb from survivors. Suddenly it was all very real and human and I felt their pain much more than watching videos of the mushroom cloud or reading written accounts of those hours that followed the dropping of the bomb. It was an immediate click for me. I knew the same had to be done for Partition.
The Recording Process
I began recording witness accounts on a hobby camcorder while on a trip to India in 2009, in a small ancient town in the North of India called Faridkot. In 2010, the last member of my family who remembered Partition as an adult died before I could reach him to record his story. I was deeply troubled, not only by his passing, but by the tremendous loss of knowledge that my generation was facing. My great uncle took with him an immense amount of knowledge and wisdom, and it was now gone forever. We would have no other chance to learn from it. It was the absolute totality of that moment that made me realise that this work needed to be done on a larger scale. There needed to be many others like me out there collecting stories. We, ordinary people from all walks of life needed to come together to build a library of stories from elders who experienced those times and were now spread across the world. I began recruiting a team in late 2010/early 2011 and we registered The 1947 Partition Archive in 2011. To collect stories from across the globe quickly and cost effectively, we decided to crowd-source the story collection. Essentially, we teach people how to record oral history interviews via free online seminars. Citizen historians record and submit stories to the Archive for posterity.
The Final Goal
Our initial goal is to record 10,000 oral history videos through the end of 2017. Our long term plan has always been to launch memorials and ‘Research Centers’ that are informed by the people’s history, across India, Pakistan and Bangladesh. We are also developing partnerships with several universities in order to bring the stories to academic researchers. Finally, we are working on a digital memorial that will showcase the entire collection online as well. The long term vision here is to teach the world about Partition from the human stories. We want to ensure that Partition knowledge is an integral part of K-12 (Kindergarten through 12th) education, so that the key lessons are learned and not forgotten; so that we can avoid history repeating itself.
Running is emancipation for Sharada Venkataraman, who took to it at the age of 52! Ten years on, she has represented India in Masters Athletic tournaments and is one of the stars of a film on Indian women runners. Here’s how she does it, in her own words…
A few months back, I got to know of a story writing competition for runners across India. They had to write about their running journey, the agony and the ecstasy involved, and so much more. Certain stories would be shortlisted by a panel of judges for further consideration. ‘Oh well! I have nothing to lose. No harm in putting down my running story,’ I thought, and that’s how it all began!A few weeks later, I was pleasantly surprised to get a mail from the organisers, the India Amateur Runners Trust, informing me that my story had been shortlisted to be included in a soon to be filmed documentary! That was the onset of a magical journey, as I deem it a great honour and privilege to be one of the eight women in ‘Run Sister, Run!’ a crowd-funded movie on women runners in India. Never been considered important enough to be filmed before, this experience was a novel, unforgettable one for me! People were interested in what I had to say about my hobby and passion – running, and ‘my’ story of it mattered! I truly felt like a celebrity!
Sharada with her husband and son, Dr Krishnan.
Here’s How It All Started
You may be surprised to know that I took to running in the twilight of my life. I was 52, the age when most women, especially from conservative South Indian families in India, have ‘retired’ and are in ‘relaxation’ mode. They have discharged their duties – educated their children, married off their daughters and procured daughters-in-law. It was now time to relax, take holidays abroad, attend bhajans and kirtans and generally take it easy.
Destiny, though, had different things in store for me! In 2006, my husband, Brigadier Venkataraman and I, had gone for a vacation to Vermont, USA, where our son Dr. Krishnan was working as a Post Doc at the university. A few days into our vacation, Kris (as he is called) felt that we had nothing novel or challenging to do and had too much time on our hands. Being a Marathon runner himself, he had a ‘brainwave.’ He decided to help us train for a Half Marathon happening in Stowe, which was two months away. Convincing Venky was easy as he had always been a sportsman and runner during his college days. I was another kettle of fish! Running, and me? No way! I had never run in my life before or participated in athletics, except run after the husband I had to wait for five years to get married to, due to our parents’ disapproval. But that’s another story.
I was very reluctant in the beginning. During my younger days, girls from South Indian families were supposed to learn classical music and dance, master the culinary arts and become graduates to qualify as acceptable brides. ‘Rowdy’ sports like athletics and running were only for the boys. With that kind of upbringing, it was no wonder that I was so skeptical. It was my son’s persuasion that made me change my mind, drop a few mental barriers and start off on a new journey that was to grow into my passion – Running!
Kris, who kept an eagle eye on our progress through our workout feedbacks, trained us for our first Half Marathon. He was encouraging, patient and tolerant, never letting our spirits flag. We were coached about the importance of good nutrition, regular training, sufficient rest and hydration, cross training, the right running apparel and running shoes. In fact, my best performance in a half marathon so far, was at the Stowe Marathon, where I clocked 2 hours and 20 minutes!
Getting filmed for Run, Sister, Run Photograph courtesy: India Amateur Runners Trust
Ten Years On
It hasn’t exactly been a joyride after that. I faced several challenges that came my way in the past ten years, like disapproval from friends and family who thought we were mad to have started off on something as ‘strenuous’ as running at a time in life when we should be relaxing!
Lifestyle changes needed to be made. I now have to always watch what I eat, and ensure I eat correctly on a regular basis. I have to ensure I have sufficient sleep on a daily basis and go for the workouts regularly. I have to do all my household chores too, and also look after my mother (aged 87), mother in law (aged 90), run my yoga and language classes (I am a yoga teacher and an IELTS and TOEFL trainer). Amidst all of these, I cannot afford to neglect social functions and celebrations and need to wake up at 4 AM in the mornings for my workouts.
I must mention though, that both my sons (My younger son Vijay works in Bangalore and stays with us) have always been very encouraging and supportive, as is my husband Venky, regarding my running. They are the reason why I continue to run and remain my inspiration and motivation. It is only off late that some of my other family members have become less critical and more appreciative of my achievements.
My sons’ encouragement proves how support from immediate family members like daughters and sons, can work magic and go a long way in motivating parents to take up running or any other activity in their retired years.
Sharada running through Cubbon Park
Photograph courtesy: Rupeeforhumanity/Sharada Venkatraman
My Running Life
The benefits of running for me have been many. My health has improved by leaps and bounds. I feel very energetic and upbeat and am able to do a lot more things than before, though my life is packed and hectic. There has been a new surge of confidence in me and a feeling of ‘I can.’ I have shed weight, lost fat and gained muscle.
I have had some injuries during these ten years and all of them have occurred during running or practice, like a knee ligament tear, a fractured foot, a broken shoulder, a broken maxilla and a surgery. I think my passion for running and my burning urge to get back to it at the earliest, as well as encouragement from Venky and my sons, has helped me bounce back faster. In fact, my recovery and healing happened so quickly that even the doctors were surprised! It helped to maintain a positive attitude too. Running is not all roses and sunshine and we must, as runners, take ups and downs with equanimity, get up after every fall, and move on regardless.
As an older woman taking up running, I probably face more challenges than younger women doing the same. Firstly, I am constantly advised by many that I am ‘too old’ to pursue a sport like running. I also have to face constant censure from people with a certain mindset and rigid, ancient views. I have to hear unsavoury comments on my running apparel too as these are not ‘age appropriate!’ Added to all this, I also feel as I grow older, my responsibilities and commitments have changed and increased in certain ways, making it a tough balancing act.
But the pros outweigh the cons. Running has contributed to my well-being. It has gained me a huge circle of friends, and ushered me into a new magical world where I can be myself and breathe free. I find I can enjoy time with myself; connect with nature and feel free and unfettered. Yes, running has helped me to feel fitter and younger. It has helped me to recognise the potential within. It has made me see myself in a better light.
But running takes both mental and physical dedication and perseverance. I am with a running group called Pacemakers and my coach is KC Pani. I run three days in a week and participate in several 10 KM competitions and Half Marathons in and out of Bangalore. I have run about 25 Half Marathons till date. One of my happiest moments was when I ran a 10 and a 5 km race in Sacramento in July 2011 and represented India! It was an honour to wear the country’s colours and the feeling was nothing short of euphoric! So how did it come about?
I participated in the MAFI (Masters Atheletic Federation of India) athletic competitions in Bangalore and was selected for Nationals held in different cities several times. In 2010, I was selected for the Asian championships held in Kuala Lumpur from where I was selected for the World Masters competition in Sacramento. I didn’t get a medal, as the other competitors were far superior to me, but the great feeling of pride and humility in equal measure, was reward enough!
Running for me, is emancipation! Running for me, is freedom! So wear a sensible pair of shoes and run. You can do it! Two thumbs up for more women stepping out of their comfort zones no matter what their age and three cheers for running!
Mita Banerjee is the energetic soul behind Team Miracle, the social support group in Pune, which helps paraplegic soldiers, destitute women and street children. Read on to know what she does and how you can help her too.
“It’s about the joy of giving,” says Mita Banerjee, the warm, affable driving force behind Team Miracle, a social support group in Pune. She’s talking about the motivation behind the work she does, connecting organisations in need of support and benefactors who wish to help them.
Founded by Mita and her husband, Wing Commander (Retd.) Anup Banerjee, Team Miracle works as a social support group for Paraplegic soldiers and amputees, poor cancer patients, street children and destitute women. The support group has grown over of the years, both in terms of the activities they do and the people involved. Mita refuses to take any credit for it and says it has all been a miracle of teamwork. “Please mention the word team,” says this soon-to-be-60 grandmother.
A New Road at 50!
Originally from Patna, Mita came to Pune after her husband retired from the Indian Air Force. A win at a newspaper contest led to her working as a freelance writer for various publications across the city. She was around 40 then and it was the beginning of learning new skills and starting a new journey professionally, one that would hold her in good stead in the years to come.
Distributing gifts given by various Team Miracle supporters for the soldiers on Aug 15
As she became a prolific writer and even headed a Mass Communications institute for a while, Mita and her husband also got actively involved with social issues. “I had given myself a deadline. By 50 I wanted to start something,” she says. That ‘something’ started with visits to the Artificial Limb Centre in Pune, where soldiers who have lost their limbs in service are provided artificial limbs and rehabilitative care. It was the beginning of a journey of giving for the Banerjee couple. Coming from a military background, they naturally gravitated towards soldiers, who had suffered hugely in the line of duty. “These soldiers have to spend time getting repeated surgeries, fittings and sometimes, they are in terrible shape. There are lot of psychological issues to deal with. We used to go and chat with them and gradually, as we felt our interactions were making a difference, we expanded our activities.”
The Miracle of Teamwork
As Mita started reaching out to others in her network for help, she discovered there were many who were willing to extend their support. Sometimes the sources were completely unexpected, sometimes they came from closer home. An instrument shop in Pune’s Camp area donated musical instruments like manjira and dholki for the soldiers to sing and play; Wng Commander Banerjee, who plays the Harmonica, formed a small band called ‘The Enthooz,’ with his musically inclined family and friends and organised musical evenings for the soldiers; other friends chipped in…the circle of goodness kept growing, much to Mita’s surprise and delight.
Wg Cdr Anup Banerjee with gifts for soldiers on PRC Sports day
Team Miracle, as Mita’s daughter decided to name it, started extending its support to other organisations. Apart from the ALC, Team Miracle’s helps the Paraplegic Rehabilitation Centre (PRC), which houses soldiers who have suffered severe spinal chord injuries. They also work with the Cancer Patients Aid Association (CPAA), assisting cancer patients from the poorer sections of the society. Maher, which works with women and children who have been victims of domestic violence and Sarva Seva Sangh (SSS), which works towards the educational rehabilitation of street children and high risk children with HIV/AIDS, are also supported by them.
Mita helps raise funds for all the organisations that Team Miracle is involved with. This could mean raising funds for infrastructure development and other activities, organising celebratory treats and entertainment programs; raising money for the treatment and nutritional needs of poor cancer patients and HIV positive children, as well as collecting food, clothes, medicines, books and utility items, whenever needed.
Mita finds out the requirements of these organisations and sends an email to her network, asking for contributions based on people’s interest. Her ability to work towards finding willing donors and supporters has helped raise funds for children from SSS, organise treats and outings for poor cancer patients at star hotels and local malls and organise self defence workshops for young girls at Maher.
Supporters of Team Miracle, many of them Mita’s friends, neighbours, her husband’s former batchmates and sometimes even the local shopkeeper, contribute towards the cause, often surprising Mita. She shares a beautiful incident. “Once we were buying sweets and snacks to take to PRC from Khalsa Sweets, a store in Pune’s Viman Nagar. When the owner came to know the reason behind the big order, he volunteered to sponsor the snacks and till date asks us if we need any help!”
The local sports goods store, from where Mita sources equipment to donate to PRC soldiers, always throws in extra goodies since they have come to know about Team Miracle’s work.
For Mita, it’s knowing about this goodness in everyone that has been the biggest miracle of all. “The support has grown by word of mouth. Whenever we are in need of something I get a phone call and someone comes forward to help!” Team Miracle has also received the support of hotels like Hyatt Regency, Courtyard Marriott, Novotel and few restaurants and bakeries in Pune, that help them out when they wish to organise celebrations.
“Now I have about 250 regular contributors in my network,” says Mita, who keeps every supporter informed in a thorough and diligent manner. “ I do a newsletter once every three months, so that people know what has been done and what is on the cards and what is needed, e.g., CPAA could need medicines, SSS could need stationery and so on…”
A Positive Spirit
The results of this teamwork have been not just effective but also heartwarming. A generous contribution of Rs. 30,000 from a former classmate of Mita’s daughter, led to the PRC constructing a badminton court for the soldiers undergoing treatment there. “They started playing badminton in March 2013 and by Dec 2013, they had participated in the National Paralympic Games and won 8 medals!”
Seeing how sports gave a much needed relief to the paraplegic soldiers, many of whom had almost given up their will to live because of a life confined to the wheelchair, Mita went on to organise sports equipment and activities for them with the generous help of her friends. “A friend of mine has a Kitty Party group and every year they organise celebrations at PRC around the festival of Rakhi, helping out not just the soldiers but also their attendants.”
Celebrating Cancer Survivors Day with CPAA patients at Phoenix Mall
Recently, Mita added another activity to her ever expanding To Do List, by bringing in environment consciousness into Team Miracle’s work. This eco-warrior, who has always been environmentally aware, feels it’s something she was meant to do.
She works with Medha Tadpatrikar, founder-director of Rudra Environmental Solutions, an organisation that converts plastic waste into poly fuel, to create awareness on Waste Plastic Segregation & Recycling, as well as plastic collection in her neighbourhood. “After a year’s effort, we have spread all over Pune and the monthly collection is almost 2000 sacks!” says an elated Mita.
Mita’s biggest joy lies in bringing the needy and the benefactor together. “The one who receives is of course happy, the benefactor is even happier, because she realises what a difference she can make…and the happiest is me that we have brought the two together.”
She also feels there is a lot to learn from the people she helps out. “The people we support are either sick or disabled; under-privileged children or women who have survived domestic violence. But they are so cheerful and brave in spite of it all that our little problems seem petty in comparison,” she says, summing it up.
If you wish to help Mita & Team Miracle, you can connect with them here: www.facebook.com/Team-Miracle or read in detail about the people they help and their supporters in The Team Miracle Blog
All photographs courtesy: Mita Banerjee
Dr. Hari Shukla has tirelessly worked to create racial harmony between diverse communities in UK. At 83 years, his passion for peace continues as does his work towards maintaining it.
Age is just a number for 83-year-old Dr. Hari Shukla. This former test cricket umpire is busy almost seven days a week but is happy to the hilt. His phone never stops ringing. This writer had to wait for nearly 45 minutes to get through to Dr. Shukla.
Retired as the director of Tyne & Wear Racial Equality Council in Newcastle, United Kingdom (UK), Dr. Shukla has for several years, been involved in local and international initiatives of change thus bridging and building work within diverse communities. He has been working tirelessly with the Black Minority Ethnic community (BME) for over 43 years in the UK. For those who do not know, BME is the terminology used in the UK to describe people of non-white descent. This busy octogenarian is the member of 17 committees, out of which he heads five with an objective to look into the overall development
Dr Hari Shukla with his wife and their grandchildren after receiving the CBE (Commander of the Most Excellent Order of the British Empire) from Queen Elizabeth in 2015.
of the BME population settled in the UK. He’s also the chairman of the BME Education Support Group, which monitors the academic progress of the children of the BME population.
Dr. Shukla’s passion for racial harmony is notable. Recently, he mobilised people to form what is believed to be UK’s first ‘Chain of Peace’. Nearly 30 churches, Hindu and Sikh temples and mosques linking the east and west ends of the city, have agreed to organise a prayer service or meeting every month to convey the message of peace and harmony in the society. He has helped bring different religious groups to work together.
An Active Retirement
After retirement in 1994, Dr. Shukla didn’t hang up his boots. Rather, his goodwill gestures to bring the communities together increased manifolds. One such gesture is visiting local schools often to inquire about the welfare of the students. Once, during a visit, he was approached by a middle-class boy.
“I was on a visit to one of the schools in Newcastle. A student came to me and said, Mr Shukla, I want to give back to the society but I don’t have the money. I told him, everyday greet every person you meet on the way. Two weeks later, he came to me and said, ‘Now, I’ve become a good boy. We need to cultivate the art of giving,” he says, recalling the incident.
The recipient of three major awards of Britain, the MBE (Member of the Most Excellent Order of the British Empire) CBE (Commander of the Most Excellent Order of the British Empire) and an OBE (Officer of the Most Excellent Order of the British Empire), Dr. Shukla was also awarded the title of Freeman of the City of Newcastle in 2006 and Ambassador for Peace for encouraging communities and individuals in Newcastle to get to know each other in a better way. He pioneered the ‘City of Peace’ movement in Newcastle in 2008 with the support of the local authorities, various agencies and individuals in the city.
Today, he’s the most sought after person in the area. People from countries like the USA, Germany and France, and as far as China and Hong Kong seek his advice. “Delegation from these countries come to meet and seek my advices in community building. They want to know how communities of various faiths and nationalities can live in coherence,” says Dr. Shukla. He likes to give his delegates hands-on experience about community building by arranging their meetings with the groups, “so that they can have a first-hand knowledge of living together, and respecting each other’s faith and culture.”
Born in 1933 in Kampala, Dr. Shukla’s father was originally from Mumbai. Dr. Shukla worked as a teacher in primary schools in Uganda and Nairobi, Kenya, before moving to Britain in 1973. The following year, he was offered the job of Director of Tyne and Wear Racial Equality. He is married to Ranjana Bala and the couple have three daughters, a son and nine grandchildren between them.
Spirit of Harmony
At 83, his energy is infectious. Asked where does he get his energy from, Dr. Shukla replies, “I don’t like to sit idle at home doing nothing. Every time somebody calls me seeking my help or advice, I am always available for them. I thank them for giving me an opportunity to do something for the society. The more I give and work for the benefit of the people, I become stronger both mentally and physically.”
The former cricket umpire firmly believes, “Just like physical fitness, it is also equally important to be mentally fit. You need to keep feeding your mind with good thoughts.” Dr. Shukla grew up in a family of cricket lovers. Two of his maternal uncles played for the cricket team of Uganda. Although he played a lot of cricket for Kenya, he moved to umpiring in the mid-60s. From 1965-70, Dr Shukla, a recipient of ‘Certificate of Qualified Umpire’ from MCC (Marylebone Cricket Club), umpired several test cricket matches for Kenya before relocating to Britain.
So what keeps Dr. Shukla going? He says, “When migrants say Newcastle is a friendly place to live; there is no tension at all, I like to hear this, and their positive feedback about the region keeps me going.”
Not an Easy Road
However, the social environment of the region was different five decades ago and Dr. Shukla had to work hard at changing it. “Fifty-years back, there was very little understanding between the communities and facilities provided by the governing authorities. One of the reason was also the language problem. Those who wanted to start a business were not supported by the local banks or authorities. They struggled a lot even to set-up a corner shop as they received less or no loans from the banks.”
According to him, the local authorities had done very less for the ethnic minority community. Service providers weren’t keen to understand the needs of these communities, and migrants didn’t have the idea of the facilities that were available at that time.
“When I took over as the director of Tyne & Wear Racial Equality Council in Newcastle, the first thing I did was to identify the communities living. I found there were seven ethnic communities (Pakistani, Bangladeshi, Hindu, Sikh, Chinese, African and West Indies) living in the area for many years. In order to make the plan successful, communication between the groups was important. Initially, I met each of these communities separately to understand their needs and problems, and also made them aware of the importance of communicating with other communities as well,” he adds.
His message to the people was, “the issue can be dealt in two ways—confrontation, or cooperation.”
Today, Dr. Shukla is happy to have his dream come true as all the communities in the Newcastle region work together, hand-in-hand with each other and with the local council. As this octogenarian speaks, one can feel the fire, zeal and enthusiasm oozing out. The word ‘tired’ fails to exist in his dictionary and he is proof to the fact that one can be as active in retirement, as during working life. “Today, Newcastle has the best race relation in the country,” he signs off as he picks up the telephone to answer the next call.
If you wish to reach out to Dr. Shukla regarding his work and help him build bridges, send him an email on hariranju@blueyonder.co.uk
A father who was always larger than life yet indulgent; who in a young boy’s imagination could even face up to Hitler. Reader P Srinivasan shares his fondest memories. This is one of the TOP 5 entries in our Father’s Day Contest. Enjoy!
My father was a Professor of English who taught four generations of students. My earliest memory, a mental picture fleshed out by what I was told later, is of three year old me, sitting in a photo studio, fright written on my face, on a couch covered by a tiger skin. The stuffed head of the animal was at one end of the couch. Father stood close behind, placing his hand on my back. In a soothing voice, he spoke to me, “it is not a real tiger and I am with you,” magic words that put me at ease. As a boy of four, I remember refusing to eat lunch without curd when father, overruling mother’s objections not to pamper me, walked to the end of our street until he could find a neighbour who could spare some curd.
World War II was in its third year and I in my twelfth, when pictures of Adolf Hitler in army uniform, his famous Fuehrer salute and accounts of the rapid conquests of his army filled the newspapers. Seized with fright that the Nazis could march into India any time, I had a dream one night. A train passing along a track close to our compound stopped in front of our house. Guess who but Hitler stepped out and shook hands with father, natty in his neatly pressed suit and tie! They spoke to each other for a while and the visitor left. I guessed father in his stern professorial manner had asked the dictator to keep out of India and the latter had agreed. My larger than life image of father was confirmed!
Father would play three sets of tennis with his students in college till retirement. On retirement, mother and he moved in with us when he took to walking for exercise. Age sat lightly on him. He carried a walking stick just to swing round as he walked. If I held his arm to steady him in a moving bus, he would shake me off. At seventy, he stood a major surgery well. But the fateful day had to arrive. He complained of breathlessness one morning. I placed my hand on his back to comfort him and he did not protest. He came out of the emergency ward of the hospital smiling, but that was temporary. In the ICU, he delivered a lecture on Shakespeare to the attending physician. After three weeks in hospital, he breathed his last, collapsing in my arms. Was he the same man that carried me in his arms once? At 43, I felt orphaned. Forty years since, I still vividly recall his dominant presence!
P Srinivasan is a senior citizen residing in Bangalore. He worked with the Government of India from 1951 to 1990, retiring as Member, Central Administrative Tribunal in 1990. He is a member of the Nightingale’s Elder’s Enrichment Centre and has written middles for newspapers often.
Sulochana Satyanarayanan’s father was an academician who made education come alive for her and lead by example. She shares her memory with us here. It’s one of the Top 5 entries in our Father’s Day Contest. Enjoy this inspiring read…
On Father’s Day I, his eldest daughter, now three score and ten years, recall with gratitude, my father’s contribution to my ‘growing up’. My father, R. Subramaniam Iyer, was an academician, a man of rectitude and a service-minded soul.
The author. The picture above is of her parents.
My father had a stentorian voice. He used to speak in idiomatic English about famous authors, about history from the Mughal Period, and about world geography, making us feel we had ourselves travelled those countries! In those days, our life was simple, without any modern gadgets. All India Radio was the only medium for entertainment, apart from the daily newspaper. Letter writing was the only contact.
On the streets of Trichy one day, we fell in with a haggard old gentleman, with unbuttoned shirt and dishevelled hair. The sight induced laughter. But father immediately warned us not to be swayed by outward appearance. The gentleman was, in fact, an educationist par excellence, commanding respect among an august, erudite circle, a retired Principal of National College, Trichy. Father paid his respects to the gentleman and offered him a lift. By this act, he set an example for us, worthy of emulation.
There was no dearth of people seeking father’s help in various things including financial matters. I remember he was generous to a fault. Now and then, father used to visit my school to interact with our teachers and the Headmistress. I recall how father used to sing with ‘sruti laya,’ perform alapana with élan, asking us to identify the ragas. Father used to take us regularly to concerts by great maestros. Back home I would be asked to elaborate the songs. This fostered our skill in music. Even now, thanks to father’s efforts, I am able to identify major ragas. Father used to involve us in crossword puzzle solving. We vied with one another to find the proper word, and struggled with anagrams. This absorbing and interesting ‘home-schooling’ went on day in and day out, making our life a real Shangri-La on earth!
While my father entertained and enriched us with his knowledge, mother cooked wonders. When will come such another golden period?
Sulochana Satyanarayanan is 78 years old and a resident of Bangalore. She is a member of Nightingale’s Elder’s Enrichment Centre.
Mehdi Niroomand, 61, runs Shisha Jazz Cafe, one of the few pure jazz clubs in India and calls it a dream he had long harboured. We met him to talk about his two passions – music and mountains.
Mehdi Niroomand loves Jazz. Miles Davis. And the mountains. The 61 year old affable co-owner of Shisha Jazz Cafe in Pune has brought his city into the jazz music map by staying true to his love for this genre of music and giving musicians a space to showcase their talent. “I wanted a space where musicians were given their due; a place where they were not the side attraction; here at Shisha they are well taken care of,” says Mr Niroomand, who has been a restauranteur for 35 years now, having ran a place before this.
The interiors of the cafe with carpets hanging from the ceiling
Every Thursday, Shisha hosts a Jazz night, where musicians play to a packed house of jazz lovers and music enthusiasts. Mr Niroomand is a constant presence. Supervising, walking to various tables, checking if a diner needs something, active and involved..
Shisha has also been hosting an International Jazz Fest for the past few years, inviting artists of international repute. Mr. Niroomand, whose parents migrated to India from Iran, believes that Shisha is one of the only pure artist focused jazz cafes in the country. “There’s one in Delhi, called The Pianoman, which is wonderful,” he says, genuinely happy that there is another place that celebrates jazz.
Mr. Niroomand trained as a geologist but circumstances turned him into a restauranteur. He looked after Sunrise Cafe, a small Irani joint in Pune, harbouring his dream of opening a space that was casual, relaxed and exclusively played jazz, the music he so loved. An avid trekker, he was inspired by the mountainside cafes in Iran and Shisha reflects a lot of their gorgeously laid-back style in its decor, which uses sofas to casually lounge on, Persian carpets and artefacts.
A live jazz evening
Shisha started in 2003, when Mr Niroomand’s friend (Shisha co-owner Prithvi Chitnis) told him about a place that was available. “It had an open terrace with a huge Peepal tree over it. I’m a nature lover and that caught my attention. I felt it was the perfect spot for the Jazz Cafe I had dreamed of,” Mr Niroomand says. The partners started with a paltry budget of Rs. 1,35,000, threw in some refurbished furniture, few Iranian carpets, Iranian food, supervised by Mr Niroomand’s wife Mahnaz and started the place in six weeks. It was a complete hit.
“We called the jazz aficionados of the city, people came and had a great time. We set a particular sales figure target for three months, we crossed that sales figure in three weeks!” Despite the lack of big investments in the beginning, Mr Niroomand feels something about the place worked its magic on the customers. “Somehow the combination of all the elements — food, jazz, the decor…came together and worked,” he believes.
Shisha started with 70 tables and now have increased to 280. “It has expanded over the years, as our sleeping partner, Mr Chinoy, also owns the property,” Mr. Niroomand adds that all of them, including his wife Mahnaz, an Iranian from Iran and son, Ehsan are involved with running the place in a hands on manner. His daughter has a hotel management degree and he hopes that someday the children will take over and continue.
We asked him if the jazz cafe that he had dreamt of was achieved. “Oh yes! My dream is more than fulfilled,” comes his emphatic reply. “We never set out to achieve this, it just happened,” he adds with a wide sweep of hands, gesturing towards the place. Fourteen years on, Shisha Jazz Cafe has hosted around 600 gigs. “Most of the big names in Jazz in India and international artists of repute have performed here,” Mr Niroomand adds with a touch of concealed pride.
What next then, we ask the man who has stuck to his beliefs about various things. He has stayed true to the genre of music his cafe started with and tried to keep the rates as reasonable as he can at the restaurant. “Jazz started from the streets and is meant to be affordable. The five star hotels made it expensive. We want it to remain available for everyone,” he says, adding that he started his life as a restauranteur with Sunrise Cafe, his father’s Irani cafe, where “we sold chai at 35 paise.” That’s the background I come from, he adds, candid to the core and satisfied with what he has achieved.
As a senior entrepreneur, Mr Niroomand doesn’t feel the need to make any changes to his much loved venture. “I don’t feel 61 but the truth is I would like to enjoy my earnings. Maybe take longer holidays, visit the mountains more often…” He trails off before hurrying to check something with the service staff, who he says, really manage his restaurant and inviting us to come back for dinner and treat ourselves to some jazz!
Photographs: Silvertalkies
The Non Resident Indians Parents Association (NRIPA) in Bangalore serves as an extended family for its members. Over the years, we have met many of their active and inspiring members. Here’s what this senior citizen’s group is all about.
The most common question when members of Non Resident Indians Parents Association (NRIPA) meet is not ‘how are you?’ “Instead, it is when are you going?” chuckles MR Mahadevan, 77, secretary of the volunteer, non-profit organisation, whose main criteria is having one or more children living out of India.
Started by Ambuja Narayan in 1998 as a support group for parents of NRIs, the group has now grown to 360 members in Bangalore. Membership has mostly been through word of mouth. Most members are also encouraged to bring in other like minded friends or relatives whose children live overseas.
The members on a holiday to Myanmar
Mrs Narayan formed NRIPA by inserting an advertisement in the Times of India after seeing the facilities available for senior citizens overseas. The response was more than encouraging. “My phone wouldn’t stop ringing,” she says. Since then NRIPA has mainly grown by word of mouth, with members all over Bangalore and especially from areas like South Bangalore.
The group has an annual membership fee of Rs 1200 for both parents and Rs 800 for single parents. After one year, members have the option of taking a one time life membership, which costs Rs 6000 for both parents and Rs. 4000 for one parent.
Managed in quite a professional manner, every two years, NRIPA members select a new managing committee to oversee its affairs. “Our members include people who have been professionals and done very well in their life. Most are not dependent on their children for their day to day living but it does help to have a network of people who are also living far away from their children,” says Mr Mahadevan. Members share tips and suggestions on everything from travelling to meet their children overseas to which retirement home to invest in.
The group (25 per cent of our members are always away visiting their children, Mr Mahadevan says) meets on the third Saturday of every month for a Fellowship meeting followed by lunch. “It’s a chance for members to socialise with each other and form friendships,” says Mr Mahadevan. Each meeting usually includes a talk on health or other issues relevant to elders by an expert or an eminent member of the group. They also organise a picnic or outing every three months. Mrs Narayan, the group’s founding member, adds that they don’t expect any funding from outside, whether it is from their children or from elsewhere. The members try to help each other out whether it is during illnesses or for any other need. Once, when the US-based daughter of a member went through some trouble, it was the family of another member that reached out to help her after word spread through the group.
A holiday to Masaimara
“We are a very social group,” says Mr Mahadevan, who has been part of NRIPA since inception. He adds that most people look forward to the meetings. “When we first met, all of us were strangers. Now we are one big family.”
The camaraderie is more than apparent when you watch them get together. Silver Talkies was once witness to a meeting at a member’s home in South Bangalore. Notes were exchanged, jokes were cracked and an endless variety of snacks keep doing the rounds. There was a level of comfort that comes only from long association and sharing a common ground. In other words, he NRIPA members are almost like an extended family to each other.
“We don’t have the empty nest syndrome,” Mrs Narayan told us, adding that their kids are very happy about the group as it provides companionship to the parents who are often living alone in India. “They are amazed at our energy,” she laughs. The group indulges in several activities, like contributing towards disaster relief funds, donating to old age homes and working for underprivileged children. They also organize activities with the help of their own members, many of whom are still quite active in their business (Mr Mahadevan runs a travel company, another member has a legal service) or keep themselves busy with social work, travel or hobbies like photography. “We support each other,” says Mrs Narayan, adding that they like to keep in touch and meet often, especially during festivals. The group also travels a lot and have gone to several places in India. Mr Mahadevan, whose company organises most of the trips said the members travelled to Hyderabad, Hampi and Goa last year. That’s quite an itinerary!
The idea, as the members chorus, goes beyond just companionship. NRIPA Bangalore is a close knit group of parents who offer each other mutual help, try out different ways to alleviate loneliness and keep the brain active. In other words, these are seniors who stay active and happy even if the kids are miles away.
The NRIPA website is being redone. If you wish to join the organisation, kindly email nripabangalore@gmail.com
Pune based Sasmeeta Srivastava is bringing warmth to the less privileged with her knitting. You can join this social worker’s ‘Knitting for a Cause’ project too. Here’s her story.
‘Clickety clack Clickety clack…’
You’ll hardly ever find 72-year-old Sasmeeta Srivastava, a senior citizen from Pune, without a pair of knitting needles, a ball of wool and a project at hand. What sets this prolific knitter apart is that she knits for the sick and needy, giving away each and every creation that comes off her knitting needles to make this world a cosier place. She gives away the sweaters, scarves and caps, knitted by her, to hospitals, orphanages and old-age homes. She also gifts her woollen creations to the children of the domestic help, to the watchman or to needy strangers on the street.
The Warmth of Giving
Sasmeeta’s ‘Knitting for a Cause’ project started in September 2014. She, along with other family members and friends, have knitted and given away over 300 caps and 75 children’s sweaters till date. “It’s a win-win situation really. I enjoy working with such gorgeous wool, creating new patterns and then giving them to those who really need it the most. This brings me peace,” says this knitting magician who has been living in Pune for the past 10 years. Sasmeeta was initially inspired to start knitting for others by a friend in Delhi, who would knit bags full of sweaters and then give them to labourers and the poor to help them get through the bitingly-cold winters of the capital. Since the winters in Pune are pleasantly cool with hardly a need to wear chunky sweaters, Sasmeeta has adapted to the need of the people around and has been knitting caps, sweaters for babies and small children, and recently, scarves with her 10-year-old granddaughter, Rhianna.
“She (her granddaughter) started helping me knit some scarves but now makes some of the most wonderful scarves on a hand-loom.” And this is golden, this time spent with her grandchild, bonding over creative knitting projects that bring them both a lot of joy. Like Sasmeeta says, it truly is a win-win situation for her and for the other senior citizens who have joined her in this project. Sasmeeta partners with her neighbors, friends and family to knit for a cause. She asks friends in Delhi to send over their stashes of leftover wool to her, so she can put them to good use. Other family members and friends, who love to knit, have picked up their knitting needles again and send her packages full of caps and baby sweaters that she can then give to those who need it the most. “My neighbour and I swap pattern ideas, while another friend of mine knits with me,” quips Sasmeeta, who seems to have spun a knitting revolution of sorts with her combined passion for the knit-and-purl and helping others.
Sasmeeta with her creations.
A Life In Service
“We go around with blinkers, not realising that there’s so much we can do help others. If we just look around, we can find a way to give to those in need,” says this smart senior citizen, who has worked at the grassroots level with the Gond tribals in Madhya Pradesh, alongside her social scientist husband. After her husband passed away, Sasmeeta moved to Delhi, where she worked with various organisations in the welfare and development sector. She was the Chairperson of the Central Social Welfare Board for a few years, then moved on to the Department of Electronics, where she helped promote women’s education through the electronic media and eventually worked with the Rajiv Gandhi Foundation in the field of rural development. Before Sasmeeta moved to Pune in 2005 to look after her mother, she was running her own social development company that helped connect funding agencies with NGOs.
“My mother, a doctor, was an avid knitter herself and would knit as a way to unwind after a hard day’s work,” reminisces this septuagenarian, adding quickly that even though she grew up seeing her mother knit, she didn’t enjoy her needlework/knitting class in school at all. “A German nun taught us how to knit and I still remember the number of times we were asked to cast on before we could get on with our knitting. But thanks to her penchant for perfection, I knit the way I knit today.”
For Sasmeeta, knitting now is a whole bunch of fun. It’s also a way to use a hobby and a skill to stay useful to the society, to foster new relationships, to learn new things. “Recently, I’ve had orders for cap and scarf sets. Some people going abroad asked me to knit them several sets of these and then insisted on buying them,” she explains, adding quickly that the money she receives from these orders is donated to the Cancer Patients Aid Association in Pune to help fund a poor patient’s treatment. She emphasizes that knitting for her will never be a way to start a business. In fact, it’s her passion for her craft and her willingness to stay sensitive to the needs of others that keeps her going.
“As you grow older, boredom and restlessness set in. But when you can put your talent to good use, it keeps you fit, fights degenerative diseases like dementia and arthritis, and gives you a purpose in life.” Busy knitting more caps and scarves, and equally involved in inspiring other senior citizens to turn their hobby into an opportunity to help others, Sasmeeta says with satisfaction, “Life is beautiful and I feel life is at my finger tips.”
Indeed it is for Sasmeeta and for all those silvers out there who’ve found a way to nurture their talents while making a difference to this world, one stitch at a time.
Sasmeeta Srivastava can be reached at sasvatsala@yahoo.com
Photography: Anup Banerjee
BR Hariharan, 67, has run full marathons in every continent, his latest achievement being Antarctica. Having taken up running marathons in his late fifties, this senior marathoner tells us his plan to complete the 100th marathon by 2017.
Running is fast emerging as a major fitness trend. Social networks are flooded with pictures of young and euphoric people running their first marathon and adding it to their list of achievements. Some may get hooked to the high of having completed a marathon and persevere to do more while others may stop at one. So you may ask what is special and worth writing about BR Hariharan. Let us tell you.
Marathon man BR Hariharan
BR Hariharan, 67, ran his first half marathon at the age of 59 and has completed 91 marathons (56 half, 27 full and 8 ultra-marathons) in the last eight years. He also has to his credit, the honour of being India?s second entrant into the prestigious Seven Continents Club ? finishing full marathons in every continent in the world. The last continent where Hariharan finished a marathon was Antartica, where he ran in March 2016. Bearing the extreme cold, facing the rough weather, running on slushy stretches while dressed in 3-4 layers of clothing from top to bottom, with the sun glaring from the snow, it was not an easy finish to achieve. But Hariharan?s strong will, dedication, commitment, coupled with a rigorous and regular training helped him finish the Antarctica marathon in 6 hours 41 minutes. Recalling the experience, he says, ?Prior to running the Antarctica marathon, I ran a marathon in the Nilgiris to test my endurance for a cold and hilly terrain. While on board the ship to King George Island, Antarctica, I used to run along with my co-participant Meenal Sukhija on the upper deck of the ship for one and half hours daily to acclimatize myself to the extreme weather conditions and to get used to running in multiple layers of clothing.?
Getting Started
A chance encounter with walking and running had Hariharan hooked for life. ?While waiting with Emil Boeke, Chief Risk Officer of Shriram Insurance, Africa, at a hotel in Hyderabad for our car to arrive, we walked 10 km around the hotel premises and then met up again next morning to do the same. Boeke, an avid marathoner, encouraged me to try running. He said marathon is in the mind and not in the legs. It is all about mental capability. This was in June 2007 and I ran my first half marathon in November 2007.? It took some effort and determination to overcome the mental block of running the full 21 km. But once rid of it, Hariharan was hitting the gravel very often and started marking lands across continents. He went to South Africa, Singapore, Australia, USA, Brazil, Greece and Turkey, among other places. ?As per our tradition, one?s 60th birthday is celebrated with pujas and havans, but I celebrated mine by running an ultra-marathon (50 km) in 7 hours 58 min. My 65th birthday was celebrated in Istanbul and 66th in Cochin,? he says jovially.
?My inspiration is my fellow runners. I run with the Hyderabad Runners Group at least thrice a week and do strength and cardio training on other days. However, my biggest sponsor has been my wife. She doesn?t ask me for a vacation and has been supportive of my vocation. All she tells me is to take care of myself.?
The Runner?s High
Hariharan with fellow runners after finishing the Antarctica Marathon
Hariharan continues to be Chief Investment Officer at Shriram Life Insurance, Hyderabad and has no sights on retirement. Having completed the Associated Insurance Exam three years ago he has now registered himself for pursuing Ph.D. in Management at KL University, Vijayawada, Andhra Pradesh. He is also part of Telangana Masters Athletic Association and has been participating in athletic events and running 100, 200 and 400 m races. He has been able to inspire his bosses, peers and family alike to run marathons. Hariharan?s mantra for them, ?Just run for fun as that is what will keep you going.? His next goal is to complete the 100 mark by end of 2017!
?I want to accomplish running 100 marathons by the end of 2017 and want to run only full and ultra-marathons to achieve this goal,? says Hariharan. We hope to see him cross this finish line soon.
Brigadier Suryanarayanan remembers some close encounters with Generals and Field Marshals in his inimitable style as part of his treasury of army stories. Read on?
Before, during and after my service, I have been lucky to have personally ?encountered? some Generals before, during or after they had been Chiefs! Here is a memoir of those meetings.
On 26 Aug 1959, during final year degree, General (later Fd Mshl) KM Cariappa, (Retd), had presided over our College Day
Shaking hands with the first Indian C-in-C, Gen KM Cariappa, before receiving prizes on 26 Aug 1959
celebrations. After a Guard of Honour for him, as the Under Officer, I went in uniform to collect a few prizes and he said a few words of appreciation. That snap is treasured by me!
I have had many encounters with Field Marshal SHFJ Manekshaw, but not had them ?snapped?; will recount just three. In 1963, still a ?one-pipper,? I was lost in the corridors of the Corps HQ at Tezpur, looking at name boards to invite two officers personally for a Regimental function. Suddenly I felt a hand on my shoulders asking, ?What brings you here?? Turning, I saw a Lt Gen in a mazri shirt, with a sharp nose and peculiar moustache. ?Don?t be scared young man. Tell me what you want and I will help you?. I stuttered and shivered before giving the names. He escorted me to their office and told them to give me some coffee and he was off!
In 1973, as a student at Staff College on a Sunday at the Lower Coonoor vegetable market, I saw all vendors suddenly standing up with folded hands and saying: ?Vanakkam, Ayya.? (Salutations, Sir). My wife and I turned around and saw the Field Marshal. We moved aside wishing him; but he stopped and asked my wife her name and where we were staying. On our saying ?Holmwood,? he remembered it from his days as Commandant 11 years earlier and asked if we still had dry commodes there! After speaking for some more time, he wished us luck and was off! Same year he addressed us at the Valedictory function, when for the first time ever, he gave out a humourous and uncensored version of the Higher Direction of 1971 War: he had contempt for politicians and named a senior minister. At one stage, he moved his head to a profile and asked us to notice the similarity of his sharp nose with Indira Gandhi and said, that was the reason he was close to her! Foreign students were equally delighted as us!
In Nov 1989, while waiting at IA counter at Madras for Coimbatore, in a long queue, I noticed ?Sam? joining 20 places behind me. I rushed and requested him for his ticket and not to stand in queue; but he wouldn?t, saying ?No I will take my turn?. I compelled him, took it, rushed back and asked the counter-man if he even knew who it was in the queue. He left the window, came out and apologized. Immediately there was a rush near ?Sam? with everyone producing a currency-note or boarding pass or even plain piece of paper for an autograph! He smiled at me with a mischievous wink and obliged everyone! I asked for and got two seats together in the very first row and he spoke nicely throughout the flight.
The author receiving his MBA Degree from Sardar Manmohan Singh, VC, Punjab University in 1991. The other Dr Manmohan Singh (to-be-PM in 2004) can also be seen in the image.
Sunday, 21 Apr 1991, at Punjab University, Patiala, I received my MBA Certificate from the VC and waited for my name to be called for the gold medal from the Chancellor, HE Governor of Punjab, Gen OP Malhotra (Retd). As I neared, he noticed that my tie was same as his (Instructor, Staff College) and said so. Cheekily, I told him, ?Sir, I am a Gunner too!? He laughed out loud! The photographer helped in capturing both the moments. Dr. Manmohan Singh was waiting to receive yet another doctorate and can be seen to the right and rear of the VC in the photograph!
Ten years earlier, on 16 Jan 1981, at Gunners Day cocktail, ?Gen OP? as the chief guest had gone around the regimental bars to meet officers and ladies informally and ?feel the pulse.? When he came to us, I was smoking a cigar and so was he! I
Mutual Smiles and a brief conversation with Gen OP Malhotra (Retd). Governor, Punjab
tried to hide my cigar. Signalling me not to, he asked, what brand, where from and if one was available. I produced the humidor of La Corona from my home-town Trichy. He placed one that he was smoking against this over the bar-counter, measured the length, circumference etc and remarked something, which if heard by the ladies close-by, would have embarrassed him. So, I gave a subdued smile. Realising his slip, he said with a twinkle of smile through his big mush: ?I was measuring the cigars, Colonel? and moved to the next bar!
In Dec 1971, during operations, communications were excellent in my (Brigade Major?s) Command Post, and so, GOC spent many hours there. When it was planned to vacate Chhamb, a call came from Gen Manekshaw late at night, asking him to hold on till first light for IAF?s help. Though this was not my ?meet? with a Chief but was as good as one, considering the historic moment!
Ten years later, as CO of a regiment recently arrived at Gurgaon after two consecutive hard areas, I learnt we might be moved yet again shortly. So, I used the Quarterly Security Intelligence Report to reflect the views of my men (?adverse morale? points are put up to the Chief). The then Chief, who wasn?t fond of the Gunners, wrote on it: ?This CO needs lessons on morale?! Luckily nothing adverse happened to me. Just two months earlier, as GOC-in-C Western Command, he had sent for me the morning after the Gunners Cocktail ibid and complimented my Regiment for an excellent guard, adding a below-the-belt-comment that he ?hadn?t expected such standards from Gunners!?
Within two years, I was embroiled in a trumped-up case, which took five years to get out. After that, I was posted as Instructor, Staff College! I met Gen Sundarji (just retired) at Wellington Gymkhana, where we were the only two at the bar. Introducing
The author with General S Padmanabhan at the latter?s office in Army House, Delhi.
myself, I thanked him for clearing my case leading to that prestigious posting. On his query, I mentioned that the Complaint Advisory Board he had introduced in his Secretariat, which independently and impartially examined complaints from all ranks had helped him clear me. He said in Tamil, it was nothing by him; I must have been cleared being innocent.
Now to the ?Chief? who considers me a friend. Half-a-century back, he (two-plus years senior) had been my student. Subsequently, we did Staff College together as students. During the ?case? ibid, he was my superior who had nothing to do with the case but being my boss, had to place me under arrest; he assured me that being innocent, I would come out blemishless; and I did. Five years ago, when I authored my first book, he was the one who wrote the Foreword, where he called me his ?guru? and a ?valued friend?! That is General S Padmanabhan and sums up this tale of close encounters with chiefs and generals across my life
Aruna Pai is a crochet magician. Her designs give traditional crochet a contemporary twist and are spread over doilies, clutch purses, cushion covers among others.
I see crochet and I am reminded of my grandmother deftly using her crochet needle and doling out pretty crochet laces which she would later sew onto handkerchiefs in different colours and present to all her daughters, daughters-in-law and granddaughters. I own woollen jackets that she made for me so painstakingly, laden with love. So when Aruna Pai tells me she started learning crochet from her grandmother when she was 15, during summer breaks, I am instantly transported back to Ambala, the residential place of my Nani.
In this age of YouTube tutorials and a depleting breed of learners of hand-made art, meeting Aruna Pai feels like taking a trip down the nostalgia lane. Aruna is actively pursuing her love for crochet and evolving her designs to match today’s trends, for her creations are sophisticated, trendy and contemporary. One look at her doilies and you hear Ooh’s and Aah’s appreciating her immaculate work. It is not just her doilies but her purses – clutches and batuas; cushion covers and window valances that too elicit a similar response from her fans and customers alike.
Aruna Pai’s Creations in Crochet
Aruna belongs to a time when marrying early was an acceptable norm if a suitable boy came by. So there was nothing out of the ordinary when she got married at the age of 17. Life became all about family and leading a happily married life with husband, in-laws and later, her two children. But in this new home too Aruna was surrounded by people with artistic allegiances. Her husband’s aunt was an accomplished embroider and kept Aruna busy with projects alternating between crochet and embroidery that adorned nooks and corners of her house. “Other than my grandmother and aunt, I also owe a big deal to the friends from North India that I was surrounded by as they were always busy either knitting, embroidering or crocheting and were a great influence at inculcating the habit of using my spare time productively,” says Aruna. So what started by copying designs from physical samples of crochet, gradually transitioned to taking inspiration from and improvising on designs found in books and on the internet. Today Aruna makes Irish crochet which is intricate and takes a lot of technique.
Intricately designed doily
After dappling with crochet for more than 35 years, Aruna’s love for crochet culminated into a small scale business started two years ago on encouragement from friends. “Success of my venture can be attributed to a woman’s innate desire to want something that she liked in another woman’s possession. It has been entirely word of mouth,” laughs Aruna. She sells via her own Facebook page and the international website Etsy. She is still to launch a standalone Facebook page for her business.
Aruna Pai initiating her granddaughter into learning crochet
The eldest of four sisters, Aruna is now passing on her Nani’s legacy by teaching the art of crochet to a couple of women in her area and is looking forward to introducing her 6-year-old granddaughter to this beautiful art. “My granddaughter goes around telling proudly to visitors – this has been made by Ammama and I am going to learn from her too. So this summer break I plan to get her started while she has interest in learning”.
Was it a piece of cake learning crochet? It is an easy art to learn but takes a lot of practice and learning by way of trial and error to get the technique right. “Very recently I came across a beautiful peacock in crochet that I wanted to recreate. I jumped into the project without checking the dimensions of the end product. It turned out to be a massive piece and I had to spend a day carrying it around in the house from wall to wall until I found it the perfect place. I hated admitting to anyone that I had misjudged the project,” says Aruna laughingly.
How does it feel being an entrepreneur in her 50’s? “Oh! It has been a massive boost to my confidence. I believe being independent is very important for a woman. The thrill of being paid for your work is inexplicable. I could not complete my degree but being an entrepreneur at this age feels immensely satisfying. I am 56 but do not feel that old yet so when I am addressed as per my age it feels weird but being an entrepreneur makes me feel good, independent and younger. I experimented with cooking business for a year but found it too taxing. I still take orders from friends but crochet is where my heart is and I am enjoying every bit of it and hope to scale up my venture soon”.
You can write to Aruna Pai at arunarpai@gmail.com or reach her on Facebook at https://www.facebook.com/aruna.pai.90
(All photographs courtesy Kavitha Pai)
Retired Fighter Pilot Ashok Mehta’s venture provides a one of its kind Microlight Flying experience.
Did you know you could go flying right in the middle of Bangalore? You could get into a small, lightweight Microlight plane with an instructor, be airborne for 20-30 minutes and even get the feel of actually flying the machine yourself as the instructor explains the mechanism to you and lets you take the controls for a while.
Sounds tempting? Thank Wing Commander (Retd.) Ashok Mehta, 67, a former fighter pilot with the Indian Air Force, whose venture Bangalore Aerosports is one of the few in the country to offer Microlight flying.
A Life In The Skies
Flying is a way of life for Mr. Mehta, an army officer’s son. He grew up near the Hindan Air Force Station close to Meerut and was fascinated by planes flying right above the house. “I felt captivated even then,” says Mr Mehta, “Eventually, I joined the NDA and then the Indian Air Force (IAF) as a fighter pilot and fulfilled my dream. I was in the air force for 25 years.”
Post retirement, Mr Mehta’s flying dream was far from over. An aviator at heart, he wanted to have a life that was simple, relaxed and involved flying and wished to extend that experience to others. He spent two years after retirement getting a Commercial Pilot’s license, despite not being keen on flying a commercial airline, the standard route that he says many ex-IAF pilots take. “I just wanted to see how the civil world worked and explore options, so I spent a lot of time and money training myself.”
Mr Mehta was sure that he wished to continue flying but not as a job. “I did not want to fly big planes. I wanted to fly for the thrill of it and share that thrill with people.”
That’s when he launched Bangalore Aerosports, a company that specialises in Microlight flying. A Microlight is a two seater aircraft, weighing around 450 kgs, designed for recreational flying and training purposes. Bangalore Aerosports started Microlight operations in 1999 and since then Mr Mehta, who is a DGCA (Directorate General of Civil Aviation) approved examiner and his team, have trained around 100 pilots.
Mr Mehta explains that for normal flying, microlights go 1000 ft above the ground, while for cross country flying (e.g., Bangalore to Mysore), they fly at 5,000 ft above ground. “The plane itself is designed to fly at 10,000 ft above sea level and can travel 350 km in one go,” he informs. While he has trained people over the years to obtain a Private Pilot’s License on Microlights, many people also come in for a recreational flying experience.
Spreading Wings
In fact, it is this experience that is closer to Mr Mehta’s heart as he wants to get more people airborne and make them feel the magic of flying. “When I started this, I wanted it to be a sporty, comfortable experience, not a very regimented one. Microlight flying is gaining in popularity and we are one of few centres in the country that provide this kind of an experience,” he says, adding that they operate everyday.
Bangalore Aerosports operates out of Jakkur Aerodrome in Bangalore and Mysore airport. Mr Mehta himself lives on a farm 60 km away from Mysore, where he offers guests the experience of camping and even taking off on a Microlight aircraft!
Safe Landing
He says this is what he planned to do with his retired life. He is not a believer in hanging up his boots and says that in India, mindsets are different when it comes to retirement. In fact, he recommends flying as an exciting hobby for retirees to take up, if money and time are not constraints, as many people do overseas. “I do not look at this as a pure business. It is a profitable venture but for me it is also a way of life. I fly everyday, sometimes with students, sometimes with trainers, sometime for training and maintenance purposes and the day I fly, everything falls into place – right from my beer to my food!”
Mr Mehta has explored options to expand the venture to other cities but hasn’t found the right match yet. “The issue with scaling up is that as a job it looks glamorous but is a tough task. It is well paying but is hard work at the end of the day. Safety regulations and precautions have to be followed diligently. Not everyone is up to that task.”
Staying constantly updated and introducing new things are however key factors to stay in the game. Bangalore Aerosports recently introduced Powered Hand Gliding as Mr Mehta believes there should be a basket of adventure sports on offer. “We have three microlights and one powered hand glider. We also plan to introduce Powered Para Gliding. It is much simpler to learn and does not require a license. For Microlights, you need to do 20 hours of solo flying and take technical exams. It can be strenuous.”
A one time Microlight flying experience of about 30 minutes, with an instructor, costs about Rs 6000, though costs may vary according to flying requirements. “The difference with others is that we also give them the controls at one point during the flight,” Mr Mehta says, adding, “My satisfaction comes from the fact that I’m able to provide something different and interesting to someone’s life. I’m able to provide what many call a life changing experience.” He shows me feedback from clients. It has exhilarated comments from husbands who’ve been gifted a flying experience by their wives, a young boy thrilled to get his first taste of flying, a young woman gushing over her wonderful birthday surprise…For Mr Mehta, it’s this joy that counts.
As a senior entrepreneur, Mr Mehta suggests people should take up something they are really good at, as well as something that can make a difference to someone’s life, in whatever way possible. He also believes people should put their expertise to use. And while money is important to sustain a business, he feels that it should not be the sole driving factor. “You need to enjoy and be passionate about what you do; you should also be making a difference, in whichever way. “I feel very strongly about that,” he sums up.
Bangalore Aerosports can be reached on http://www.bangaloreaerosports.com/
Danny Mehra?s tribal carpet collection is not just unique, it is also a storehouse of magical stories of gypsy women from around the world. We talk to him about his knotty love affair.
?It is a crazy and mad vocation,? is Danny Mehra?s opening statement when I meet him at his residence. I surmise this is a humble way of describing his fairly unique hobby of tribal carpet collection from across the world, until I too start believing his words as his love saga with carpets unfolds.
Spread and stacked across the house are his love interests in different stages of restoration and conservation; some of them having given him company for as long as 30 years. Each carpet has a name, an identification number and a story to tell. Danny?s passion, now on the verge of obsession, started soon after his marriage when his mother-in-law gifted the newly-weds a pair of carpets, supposedly Moroccan, bought in Cleveland from a Lebanese store. It was love at first sight for Danny. He was left mesmerized by their colours, asymmetrical design and mostly by their imperfection. This laid the foundation of a relationship that shares space in Danny?s life alongside his loving wife Renuka and their two Labradors Luri and Tulu, named after two traditional carpet weaving tribes. Sharing his passion and fanning it further are his driver and carpet restorer who help him maintain and conserve these carpets.
Carpet showing change in border design
Photograph: Silver Talkies
?Tribal carpets are anti-carpets,? says Danny. ?They are loosely woven, asymmetric and perfectly imperfect. The weaves of a carpet can bare the soul of the weaver as you look for stories they communicate. It is these stories or imperfections that attract me to these carpets.? None of the carpets in his collection are Indian, for as Danny explains, ?Carpet weaving in India is done mainly for commercial reasons and are weaved based on designs from a picture. The weaving tradition followed 100 years earlier was completely different as the designs were sprouts of a weaver?s imagination.? The oldest carpet in Danny?s collection is about 200-250 years old.
With his wife and labradors.
Photograph: Silver Talkies
Danny has been collecting tribal carpets for the last 15-20 years and has Baluchi, Persian, Kurdish and Caucasian carpets in his tribal carpet collection, dating back to the early 19th and 20th centuries. However, it is only recently that he started travelling with them across the country. ?I never did this for a living. My first exhibition was at Kynkyny Art Gallery, Bangalore in 2012 and have been exhibiting there almost annually. I do sell few carpets now and then but my exhibitions are more of a medium to spread the carpet stories far and wide.? His exhibition last year at India International Centre, Delhi, was the high point of his second career as his collection was not only appreciated by the who?s who of fashion industry, it also earned his quirky hobby an acceptance from his family. ?The sight of 83 carpets displayed in a 3,400 sqft area was a visual delight and an object of fascination,? says Danny?s wife Renuka, who has a fascinating hobby of her own ? collecting children?s books which she puts to good use as a reading specialist at a leading international school in the city.
Behind this glamorous sounding vocation is a hectic work schedule of 12 hours a day as Danny spends extensive time over the internet marking as well as procuring his next buy. He interacts with collectors, dealers and auctioneers from across the world and may sometimes have a courtship period, as he calls it, lasting as long as two years before he can lay his hands on a carpet he has set his eyes upon. However, when it comes to parting with any of his collection, Danny would like to take it slow as he would like to bask in the love of his carpets a little bit longer. ?I wanted to be a journalist but ended up being an accountant as that was considered a worthier profession in those days. I spent many years in US working as a consultant until I transferred back to Bangalore in 2005. Two years ago, when I was asked back I decided to give it all up and pursue my first love. I am 58 now and hope this interest will last me another 15 years at least.?
Panorama from IIC carpet stories exhibition.
Photograph courtesy: Danny Mehra
As he walks me through the house, I travel to distant lands of Persia, Iran, Morocco, Turkey, Azerbaijan and Uzbekistan and meet many nomadic women spinning and weaving yarns dyed in natural colours, lending them a design and shape of their creative imagination as they weave them row by row. I see a carpet that started with a broad border but narrowed down few rows later and one where the design of the border changed completely after a few rows as the design possibly didn?t sit well with the vision that the weaver woman had of it. I see demons with bloody hands, human beings, birds, flowers, trees, geometric patterns and abstract designs and have an epiphany realising the possessive nature of this relationship. Danny is one of the rare Indians investing his head and heart into this vocation. ?Unlike paintings, carpets are fairly undervalued as they don?t carry a unique signature of their creator. So they are not very popular as investments. There may be only 400-500 serious carpet collectors across the world,? he elaborates.
When asked what next, Danny says, ?I have been approached by the National Textile museum to showcase my collection but I dream of a house with a private museum adjoining it.?
In the comic Asterix and The Magic Carpet, Asterix travels to India on a magic carpet. We wish the dream comes true for this Indian Asterix too and hope his adventures on magical carpets continue to reveal many untold stories of gypsy women from all over the world.
Danny Mehra can be contacted at dannymehra@yahoo.com if you wish to join him on one such adventure.
Shyamala Rao learnt her craft of block printing 24 years ago, when she trained with Indira Gandhi?s saree designer. Her love for blocks, prints, textiles and passion to teach others, remains undiminished over the years.
Shyamala Rao is ready to start her Block Printing class for the day as I walk into her airy, well lit living room in Mulund, a Mumbai suburb. The table is set. There is a neat, organised cluster of blocks, binders, pigment emulsions, pins, scales, tailor markers, plain cotton cloth and plenty of reference books and materials on the two and a half meter long table. Her students, two young women entrepreneurs, who are planning to start their own design set up, are there for the day to get a hands-on expertise in block printing. They keenly sit poring through the books Shyamala has provided them along with a cup of tea and a bowl of upma each. She even serves homemade lunch for her students later.
Textile love
For Shyamala, 63, it has been a passion to welcome absolute strangers ? from high profile corporates to graphic designers, even visiting tourists from overseas ? into her home, to share what she knows best, her love for block printing. She lives with her husband, Rajshekhar Rao, 70, and her 83- year- old mother and takes not more than two or three students at a time as she prefers to give personalised attention. The day-long interactive sessions are intimate and detailed, her kind and patient demeanour making it engaging for participants. The initial part of the class is spent in her explaining the history of block printing in India.
It all began 24 years ago when Shyamala enrolled for a workshop with the well-known designer Panna Dossa, who designed sarees for the late Prime Minister Indira Gandhi. ?At that time I was designing salwar kurtas and sarees along with a cousin and we used to together hold exhibitions at Shilpi Kendra,? says Shyamala. ?I used to print our own creations and later started printing for boutiques full time.? Her two children were already in their late teens and were into professional courses. Shyamala had more time on her hands to pursue her interests.
?Initially everything was a challenge,? she recalls. ?Making the table and the initial set of blocks needed considerable investment, then the nitty-gritty of actual printing, like getting the right colour consistency, went on endlessly. But the trick was never to give up.? Shyamala approached the marketing departments of various paint companies to address her doubts and questions and has come a long way since then.
What kept her going? ?I think it was my passion for Indian textiles, and admiration for the unknown, unsung Indian craftsmen who toils away to produce these works of exquisite beauty that motivated me to conduct these workshops,? she says. Shyamala has been more than just successful in keeping the dying art of block printing alive. But if you tell her that she is quick to rattle of names across the country who are also into the perpetuation of the art. ?Most students who come are unaware and amazed at the toil, skill and work that has gone into each piece that they buy in the market. On an average, an ajrakh print that is done in Bhuj, goes through seven to eight stages in the printing process and can take a month or more to complete.? There is no stopping her once she begins to talk about the art of block printing.
?I try my best to showcase this art through my workshops. Block printing is more than just coming together of two sets of skills
? that of the block maker, and the printer, is what I tell my students,? says Shyamala who regularly holds workshops across India and overseas. ?I explain the skill, the patience and the devotion needed in the making of the block and the same qualities that are needed to print flawlessly. It is nothing short of meditation, an excellent form of therapy, where one has to concentrate and focus completely.? She gives her students all the necessary guidance to buy blocks and colours, as well as how to set up the table and start printing themselves. Alternatively, she also gives them contacts of professional printers in Mumbai, where she lives, who can print for them. She feels most rewarded when she finds some of her students taking this learning forward to start a business of their own. ?Some come do the workshop just as a stress buster, for the pleasure of handcrafting a gift, or to simply ?unleash their creativity? which is also perfectly fine,? says Shyamala, more interested in inculcating an appreciation for the Indian textiles than anything else.
With her mother and husband
?Block printing is merely an embellishment ? where one chooses to use it, is the creativity of the designer,? says Shyamala who despite having trained under the legend Panna Dossa, has gone beyond the mere six yards. ?I once had a student who was a yoga instructor, and embellished an old mango crate with block designs, to store the yoga mats! There are no boundaries when it comes to block printing!? And it has taken years to be where she is today.
She recalls how her two young children used to join her in her early printing adventures and how they helped and encouraged her by giving her their invaluable inputs. Today they are both into demanding professional careers, with her daughter working as a professor in physical therapy in New York and her son an engineer with an MNC in Mumbai. They may no longer be at home to potter around her while she works but Shyamala makes up for their absence by welcoming her students into her home. ?I see all those who come to learn as my family. Many of my students are in touch with me and send me pictures of their work, sometimes even coming back to clear doubts or for further practise,? she says. ?I can truly say that this craft has enriched me in numerous ways and brought colour and joy into my life.?
Shyamala is perhaps among the few who are blessed to have an occupation that has kept her going past her retirement age. ?Age is only in the mind. It is extremely important for seniors to be occupied,? she says. ?Negative thoughts, past events, future fears?one has no time for these when one is busy.? Today all she dreams of is a workshop humming with activity, her idea of heaven!
I later get chatting with Shyamala?s mother, Sharada Padbidri, who tells me how she used to learn embroidery from her grandmother. ?So we have five generations who have been working with textiles,? quips Shyamala. I finally leave the apartment to let her continue with her class, promising to come back some day for another round of conversation, or even do a workshop myself, perhaps.
You can contact Shyamala Rao through her Facebook page Blocks and Prints.
Photography: Sangeeta John
At 80, senior entrepreneur Nagamani makes a herb-infused oil and has two music albums to her credit. We met her recently and came away charmed. Here's her story.
Nagamani, 80, welcomes me to her home in Ulsoor, Bangalore, wearing a beautiful hand woven Bailou saree. It's simple and elegant, much like the lady herself, exuding a quiet beauty and grace you wish to possess when you reach her age.
Mani aunty, as she is fondly known, has been a member A Hundred Hands, a nonprofit trust that aims to introduce and promote handmade crafts, art and homemade products. Located in Bangalore, they hold an exhibition every year. Mani aunty?s oil used to be popular in their lot.
Ruby red in colour and rich in density, the oil has a combination of herbs infused in it and is said to be extremely good for the hair and in some cases, even the skin. We asked Nagamani how she started making it. My aunt learnt it from someone and passed it down to me. The formula comes from Kumbakonam in Kerala, she explains. This was in the early 60s, when Nagamani was a busy mother to two bright young daughters and family was her priority. So she ended up using it and discovered how good it was and started making it for personal use. The recipe is more than a 100 years old and is great to maintain strong and lustrous hair. The ingredients in the oil reduce hairfall and enable hair growth.
The herbal oil being made
While she never made the oil commercially earlier, when Nagamani's husband passed away in 1994, encouraged by her daughters and supported by her maid of 34 years, she decided to give the Herbal Oil venture a go under the name Roots & Shoots.
Sadly one of her daughters passed away few years ago, plunging Nagamani into grief and darkness. Achala, her other daughter, says the venture was therapeutic for her mother and helped her to deal with her grief and shock.
Encouragement also came in the early days from Mary, a salon owner who used the herbal oil and found it beneficial for her clients. I would supply to her once in 6 months,? Nagamani says. She was also introduced to A Hundred Hands, which helped her broaden her scope.
What makes Mani aunty special, apart from being the lady behind a very good herbal creation is her strength and poise. She
Nagamani at her home.
Photograph: Silver Talkies
comes from a lineage of strong women, and despite the ups and downs life has thrown her way, has managed to emerge stronger. She is also someone who followed her passion in the older years of her life, especially in music.
She has recorded two Kannada albums, one devotional and the other romantic, at the age of 70. Close your eyes and hear her sing. She sounds like a jubilant young girl singing a romantic duet.
Despite learning music as a young student and having had stalwarts like C Aswath as her teacher, Nagamani stayed away from music for a large part of her life, because she was too busy being a wife and mother. Her husband was a well known lawyer and Nagamani gave her family all her time and energy.
Mani aunty with her daughter Achala.
The dreams she may have had, of pursuing a career in music, were realized years later with the help of her daughters. What is amazing is that in 2003, she developed a tumour and recorded her Kannada album Thara Thara while undergoing chemotherapy treatment.
Today an active social life and her herbal oil venture, along with regular practice on her Tanpura keeps Nagamani occupied, despite the highs and lows that life has put her through. I am never tired of playing the Tanpura. she says smiling.
Her daughter Achala, who moved back to India to support her mother says there is no keeping this active senior entrepreneur down. She still goes to the club every evening, has an active group and speaks her mind.
Mani aunty's oil is retailed in Bangalore at Fresh Earth Organics & Ambara. You can also visit her Facebook page Roots & Shoots and contact her to buy it.
It?s amazing to see her fulfilling all her dreams after years of being a devoted mother and wife, losing a child and going through an ailment. Her message to other seniors: Get a chance to do what you like, it's the greatest gift.
Kaushalya Shroff is a senior entrepreneur in Delhi whose beautiful woollen creations are worth stocking up on!
It?s hard to tear your eyes away from the pink baby blanket made by Kaushalya Shroff, 72, the senior entrepreneur and creative genius behind Knitty Nani. Made in five shades of pink, it looks like ice-cream and reminds you of everything that soft and nice about little babies.
Knitty Nani is a venture started by Kaushalya that stocks hand knitted woollen products and fabric bags for shopping. What's interesting is the collection of accessories that are beautiful and different, with a contemporary touch. The variety Knitty Nani has on offer is quite mind-boggling. There are patchwork blankets and Ottomans (yes!) in bright, happy colours; soft fuzzy socks, mats and rugs. Oh and did we mention the sleeping bags for babies and crib accessories. And the cushion covers, tissue boxes and teddy bears!
Kaushalya's story and her venture is all about family support and how it can go a long way in encouraging a senior entrepreneur. It's also a great concept that plans to bring together elderly women with a common interest. She loved knitting and was encouraged by her children to start Knitty Nani. Her photographer granddaughter Radhika Agarwal has helped to promote it further by clicking her grandmother?s one of a kind creations in the best way possible, apart from setting up a page for the venture on Facebook.
My grandfather was ill for a long time, so when he passed away four years ago, Nani suddenly had a lot of free time and was encouraged by her family to start this, Radhika says. The idea behind Knitty Nani was not commercial but primarily a social one. We wanted to give her a platform to interact with like minded knitters, Radhika adds. The Knitty Nani logo was designed by a friend and Kaushalya's venture had started.
Round Rugs from Knitty Nani
So far, most of the products under the label have been created by Kaushalya, with few done by family and friends. But the idea is to involve more people, because as Radhika puts it, there are so many people in this age group who like to knit.
The designs are Kaushalya's own, with inputs from her near and dear ones. Many of the products have been done on an experimental basis (such as the accessories) and have worked very well.
For Kaushalya, Knitty Nani has been about getting recognition and the true value of her work. Madhulika, her daughter, remembers how Kaushalya made 100 round mats as gifts for family and friends because she wanted to leave a memory and do something worthwhile with her time. ?More than the money, Knitty Nani gives her self worth,? says her daughter. Kaushalya agrees.
In many ways this is also Kaushalya's way of filling a void in her life after her husband's death. Always a housewife, she raised three children and cared for her husband over his long illness. In 2011 when my husband passed away, I was very lonely and took to knitting, she says. I made rugs and a friend's daughter saw and appreciated the work. Encouraged by everyone, I also put up a stall and tried out other designs. That was the beginning.?
While she does most of the work, she would love to have others join in to create a community of knitters. But, as she points out, it's important to be open to learning. At any age. Everyone has skills but to run a venture you need to put in a lot of effort and you need to be very patient. I have tried new designs and experimented with an open mind. I love trying out new things, she concludes. As we wind up, she mentions her plan to try out a muffler made out of plastic pins a video she has recently seen on YouTube. Given how strikingly different and creative Knitty Nani's products are, we won?t be surprised if the unusual muffler is a hit with everyone too.
2018 UPDATE:
We love it when our silvers show their never give up spirit and channel their energies towards the greater good.
In 2016, we brought you the above story of senior entrepreneur Knitty Nani, the 75 year old Kaushalya Shroff, who started a venture of knitted woollen products in her hometown Delhi. She loved knitting and after the vaccum created by her husband's death was encouraged by her children to start the home-run venture. Cut to 2018 and Mrs Shroff cannot knit much due to Carpal Tunnel Syndrome, which causes pain and numbness in the arm and hands. But that hasn't stopped her from staying busy at all! at all! Instead she has started making daily use bags (for grocery shopping, among other things) with leftover fabric. Not only is the idea environment friendly, given the ban on plastic, she also celebrated her 75th birthday recently by donating the proceeds from the sale of her bags to charity. Don't we just love such enterprising elders Here's nani bagging two of her lovely creations. We wish her luck and a bagload of orders for those cool carriers to take your shopping home in!
Kaushalya Shroff can be reached on 011-42440970. You can also check out her Facebook page Knitty Nani
Alternatively, email radhika767@gmail.com
All photographs courtesy Radhika Agarwal/Knitty Nani
Senior entrepreneur Krishna Lal retired from the National Musuem 22 years ago. At almost 80, she has not only launched Krishnayan, a store to showcase Indian arts and handicrafts but also has more plans on her anvil.
For a lady turning 80 in March 2016, Krishna Lal is a spirited example of the saying that age is all in the mind. The former head, Decorative Arts and Textiles department, National Museum, New Delhi, she launched Krishnayan in October 2015. The aesthetically arranged store at KG Marg, Delhi, is a coming together of her relentless passion to not just revive traditional Indian art and handicrafts, but to provide them a new contemporary direction. As she says, Krishnayan is my way of bringing Indian arts and crafts into the drawing rooms of people. My aim is to translate art into utility items. And she has done more than that going by the array of amazing items in the store.
A corner of the shop
While most retirees might find themselves trying to cope with the long empty hours, Krishna has to meticulously plan out hers to ensure that all her projects get due attention. Difficult as it might be to believe, Krishnayan is not the only responsibility that this senior entrepreneur has undertaken! To make an attempt to understand Krishna and her never-say-die spirit, one has to go back to where it all started. Krishna Lal nee Gupta came from a big family of seven girls and two boys. While her dad was averse to educating girls, ?my unschooled mother put her foot down. We lived in Shahadra and she sent my older sisters by train to school, as there was no other mode of transport. My dad threatened to divorce her to no avail and eventually, he came around!?
With her older sisters having set the trend, Krishna followed suit. After a Bachelor?s in History from Miranda House, Delhi, she moved to Jamia Milia Islamia University for a B.Ed. ?We were the first batch of girls in Jamia. I was good at athletics and dramatics and I danced on stage, which raked up controversy enough to be reported in newspapers,? laughs Krishna. Next it was Aligarh Muslim University (AMU) in 1957-59 for a Masters in History. ?At Aligarh, I was the only girl without a burkha,? recalls Krishna. After AMU she registered for a doctorate and enrolled in the employment exchange. Three job offers came ? to teach at Miranda House, which she turned down because her sister was already on the faculty; All India Radio and National Museum. She joined the National Museum as a technical assistant in the Decorative Arts and Textiles Department, which covered all handicrafts and fine arts. ?I worked for 34 years and in 30 years I got four promotions,? says Krishna with quiet pride.
Framed Nagina combs
In her usual breaking the mould manner, she had an inter-caste love marriage and went on to become a mother to twin girls, one a doctor and another a lawyer, both living in USA now. In her husband, the late advocate Chandra Mohan Lal, she found total support. In 1971-72, she went to Paris on a French Government scholarship to study Museography in the prestigious Ecole de Louvre. She was the only one from India to get the scholarship then. Krishna went on to make her mark in her chosen field with several laurels- from participating in all Festivals of India abroad to coordinating several national and international exhibitions. She also found time to delve into the literary and research zone with nine books to her credit on subjects ranging from ?Peacock in Indian Art, Thought and Literature; Phulkari to Cosmetics and its impact on Indian Art.
Pashmina shawl with calligraphy
For Krishna, retirement was like a cue to spread her wings further. Her knowledge of and passion for Indian arts and crafts, many of which are still limited to communities and tiny pockets, had by then become so ingrained that immediately after retirement she invested all her finances into getting artisans, fine tuning their work and promoting them. I had Worli painters working on my terrace; I got the wooden chowki painters to start painting on fine fabrics and taught them to fasten vegetable dyes. She also went to be an advisor to the Cultural Archives of the Indira Gandhi National Centre of Arts, create best selling exhibitions on women's wear and home linen centred around the Padashahanama (memoirs of Shahjahan) and Chintz; design calenders. She also worked for eight years with historian and arts doyen Kapila Vatsyayan, cataloguing National Museum artefacts and verifying Crafts Museum artefacts for three years. Now, six days a week, she is at her store for four hours and sometimes more in the afternoons.
Krishnayan is a treasure trove of the best of Indian handicrafts and arts. Each piece has been visualized and designed by Krishna, under whose tutelage forgotten or overlooked artistic heritage have been rediscovered with a contemporary colour. You'll find beautiful women?s wear displaying Kantha work from Bengal, appliqué and Madhubani from Bihar, Barmer embroidery from Rajasthan, Zardosi from Delhi and above all, unique ones with motifs from the Padshahanama. There are soft as feather Pashmina shawls with first-of-its-kind stunning calligraphy. There?s a whole gamut of table ware pottery work from Jaipur and Khurja-, trays with Phulkari embroideries to Madhubani art; hand painted table linen in both cotton and silk; traditional combs from Nagina; unusual brassware from Moradabad and handmade paper items.
Framed Gond art
Krishna has many plans up her sleeve despite obstacles in the path. Life has not always been easy but I chose to always look on the bright side. One major blow was the 12 year long ailment of her husband whom she lost two years ago. Her health is another issue as she suffers from high blood pressure and uncontrolled diabetes. To add to that, myasthenia gravis has affected her eye muscles, but Krishna takes them all in her stride. It's not just Krishyanan that keeps her occupied. Twice a week, she is busy documenting the collection of textiles of the late Kamaladevi Chattopadhyay, social reformer and freedom fighter. There's one more project she has lined up for: I am very rich in saris, I have a 50 years collection and I am now working on a book on my saris which will feature traditional saris, their history and techniques. Once ready, I plan to have an exhibition where I'll have weavers demonstrating the art of making them. The exhibition can then travel worldwide, after which I will donate the saris to a museum. Plans for Krishnayan are also afoot, I want to expand the store, maybe open up more including at least one in the USA and get my daughter involved.
Krishnayan is online at https://www.facebook.com/krishnacmlal/
It's located at:
5, Asia House
Kasturba Gandhi Marg
New Delhi 110001
Phone: 011-23382640.
Photography: Purabi Shridhar
Silver Talkies introduces the SILVER HALL OF FAME to celebrate seniors for their extraordinary achievements. This month the honour goes to Asha Satish Philar, who cleared her Sarala Sanskrit Pariksha and secured 100 per cent marks, held by Sanskrita Bharati of Karnataka to promote the language. This talented cookbook author (seen here with her teacher Nalini) had never learnt Sanskrit earlier and decided to challenge herself by mastering a brand new language. Kudos to her!
A voucher for audio books sponsored by Reado.com was presented to Asha Satish Philar by Silver Talkies.
The SILVER HALL OF FAME celebrates seniors for their extraordinary achievements every month.
This month, we applaud the indomitable Viji Venkatesh. Viji is popularly known as Amma among all those whose lives she has touched as the India head of The Max India Foundation, an organisation that works with cancer patients across the globe. We first met her when she was in Bangalore for the launch of her book for children ?Maximo and the Big C?, a tale of courage and determination and found her charm rubbing off on everyone who came in contact with her. Viji is currently running Chai for Cancer, an innovative fund raising initiative for cancer patients, for the second year in a row. Despite her hectic schedules and gruelling travel, she manages to find time to be part of fun acts like the #100sareepact, sharing a space with Salman Khan for a Being Human poster or clicking a lovely selfie for the day.
We salute her determined spirit!
Silver Talkies presented a voucher for audio books sponsored by Reado.com to Viji Venkatesh.
This month, The Silver Hall of Fame honours a group of retired teachers, engineers and researchers, who are the force behind Vidnyanvahini, an effort to spread knowledge on wheels! The group teaches science to rural school children through experiments in their Mobile Science Lab. Vidnyanvahini is a non-profit organization and was founded in 1995 by returning NRIs Pushpa and Dr. Madhukar Deshpande. Both took early retirement from their teaching positions in USA to start this project, mobilizing a group of volunteers with similar interests in science and education. From seven members, the team has now grown to over 25 and their passion to teach science to students in rural areas remains the same. From Maharashtra to the North East, they have explored the length and breadth of the country for sure!
We salute this dedicated team of retired science enthusiasts and their zeal to spread knowledge in remote corners. To know more about their work or contribute, you can visit their website http://www.vidnyanvahini.org/
Silver Talkies presented a voucher for audio books sponsored by Reado.com to the Vidnyanvahini Team.
Our Silver Hall of Fame initiative is to honour inspiring senior citizens or organisations working with them. It?s our small way of recognizing those who defy their age in many ways and those who work towards bringing about a change in a much neglected area. This month we chose Pankajam Balasundaram, a feisty septuagenerian who has never let odds dampen her spirit, be it her thoracic cancer or eighty percent loss of vision in her one eye. Her zeal for life is infectious and inspiring. When we met her in 2011 she was learning freezing techniques and tailoring. Today she is giving lessons on bonsai craft art through her Facebook pagePankaj Creative Crafts where she has a loyal following and students. You too can learn the art from her by watching the vidoes on her page. She became the poster girl of our event Anandam last year with her energetic Zumba moves.
We presented Pankajam Balasundaram vouchers from our sponsoring partner Goodhands
Rajam Shanker’s years of devotion to music always had a higher purpose. Her music therapy work with autistic children is proof of that.
A sense of confident calm and assurance comes in Rajam Shanker’s soothing voice as she speaks about her work with music therapy. In her mid 60s, Hyderabad based Shanker is an exponent of Carnatic music and also has a masters in Vedic Astrology. But it’s her work as a music therapist that has made her touch the lives of others in myriad ways. Rajam’s music therapy uses the ancient tradition of Nada Anusandhana, a method of evoking inner sounds. This technique, used by Yogis in ancient times, associates a specific musical note with a specific chakra. For the uninitiated, there are seven main chakras in the human body, starting at the base of the spine and going up to the crown of the head. It is said that each of the seven chakras correspond to the seven notes on a musical scale.
As Rajam explains, “Nada Anusandhana is about evoking sounds from a particular chakra. It’s a process similar to Pranayam. When we are inhaling, as we utter the sound, we concentrate on the particular chakra during the process. The frequency of the sound vibrates the chakra and in the process as we exhale, the toxins are released.”
The energy that is produced through the frequency of the sound and passed through the seven chakras in our body – from the root chakra Muladhara to the crown chakra Saharara, helps in releasing toxins, leading to an overall sense of well being. Rajam says most people prefer to sing the Om sound, though they can produce any sound based on their religious or personal preference. “A simple Aaaaa sound is also sufficient.”
Photography: Silver Talkies
Having extensively studied the subject under the guidance and blessings of her guru Brahmashri Sangeeta Maha Mahopadhyay Kollegal R Subramanian, Rajam uses music therapy with senior citizens, some of whom meet in her Hyderabad home for music therapy sessions. “This is for their general well being and to help them overcome issues like lack of hunger, sleeplessness, etc.
However, the core of her work involves children with autism, with whom she has been working for more than 15 years. Her eyes light up talking about them. “Many of them are completely non verbal when they start and gradually, with therapy, have started speaking slowly, understanding and responding to commands.”
The time taken for progress depends on the score of their autism and is hard to quantify, says Rajam. She proudly mentions the case of a student who was completely non verbal and took about 50-60 sittings to say Om. “Today, he fixes his own pitch and can sing without any provoking. He is also 100 per cent verbal. The process has taken 5 years.”
Musical Healing
Rajam’s work with autistic children began in 2004, with Dr Lakshmi Prasanna of the Saandeepani-Centre for Healing and Curative Education, a unit of Little Hearts Children’s Hospital, Hyderabad. “She (Dr. Prasanna) was looking out for somebody who could work with Indian classical music. Slowly, with her guidance, I started working with a small group of children at the centre. She took care of the medical part and gave me complete freedom in my work.” Initially, the children would shut their ears, scream or run around but eventually Rajam started noticing slow yet sure changes.
Blessings to work towards a greater good also came from Rajam’s guru who said he had always known that her knowledge of music was meant to be used for this purpose. Support has also come from her family, especially her husband, a businessman, who also takes care of her emails and appointments as and when required and accompanies her to international conferences.
Rajam also works with women suffering from menopause related issues. She tells us about a scientist in a reputed organization who was unable to control her anger and had become extra sensitive as she was going through menopause. “The doctors advised alternate therapy and that’s how she came to me.” Rajam worked with her for days and one of the best moments of her life came when she was invited to the lady’s house for a function. “Her sons and husband walked up to me and said, thank you, you gave her back to us.”
Rajam also trains music students from India and overseas in the method of Nada Anusandhana. Many of them stay with her in her home in Hyderabad.
Notes of Wellness
When she does her Music Therapy work with laypersons, Rajam advises them to sing for themselves, even if they do not have a singing voice. “I ask them to record the session with me, put their earphones on and sing along. They need to concentrate on the chakras and match their voice with my voice. That’s how I train them.”
Photograph courtesy: Rajam Shanker
It’s also what she advises mothers of the autistic children to do. “I train the mother to sing for her child because the mother’s voice is the best therapy for the child. I ask them to sing along to the recording, concentrating on their chakras and the child’s. I write and give, this sound has to come from this chakra.” Rajam has had repeated requests to record music CDs for the purpose but she does not believe in commercialising her calling.
She also works with organisations for children with special needs, like Tamahar in Bangalore, apart from others in Mumbai and Chennai. Her work with Music Therapy has garnered international acclaim and she has presented her work in European Music Therapy Congress at Cadiz Spain and World Congress of Music Therapy at Seoul, South Korea, as well.
Music has always been in Rajam Shanker’s life. She started learning music at an early age and is a graduate in Carnatic Music from the Telugu University, Hyderabad and Sangeeta Alankara with distinction from Akhil Bharatiya Gandharva Mahavidyalaya, the National Music University.
Even as a child, she had felt the power of the ragas within her.
“As a kid when singing certain ragas, I felt something was happening to me. I kept it to myself and when I started learning music much later, I discussed with my Guruji. He understood what I had felt and asked me to work on it slowly.”
It was not until a traditional ceremony during her daughter’s pregnancy that Rajam felt the inner sound mostly keenly. Her guru, a much respected musician who composes his own songs, went into a trance and started singing the Raag Kalyani, traditionally sung during such ceremonies. “I felt the energy within me,” she says, adding that it was the start of her journey.
Rajam has been guided by her guru but is largely self taught when it comes to her music therapy work. “My guruji introduced me to a book called Sangeeta Kalpadrumam, written in the 18th century, that has given me a lot of inputs and works as my base to practically apply the knowledge. Another book called Harmony of Human Body by author Armin Husemann has also been my guide.” Both books detail the therapeutic effects that a musician could achieve through music and continue to guide her work.
Rajam believes that Psychology and music therapy are two sides of the same coin. She points out that earlier families were joint ones and in many ways, therapy, whether musically or through talk, was done by the elders at home. Today, as she painstakingly works with children with autism, women suffering bouts of depression or suicidal tendencies, the calm and collected Rajam Shanker brings back some of that ancient wisdom into their lives and more.
Vasantha Valli Malladi is a senior entrepreneur from Secunderabad, known for her exotic and spicy Andhra pickles. It’s also her way to preserve a tradition that is slowly going out of practice in the Indian kitchen.
If you are a regular at The Hundred Hands exhibition held every year in Bangalore, you’ve probably had a taste of Vasantha Valli Malladi’s lip smacking pickles. Her collection includes traditional staples like Avakaya and Gongura pickles, including a delicious chutney style Amla pickle introduced recently. Also in the pipeline, a delicious range of podis (powders) to add that extra zing to your food.
Cooking and a love for food and fresh ingredients is something Mrs Malladi, 65, a resident of Secunderabad, grew up with. “My father was a doctor, mother a homemaker and a very good cook. I used to help her in the kitchen and that inspired me to learn.” Married at an early age, Mrs Malladi stayed on with her parents to complete her matriculation and imbibed a few things from her mother’s kitchen, like the right way to make the food in a specific Andhra style, the use of correct ingredients and the nutritional benefits of certain foods among other things.
Married to a scientist for the last 50 years, Mrs Malladi was an accomplished student and dreamt of becoming a doctor once. She completed her graduation after having her children. “I would drop them off to school and go to college,” she smiles. Having a scientist husband with an interest in minute details of things and the spiritual aspect of life, opened up a different world for her, says her daughter Lakshmi Chowdhari, an entrepreneur herself. “His interest and ideas moulded hers too in many ways.”
The germ of starting something from a skill everyone appreciated Mrs Malladi for came from the family’s years of stay in the Indian Institute of Chemical Technology Campus in Hyderabad. There were people from diverse regions in the campus but everyone loved the food that Mrs Malladi would make. So as her husband retired and children grew up, the family pushed her to express herself through her food.
Mrs Malladi started with pickles as Andhra Pradesh is known for them and she wished to spread their taste. Pickles in Andhra Pradesh are made from a variety of sour vegetables like Raw Mango, tamarind, cucumber, Amla and the well known Gongura Leaf. Made in sesame oil, they tend to be spicy and full of flavour. “I realised most working people do not have any time to make these pickles but do have a taste for them,” Valli says. Since these were recipes she had grown up with and had been used for generations in her family, it was also her way of preserving the tradition. The response was overwhelming and Vaidik Foods, Mrs Malladi’s brand of homemade pickles, created with fresh, handpicked ingredients, was born. “One lady sent us a message saying she used to only like eating her mother’s fish pickle but after tasting the Avvakaya made by us, she loved its taste,” Lakshmi, who helps her mother with logistics issues like sourcing and marketing, points out.
In many ways, this is also Mrs Malladi’s way of empowering women from less privileged background. She employs three women to help her with the preparation process and to maintain the strict standards of cleanliness she adheres to. The material comes from various parts of Andhra Pradesh and each ingredient is sourced from the place it is best known for. “E.g., our chillies come from Guntur,” she says, explaining why chillies are such a favourite. “We make extremely spicy chutney and pickles with it. The spice brings out the sweat in the body and cools it.” Like the chillies, the mangoes are handpicked from Nujiveedu, known for its mango produce and the sesame oil from Samaralkota in Andhra Pradesh.
Mrs Malladi’s grandfather Dr. Rama Shashtri was a well known Ayurvedic doctor and the medicinal value of certain foods is ingrained in her. “We have grown up eating the Amla pickle, rich in Vitamin C. The Til (sesame) oil used in making the pickles is good for the heart and in increasing calcium content…”
The process of making the pickles takes about two to three month, right from picking the ingredients to the final packaging. It’s a process that involves a fair amount of hard work and diligence, such as “Staying away from water, drying your hands and maintaining very hygienic conditions, packing with the right amount of oil, among other things. All the nuances have to be checked thoroughly,” Lakshmi points out. The pickles do not have any preservatives or artificial colours and the production process is similar to what has been carried on in Mrs Malladi and her husband’s family for generations. While her family is encouraging her to expand the business, this senior entrepreneur herself wants to take it further only if she is able to maintain the personal touch and level of precision she maintains right now.
What has turning entrepreneur at a later age meant for her? “This is my own venture and though I do not need the money, it still feels good to earn something of my own and put it back in the business,” she says with pride. It’s also the joy and recognition that something she enjoys doing gets from people.So the next time you are craving for a touch of spice, take a bite of one of the pickles lovingly created by Malladi Vasantha Valli. It’s a true taste of well-preserved tradition.
To know about the range or place an order for Vaidik Foods pickles, mail to vaidikfoods@gmail.com. You can also call 09246246162.
During the devastating floods of December 2015, senior citizens in Chennai too lent a helping hand in where they could. We share some of their stories here and look forward to more from our readers…
A Facebook post went viral during the devastating Chennai Floods of December 2015. A son had proudly shared the story of his dad who refused to leave Chennai for the safety of his son’s residence in another city. His reason? There were several people working towards helping others who had been severely affected and despite his age the gentleman wanted to stay back and lend a hand in the rescue efforts too.
As the waters rose in Chennai, inundating roads, bridges and homes, we heard numerous stories of bravery in the face of extreme odds by volunteer groups and relief teams. Stories that renewed our faith in goodness and humanity. Most of these stories were of younger people but we also heard snippets of senior citizens in Chennai, like the gentleman above, who went out of their way to help others, whether by providing them shelter in their homes or going out to the flood affected areas themselves and helping with the relief work. No effort is big and small and we decided to share their stories too.
NR Kumar, 66, never thought his 75 year old ancestral home would become a refuge for so many. Luckily for him, his house did not face any water logging or seepage and was able to provide shelter to many family and friends whose residences came under water. Among these were his 72 year old friend and wife who were suffering from Parkinson’s Disease and were unable to take care of themselves in the absence of a nurse who found it difficult to commute in the rains. But what changed everything for Kumar was when he stepped out and saw how badly the slum dwellers in the nearby areas were affected. He decided to offer whatever help he could manage. “We distributed some clothing and then realised there was a need for food, so we organised for idli flour and served food to the 13 affected houses we came across for a week,” says Mr Kumar, adding that despite the water level and the state of despair, dealing with the flood-affected was a humbling experience for him when he saw their grace in the face of distress. He shares three instances: “Kumar , who runs an ironing shop, near my house shifted out of his house in Saidapet as his house near the Adyar river was flooded. He shifted with his wife, two grown up daughters and grandchildren. He took shelter in the car park of a bank opposite his shop. When we enquired about his accommodation, Kumar expressed complete satisfaction. I could see from the expression on his face that he was actually more than satisfied about his shelter. I wonder whether Mukesh Ambani has a similar satisfaction about his home. The residents of the slum used to queue up with a plate to collect the food. On a particular day a young lady was serving the food along with me. When she finished that her own plate was empty. While the immediate response was one of anguish, she immediately recovered and said that it did not matter as her son got the food. On the last day the food that we carried was in excess of the requirement of the slum, as my Sister shanthi had also stepped in and we carried twice the normal volume. One of the platform dwellers, a lady after picking up her quota, made available plastic plates, cups etc., from her meagre possessions, so that we could serve breakfast to other people around her.”
Singaram Subramanian and his wife Vasugi Singaram didn’t think twice before venturing out to inundated areas to survey the situation before they offered help. Singaram, an entrepreneur in his late 60s and his wife S. Vasugi, run a charitable trust called Essvee Foundation, which has been working with poor students to provide scholarships and running a community college. Vasugi, a retired teacher, has been working with visually impaired students for the last 33 years. The floods and its aftermath saw the Singarams joining forces to help people in the affected areas in a methodical and practical manner. They visited waterlogged neighbourhoods in the vicinity of Poondhamalle area and on the banks of Chembarambakkam lake and provided tokens to the people there to distribute relief materials in a systematic manner.
“We felt they needed plastic floor mats and blankets the most, so we made a kit for distribution,” Mr Subramanian adds. Each kit contained one plastic mat, one blanket and chlorine tablets that help in purifying the water. According to the Singarams, blankets are a much needed item, especially in the interior areas that are not easily accessible and plastic mat work well as it does not get wet and is long lasting, while water purification tablets are useful to avoid major epidemic outbreaks.
To ensure smooth distribution, the couple started the process from a community college run by them in the vicinity of the
affected villages. “We went to villages in an around 5 km of the college with volunteers and we issued tokens after verifying identities. In two or three days we had covered 500 people, who came to the college to pick up the relief material,” Mr Singaram adds. With an aim to help over 2000-3000 families, they have already distributed over 1000 blankets and kits and partnered with the Tamilnadu Foundation, a US based non profit, to provide utensils along with the relief kit to the needy. If you wish to know more about their work or wish to contribute, please visit https://www.gofundme.com/chennairelief-pdx or http://www.essvee.org/.
Like the Singarams, K.S.Ramamurthy, 82, could not watch the devastation without pitching in to help. He mobilised all resources under his organisation, Society for the Development of Economically Weaker Section (SODEWS) that addresses education, health, environmental and livelihood themes in rural areas. “In association with AidIndia Chennai, we provided food and clothing in the badly affected Cuddalore District, among other areas,” says this active senior who commutes from Yelagiri Hills, where he resides, to supervise the work. So far, Mr Ramamurthy has been able to raise more than 25 lakhs and his organisation is working towards other rehabilitation efforts. “My greatest focus would be to re-establish the schools as the floods affected schools too and shut down classrooms,” says Mr Ramamurthy, who is passionate about education and has helped many tribal children in the Yelagiri Hills area get educated through his organisation. At present, his organisation is in the process of assessing the post flood damage and identifying needs and budgets to build shelters that can help both house and educate. To know more or to help, visit their page on https://www.facebook.com/Sodews/
These are but a few instances of senior citizens going beyond the call of duty to help others in their times of need. We would be honoured to publish stories of other senior citizens involved in such efforts with details of their work. If you have come across a senior helping the volunteers with relief work or who lend a helping hand during the Chennai floods, please do share their stories with us on connect@silvertalkies.com.
— By Reshmi Chakraborty
Meet Peter D’Souza, a banker for forty years who found a post retirement vocation in his very own kitchen and now has a thriving demand for his yummy plum cakes!
Peter D’Souza, 68, a Mangalorean by birth, a Chennaiite for many years and now settled in Bengaluru, had been a banker for 40 long years. D’Souza loved his job as it was also here that he had met his life partner. But soon the same job proved to be his nemesis as regular official transfers and inability to move the family along every time meant long periods of solitude. A five year stint in Delhi all by himself proved to be the last straw and D’Souza decided to take voluntary retirement at 51 when next transfer orders came in. Ever since then he has been spending his time being a doting father, grandfather and a loving husband.
The post retirement years brought D’Souza to the kitchen initially out of interest and then out of need as his wife, a diabetic of many years, was diagnosed with cancer. “I started spending more time in the kitchen as being a diabetic the kitchen was not a very safe place for my wife. Also, I wanted her to take rest from her kitchen career of forty years”, says D’Souza. The initial trials based on tried and tested recipes from cook books including The Chef by Isidore Coelho, the bible for Mangalorean cuisine, led him to experimenting and adding his own twists to these recipes. He mastered the art of cooking Manglorean staple dishes soon enough and started experimenting with cakes, inspired by his wife’s baking skills. “We had an old oven without a thermostat that my wife used for baking cakes for Christmas in which the sides would burn but the centre would remain undercooked. About 10-15 years back we bought a new oven and I got interested in baking”, says D’Souza reminiscing.
Soon D’Souza was giving out his home made plum cakes as Christmas gifts to neighbours and family. Appreciation started flowing in from all quarters and he got his first order two years back from an elderly woman in the neighbourhood who wanted two cakes. Encouraged by his family, D’Souza got over his initial inhibitions and obliged. Slowly the orders started trickling in from friends and colleagues of family members who had had the chance of trying D’Souza’s bakes. The next year saw repeat orders and the enterprising senior sold 70 kilos of cake, all through word of mouth publicity. The result – the overwhelming response to his cakes has fuelled D’Souza’s passion and he is now actively thinking of selling his cakes through bakery shops and canteens. “I am told I need to get a registration done to be able to sell commercially. My son is helping me look into that”. He hopes it will be a piece of cake to get things organized.
Right now D’Souza is a happy man. Other than exploring new avenues and fulfilling his Christmas orders, he was also a participant at a recent exhibition at his grandson’s school where his grandchildren went around selling his cakes. “My granddaughter is also interested in baking. She makes cake pops and cupcakes,” says the proud grandfather with a broad smile.
To grab a piece of Peter D’Souza’s rich plum cakes place your order at 9741464045 or write to openspaces.bangalore@gmail.com. Hopefully next year you will find it in a bakery next door!
G Nagaraj, 66, has been voluntarily directing traffic at a busy junction in Bangalore for nearly a decade. He tells Vishaka Srinath what keeps him going.
Most people try to keep away from Bangalore’s dreadful traffic. G Nagaraj actually travels 20 kms from his home everyday to get right in the thick of it. And he has been doing it for nearly a decade.
Everyday, Nagaraj manages the traffic for six hours at the City market Junction, one of the busiest stretches in Bangalore. Even the traffic cops are surprised by his interest and dedication to his work.” “That one man does the work of five! And he is 66 years old!” says a traffic cop, after watching Nagaraj manage the traffic. The reaction is same on many commuters’ faces when they see Nagaraj diligently working at the traffic junction.
Nagaraj, a 66-year-old resident of Kengeri in Bangalore is a retired editorial assistant who worked with one of the major publications in the city. Post retirement, he has been managing the chaotic traffic in the busiest of Bangalore markets. He says he finds his peace in chaos. He dislikes traffic jams though he has never driven a car in his life. His mode of transport was a cycle when he was younger.
Nagaraj studied only up to Standard 10. He wished to study further but had to discontinue due to domestic difficulties. The lack of education did not deter him from his interest in social work. During his teenage years, he volunteered for a number of health camps organized in rural Bangalore. His work at a traffic junction is perhaps best suited to his orderly temperament.
One April, when Nagaraj was finishing his chores in the City Market, he saw a huge traffic jam – vehicles were crossing haphazardly and the pedestrians were trying their best to avoid coming under their wheels. Nagaraj abandoned his shopping and began to direct the traffic until everything was under control. It has been 9 years since that day and Nagaraj has not missed controlling traffic at that junction for a single day ever since. He proudly says that since the past 9 years there have not be any accidents in the sections he controls and that gives him a sense of satisfaction.
Nagaraj’s day begins with a cup of coffee, mandatory for him to get through the next few hours. He then has his breakfast and leaves for the City Market, which is 20 kms away from his home. An extremely meticulous and organized person, he starts his work at 9 am and wraps up by 2 pm. He enthusiastically says that he works extra hours on festivals and special days. He stands for over 6 hours on a daily basis to help organize the vehicular traffic and the pedestrians crossing the road. His main aim is to guard the safety of pedestrians and spread awareness of traffic rules. He started the work regularly after approaching the Traffic Department and volunteering to manage the traffic at the City Market junction.
The Traffic Department offered to make him a traffic warden and provide a uniform as recognition of his services. But Nagaraj, for whom this work is like a service to people and society, prefers working in civilian clothes and takes no remuneration for his dedicated work either. He wishes to stay a hidden angel and continue with his social responsibility.
Nagaraj’s advice to drivers on the roads today would be to stop underage driving. He vehemently says that driving without important documents is unacceptable. “Drinking and driving is the road to hell,” he adds. Even though he doesn’t have the authority to withhold offenders, if he sees rash driving, he does his bit to educate and uphold the traffic rules.
His four children are not so supportive of his vocation, and ask him to lead a ‘retired life’ by taking care of his health and not taking on stressful tasks. On the other hand, His grandchildren encourage him by waving at him when they pass by the junction Nagaraj volunteers at, proudly telling their friends about their granddad’s work. Nagaraj narrates that when he was featured on local TV channels in Karnataka, his daughters and sons were extremely thrilled and as a family gathered to watch the television interview. “They silently approve of my social service but fear for my safety,” he says.
City market sees at least 5,000 people passing through it on a single day. Most of the people, who see him regularly, are surprised that he manages traffic for no monetary gain. They ask him why he does it.
Nagaraj’s answer is simple: When I help people, it helps me too.” On a daily basis, Nagaraj helps numerous people cross the commotion ridden City Market road. When he helps school children cross the busy street and they thank him back, he says these small acts of encouragement touch his heart and reinforce his sincerity in his work.
Nagaraj clearly likes conversation with people he comes across. When he sees very old people crossing the road, he asks them why they need to visit busy areas with bad traffic. More often than not the answer is that they like to do their own work and not be dependent on others.
The same applies to Nagaraj too. He was detected with a heart problem about three years back. His work has also taken a toll on his health, making him prone to eye problems and giving him a repeated cough. But he adds that if he were to lead an idle and sedentary life, his health would deteriorate further. “After retirement, one must aim to stay physically active, mentally peaceful and engage in an activity that motivates,” is the mantra he lives by.
Nagaraj has no plans of stopping. He will complete 10 years of his voluntary traffic management service next year and plans to keep at it for a very long time. We wish him the very best.
Photographs: Vishaka Srinath
Silver Talkies is trying to put together stories of ordinary senior citizens with extraordinary lives. People who go that extra mile to serve society or do something special. If you come across someone over 60 who fits the bill, do write to us on G Nagaraj, 66, has been voluntarily directing traffic at a busy junction in Bangalore for nearly a decade. He tells Vishaka Srinath what keeps him going. Most people try to keep away from Bangalore’s dreadful traffic. G Nagaraj actually travels 20 kms from his home everyday to get right in the thick of it. And he has been doing it for nearly a decade. Everyday, Nagaraj manages the traffic for six hours at the City market Junction, one of the busiest stretches in Bangalore. Even the traffic cops are surprised by his interest and dedication to his work.” “That one man does the work of five! And he is 66 years old!” says a traffic cop, after watching Nagaraj manage the traffic. The reaction is same on many commuters’ faces when they see Nagaraj diligently working at the traffic junction. Nagaraj, a 66-year-old resident of Kengeri in Bangalore is a retired editorial assistant who worked with one of the major publications in the city. Post retirement, he has been managing the chaotic traffic in the busiest of Bangalore markets. He says he finds his peace in chaos. He dislikes traffic jams though he has never driven a car in his life. His mode of transport was a cycle when he was younger. Nagaraj studied only up to Standard 10. He wished to study further but had to discontinue due to domestic difficulties. The lack of education did not deter him from his interest in social work. During his teenage years, he volunteered for a number of health camps organized in rural Bangalore. His work at a traffic junction is perhaps best suited to his orderly temperament. Nagaraj’s day begins with a cup of coffee, mandatory for him to get through the next few hours. He then has his breakfast and leaves for the City Market, which is 20 kms away from his home. An extremely meticulous and organized person, he starts his work at 9 am and wraps up by 2 pm. He enthusiastically says that he works extra hours on festivals and special days. He stands for over 6 hours on a daily basis to help organize the vehicular traffic and the pedestrians crossing the road. His main aim is to guard the safety of pedestrians and spread awareness of traffic rules. He started the work regularly after approaching the Traffic Department and volunteering to manage the traffic at the City Market junction. The Traffic Department offered to make him a traffic warden and provide a uniform as recognition of his services. But Nagaraj, for whom this work is like a service to people and society, prefers working in civilian clothes and takes no remuneration for his dedicated work either. He wishes to stay a hidden angel and continue with his social responsibility. Nagaraj’s advice to drivers on the roads today would be to stop underage driving. He vehemently says that driving without important documents is unacceptable. “Drinking and driving is the road to hell,” he adds. Even though he doesn’t have the authority to withhold offenders, if he sees rash driving, he does his bit to educate and uphold the traffic rules. His four children are not so supportive of his vocation, and ask him to lead a ‘retired life’ by taking care of his health and not taking on stressful tasks. On the other hand, His grandchildren encourage him by waving at him when they pass by the junction Nagaraj volunteers at, proudly telling their friends about their granddad’s work. Nagaraj narrates that when he was featured on local TV channels in Karnataka, his daughters and sons were extremely thrilled and as a family gathered to watch the television interview. “They silently approve of my social service but fear for my safety,” he says. City market sees at least 5,000 people passing through it on a single day. Most of the people, who see him regularly, are surprised that he manages traffic for no monetary gain. They ask him why he does it. Nagaraj’s answer is simple: When I help people, it helps me too.” On a daily basis, Nagaraj helps numerous people cross the commotion ridden City Market road. When he helps school children cross the busy street and they thank him back, he says these small acts of encouragement touch his heart and reinforce his sincerity in his work. Nagaraj clearly likes conversation with people he comes across. When he sees very old people crossing the road, he asks them why they need to visit busy areas with bad traffic. More often than not the answer is that they like to do their own work and not be dependent on others. The same applies to Nagaraj too. He was detected with a heart problem about three years back. His work has also taken a toll on his health, making him prone to eye problems and giving him a repeated cough. But he adds that if he were to lead an idle and sedentary life, his health would deteriorate further. “After retirement, one must aim to stay physically active, mentally peaceful and engage in an activity that motivates,” is the mantra he lives by. Nagaraj has no plans of stopping. He will complete 10 years of his voluntary traffic management service next year and plans to keep at it for a very long time. We wish him the very best. Photographs: Vishaka Srinath Silver Talkies is trying to put together stories of ordinary senior citizens with extraordinary lives. People who go that extra mile to serve society or do something special. If you come across someone over 60 who fits the bill, do write to us on connect@silvertalkies.com One April, when Nagaraj was finishing his chores in the City Market, he saw a huge traffic jam – vehicles were crossing haphazardly and the pedestrians were trying their best to avoid coming under their wheels. Nagaraj abandoned his shopping and began to direct the traffic until everything was under control. It has been 9 years since that day and Nagaraj has not missed controlling traffic at that junction for a single day ever since. He proudly says that since the past 9 years there have not be any accidents in the sections he controls and that gives him a sense of satisfaction.
At 90, Rugminy Mami, as this retired teacher is fondly called by everybody, is a bundle of energy and takes care of the accounts at the local temple in Maryland, USA. Her story is also one of adapting to a new country in the best way possible, no matter what the age.
Ninety year old Rugminy Mami’s voice comes floating over the phone across the seven seas, jovial and excited. The lady who describes herself as an “ordinary woman” has had a simple yet extraordinary life. Fate dealt her a cruel blow early on but Rugminy had a never say quit spirit that saw her educating her children and then educating herself further in a foreign land. Her story is also an example of how best to adapt to life in a different country and keep yourself motivated and busy enough to do something good, not just for your own self but also the others. Today she is in charge of accounts and other activities at the Siva Vishnu temple in Maryland, USA and despite her age, still volunteers there as actively as she did many years ago.
The nonagenarian moved to US permanently to help her daughter raise children in 1972. She has been one of the people instrumental in setting up the Siva Vishnu temple that serves as a community hub for Indians in Maryland and start Shloka classes for children, her small contribution towards “teaching Indian children a little bit about their culture.”
Married at 13, Rugminy Gopalakrishnan lost her husband at a very young age. “I wanted to educate my daughter though the family was against me sending girls to medical school. She educated both her children by working as a teacher herself and after her children moved to US, she too moved there later to be close to them and help them raise their kids. As her grandchildren were growing up and did not need her as much, Rugminy decided to put her time to good use and did a Montessori teacher training course. This was after the age of 45! “I was studying along with the grandkids,” she remembers with a laugh.
A question from one of her grandchildren, on why the family did not visit any place on Sunday, unlike many of their friends who went to Church, prompted her think about raising funds along with other friends to set up a temple.
“All these years I had done my duty for my children and then grandchildren. Now it was time to do something for the community,” says the energetic grand mom. Interestingly, Rugminy doesn’t consider herself a religious person. “The temple gave me a platform to serve the community,” she says, adding that she had always felt the need to do something for the greater good. She started classes for Shlokas and tales from the Panchatantra for the children, which are still running 35 years later!
“The class has grown much bigger than when I started it,” Rugminy says with pride in her voice, adding that it is also open to all.
Given her desire to serve the society, Rugminy also took in children from some African American single parent families, who were at a loose end after school as their mothers could not afford childcare. “We accommodated them after school in the quarters for the priest and taught them. Senior students from the community helped them out.” The work was appreciated and awarded by the Maryland county.
“I don’t much believe in rituals and puja,” says Rugminy, who volunteers at a kitchen run by the temple and has inculcated the spirit of volunteering among several children whom she has taught over the years in her Shloka class. “At 90, I strongly believe in energy and that if you work towards it, God will help you out. It has been relevant in my life and I wished to pass on these values to the children.”
When Rugminy looks back today, she sees not just the fulfilment of an idea to create a space to pass on cultural values to local Indian children but also children who have now grown up to be what she calls, “good citizens.”
Tireless as ever, Rugminy Mami as she is fondly called, spends a large part of her time at the Sri Siva Vishnu Temple, managing the accounts and helping with fundraising at times. She still does most of the calculations mentally! “I like to be there at the temple,” she says, adding that it gives her a sense of purpose and achievement. Fond of all kinds of music, especially Hindustani and Carnatic, Rugminy Mami has no intention of slowing down ever. I can almost hear the suppressed smile and see the twinkle in her eyes as she ends the conversation saying: This is the best way to grow old!
— Rugminy Gopalakrishnan spoke to Reshmi Chakraborty
Mark D’Souza from Mumbai delivers food to needy senior citizens in the Borivili area. And he offers the service for free. Food is often a big worry for many senior citizens, especially those in frail health. You need to go out, buy groceries and cook, simple tasks which can sometimes become big and tiresome chores for someone with mobility and health issues. For the last three years, this worry has disappeared for about 25 to 30 senior citizens living in and around IC Colony, Borivili in Mumbai. Mark D’Souza, a local businessman with interests in real estate, has been delivering ‘dabbas’ or food packed in a tiffin carrier to them, every day of year, come rain or hot sun, with a smile. Most of the elderly D’Souza serves live on their own or suffer from ill health. His service, done completely free of cost, has changed the lives of many of the senior citizens he has come into contact with, giving them something to look forward to during their day.
The yearning to serve perhaps comes from the fact that D’Souza lost his mother at a very early age. The idea to provide food to the elderly came to him rather suddenly. D’Souza spoke to his wife Yvonne about it and before he knew it, she had taken out Rs 5000 out of the money she had earned through tuitions and had asked him to start. Their maid Geeta too chipped in with an offer to cook, D’Souza procured few tiffin carriers and was all set to start.
Initially, D’Souza found out about senior citizens in need of help through the IC Colony Women’s Welfare Association. Gradually, people started approaching him for help. “A young boy working in a call centre asked me to help as he was taking care of his mother who was deaf and a disabled uncle. To make ends meet he was doing extra work and did not have time to cook, so I started delivering two tiffins to his home.” Characteristically, D’souza offered the service for free, something the struggling young man could not believe. His is not the only story. D’Souza has helped out not just senior citizens but also other people in need of help with his tiffin service.
“Till date I have never counted the money I have spent,” says D’Souza, a little bemused by the fact that people keep asking him how much he spends on providing this free service. “By God’s grace, I have enough. What will I do by accumulating wealth?” he asks, adding, “God has blessed me with money. I like helping people so will continue to do so.”
D’Souza delivers the tiffins personally everyday between 12 pm to 2.30 pm. The tiffins carry nutritious food with low salt and oil, in keeping with the dietary requirements of many senior citizens. A regular tiffin or dabba has rice, dal, chapati and a vegetable dish, enough to last the seniors throughout the day. On Sundays, the menu can include non-vegetarian food as well. Sometimes, there are special treats in store too. The day I spoke to him, D’Souza had served Biryani and Ice Cream.
The 58-year-old D’Souza has always had the complete support of his family in his humanitarian work. His wife runs a nursing service and has been a huge support. People have approached D’Souza with offers of donation and help once his story became known courtesy the media but so far, nothing major has come in.
D’Souza however remains unfazed and determined to carry on with his work. “I do not want material goods or riches. I strongly believe that God provides and opens doors for us. If you are doing anything with a good intention, that work won’t have any obstacle or a problem.”
Providing for the elderly gives him the greatest pleasure and a sense of peace. Not to mention the smiles and blessings he receives from the many senior citizens he serves. “They say, thank you and God bless when I deliver the tiffins everyday. Many of them wait eagerly for the food and to talk,” he adds. The blessings and the smiles, keep this extraordinary man going about doing something that is clearly nothing short of a miracle for many seniors. Silver Talkies salutes his unbelievable energy, spirit and generousity. We hope he is able to continue for many years to come.
If you wish to help Mark D’Souza, do write to us on connect@silvertalkies.com and we shall put you in touch.
Indrajit Chatterjee and his wife Sumana went on a Grand China tour recently, to explore a country we’ve heard a lot of but know little about. The tour was capped by a visit to Hong Kong and Macau. Here’s his travelogue.
Traveling has always been a hobby and more so after my retirement. During my working days, I used to travel to many countries but didn’t have enough time to see the places like a tourist. Me and my wife made a wish list of places to revisit at leisure with the family. China came in this year’s travel plans mainly to clear a few myths about China prevailing among us.
We decided on an eleven days package tour of China covering Beijing, Shanghai, Hong Kong and Macau. We compared many travel operators with the details provided on their site and selected one from Bengaluru, where we live. We had a pre-departure meet with fellow group members and discussed the final itinerary. The organizers had arranged for a group visa for Beijing and Shanghai. People with Indian passports can get entry to Hong Kong and Macau for tourism purpose for two and four weeks respectively without any fee.
We were a group of 22 members only and hence manageable for such package tour. The numbers play an important role as with a bigger group, the timely reporting of each member becomes a constraint and you tend to miss out on one or two important items from the itinerary!
We left Bengaluru by Dragon Airways, a subsidiary of Cathay Pacific. Our first destination was Beijing via Hong Kong.
Beijing Highlights
We went round the great Tiananmen Square and the Forbidden City located opposite each other. The mere size of the square along with the cleanliness and the discipline of the people earned instant respect. Tiananmen Square is a large city square named after the Tiananmen gate (Gate of Heavenly Peace) located to its North, separating it from the Forbidden City. The square contains the monuments to the heroes of the revolution, The Great Hall of people, the National Museum of China, and the Chairman Mao Zedong Memorial Hall (with Mao’s embalmed body).
The Forbidden City was the Chinese imperial palace of the Ming Dynasty from 1420 to 1912. It now houses the Palace Museum. It served as home to the emperors. Built from 1406 to 1420, the complex consists of 980 buildings and covers 72 ha (180 acres).
We have been reading about The Great Wall from childhood and it gave us a feeling of achievement while visiting this wonder on earth! For the local Chinese people, visiting the Great Wall is like a pilgrimage. The wall can be approached from many places. As there were a couple of senior citizens in our group, we were taken to a place called Badaling, about 70 kms from Beijing to avail of a cable car service. The car took us to the top of the wall! The wall is very steep to climb and the cable car is really a boon to any senior citizen, so do not forget to avail of this facility during your tour. People on wheel chair can also reach the wall. The wall is about 21,000 kms long. It’s built in stages and visible from a long distance. For more details, see http://www.badalinggreatwall.com/.
While in Beijing, do not miss out the Golden Dynasty mask show. It is an amazing show with a nice story and stage techniques. Another landmark is the Olympic Site. Normally people are driven past the stadium (Bird’s Nest) and the Aquatic Center (Water Cube) but our guide took us inside both these for a memorable experience. The Water Cube comprises a steel space frame and is the largest ETFE (a type of plastic with high corrosion resistance) clad structure in the world. The ETFE cladding results in a 30 per cent decrease in energy costs.
One should not miss the opportunity of travelling by Bullet Train while in China. We surely did not! We travelled from Beijing South Station to Shanghai Hongqiao by Bullet train which covers a distance of 1318 Km in less than 5 hours maintaining a speed of 305 km/ hour. There are about 33 bullet trains from Beijing to Shanghai in a day! No jerk is felt at all during the journey. There is a security check at station and the boarding gate opens just 10 minutes before the departure of the train. All are chair cars and provided with a dining car.
Shanghai Surprises
From Shanghai, the next day we went to Suzhou City for a cruise on the Grand Canal. To view Chinese silk which is the best in the world, we were taken to a sericulture farm and silk factory with a sale outlet. We came back to Shanghai for lunch followed by shopping in the famous Nanjing Street.
Later in the evening, we attended the famous Acrobatic Show, which is a not to be missed experience. Near the theater, there is a famous market place of high end brands of the world. Shanghai boasts of the world’s second tallest building to be opened next year. We climbed the observation deck on the 88th floor of another high rise, Jin Mao Tower, by an elevator moving at a speed of 9 m/sec. The view was awesome as it was a clear day.
Later we went to Temple of City God, an old temple but currently converted to a market place. It is a good place to shop with lot of street food stalls. No, we did not find snake or any exotic food there! In the evening we took a cruise on the Huangpu River to observe the illumination of the Shanghai skyscrapers. This has no comparison and was a wonderful experience.
Hong Kong & Macau
The next day we flew to Hong Kong. The Hong Kong currency is dollar and different from the Chinese currency Yuan. Hong Kong, meaning Fragrant Harbor, is officially known as Hong Kong Special Administrative Region of the People’s Republic of China, and is an autonomous territory. It is a natural harbor and city of skyscrapers.
We went to the Kowloon Ladies’ Market for bargain shopping and Avenue of Stars. Avenue of Stars pays tribute to film personalities and was constructed in line with Hollywood’s Walk of Fame on a waterfront promenade, the most popular attraction here being Bruce Lee’s statue. In the evening, all buildings are illuminated to attract the tourists. Main attractions in Hong Kong are the Ocean Park and Disney Land, which we covered in the next two days. These attractions are for all ages and provide fun unlimited. The most popular one in the Ocean Park was the 27 year old giant panda, which is the oldest in the world. As known to all, these are theme parks. Ocean Park had some of the rarest animals like arctic fox, aquarium, walrus and so on. We spent ten hours in each park and still the time was not sufficient.
The famous Victoria Peak (Mount Austin) is at a height of 550 m and to the west of Hong Kong. No one misses a trip to this Peak. We can have a grand view of Hong Kong Harbor and Kowloon. We went up by the peak tram, which is like a funicular train climbing a steep incline with a breathtaking view. Here, at the top, we also have Madame Tussuads, the international chain of wax museums. This one looked more attractive than some of the other ones in the world. Everyone got busy being photographed with their favorite personalities.
Macau
This is also a Special Administrative Region like Hong Kong. It consists of the Macau Peninsula and the islands of Taipa and Coloane, which are now connected by landfill forming Cotai. This is about 60 km from Hong Kong and is one of the richest cities in the world. This used to be a Portuguese territory and has lot of similarities with Goa. Though the currency is different from that in Hong Kong and China, yet the popular currency is Hong Kong Dollars.
We reached Macau from Hong Kong by high speed Water Jet travelling at almost 70-80 km per hour.
During the day, we visited the ruins of St. Paul’s Cathedral, Penha Hill, A Ma Temple, Grand Prix museum and wine museum. The weather in Hong Kong and Macau is similar and quite hot and humid in the month of June.
Macau is known as the Las Vegas of Asia with casinos and hotels with lights and shows. There was no casino tour as per itinerary but my wife and I took the four hour tour of casinos on our own. All major 7 star hotels (The Wynn, MGM Grand, Venetia, Grand Lisboa, Emperor’s Palace of Jackie Chan etc.) of the world were visited. The musical fountains, LED lights and mechanical shows were amazing. The hotels and streets were illuminated with the brightest and most colorful lights. It was worth the extra money spent on this tour.
The next day, we returned to Hong Kong and took our flight back to Bengaluru.
Most of us are not aware of China much. A personal visit like above really gave us a glimpse of the advancement of the country. It is a huge country and we plan to cover other parts of China in future.
All Photographs courtesy Indrajit Chatterjee
Anke Gowda’s record-breaking collection of books is accessible to all and can easily be called the pride of Karnataka. Vishaka Srinath visits his Pustaka Mane (House of Books) in Mandya.
He sleeps on the floor in a corner room of the godown that houses his gigantic book collection. Anke Gowda, 66, a farmer’s son by birth, is today one of South India’s largest book collectors. ‘Collection’ is a small word to describe Gowda’s stock of books housed in Pustaka Mane. They are his first family and books can be found in every nook and corner of his home, from the porch to the kitchen. The former sugar mill worker turned book collector has a diverse collection of 2,00,000 books collected over 30 years. Gowda lives in Mandya, a district in Karnataka, a few hours away from Bangalore. His story is truly one that reflects that depth and charity of the human spirit.
Childhood Passion
Born into to poor household, Anke Gowda attainted a special interest in books as they were unavailable for him. The want turned into a hobby encouraged by his teachers and over the years, has turned into an obsession. Gowda’s favourite professor Anantharamu nurtured his passion for books when he was doing his post graduation at Mysore University. After completing his studies, Gowda joined a sugar factory in Mandya. But his passion to collect books did not wane with work. “I was buying books wherever I went on duty, that was my duty,” he confesses proudly. The locals in Mandya often tease him about this obsession but Gowda just laughs it off. His wife, Vijayalakshmi, recalls the time when her husband bought books with the money meant to buy provisions for the house! A small example but one that highlights the value collecting books holds for him. It also makes you wonder about the passion that drives this man to do this, part fuelled by his love for books and part fuelled by his desire to spread knowledge.
The majority of Gowda’s earnings goes in purchasing books, be it any genre. When I visited his book house in Harahalli, the collection cut across religion, language and subject. It included 22 different Indian languages and 8 foreign languages. It is estimated that his house, named ‘Pustaka Mane,’ houses over two lakh books. Beside books, his rare collection extends to a huge number of coins, stamps, old Hindi movie posters, old English and Indian newspapers, magazines and currency notes. His collection also includes the entire literature of Kannada literary giant Kuvempu and 566 publications written on him. Gowda even collects different types of invitations, wedding cards and greeting cards. He has been doing this since 1975. He now has over five thousand different type of cards.
Gowda’s dream is to own the world’s largest private collection of books. While he may have big ambitions, he is unable to fulfil them for want of funds. At present, he is unable to afford employees to organize his collection for the convenience of his visitors and books are heaped in a disorganised pile. “I spend 60 per cent of my salary on books,” Not surprisingly, he has sold his entire property for the sake of his passion. Yet, the financial crunch has never stopped him from indulging in this unusual endeavour. For Gowda, this is not an effort in vain. His library has helped many research students from various parts of the country in pursuing their dreams. It is open to students and anyone who is interested in attaining knowledge. Gowda has received many awards for his passion.
The Karnataka state government felicitated him with the prestigious ‘Kannada Rajotsava Award’ in 2014. The Library Association of Karnataka awarded him with a State Library award in 2011 for his personal collections. He has also won the Karnataka state award for his philanthropic work in the field of education in the state of Mandya in 2012.
Future Aspirations
Gowda’s desire to establish a good library in his hometown is finally taking shape. He wishes to provide ample access to books for future generations, especially those who may not have easy access to them. He will soon be recognised by the Limca Book of Records for his massive collection. His aim is to increase his collection to over a crore of books in the next two years. All these goals keep this 66-year-old man busy and terribly active, as he spends a large portion of his day in sorting and organizing his library.
Gowda’s ‘Pustaka Mane’ or ‘House of Books’ is open to all and he is never tired of entertaining visitors. He wife provides a continuous flow of tea and coffee for the readers, visitors and anyone who is ready to have a lively conversation with the couple. Gowda keeps a logbook to record the flow of visitors and says that the encouragement he gets from the feedback received makes him work harder to grow his collection, provide access to it for those who need it and work towards preserving it.
If the selfless and unusual passion of this bibliophile interests you, you can visit him here:
Anke Gowda’s Pustaka Mane:
Haralahalli, Pandavapura, Mandya
Karnataka
Pin code: 571434
Mobile: 9242844934
You can also visit him here http://www.ankegowdaknowledgefoundation.org/
Sohail Hashmi has kept alive the love for history and heritage imparted by his father through his Delhi Heritage Walks. He tells Nidhi Chawla how it came about and the many influences that shaped his life.
Imagine getting a lesson in history while walking the bylanes of Delhi or Dilli as it is popularly and lovingly called. As you walk, imagine getting introduced through stories to people who once occupied that bylane – from the nukkad shop keeper to the haveli owner – and hearing the history of the area with such vividity that you feel you have stepped back in time.
Such is the mesmerising experience one has while walking or talking with historian, activist, academician and film-maker Sohail Hashmi. Hashmi is a leading authority on Delhi’s history and is specifically known for his Delhi Heritage Walks for children and adults.
But how does a person trained in geography make history his profession instead? Hashmi says the seeds of interest were sown by his father when he would take Hashmi on journeys in the past and introduce him to seven versions of Delhi in chronological order. So when an opportunity arrived in 2000 in the form of Leap Years, an activity centre for children set-up by Rahul Bhandare, Hashmi took the plunge and joined the initiative whereby he designed walks as part of Discovering Delhi, for children who came to the centre. Soon what started as an engaging and enriching after-school activity for children found takers among adults and Hashmi started organizing walks for them as well. But Hashmi prefers to take the two age groups separately as he feels both need to be dealt with differently.
However the centre did not turn financially viable despite a rich repertoire of activities designed by leading names like Shubha Mudgal, Aditi Mangal Das, Leela Samson and Dr. Aneesh Pradhan among others, and had to close. But the concept of Discovering Delhi survived and gained momentum over the years. Featured in Time Out and on a NDTV morning show, Delhi Heritage Walks took off and today Hashmi conducts walks across Delhi from the third week of September till end of March, the weather being amenable during this period. There are 18 curated walks on offer. Each walk takes about 3.5 hours. Popular among children is the Tughlaqaqbad walk; among foodies – heritage plus street food walks through Shahjahanabad; among students of Architecture the Mehrauli Ruins and among those interested in the freedom struggle the sites connected with 1857. Apart from these public walks Hashmi is also associated with few schools where he takes children across grades on walks with him. He also introduces every new batch of National School of Drama (NSD) to Delhi. The walks are a lesson in history, art and architecture and even a culinary experience if you join him on one of his Delhi Food walks.
However Hashmi’s connection to history runs beyond his father as we find out during our conversation with him. His paternal forefathers came to Delhi from Kashmir in the 17th century when Shajahanabad was being built and stayed in an area called Kashmiri Katra close to Red Fort. After squashing the 1857 revolt, when the British occupied the Red Fort they found themselves surrounded by a river on one side and restless Indians on the remaining three. Sensing the potential danger they were in, they ordered the evacuation of areas within 500 yards of Red Fort in 24 hours, including Kashmiri Katra. Uprooted, the Hashmi family moved places from Kucha Chelan to Timarpur and finally to Kashmiri Gate. Hashmi’s grandgather started a furniture business in Kashmiri Gate that grew to be the largest furniture business in the city. The family was actively involved in the freedom struggle and Hashmi’s father Haneef was jailed for over two years during the Quit India movement. His grandmother Begum Hashmi was the founding president of the Delhi committee of the National Federation of Indian Women. However, post partition the business collapsed and the family was forced to move to Pakistan. So did Hashmi’s maternal grandparents who were family friends. But Hashmi’s father Haneef Hashmi stayed back and was soon joined by Hashmi’s mother, Qamar Azad. The two married and started a new life in Delhi. Children Sabiha, Sohail, Shehla and Safdar soon joined them. However their first few years were that of hardship and abject poverty. The family moved to Aligarh in the early 50’s at the behest of Dr. Zakir Hussain who was known to the family and was then the Vice Chancellor of Aligarh Muslim University. While here, the family was joined by little Shabnam. Even though the going was tough Hashmi’s mother Qamar did Montessori training and also completed her graduation. Qamar moved back to Delhi in 1961 as a principal at one of the 7 NDMC nursery schools in the city. She continued to teach until 1990 and was a state awardee for best teacher. She was sent on multiple assignments across the country by the Delhi government to train nursery teachers. Post retirement in 1990 she studied for M.A. and learned Persian as well, as she wanted to translate works of her father Azhar Ali ‘Azad’ who was a leading Persian poet and a journalist. Interestingly enough, she published the first volume of her father’s work when she was in her seventies. She authored Panchwan Chiraagh, a biography in Urdu of her son Safdar Hashmi, the famous theatre personality and activist killed by hoodlums on January 1, 1989 while staging a play Halla Bol. The book was translated into Hindi and English (Fifth Flame, translated by Madhu Prasad and Sohail Hashmi and published by Penguin). She died at the age of 83 while working on her biography.
Like his brother Safdar, Sohail Hashmi too carried the familial torch of activism and was quite involved with unorganized labour and trade unions. Both he and his younger brother Safdar Hashmi were members of Students Federation in Delhi. While Safdar pursued activism via the medium of theatre, Sohail Hashmi transitioned towards student politics and was heavily involved in politics while doing his BA, MA and MPhil. Hashmi picked up a formal job only at the age of 41 as familial responsibilities post marriage became imperative. He was script writer for 40 episodes of a TV serial Tana Bana and later a media consultant at National Literacy Mission for three years. He also worked as content writer/ editor for various private TV channels and websites. Few years later he launched his own production company and has made 20 documentaries till date. Currently he is working on two documentaries with his daughter Sania – one on Nubra valley in Ladakh and another on Biotechnology, all these while he continues to take the legacy of Delhi forward. He is going strong at 65 and has visited Ladakh twice in the recent past for his documentary and crossed Khardungla Pass four times. He is working on few more ideas for his walks and plans to add at least couple more to the list.
Sohail Hashmi will be soon restarting his walks in Delhi. To sign-up or know more you can visit his Facebook page “Delhi Heritage Walks With Sohail Hashmi” or write to him at mailsohail50@gmail.com. Do send us your pictures from the walk.
Our reader ED Narahari, 78 years young and reviving his keen interest in the written word sends us an English translation done by him of a poem by the celebrated Kannada literary giant Prof. V.Seetharamaiah or Vee See.
Prof. V.Seetharamaiah of the old school is a highly revered Kannada literateur, an excellent teacher and a very sensitive poet. This Kannada poem by the celebrated literary giant has been taken from his collection entitled ‘Sneha- vishwasa,’ I have great admiration and profound respect for the Titanic persona that Vee See had and therefore as a tribute to his genius, I decided to translate some of his poems in order to expose them to a larger audience.
THE DELUGE DANCE
This is the deluge dance Of the Divine dancer.
The broken waves of tempestuous ferocity
Splashing the beach
With furious force.
The tinkling melody of the dancing anklets!
The swinging romping waves
That cascade down
In splendid swirls!
The beauty of a Dance
Of the Supreme Being
Who ends all the worlds
Sparing not an atom!
The brave creatures,
The beautiful offsprings
Of an ornate creation,
Who bare their inners
After the Great Destruction!
The dancing bliss of the Lord
Who stands at the very core
And keenly awaits the very last
Of the great annihilation
There’s no sun in the sky!
Nor are the stars
No earth nor sky to get going.
No trace of joy nor of sorrow!
This hysteric ecstasy Reveals an exuberation that surpasses
The boundaries of sentiments and sensations!
The lesser gods who prided with conceit,
Who thought that they are without
A beginning or an end
Are now stripped of their homes and hearths
The Satan who forever and always
Shows an unseemly hurry
Is now shorn of his very existence.
It’s an ecstasy that reigns supreme
Even in the face of hindrances
Caused by the destruction of air and fire.
The astounding ecstasy of the Lord
Who shows up His ash-smeared physique!
He discards His concerns for protecting the world.
He chews up everything with a smile on His visage
He sings away the travails
With well-orchestrated melodies and rhythmic tunes.
About the author
ED Narahari worked as a senior geologist in Geological Survey of India and although he had the urge and passion to delve into the world of words in his formative years, the compulsions of a career did not allow him to pursue his passion. He took up the time to pursue his literary ambitions after retirement and the demise of his wife. His writings have been admired and appreciated by many and Narahari has translated more than 20 books in Kannada and English. His treatise in Kannada on the various aspects of the oceans has been awarded the RLN Memorial prize by the Prasaranga of Mysore University. He has also translated into Kannada, the lyrics some of sacred Sanskrit texts, apart from composing devotional songs in Kannada, that have been set to music by Ganesh Desai. A CD of some of these compositions were recently released at a function held. at Kalagrama, Bengaluru.
Inspired by her grandmother, Lakshmi Menon started Wicksdom, a beautiful initiative that helps to spread the light in the lives of elderly women across Kerala and beyond. Who would have thought that simple wicks, used in oil lamps across homes and temples, could have brought a group of women so much happiness?
Lakshmi Menon’s idea of involving not just her own grandmother (ammoomma in Malayalam) but other elderly women in making wicks for oil lamps has done just that.
The idea behind Wicksdom (Ammommathiri) or wicks made by elderly women, came about when Menon realised how engrossed her own grandma was while making wicks for the lamps in their family’s prayer room.“My grandmother is 90 and still quite energetic, always looking to help us out. She would chant Hare Rama while making the wicks and that caught my attention as she really seemed to be enjoying it.”
Seeing the pleasure the work gave her, Menon asked her to create some extra wicks for family, friends and the local temple and her grandmother gladly hand rolled 30-40 wicks for everyone, happy to be able to do something for somebody. “She started enjoying rolling the wicks too, which were supplied to a temple nearby. Since she was unable to visit it anymore, she was happy that at least the diya that is lit in the temple was being lit with her wicks!”
Even for frail, aged fingers, hand rolling the wicks from the yarn is not tough, says Menon, a fashion and product designer with previous stints in San Francisco and New York. “Rolling with the fingertips creates an acupressure kind of effect, which helps to lessen numbness. The elderly women also keep counting as they make the wicks, which is an activity for their brain.”
The happiness generated by her grandmother and other elderly women made Menon think of using the wicks to generate money for elderly women in need.
She approached a government old age home and started working with the elderly female residents there. “A packet of Wicksdom wicks cost Rs 5 for 30 wicks, out of which the women earn Rs 3 for every bundle and can easily make up to 30-40 bundles,” says Menon who is still trying her best to market the project to more organisations, so that these poor women can easily earn Rs 100 per day, a tiny sum that can make a big difference to their lives.
Menon’s family trust Good Karma Foundation provides the raw materials for free to the elderly women, who know the art of rolling wicks as it’s common in Kerala. The wicks are sold to temples, churches, individuals and other institutions. The needy elders stay occupied and earn a living that helps to maintain their dignity. Disappointingly enough, Menon has faced resistance from the one area she thought would be receptive. “Most temples in Kerala need eight to ten thousand lamps lit per day and I thought they would welcome our initiative with open arms. However, they were not encouraging at all as I wasn’t planning on giving them any commission,” she says.
Support has however come for the Wicksdom project from other quarters like the Chinmaya Mission, the Ettumanoor temple in Kottayam and from DC Books. Ravi D.C. of DC Books was one of their first supporters, giving them an order of 10,000 packets of wicks to be inserted in bundles of 30 inside a Ramayana series. Since the order had to be completed in a month, everyone chipped in, says Menon, adding that about 5000 packets were made by the ammoommas from various quarters, including the old age homes, while the rest were hand rolled by volunteers of Snehathiri, a project of Good Karma Foundation, including employees of an IT firm in Cochin who took it up as a Friday afternoon activity!
The initiative also got support from legendary actor Mohanlal, who lent his voice to a campaign for Wicksdom to be shared across various media, as well as from the Princess of Kerala, who asked for wicks by Wicksdom to be distributed with her books.
The Wicksdom initiative has touched the lives of elderly women in many ways and Menon has touching stories to share. “One old lady in our neighbourhood was neglected by her kids. We got her a power connection, which came for around Rs. 4700 and half of the money was generated though the Wicksdom project. The lady is around 85 years and has the capacity to earn at least Rs 900 every month by rolling 300 bundles of wicks. She does it with absolute commitment,” says Menon, who calls this true empowerment. Her other participants also include a Muslim lady called Fatima, who is happy to roll the wicks and says it gives her peaceful sleep. Menon believes the wicks are special because they are handrolled by the grandmothers with a prayer on their lips. “Many of them chant while rolling,” she mentions.
Once Wicksdom became popular across Kerala, Menon started getting calls from many people to provide a platform to promote products made by their grandparents. “Someone makes a special kajal for babies, someone makes pickles, someone does hand embroidered clothes, it’s like preserving the treasures of our culture,” she says. Her desire to preserve these skills, create a market for them and give them their own recognition led her to establish GrandMark, a logo that would help identify a range of products by grandparents.
“The products can be anything made by a senior citizen,” explains Menon, who held a contest for the best logo and unveiled the award winning logo on June 28, at her own grandmother’s 90th birthday function. “We are aiming for this GrandMark to be similar to something like an ISI mark that can be carried by any brand to highlight that it’s made by a senior citizen. Our intervention would be to make it contemporary and marketable.” As Menon looks at other avenues to highlight crafts done by elderly women and men, the Wicksdom initiative continues to spread the light across Kerala and beyond. Menon credits her mother Sreedevi for the effort she has put in behind Wicksdom and of course her original inspiration – her 90 year old grand mom with a twinkle in the eye – Bhavaniamma.
To more about Wicksdom and GrandMark visit http://www.goodkarmafoundation.org/
June 21 is Father’s Day. Journalist Anupama Bijur recalls a sweet memory associated with her late father.
My father was very fond of besan laddoos. Since he was diabetic, sugary treats were rare. Two days before Diwali last year, my sister sent me a mail saying we should let Papa enjoy some sweets during the festive season. So that year, I made a small batch of besan laddoos for my father. He loved to have something sweet after a meal and that week, he would eat a laddoo after lunch and dinner. Like my mother, he preferred home-made sweets to the store-bought ones. And he would proudly say to his friends that one daughter had given him permission to eat it and the other one had made it for him. That was the last year he enjoyed the laddoos. He died exactly a year later.
This is not my recipe but one that I have adapted from an Iyengar cuisine book.
RECIPE
Besan laddoo
Preparation time: 10 minutes
Cooking time: 5 minutes
Binding: 10 minutes.
Gram flour 1 cup
Powdered sugar ½ cup
Cashewnuts – 10 nos
Cardamom – 2 pods, powdered
Ghee – 3 tbsps
Method
Place a thick bottomed kadai on the stove and when mildly hot, add ghee. Turn the heat low and add gram flour, stirring constantly. When you can smell the aroma of mildly roasted gram flour, turn off the heat. Add cardamom powder, cashewnuts and powdered sugar. Grease your palms with ghee and take a little bit of the gram flour and bind it into laddoos of desired size. (Hint: Bind the laddoos when the gram flour is hot. )
Cookbook author Vidhu Mittal comes from a generation when mothers handed down recipes to their daughters. Her cookbooks aim to teach busy young professionals how to master the art of cooking. Even as a child, award winning cookbook author Vidhu Mittal was interested in cooking. Her mother was an excellent cook and cooking soon turned into a hobby and then a lifelong passion that is reflected in her two books –Pure And Simple: Homemade Indian Vegetarian Cuisine and Pure And Special: Gourmet Indian Vegetarian Cuisine. Pure And Simple has been a winner in the Best Easy Recipes category at the Gourmand World Cookbook Awards in 2009. Pure & Special, released in 2014, is noteworthy for its fusion style recipes, with even the humble Matar Paneer (Paneer in peas gravy) getting a French twist!
No surprises there though. Before her cookbook author avatar, Mittal was a popular name in Bangalore for her cooking classes, which taught students everything from basic dals to exotic salads. “I conducted these classes from 1992 to 2007, a year before I left Bangalore The age range of my students was from 9 to 60. People would come as a family — sister-in-laws, co-sisters, mothers and daughters. I did three day courses spanning a variety of cuisines, apart from Chinese, Thai or Mexican.” Mittal reminisces with a fondness in her voice.
Her teaching was simple and she always kept in mind feedback from her students. Starting with two students in 1992, Mittal had taught almost 7000 by the time she left Bangalore for Delhi in 2007. Mittal’s classes offered desserts and puddings, party food, Mughlai, Continental and Lebanese, apart from the quintessential North Indian. Being a vegetarian herself, she had to adapt certain elements in these cuisines and change some ingredients, a technique she perfected after many trials, with her family volunteering as the guinea pigs.
Whenever possible, with new cuisines, Mittal tried to learn the technique from an expert herself. “I learnt Thai food from a chef, basics like how to make red curry paste and green curry paste. Unless you learn it thoroughly yourself it’s hard to know what exactly makes up the taste.”A lot of Mittal’s food has also been inspired by her mother and mother in law’s cooking and from her travels across the world with her husband. “I’d make small notes if I ate something nice somewhere and try to replicate it in my kitchen once I was back home.”
She credits her husband and children for their willingness to try out her experiments and the constant encouragement she received from them.
Mittal’s idea behind the cooking classes she conducted so successfully and her books has been to make her learners perfect the basics. “I approached it like a layperson. If I’m explaining a recipe to somebody, I assume that he or she is not aware of any of the steps and explain it accordingly,” she says. So while many of the recipes in Pure & Simple may be regulars in the Indian kitchen like Baingan Bharta or Vegetable Pulao, it is also packed with simple tips of getting the basics right, that can make a difference to your cooking skills on the whole. Mittal’s first book came about because of her cooking classes. “After teaching students for 17 years. I realised that most youngsters today have no time to learn cooking from their mothers, like I learnt from mine. Today’s youngsters are busy professionals and the tradition of handing down recipes from mother to daughter, like it happened when we were younger, is slowly dying out.” Pure & Simple was Mittal’s attempt at giving a platform to first time cooks to create a plain simple meal, with photographs and clear steps that were easy to follow. “I was very sure that the first book had to be Ghar ka Khana or home cooked food,” she says. The book took three years in the making but the effort was worth waiting for. The book has been translated into German and French, apart from a US edition.
Mittal’s food philosophy is to keep it simple and easy on the stomach. She is particular about presentation and colour, a fact highlighted in both her books. Her second book tries to give a new twist to some age old flavours and also in some cases, marry Indian with Western. As usual, Mittal tried out everything till it came out just the way she wanted. “Indian food has really caught up now,” says Mittal, explaining her reasons behind the book. “There is no place without an Indian restaurant. This is also when people are experimenting with food. In India we get different varieties of vegetables in the market which were not present 15 years ago. I’ve tried to incorporate a few ‘Western’ vegetables with Indian spices with really letting it overpower the taste.” One example is a Lotus Stem & Pasta Salad, which Mittal had in a restaurant and incorporated in her book with an Indian touch. She also has recipes that use Water Chestnuts, common in Uttar Pradesh, the state she comes from.
In her 60s, Mittal feels the post retirement years should not push people back.
“Generally I’ve seen after people cross 55. they develop some ailment or the other, which tends to put them back. What I’ve learnt is that talking about your illness doesn’t help you. What helps is meditation, Yoga or walking regularly, that helps to clear your mind and gives you positive energy,” she says.
Humble when it comes to her achievements, Mittal credits her family, sister and the team that worked with her on the books, including her domestic help. “It was like a passion for everybody,” she laughs. When she is not dreaming up exciting recipes, Vidhu Mittal loves to play bridge and travel. She does have a third book in mind but hasn’t decided on a theme yet. Her current train of thought is towards creating something health related. “Given the ailments that are so common these days, I’ll probably focus on Gluten free recipes that can help diabetics…”
Whatever the theme may be, we hope Mittal dishes out some delicious recipes off her ladle soon!
Photographs courtesy: Vidhu Mittal
M.S. Viraraghavan, 78, is India?s leading horticulturist and rose breeder with more than 100 new varieties of roses registered in his name. Nidhi Chawla met this rose whisperer in Kodaikanal.
M.S. Viraraghavan
Dog whisperers and horse whisperers are common but a rose whisperer is unheard of. However this seems to be the correct adulation for a man who can make roses dance to his tune. Meet M.S. Viraraghavan, 78, India?s leading horticulturist and rose breeder who has more than 100 new varieties of roses registered in his name.
Nestled in the hill station Kodaikanal, Tamil Nadu is a heritage home that once belonged to the Portuguese. This house today is home to rosarian M.S. Viraraghavan, his wife Girija Viraraghavan and their endless varieties of roses, rhododendrons, magnolias, camellias, fuchsias and host of other vegetation. The garden surrounding the house speaks volumes of the couple?s love and dedication towards them. Personally tended to by Viraraghavan himself with marginal help from a gardener, this garden has been the breeding ground for many heat-resistant varieties of roses that are suitable to the South Asian climate.
Such has been their claim to fame that these roses have travelled far and wide and now adorn many homes across the world. Besides the famous Ooty Rose Garden, they can also be found in Japan?s Sakura Rose Garden where they have a section dedicated to themselves by the name ?Dream of India.? Housed there are over 27 varieties of roses bred and donated by the couple. Befitting the beauty of these roses are also the names chosen for them by Viraraghavan himself, with each one having a tale to tell; Nefertiti, Blushing Yuki, Ganges Nymph, Magic Medley, Vishnupriya, Twilight Tryst and many more. Notable among these is Ahimsa ? a hybrid tea rose that is completely thornless, hence the name.
The Stone Tablet
Pic courtesy: Girija Viraraghavan
As interesting as the stories of these roses is the life story of Viraraghavan aka Viru himself. Born and brought up in Chennai, Viru studied to be an IAS officer after his Masters in Chemistry. His father who was with Indian Civil Services ensured his son followed his footsteps. Viru?s job took him to Andhra Pradesh where he moved from district to district and served the state in various senior capacities, including, District Collector and Secretary, Agriculture and Horticulture Department. However, the higher he moved up the ladder, the more entangled he got in red tapism, finding it increasingly difficult to execute his responsibilities. This lead to Viraraghavan voluntarily retiring after 20 years of service. ?The decision was not a very difficult one as I had taken a leaf from my father?s life and unlike him had invested in a house very early on in my career, which served as a financial security for my retired years,? says Viraraghavan.
Flowers from the garden
Post retirement, Viru decided to dedicate his life to his the first love that he had fallen for as a teenager, Roses! A rose grower since 1955, he had evolved into a rose breeder by 1965. When he retired in 1980, settling down at a hill station was a no-brainer as the weather conditions there are conducive for rose breeding. ?Ooty was the destination of first choice but given that real estate was unaffordable in Ooty, we settled for Kodaikanal instead and ended up buying this heritage property.? he says. The house now features in a book (co-edited by Girija Viraraghavan) by INTACH, highlighting the history of the town.
The road to breeding however was not prick free as Ahimsa. With many failures and learnings in tow, the hobby did convert into a profession but never an economically viable one. ?I supply my roses to many plant nurseries across the world but it is very difficult to keep a track of the sales made.? Even sourcing the seedlings or pollen can be challenging at times, though Viru works primarily with indigenous roses R. Gigantea and R. Clinophylla. Viru tells us how he had to route his request for pollen of flowers growing in the Himalayan region via Scotland and America before he could ultimately receive them in India and how the couple had gone all the way to Manipur to source the seeds of Rose Gigantea. But the rose whisperer has taken all this in his stride and continues to pursue his passion unabashedly, even at 78, giving birth to new varieties of roses.
Viru?s story would however be incomplete without a mention of Girija, his wife who shares his love for roses in equal measure.
M.S. & Girija Viraraghavan
The duo have held positions as Vice Presidents of the Indian Rose Federation, of which they were founder members. They are both editors, since 1985, of the Indian Rose Annual which is released by the Indian Rose Federation. Both of them have received Gold Medals from the Federation, he for his hybridizing work, and she for her long association with the organization. Viru was honoured with the World Rose Award by the World Federation of Rose Societies in year 2006. Girija and Viru were also honored with ?The Great Rosarian of The World Award? by the Huntington Library and Garden, in 2006.
Girija is the sleuth of the family and has been researching the history of roses. She proudly tells us how they had travelled all the way to Sintra, Portugal to see a stone tablet dating back to the 12th century that travelled with the Portugese governor of Diu from Somnath temple in India. The stone tablet gives an account of the use of roses at the temple. The inscription on it instructs the Gardener?s Guild to give 200 white roses and 2000 oleanders daily for worship at the temple, in return for land and other benefits from the king. These days Girija is researching the roses of the Vijayanagar empire. ?The other day Girija told me she had been communicating with the current scion of the royal family of Mr. Krishna Deva Raya and I thought this time she had lost it till she told me of her detective mission,? Viraraghavan adds with a laugh.
Admiring the passion of this duo, we hope Viru?s roses would soon be spreading their fragrance in many homes in the the country too, especially with India being a leading producer and consumer of roses.
The Viraraghavans can be contacted on girijavira@yahoo.co.in.
Usha Soman has been the oldest participant in the Indian edition of Oxfam Trailwalkers, a 100 km walk, not once but twice. Here?s the story of the 75 year young who plans to go Bungee Jumping someday.
Usha Soman is a celebrity mom. Her son is the former supermodel Milind Soman. While Milind is well known for running regular marathons, his mother Usha goes a step ahead than her famous son. Usha Soman has to her credit the distinction of completing Oxfam Trailwalkers Mumbai, a 100 km walk, not once but twice and also many marathons in between. She has also been the oldest participant in the Indian edition of Oxfam Trailwalkers. What makes the achievement even more incredible is that she participated in Oxfam Trailwalkers for the first time at the age of 75!
Oxfam Trailwalkers is a bi-annual event organised by Oxfam India, in Mumbai and Bengaluru. It requires teams of four contestants each to complete 100 kms in 48 hours. So when Soman decided to participate in Oxfam Trailwalkers, Mumbai, in 2013, she found herself a team at home. Her team comprises of herself and her three daughters. ?This made the going easy and fun as we all share a wonderful rapport and that adds to the camaraderie,? says Soman.
The Team ? Soman and her daughters
What prompted her to get started at this young age? ?My son Milind is my inspiration. He would like me to be a superwoman. He is always showing me videos of women at 80 and 90 doing adventurous things!!? adds the proud mother.
Usha Soman flanked by her children
?None of us ? I and my daughters ? had done anything like this before. My daughters don?t even walk regularly. We just wanted to see if we can make it?. So what started with a sense of adventure to see if the mother-daughters team could accomplish the goal today seems to have become a common achievement of their lives. Soman?s team on both instances completed the walk in about 41 hours.
The achievement is commendable as the trail while picturesque, is fairly demanding and challenging as it crisscrosses through villages and adjoining forest areas. Reflecting on the experience Soman says, ?We were very excited to start with. We had to walk 10 km at a time. First 20 km were quite easy but later it became very hot so we had to walk slowly till about 3.30 pm. Post that it was easier .We were walking quite slowly, admiring the countryside and talking to the villagers. Our goal was to complete the walk, which we did?.
Super achiever at the end of the walk in 2013
So what kind of training did it take? ?No training!? Soman replies promptly. ?I go for a morning walk every day and walk about 5 km daily?. ?Other than that my typical day is like that of any other homemaker ? reading, cooking, watching television, spending time on the internet and so on?.
Usha Soman at the walk
What next? ?More adventures!? Soman tells us beaming, ?I would like to go bungee jumping someday. And I love travelling, but not to tourist spots.?
By completing the Oxfam Trailwalkers 100 km walk, Soman has proven all age related perceptions wrong. Age is immaterial when you set your mind to something and having a regular healthy lifestyle can be enough to aim for those rigorous goals.
Milind Soman?s dream of his mother being a superwoman is fulfilled as Usha Soman is not just an inspiration for others her age but for youngsters too. We salute her spirit!
All photographs courtesy Flashbulbuzz Photography
Bylahalli Raghunath Janardan is a true example of active ageing. Here?s the story of this senior cyclist, runner and trekker.
Janardan cycles at an event in Bangalore Pic: Flashbulbzz Photography
?Do not come to meet me in a motorised vehicle,? Bylahalli Raghunath Janardan instructs over the phone. ?I will cycle and come to meet you instead.? Surprised? Janardan is a true example of active ageing and green living. A senior citizen who cycles, runs and treks, he is also an avid green campaigner and practices what he believes in. He believes in cycling or walking everywhere because it doesn?t add to the pollution. In fact, in the last 25 years, this South Bangalore resident has always cycled to his bank in RT Nagar, in the northern part of the city!
Cycling from one end of Bangalore to another is nothing unusual for Janardan, who will turn 82 in June 2015. In fact cycling across districts isn?t a challenge for him either. In 1997, at the start of his cycling stint, Janardan, who had been wrongly diagnosed with epilepsy a year or so earlier, decided to prove his doctor wrong and cycled all the way to Hassan, almost 180 km away from Bangalore. He was 64 then and hasn?t looked back since.
Forever Fit
Eighteen years on, Janardan is the poster boy of active ageing. He not only cycles and participates in various cycling events across India and the world; he also runs marathons and participates in treks. In keeping with his ?green? life, he cycles everywhere he can and even grows his own vegetables, a passion he developed way back in his days as a railway officer in Mughal Serai, UP, tending to a half acre garden.
Pic courtesy: Bylahalli Raghunath Janardan
Janardan started running at the age of 72, starting with a Mysore to Madikeri run. As of 2015, He has run three full marathons in Mumbai, two in Bangalore and one in Dubai apart from several running events in other cities and taken part in events like duathlons (cycling/running). ?I?ve completed 20 half marathons and 6 ultra marathons,? he adds. In December 2014, he completed a vertical marathon in Mumbai, clocking 7 minutes and 58 seconds to run up a flight of 1,250 stairs! He followed it up with a second one in Almas Towers Dubai, where he climbed 1600 stairs (64 floors) in 22 minutes.
And there is no stopping this incredible man, who has also gone on treks to Kailash Mansarovar, Roopkund and Hemkund. Cycling remains his primary passion though. ?3,86,600 km is the distance between the earth and the moon. I have cycled 3,46,000 km until now (February 2015) and will cover the rest soon,? he says with justifiable pride.
This senior citizen believes it?s his active life that has kept ailments away. He?s never had another epilepsy attack and has been able to overcome a bad case of cervical spondilitis he developed few years earlier. ?Gardening, my other passion, helped with it,? he says, adding that he has been without medication for almost 19 years now.
Janardan had never planned such an active ?retired? life. More than anyone else, he?s surprised himself with how it has turned out to be. His family had their initial reservations but haven?t stopped him from following his dream. In fact, his grandson ran with him part of the way in the Dubai Marathon.
Janardan at the vertical marathon in Dubai Pic courtesy: Bylahalli Raghunath Janardan
Mind over Body
The secret of his fitness? ?It?s all in the mind,? Janardan says with a conviction that?s hard to miss. ?If your body has taken over your mind then you are ill.? There is no super food that he consumes either. He follows a simple vegetarian diet and completely avoids eating out. ?I start my day with dates and do not usually drink tea or coffee. I have given up eating anything deep fried and my main source of energy comes from drinking water. I prefer to eat only raw and sprouted things and in the evenings consume only green bananas and milk.?
Because he?s always outdoors in the sun, Janardan believes his bones have ?become like steel,? helping him to recover quickly from the various accidents he?s had while cycling or running. A believer in following his own routine and doing his own work, Janardan has inspired others to take up cycling or stay active. ?I?m always the oldest participant at any event,? says this member of the Go Green Go Cycling group in Bangalore, which goes on frequent weekend rides.
For him participating in an event doesn?t mean reaching the podium first. What matters is the ability to push himself to such extraordinary limits at this age. The distance to the moon is indeed closing in. We hope Janardan reaches there soon.
If you wish to contact Bylahalli Raghunath Janardan for anything related to cycling or running, mail him on gogreenjanardan@gmail.com
The Ramakrishna Sarada Mission, Hauz Khas, New Delhi is organising a seminar on VEDANTA IN EVERYDAY LIFE,
on Saturday 14, February, 2015, at Convention Centre, Auditorium 1, JNU. This seminar would of great interest to everyone who is interested in knowing the relevance of Vedanta on our daily lives!
Registration fee is Rs 100/- (inclusive of tea and lunch).
Those who are interested to participate may please register at RKSM, Hauz Khas, or email at : rksmseminar@gmail.com
Jnanajyothi is a Banashankari based senior citizen?s forum for residents of South Bangalore. Their activities and intentions are exemplary. Do join or support them if you live around the area, says Reshmi Chakraborty.
Usha Madhuranathan, the gracious mind behind Jnanajyothi
In September 1999, a group of people over the age of 60 years, came together in a beautiful home in Banashankari to talk about creating a group for likeminded elders in the area. It was the beginning of Jnanajyothi, which was launched in November 1999. It is a forum for senior citizens of Banashankari Stage II in Bengaluru, Karnataka and open to members from peripheral areas. Usha Madhuranathan, the gracious lady who hosted the elders all those years ago, is now the secretary general of Jnanajyothi and the force behind the creation of this group. ?We came to Bengaluru from a steel township in Vishakapatnam and Bhilai where everyone helps out in matters of happiness and sadness. When we moved, initially we did not have any friends here or know anybody. After my husband passed away, I felt that except relatives, I didn?t have any friends. All of them were strangers. Then I realised why were all of them strangers, because I had not made an attempt to get to know them. Then I attended a course by the Landmark Forum and took this up as a project,? she says. Keen on starting something for senior citizens like herself, Usha approached MR Rangaswamy who ran a local newsletter and called for a meeting of Banashankari residents over 60+ at her residence.
?Nearly 40 people came for the first meeting and we decided to start an organisation.? From an initial membership strength of 60 people, today Jnanajyothi has more than 497 members and is known for their work in the area. The one time membership fee is now Rs. 550 (a couple is considered one member) and members are given an ID card and a Soulabhya card. The latter provides them certain privileges and concessions through tie ups with medical specialists and nursing agencies among others. Members are not just from Banashankari but also from nearby areas like Padmanabhanagar, JP Nagar, etc. Members even have a telephone directory of their own, with meticulous details such as their blood group! The group also has a newsletter of their own called Vision for Senior Citizens, which details their efforts, events and introduces new members.
Some of the current members of Jnanajyothi
Members meet once a month in a local school which has given them space. In return they felicitate talented outgoing students of the school. Interestingly, at their monthly meeting, each member gets a 5 minute slot to exhibit their talent if they wish. According to Usha?s daughter Deepa Vaishnavi, a writer and soft skills trainer, there is a lot of talent hidden among the senior members of Jnanajyothi. ?There is a gentleman who does Origami and one who does miniature thermocol sculpture!? she says, citing some examples and showing us their beautifully done work.
The enthusiastic Laxman couple, also members of the group, perform a skit during a function
What is interesting is that the group has taken up several welfare and awareness activities in the area and consciously avoids gossip or idle talk when they meet. Some of their projects include Eye Donation or Netradana and members are given an eye donation card with details, which can be prominently displayed in their home to enable family members to make contact in case of sudden death. Another project, Jyothi Vidya Kiran, aims to provide domestic worker?s children with proper education. A project to help members with preparing their will was also started in 2009. It provides members with support and guidance on how to prepare a will.
Antyeshti is a project where the where the final rites of a member can be performed with minimum efforts by the relatives through a tie up with an organization that conducts these. This facility, which commenced in 2006, continues to be available to family members. They also organise free medical camps for seniors. A new project Smarana Jyothi was launched recently to help senior citizens living in old age homes not funded by the government.
Members also ensure there is enough entertainment and laughter in their lives by various activities. There is a Ladies Group that meets every month to practice music. Jnanajyothi conducts various cultural activities on an annual basis like music & cookery competitions, debate and sports. Once a year, during international Women?s Day, they felicitate women achievers, followed by men in October. In a noteworthy gesture, service providers from various government departments, who are usually unsung, are felicitated in May by the forum. An interesting initiative is Bridging the Generation gap, an event conducted around Jnanajyothi?s annual day where member?s grandchildren are invited to display their talents.
Salads on display during a cookery competition
For the lady who started it all because she felt the need to have friends and was proactive about it, Jnanajyothi has been a life changer. ?With most members in the 65 to 70 year age group, I have made many friends,? she says smiling, as her daughter corroborates. Incidentally, Usha is known for her Golu creations (doll display) during Dussera and in 2000, got other members to display their craft and golu in her home. Jnanajyothi members come from diverse fields and the group celebrated its 15th anniversary recently with several activities and competitions like cooking competition, music performances, essay writing and sports. This lively group of seniors is in no mood to slow down and is spreading its jyothi (light) into several lives. We wish them all the success. To enquire, join or support contact them on the address below.
Secretary General ? Jnanajyothi
# 1672, 16th Main, 31st Cross,
Banashankari 2nd Stage, Bangalore ? 560 070.
Karnataka, India.
E-mail: usha.madhuranathan@gmail.com
Telephone:080 2671 0508
You can also join their Facebook page https://www.facebook.com/pages/Jnanajyothi-Senior-Citizens-Forum/316408525098391
Veena Ajmera gives a contemporary French spin to the traditional bead work from Gujarat by turning them into beautiful floral designs. And she started this at the age of 65! Here?s her story.
?Beadwork is a traditional skill from Gujarat passed on from one generation to another,? Veena Ajmera tells us over the phone from Vadodara, Gujarat. Senior entrepreneur Veena Ajmera gives a modern European twist to the traditional beadwork. Her beaded flowers are hand-crafted by stringing glass beads on wire and wrapping them around to form stems and petals. These can be used in different ways to liven up your decor at home.
Three bead work is a traditional art from the Saurashtra region of Gujarat. In the old days, this work was done by the women in the family during occasions like weddings. From beaded coasters to mats, bedspreads to covers for Pooja items, traditionally, these would be made as part of a girl?s dowry.
Veena?s work is inspired by this yet different. Her style is more European. She started as a hobby that expanded into a business with her children?s encouragement and her own passion to practice a skill and stay creative. What makes her beadwork stand apart are the designs which are elegant and perfect as a modern decor accessory. ?The designs are my own idea. I started referring to a book borrowed from a friend and also tried out my own styles,? she says. Since the work is time consuming, she now employs a team of 15 girls from economically poor backgrounds, teaching them a skill that also helps them generate an income.
?I make the sample and decide the colour combinations and design and then give it to the girls to execute,? she says, adding that some of the popular designs include flowers, table accessories like napkin rings and garden accessories like butterflies and floral decor pieces. She also makes custom designed return gifts that are very much in demand . Veena has held exhibitions in Baroda and Mumbai and receives a lot of support and encouragement from her children and husband. ?Initially I would make and give these as gifts, when my kids said why don?t you start a business.? Her first exhibition was a sell out and since then, there?s been no looking back. Today, her range of products start at Rs 50 and can go up to Rs. 6,000. From decor pieces to table accessories, book marks to curtain tiebacks to pretty gifts, her beaded flowers come with their own charm.
Veena savours the joy of creating something new and beautiful and enjoys keeping herself busy. ?Many women my age just spend their time going to kitty parties and card parties. I felt that was not the kind of life I wanted. Now that I have the free time, I want to do something useful as otherwise the mind becomes dull and there is no freshness in thought. Because of this work, my mind always stays active and fresh, I?m constantly thinking of new ideas and designs and there are no unnecessary thoughts cluttering my mind,? says this busy grandmother who loves to spend time with her three grandchildren.
Although her style of work is different, Veena is planning to document the dying art of beadwork from Saurashtra by collaborating on a coffee table book with her daughter and daughter in law. ?Nobody knows moti work now,? she laments, adding that in the old days, it was an inherent skill that the women in the family learnt. ?This art from the Saurashtra region has not been modernised and it is my dream to preserve it in the form of a book,? she says signing off. We hope the dreams turns into reality soon enough.
To contact Veena Ajmera, visit her Facebook page Beadbloom or write to beadblossoms@gmail.com.
Seniors from Mumbai?s Dada Dadi Park take part in cricket tournaments, talent contests and even have a record in the Limca Book to their credit. Run by the Pushpa Maa Foundation, this elders group is one of a kind. By Reshmi Chakraborty
Sometime earlier this year, an unusual Facebook update caught our eye ? a 16 vs 60 cricket match being played in Mumbai. The match was being played between seniors of the Pushpa Maa Foundation in Borivili and the youths of Silver Innings Foundation, an organisation that works with senior citizens in the city. The cricket team, along with several other activities for seniors, is one of the many initiatives undertaken by Pushpa Maa Foundation which runs Dada Dadi Park in Borivili, Mumbai. The Pushpa Maa Foundation was established by Shri Vinubhai Walia, who was the sole donor and inspiration behind it.
A senior at the cricket tournament. Pic courtesy: Silver Innings FC
The cricket team, which often wins matches, practices every morning. There are several seniors interested in cricket, says Suren Kothari, one of the committee members with the foundation, who spoke to us. ?Many of them gave up playing as life?s demands took over and have got back to the game with renewed interest in their retirement years. The number of participants at the practice sessions sometimes goes up to 60. Other sporting activities for seniors at Dada Dadi Park includes carom tournaments and chess,? Mr Kothari adds.
The foundation opens up avenues for seniors they would have earlier found difficult to access. Yoga training is available for those interested, as is computer education. Seniors interested in technology can join free computer training classes held by the foundation. The foundation also ensures that its members stay in shape by having doctors on board. ?We have tie ups with local hospitals, dentists, orthopaedics, homeopaths and eye surgeons, among others,? says Mr Kothari. They also offer free eye check ups, cataract operation at a concessional rate, distribution of medicines and medical check up camps as part of the health care facilities being arranged for their members. The senior citizens also have a musical team. Regular classes are held for members free of cost and members perform at various venues, with a choreographer coming in to train them in dance routines too! Very recently, the team was selected to participate in a TV show as part of a movie promotional.
The seniors from Dada Dadi Park
Created in 2006, exclusively for senior citizens, The Dada Dadi Park has three units in Borivili, Mumbai. The current membership number runs around 7000 senior citizens, with many on the waiting list. Members are charged a lifetime fee of Rs 102 and in return get several facilities.
The park centres are open daily (except Sundays and bank holidays) from 8 am to 9 am and every evening from 5pm to 7pm. Members are provided tea, coffee, milk or tomato soup, depending on their taste. There?s also a library, with a collection of books and newspapers in Hindi, Gujarati, Marathi and English. ?They have their tea, read newspapers or books, watch TV,? says Kothari. Activities that mirror what many of these seniors would have done at home but here, as Kothari puts it, ?it?s done in the company of friends and without any obligation to anyone.?
Festivals are a big hit with the members and they celebrate everything with equal gusto, including even a Jalebi-Fafda festival! The seniors here have also created a record, which appeared in The Limca Book of Records for the maximum number of elders assembling and singing the national anthem. The enthusiastic lot also arrange picnics, apart from competitions with their other units and groups and contribute to charitable causes. A group that loves life and lives it to the fullest, the Pushpa Maa Foundation run Dada Dadi Park truly makes the most of the retired years.
To join or find out more details visit their webpage http://www.dadadadipark.org/index.html
Shabnam Ramaswamy, 61, grabbed life by its horns and changed the script not just for herself but also for several women and children in a small village in Bengal. Reshmi Chakraborty met her to hear her amazing story.
Shabnam Ramaswamy at The Annual Handmade Collective, Bangalore
“I had a middle class upbringing. That kind of background does not prepare you for the harsh realities of life,” says Shabnam Ramaswamy as we sit down to chat about the work that shaped her life and the life that was instrumental in shaping her work.
At 61, Shabnam is vivacious, outspoken, attractive and a grand mom who defies convention and stereotypes. She’s also the force behind Street Survivor’s India, an NGO located in Katna, a small village in West Bengal’s Murshidabad district. SSI has a threefold objective, education – which they offer through their initiative, Jagriti Public School in Katna; Justice, an arbitration programme led by Shabnam that provides women who have been abandoned or ill treated with solutions and access to justice. The third noteworthy objective is Kantha, an empowerment project for the rural women which makes use of their inherent kantha (a traditional Bengali form of threadwork) making skills, markets it under the label Katna’s Kantha and generates not just income for these women but also empowerment.
A Life of Struggle
Shabnam didn’t start out as an activist. A 60’s child who studied at the prestigious La Martiniere School in Kolkata, she was married off at a very young age to a much older man and survived eight years of an abusive, violent marriage. One night, she was thrown out on the streets with her 3 year old son. Her husband kept her infant daughter. “I told myself, the streets couldn’t get worse than what I was facing at home.” She was in her early 20s, on her own, with no help from her parents either.
It must be a difficult story to tell but Shabnam tells it in the most matter of fact, can-do manner possible, making you see her never with pity, only wonder. She bought platform tickets and spent nights in the Sealdah Railway Station, huddled up with her boy, becoming at avoiding the ticket checker. She often wondered if she had done the right thing and depended on sympathetic friends for support in the form of food and the occasional money. Finally she managed to get herself a job as a receptionist in Marie Stope’s Clinic in Kolkata. “They needed someone who spoke English and was presentable,” she recalls. Shabnam was all that and more. In fact, nothing less than resourceful. Circumstances pushed her to extremes but she had only one thought: I have to win this.
To upgrade her skills further, Shabnam joined a night college for a home science course and followed it up with a course in interior designing. She would lock her little boy in the one room she had rented in a semi-red light area as the rents were considerably lower. “I’d pack my Janta stove and all hazardous stuff inside a steel trunk, keep his food and toilet seat outside and go to work. The room had a little window and he would keep looking out through it,” she says. It must have been heartbreaking but Shabnam had no choice. Nor was she keen on showing the world her pain. “When I went out to work, I was presentable in my starched cotton saris. I may have been struggling inside but why would I show it to the world?” she pauses for breath and adds with a laugh, “Zindagi me drama karate karate haqueeqat bhi ban jaata hai. That’s what happened to me. I may have aches and pains inside but I never let the world know!”
Gradually Shabnam built up a life for herself. She filed for divorce, got her daughter back and started a business in interior design. By the time she was 40, she was a well known interior designer and able to afford ayahs and good schools for her children, along with “chiffons and diamonds” for herself. She had come a long way from being the battered and homeless woman she had once been reduced to.
For the Greater Good
The Jagriti School in Katna village, West Bengal.
Pic courtesy: Street Survivor’s India
Shabnam’s life took the path she follows now when she decided to use her experience and the inequalities she had seen for a greater good. “I had made money, set up my business but slowly I felt as thought I was becoming the person I had left behind. I loved money and worse…I loved hurting people,” she says with a candour that’s both remarkable and brave. “It gave me a kick as though I was taking it back on my ex! I felt I was losing myself and that’s when I thought, the money I have in the bank is good enough for me and the children to survive. I would like to work with women and children who couldn’t make it like I did.”
So Shabnam made a fresh start and moved to Delhi with her children. She started working for the Salam Baalak Trust set up by filmmaker Mira Nair despite no degree in social work after convincing their heavyweight panel that her heart was in the right place for the job. It involved working with runaway kids at the New Delhi Railway Station and that’s where she met journalist and documentary film maker Jugnu Ramaswamy who came to make a film on her work. The two got close and married as Shabnam wanted her children to see stability in life and realise that not all men were the same. Shabnam and Jugnu set up an NGO Street Survivors India and started working in a Delhi slum. A few years later, their initiative and the school they ran was razed in a demolition drive and they decided to pack up and move to Katna, Shabnam’s ancestral village in West Bengal and continue the work there.
Stitch of empowerment. Weaving a Kantha.
Pic courtesy: Street Survivor’s India
It Takes a Village
Today SSI runs the Jagriti Public School in Katna, an English medium school that follows the CBSE curriculum and boasts of visitors from different parts of the world. In order to raise funds for the school and empower the women in the area, Shabnam started the Kantha project, as local women already had the skill. Today the Katna Kantha products are exhibited and sold all over India and the world and are much appreciated. This livelihood generation programme has given the women in the village economic independence and earned Shabnam enough respect in the area. So much so that she presides over an informal court run from the terrace of the local police station that tries to amicably settle domestic disputes in the area.
Setting up SSI in Katna and using it to change the lives of the women and children in the village wasn’t easy either for this spunky woman. She lost her husband Jugnu to a cardiac arrest a few days before the inauguration of Jagriti School and decided to go ahead with what they had dreamt together. She has also faced death threats from local gundas, criticism for her uninhibited style from local maulvis (they think a widow should not wear colourful clothes!) and taken it all head on in her own inimitable way. In fact, as she takes a break from the Katna Kantha Stall at The Annual Handmade Collective in Bangalore to chat, she points to a tall man manning the stall. “He was the local goonda hired to kill me once,” she laughs. Today he is not just her Man Friday but also someone who has been trained to oversee the work.
In keeping with Shabnam’s dream of giving a platform to women who are abandoned by their families, SSI also runs a Rescue Home for women who are abandoned. Shabnam has also set up a restaurant Tumi Ashbe Bolei, to promote tourism in the area, which is near Shantiniketan, Rabindranath Tagore’s abode and a tourism hub. Throghout all this, Shabnam has remained the upbeat, ever enthusiastic force behind SSI, who has not let life and its challenges cast her down. As we laugh over her lack of what she terms “conventional behaviour,” she says, “I’d die if someone put me in a box. I’ve got used to breaking rules.” She is also uninhibited about speaking about her once turbulent life. All because, “If someone may get inspired by my story, then it is worth saying…”
The Kanthas made by the women of Katna village are available under the label Katna’s Kantha. Each of them are unique, keeping an ancient tradition alive and empowering and transforming lives. To know more or buy, visit http://www.kkantha.com/
A prolific artist with an attitude towards life that is both motivating and endearing, Shan Re from Bangalore has an interesting talk with Nidhi Chawla over a cup of coffee.
Inspiration knows no bounds and can come from anyone of any age. You can’t define Shan Re by age. The best way to describe her is as the prolific artist that she is and her positive attitude towards life that is both endearing and motivating.
A counsellor by profession at a rehab clinic in US for many years, Shan decided to take a leap in 2000 at her husband’s behest and took up her childhood dream of becoming an artist. Fourteen years on, this self-taught artist has made a mark for herself in the art world and is considered one of the accomplished talents around. She has held many solo and group exhibitions in India and US, her most recent being the private viewing of her Eternal Spring series at Ritz Carlton, Bangalore. Eternal Spring is the name of Shan Re’s ongoing art series that is inspired by miracles of nature and highlights the sense of rebirth, renewal, opportunity, hope and transformation.
“Painting is the path of my life and has been very therapeutic as it has helped me bounce back from many personal and professional setbacks,” says Shan talking about her artistic journey. “My paintings evoke a sense of peace and delight as they are emotive eruptions of me. My works are all about memories and fantasies that I express through colours.”
Such is the dynamism of her creative process that she does all her paintings without any reference point and preliminary sketching. Spontaneity is the crux of her paintings whereby she lets her paintings resonate her inner emotions. “I never know what my paintings will look like and this mystery is very stimulating and keeps my curiosity heightened. To me life is an empty canvas and I have irresistible desire to make it colourful”.
Was it a smooth ride for her, we wonder.
“Not at all! Survival is difficult. Patience and perseverance is the key. When I held my first show in Bangalore in 2007, the same year I moved here, there was limited audience. But on the merit of my work, the three day show at Alliance Francaise was successful in spite of no contacts and no support from art galleries.” “I never gave up and today all art galleries support me,” adds on the passionate artist.
“I think challenges are what make life interesting. Every challenge is an opportunity to grow. I tuned my mind away from complex and ever shifting thoughts and emotions and tuned my personal pain into artistic creation. As I wove through life I spontaneously realized that with sheer persistence in the face of emotional adversity is also probably a key component to my creativity”.
Sharing her tips for aspiring artists Shan says:
* Have realistic expectations.
* Do lots of homework and have the intelligence to know your potential.
* Develop contacts and pursue the journey
* Talent + Passion = Success
But ultimately luck and destiny have a role to play too.
Shan Re also conducts Art Therapy workshops with a mission to help people find respite from the daily stresses. She makes people work with various mediums like moulding clay, crayons, pastels and water colours and encourages them to express their inner feelings. Her art therapy sessions use art as a medium for healing, by channelizing the creative energies to transform pain into artistic expression. “People usually confide in me when they are going through a rough patch,” says Shan explaining her motivation to start Art Therapy workshops. “I wanted to combine my past experience as a counsellor and my present profession of an artist to explore the subject of Art Therapy”. Today, Shan conducts many corporate and private workshops helping people deal with their personal traumas and stresses.
Sharing some more words of wisdom Shan says, “I personally believe that youth is not a time of life. It is the state of mind. Nobody grows old by living number of years; people grow old only by deserting their ideals. Years do not wrinkle their soul, but worry, self-doubt, self-distrust and fear do”.
As we come to the end of our conversation, she leaves us with these inspiring words –
We are as old as our doubt
As young as our faith
As old as our fear
As young as our self-confidence
As old as our despair
As young as our hope
You can view Shan Re’s work at her official website www.shanre.in
Our reader, Brigadier Suryanarayan goes down memory lane to tell us how he joined the Indian Military Academy (IMA). Read his entertaining account here, in his own words.
The majestic IMA, Dehradun
Pic: Srinath G M/Wikimedia Commons
It was Saturday, 07 Jan 1961, when I left home (Trichy) for IMA, Dehradun, to report on Friday next as an NCC Entry (14 NCC Course). On parents’
Images from Brig Suryanarayan’s stint at IMA. Taken 52 years ago!
Pic courtesy: The author
insistence, I went via Poona to spend time with the eldest brother and take his advice (as parents thought being in Defence Audit, ‘he would know a lot about the army & could advise me’. IMA had instructed us in Joining Instructions to hand over Rs 1,200 in cash, immediately on arrival towards various uniform items plus sundries. The first thing brother did was a kit-inspection, long before it would be a routine in IMA; and admonished me for carrying cash in an envelope inside the trunk. So he urgently got an inner pocket made in my new swimming shorts into which he transferred it and sewed it up, asking me to wear it throughout till I handed it over, thus ensuring its safety. It may sound funny now; but imagine what Rs 1,200 of 1961 would amount to today. Little did he or I foresee the trouble I would have in the loo in the train for full 48 hours by the slowest train and longest route: Dehradun Express, from Bombay Central! That amount included Rs 40 pm for the first 6 months, as Pocket Allowance, which was king’s ransom those days, but shortly we would be told to our shock that Rs 10 out of it would go for cycle cleaning and an equal amount to room-bearer Boota Singh (whom I was to share with 3 seniors for 6 months, as room-mates: what room, it was the size of a barrack); some money would go for Regt-cutting & cycle repairs every month; we had to manage with the ‘balance’ for Cafe, town visits etc!
I travelled by II class (yes Railways had a decent II class then), as authorized (First Class will only be after you have become a Gentleman Cadet at half fare!) and arrived in Dehradun on the appointed date, the day of Tamil ‘Bhogi– festival’ to be followed by ‘Pongal’ the next day! Just 19 years old, I was missing home like hell, though I had lived alone during M Com at Madras. Prior to that, I had attended an All India OTU (NCC) Camp in Chakrata in May-Jun 1960 and experienced summer- rains with hailstones, which I had thought was snowfall, being my first experience after the hot-hotter-hottest seasons of Madras State! But the severe cold at Dehradun Railway Station immediately after getting down from the cosy bogie depressed me, and I was shivering in a single half-sweater, having carefully put away the only suit and couple of woollens in the trunk, lest they be soiled, but had that swimming trunk on! (The suit would get soiled the same night, thanks to Bhat, whom you will hear about soon.) I dared not open the trunk for fear of loss, as briefed by brother dear!
I noticed arrivals for the same course at the platform: some in a maroon blazer and some in blue. They would all be my ‘coursemates’, a term I would learn later. I also saw very young boys moving around smartly dressed in OG’s; went closer and saw their shoulder-flash: RIMC (short for Rashtriya Indian Military College). After being picked up in a 3-ton, we were ‘deposited’ in front of the ‘B’ Battalion AQ’s office in Clement Town, originally Italian Prisoners of War Camp, which information given by a locally joining person was enough to demoralize me. But standing in the queue, I saw a name board: Lt RN Nihalani, ASC. My dejection changed in the hope I could expect to be posted here, when I became a Lt! (By a stroke of fate, I would return to that very same barrack as a Capt after 1965 War when my Regt moved there).
We were all herded into a queue by L/Cpl Bhat of 13 NCC (six months senior) who was to be our Course IC for the next 6 months and would ensure our ‘Rites of Passage’ for 14 NCC! My sinking feeling changed after I was joined in the line by other ‘Madrassis’: Henry Bhaskar, ARK Reddy, AS Rao, TK Panchapakesan (later, KP Shastri), KV Chandrasekaran, and TKS Kutty (later, KS Nair); the last being my NCC-mate from Trichy. We were repeatedly ordered not to leave things unattended and go anywhere till we handed over the cash and completed other formalities of joining. But to take out my cash, I had to go to the loo; I did that without informing anyone. When I rejoined, I found the handbag (which was full of ‘tuck’ mother had made for her youngest son going away to ‘battlefield’) had disappeared. I couldn’t complain, as we had been specifically forbidden from leaving things unattended. I consoled myself that the rest of the items were safe, as was the cash just taken out from my swimming trunk!
Uniforms at the IMA during the brigadier’s days there. Pic courtesy: The author
Bhat was a very hard task master, who licked us into shape soon by daily ‘shape-parade’ from 4.30 to 5.30 AM; and puttee parades (to quicken our reactions in changing from one rig to another: Chindit-to PT- to Academic Order-to WT dungarees – to Mufti and so on; there were 16* such dresses) and chindit-bajri-bike routine after 9.30 PM every day for 4 weeks in severe winter. All of us from ‘chaudah-NCC’ have to be grateful to him for shaping us; pity he died young in 1965 War. (Chindit order dress eponymous with Gen Orde Wingate’s force involves a big pack with about 18 KG on the back with a side haversack (2 kg) and a filled water-bottle (1 kg) with a weapon (7 KG) added. But for punishments you had to shed the blanket, ground sheet etc from the big pack and stuff it with aggregate/ gravel/solid bricks, which weighed far more!). (*See a few of the uniforms photographed here and imagine how long it should take to change from one to another!)
He allowed 15 minutes for lunch at the Mess, where an avuncular Catering officer welcomed us but we had no time even to wish him back, as we were hungry. I was shocked to be served some red rice, as I had heard a lot about Dehradun being the basmati bowl and I had a list of seekers from home-town for my I term break already! That day, I decided on impulse not to have rice, except once a week and unless compelled in the absence of wheat alternative. I have maintained it for 53 years.
Anyway, after a quick lunch, Bhat ordered us to follow him ‘at the double’, while he cycled through entire Clement Town Wing of IMA, showing us around Drill Square, through Sukha Rao, Bharuwala, Academic blocks, MI Room/ Section Hospital, PT Ground and OAT (the Open Air Theatre, where we couldn’t go for 10 weeks till passing the Drill Square Test in March). En route, he showed us the Victory Cinema just outside the Gate saying it screened Tamil pictures on Sundays but sadistically, was out-of-bounds! He led us finally to the Academy Cycle Shop. I felt very happy getting a cycle! But one can write volumes on the design of those contraptions, which we would discover soon: they seemed to possess the knack of a tired old pony of a Lucknowi ‘ekka’ needing the full might of a 85 pound-lean-19 year old after managing a double breakfast. (Most of us now have the same weight in kilos though). Thank goodness, we were not born 28 years earlier, as the first few batches in IMA ( as per History) were allowed the use of bicycles only from 2.30 to 7.30 PM; the rest of the time, they had to move ‘at the double’. That would have gladdened MC Pandey; you can learn about him and others in my next article.
About the author
?Brig AN Suryanarayanan (Retd) is 73 years young and contributes his writing regularly to several newspapers. His book ‘Straight Trees Are Cut First’ (ARMY: Process vs Practice) was published in 2009. He also blogs at http://surya-musings.blogspot.in.
Meena Vohra learnt pottery after turning 50. This self-taught potter and creative mind tells us how it turned her life around.
Noida based potter Meena Vohra turned to pottery after 50. It has been over 15 years since then and this ceramic artist’s creativity has grown tremendously, encompassing works of utility and art in clay. Meena comes from a defence background and worked as an English teacher in various Army schools over 22 years. “On my 50th birthday, I took the resolution that I’d had enough of syllabus and decided to do something creative,” she tells us over a long distance call. Art had always been Meena’s forte, with interests in Ikebana and painting, for which she had also conducted several courses. The one art form she had never had training in was pottery and she chose to take the challenge up. “On my 50th birthday, I bought a potter’s wheel,” says Meena, recalling how she started. “When I started working, I realised that I need formal training, so I took lessons for two months.” Meena calls herself a self taught potter and has taught herself through the internet and books, though it is hard to imagine that looking at the expanse of her work. “My children have been very encouraging and bought me lots of books. I started teaching others after two years of learning on my own.”
Meena’s children were in college when she started and she was determined to stay active as they moved away from home. She laughs and says that once her children left home, there was no empty nest syndrome for her, as she was so busy with her work that she had no time to mope! With classes at her Studio 78 at Sector 21, Noida being held 5 days a week and enough activities outside of it, Meena has learnt to manage her time well. Her day starts at 4.30 am but such is her love for working with clay that she isn’t complaining. Initially Meena started by conducting pottery classes in schools and then realised that she needed to be the master of her own time. It was then that she started teaching in her studio. Her first solo show was conducted five years after she started learning pottery and being the spiritual soul she is, Meena gave all her proceedings to charity. “I had decided that my first two shows will be for charity,” says Meena, adding that even with her classes, part of the amount she earns goes into charity. Classes are held in her studio for all age groups and people come from diverse backgrounds. In fact, her current course (at the time of talking) has two architects and two chartered accountants! She also works a lot with children. Meena’s work is characterised by very simple lines and while some are functional pieces, some pieces are purely sculptural. She has worked on outdoor installations and wall decor elements as well and created works for business houses such as Jindal Steels, Rajnigandha and Kirloskars. She has held several solo shows so far and about 15 group shows (at the time of writing this). Meena also works with corporate firms on team building exercises and has done workshops for Google, among others. She also opens out her studio for special day celebrations.
“I started learning pottery after 50 and God has been kind to me,” says the lady who doesn’t find 24 hours in the day enough, with interests in varied creative projects, including taking up customised interiors on a turnkey basis. Pottery is what she is closest to. “It’s very close to life. Our body is made up of five elements and pottery is the only art form with all five elements,” she says, explaining what connects her to it.
Meena draws her inspiration from nature. Her joie de vivre is infectious as many of her students will vouch. She is also a follower of Laughter Yoga and practises it every morning.
She calls pottery a spiritual experience and says that several people have benefitted from learning it, as it can be a great stress reliever. Some of my students have been cancer patients or suffering from depression and it has helped. Meena feels blessed if her art can be of use. She calls it Clay with a Soul and strongly believes in the meditative powers of creating something earthy. “On the potter’s wheel, you are connected to the Supreme Divine and centred, because unless you are centred, you cannot create pottery. The same holds true for life.”
To contact Meena Vohra, email mvmeenavohra1@gmail.com or visit her website http://meena.smugmug.com
All pictures courtesy Meena Vohra
Kusum Karanth’s love for the food she grew up with prompted her to start a business around it. She tells Reshmi Chakraborty how she went about it.
The food business runs in Kusum Karanth’s veins, she tells me over a plate of lip smacking Ussal in her sister’s restaurant Adda 117. Her father ran a hotel in Belgaum, Karnataka, and the Ussal (a dish made of sprouted beans) he served there was famous among the customers. “I grew up eating that and after marriage, I would keep asking my father how he made the usual powder and the spice mix used in the dish. I kept trying but the exact taste took me over a year to perfect,” says Kusum, smiling at the memory. She now runs a small home business specialising in spice powders called GK Products. The Ussal powder holds pride of place in it, with other masalas coming close on their heels.
Initially, Kusum, who’s nearing 60, started making the Ussal powder at home and giving it away for free to friends and relatives. A visit to an exhibition held by women entrepreneurs in Jayanagar, Bangalore, changed things for her. “I thought to myself, why can’t I also put my skill to use and do something like this?” she remembers. Keen on doing something, Kusum visited Awake, the association of women entrepreneurs of Karnataka, to train herself in running a business. After learning the tricks of the trade, she also trained other aspiring entrepreneurs there. Kusum credits her Awake training to most of the things she has learnt, including getting a license, improving her profitability and even the kind of packaging that works.
She started by taking orders from home and doing everything from making the masalas to packaging them herself. “I didn’t trust anyone to do it as well as I did because your hands need to be absolutely clean,” she candidly admits. Her family however was a great source of support and her children helped out in whichever way they could.
A bowl of yummy ussal
Kusum loves to feed people and it shows in her products. Her Ussal is famous and tasting one spoonful of it makes it obvious why. For those not familiar with this typical Udupi delicacy, Kusum’s packages come with the recipe. Apart from the Ussal powder, she also makes Sambar powder, Rasam Powder, Puligare Mix and Chutney Powders. “It took a lot for me to persist with the business,” says Kusum. “I had to adjust my timings, housework, make sure the whole family had what they wanted and then work on it,” she mentions, mirroring the story of many Indian women entrepreneurs.
Although she would love her Ussal Powder to go places and was in talks with some well known food brands to market it, Kusum’s constant dilemma is how to maintain quality. “I fear that going large scale may tamper with the taste.” Kusum’s origins are from Udupi in South Karnataka and at the moment, she is content to serve clients who are familiar with food from that region. “I have some regular clients who pack my masalas and take them abroad,” she proudly says, adding that they prefer her mixes to those of established brands. Member of A Hundred Hands, a collective of unique artisans, Kusum’s stall was a hit in one of their recent fairs, with her tasty mango themed pickles and other delicacies.
To contact her, call her on 9980337213 or visit her Facebook page https://www.facebook.com/Gkproducts. The page also has some useful tips!
Padma Srinivasan and Jayalakshmi Srinivasan started a pizza business after retirement to fund their dream of starting a home for the aged. Today, Vishranthi is not just a home for seniors but much more. Vishaka Srinath brings you their story.
Waterbody near the entrance of Vishranthi
Greenery and a sense of tranquillity invited us in, as we entered the grounds of Vishranthi, a home for seniors located on the outskirts of Bangalore. The fresh smell of ripened mangoes merged with the cacophony of students and children learning in the background as part of Vishranthi’s orphanage and vocational training centre.
The ‘Pizza Grannies,’ as the founders of Vishranthi — Padma Srinivasan and Jayalakshmi Srinivasan — are popularly known, are warm and welcoming. As we sipped some mango juice (the mangoes being from their own garden), they began to tell us the story of Vishranthi.
Padma & Jayalakshmi, the founders
The Beginning
In 2003, after Padma Srinivasan retired as a cost accountant, she dreamt of starting a home for the elderly. Sharing the same dream was her dear friend Jayalakshmi, who also happens to be Padma’s daughter’s mother in law. But they didn’t know where to start from. How would they raise funds? At this point, Padma said to herself, “If you think you can you can, if you think you cannot you cannot.” This is a motto that sums up her energy and drive in life.
Motivated by an advertisement to become a franchisee for Amul, Padma and Jayalakshmi decided to make pizzas to fund their dream home.
It involved using Amul mozzarella cheese to make the pizzas and get training in pizza making basics. “It came to us at the right time,” smiles Padma as that formed the base for building Vishranthi. Pizza Haven, as they named it, had its first outlet in Richmond town in a garage. It was a hit among the several school children in the area. Seeing the profit out of this garage venture, Padma began to think of scaling it up.
With the help of her daughter Sarasa Vasudevan, a senior travel industry professional herself at that time, they began to supply pizzas to multinationals in Bangalore earning them recognition and the sobriquet of Pizza Grannies.
As pizzas became a full-fledged business, Padma decided to mobilise these funds and sell her home in the prime area of Richmond Town to begin the construction of Vishranthi. She would change three buses and travel to the location to personally supervise the construction of Vishranthi.
The Vishranthi home for senior citizens became fully functional in 2010. The home with its greenery and serenity has welcomed many residents even from other parts of the world. They have a garden too, where the toppings and ingredients for their pure vegetarian pizza business, still their mainstay, come from. A lot of the energy also comes from Padma Srinivasan herself, a septuagenarian herself. Thrown to the wind at 27, after her husband’s tragic death, she motivated herself to accept a job at her husband’s company ITI and study more to reach higher levels at work. “Before ITI, I did not know how to open a bank account!” she tells us. Today, she has not just opened a bank account but fulfilled her dream of opening a retirement home too.
Vishranthi: An Open House
Located on Hoskote-Malur road, the doors of Vishranthi have always welcomed each and everyone who has walked in, offering a meal and lively conversation. The warmth is there for all to see. Currently, the home has 12 residents, all of them women, though it is open to every senior. Each senior has a spacious room to themselves, with attached bath. Nurses or attendants can be arranged at an extra cost. All the rooms face the beautiful garden at the centre. Residents are encouraged to mingle with each other and participate in Vishranthi’s other activities.
Gardening is one of the activities, along with indoor games, conversations and pooja sessions. Residents need to pay Rs. 7000 per month for food and maintenance, apart from a refundable deposit. Vishranthi’s greenery filled grounds have a meditation hall, a library, a cow shed, a self sufficient garden and even a temple over looking a small pond. We are informed that regular poojas are held for those wishing to take part. The dining hall is a warm, vibrant area, inviting guests in and encouraging residents to read the paper, sing or just engage in lively conversation with each other.
There are also several charitable activities held at Vishranthi. The home has already started a centre for free vocational training and an adult literacy programme. Padma proudly adds, “We have began tailoring, basic computer and spoken English classes and soon the training will extend to candle and agarbathi making classes too!” The training has already borne fruit, as some of the girls who studied here have began working in a nearby shopping mall. Plans are on to start an orphanage on the same grounds of the home with two dormitories for the children.These services are available free of cost.
The meditation hall
MORAL SUPPORT
Jayalakshmi, the other half of the Pizza Grannies, is a 70 plus cheery faced lady who has been the moral support for Vishranthi. “My daughter in law Sarasa and dear friend Padma have full filled my dreams.,” she says, adding jovially that whenever people would ask how the girl’s mother (Padma Srinivasan) and the boy’s mother (Jayalakashmi Srinivasan) get along, they would laugh it off and say, it’s all about the attitude. Today, the base and sauce for the pizza business is made on the Vishranthi premises and catered all over bangalore. They are open to corporate enquiries and bulk party orders that help them sustain this home away from home for seniors.
For enquiries on the home for seniors or to contribute towards the orphanage and other charitable activities, contact Padma Srinivasan or Sarasa Vasudevan.
Vishranthi Trust : 080-27921745/9980739289
Website: www.vishranthitrust.org
Email: padma838@gmail.com
Photographs: Vishaka Srinath
Ernestine D’Souza is 93 but hasn’t let age come in the way of her passion for creating beautiful embroidery.
Embroidery by Ernestine D’Souza
Handmade crafts are a skill that is fast disappearing. How many of us can weave magic with a knitting needle and wool like our mothers and grandmothers used to or create delicate designs with nothing more than a needle and thread? Ernestine John D’Souza, a resident of Thane, near Mumbai is one of those magicians with a needle and thread.
At 93, there’s no stopping this intrepid lady doing what she loves the most — embroidery. Ernestine loves to embroider everything from napkins, table covers to bed sheets and even at this age, has a steady and skilled hand that is adept at creating beautiful and traditional floral designs.
Ernestine D’Souza
A housewife all her life, Ernestine was born in Mapusa, Goa, though she moved to Mumbai years ago. “I don’t even remember when,” she laughs when we speak on the phone, pausing to ask, “Tere liye ek bed sheet banau kya?” (should I embroider one bed sheet for you?)
Embroidery was perhaps a much escape for her from the daily monotony of life. “My mother has toiled all her life,” says her son Michael D’ Souza, adding that she came to Thane about 70 years ago, when the Portuguese still occupied Goa. “She and my father did not have much family left, nor did they have a house in Goa, so they moved to Thane to stay with another family, take care of their children and do the housework. It’s a story of struggle,” he adds.
Micahel remembers his mother as a hard worker and also a person who was full of life, despite having seen the dark side of it. “She did beautiful embroidery but never thought of selling her stuff, she just gave it away as gifts to friends and close family members,” he adds.
A few months ago, he posted a few photographs of mother’s creations on his Facebook page. There was a flurry of reactions, needless to add complimentary, from his friends and acquaintances.
When I say this to Ernestine, she has an embarrassed laugh but it rings with the assurance of someone who knows her work is wonderful. “I have been doing so many things,” she says, “Bedsheets, pillow cases, napkins…” Has age made it difficult for her to work on the minute details? “Oh no,” she brushes it off, “I have never had any difficulty with my eyesight.”
Ernestine has two daughters and a son. One of her daughters, who is interested in embroidery herself, helps her out. It takes her 15 days to complete embroidering a single bed sheet. “This is y hobby, she says, using the typical Mumbai slang, ‘timepass,’ and also what makes me happy rather than just sitting.
What else keeps this energetic nonagenarian happy? Cooking, pat comes the reply. “There was a time she cooked a lot but now with age, it’s just restricted to batata bhaji (potato curry) and some leafy vegetables, as she gets tired,” Michael adds.
If there’s one area that Ernestine doesn’t tire of, it’s certainly the magic she is able to create with the needle and thread. Let’s hope she is able to continue that for many more years to come.
To place an order with Ernestine John D’Souza, please contact her son Michael D’Souza on mike61@rediffmail.com.
All pics courtesy: Michael D’Souza
Granny’s Love is a wonderful venture that brings together a team of creative grandmothers across the country to knit baby woollens with passion and care. Reshmi Chakraborty meets them.
When I think of sweaters, cardigans and other assorted woollens, the image that comes to mind is of women sitting together with their knitting needles, bonding over a shared hobby. Hand knitted sweaters, mostly made by doting grandmothers, have been part of every Indian child’s wardrobe during the winter, though with the availability and variety of readymades, these are no longer wardrobe staples.
Shrug created by Granny Suman
Lima Das, a textile design graduate from the prestigious National Institute of Design (NID) Ahmedabad, is all set to change that with her innovative venture Granny’s Love. Simply put, Granny’s Love makes hand knitted woollens and crochet work, mostly for babies and children, created by a team of talented grannies across the country.
Rabbit booties for newborns
The idea came from Lima’s grandmother in law, Pushpalata Mahapatra, who is based in Bhuvaneshwar, Orissa, after Lima saw a trunkful of woollens knitted by her. Keen to use a talent that is fast disappearing in today’s world, Bangalore based Lima started her venture with Granny Pushpalata, gradually introducing other grannies in the team. Granny’s Love works in a very simple way. Being a textile designer, Lima gives the grandmothers simple designs and patterns to make. She modifies her designs depending on the skill of each granny. “I play with their strength,” she adds.
The designs and colour combinations are all done by Lima, who imports most of the wool to ensure that the quality remain constant. Conscious of the fact that many elderly women may find it difficult to do minor detailing work like sewing buttons or embroidering small pieces because of eyesight problems, she prefers doing them on her own. The profit from the venture is shared with the grandmothers who create the products for her.
Lima with creative granny Suman Prakash
Did it take a lot for her to persuade all the grandmothers to become part of the venture? “It does take a lot of encouragement on my part, motivation and people skills,” says Lima, who never wants to lose the personal touch she puts in to the business and the loving equation she shares with most of the grandmothers on her team. She also adds that while she may be motivating them, the desire to do something comes from within.
One such grandmother is Suman Prakash, adept at knitting from patterns and an expert in her work. She has been working with Granny’s Love for sometime now. “It’s my childhood hobby,” she smiles, adding, “I have been knitting for the whole family. I learnt from my mother.” One of the few grandmothers to develop designs with Lima, Sumanji adds that knitting equals rest and relaxation for her. For most grandmothers like Suman, the joy lies in not just being able to earn but also in indulging their passion and getting appreciated for their work. “What’s the point of sitting and criticising everyone? Why not take something like this up and keep yourself busy?” Sumanji adds.
Lima works according to collections. She’s had collections themed around cupcakes, frogs, animals, garden critters and evergreen themes like Christmas. The utterly cute collection, aimed largely at babies and young kids, includes sweaters, scarves, booties, finger puppets, bottle warmers, crib hangers, clips, among others. Customers can look up the designs on her website, visit her at home or send her an email to order. She also displays and sells her products at various exhibitions. The prices range from Rs 180 to Rs 1100. Custom designs are also available.
So if you have a new arrival imminent in your home, you know who to call to wrap the little one in Granny’s Love.
To contact Granny’s Love, visit them on http://www.grannysloveindia.com or https://www.facebook.com/pages/Grannys-Love/103005099817169?ref=ts&sk=wall
If you are a grandmother whose passion lies in creating beautiful pieces of hand knitted work, you can contact them too!
Product pictures: Granny’s Love
She may be pushing 80 and homebound with several ailments but Malathi Rao hasn’t let any of that take away from her inherent spirit of spreading happiness, talent and joy. Vishaka Srinath meets the grand old lady of recycling.
Recycled art by Malathi Rao
Que sera sera… whatever will be will be, the future is not ours to see, what will be, will be – This song sung by Doris Day is the song Malathi Rao sings for me the first time I meet her. If you close your eyes and hear her voice, it’s easy to think she’s in her 50s, not 79 going on 80. The song symbolises Malathi Rao’s way of looking at life. Beneath the warm hearted and jovial grandmotherly demeanour lies a woman with a large heart and a never give up attitude.
A woman with many talents, Malathi Rao is known for her recycling work. She has also been involved with charitable causes all her life, especially for the welfare of women and children. In fact, in 1986, she was awarded by UNICEF for selling 22,000 (yes you read the number right) greeting cards for the promotion of immunisation for children. “My gift of gab got me this award,” she tells us.
At nearly 80, ill health hasn’t taken away the zeal to do something from Malathi Rao. She has overcome a a stroke, an aneurism in her brain, a cataract surgery and a hip replacement to still manage to look at life with a smile and help others. When asked what makes her smile despite the ailments, she says, “God has given me plenty, the supreme being has fully protected me.” Do your best, leave to god the rest, is how she sums up her spiritual outlook.
Though now mostly homebound, Malathi ajji passes on her talent by teaching the girls from nursing agencies who have been taking care of her, especially after her hip replacement surgery as she needed help to move around the house. She has taught them recycling and other crafts, apart from painting, drawing and stitching to harness their talents.
Laxmi, who stays with Malathi ajji says that the teachings have brought about a change in her personality and given her more confidence, new opinions and outlook. Malathi ajji is proud of it. “I have been able to get a level of strength in them,” she enthusiastically admits. Her another cause of pride is former caretaker who has now started craft classes for 6-8 children, after learning craft and art from Malathi.
What’s amazing is Malathi Rao’s unfazed enthusiasm and eagerness to help, even when life hasn’t always been kind to her. Losing her husband at a very young age, she was left alone with two children in Nigeria and had to fill the void left by their father. She devoted her life to her children and only took up other activities once they had grown up and settled down. Music and recycling were her two retirement plans. She has been part of various music groups and orchestras.
Recycling
Sock puppets
Recycling is Malathi Rao’s true calling. Every unused item is turned into an object of beauty, whether it is toys out of old socks or miniature playthings out of cardboard. Everyday objects are turned them into works of art. Age hasn’t deterred her from going ahead with her mission to teach recycling to others. A few years ago, Malathi ajji even travelled to London to teach the kids of St. Nicolas Church School and visited Philippines, where she taught paper craft at the Brent International School. Very recently, she held a workshop at Rangoli Metro Art Centre in Bangalore on recycling. It’s her small way of “giving back” with joy and happiness.
Being a world traveller herself, Malathi ajji feels that “travelling makes a person broad minded.” With children settled overseas, she does not mind living on her own and says the distance does not make a difference. “The idea is to keep the family bond together.”
Age truly cannot wither Malathi Rao. She truly adds a new meaning to the Shakespearean adage, with a mind full of ideas and plans. Still keen on working,volunteering and helping children and counting them among her blessings, she adds that as elderly, we “need to examine our positivity” instead of being negative about things. She lives up to it with her work and her little ‘Phasebook,’ a little booklet where she asks everyone she meets to jot down their thoughts. It gives her the confidence and motivation to live life to the brim.
If you wish to contact Malathi Rao to learn recycling art, write to silvertalkies@gmail.com. She is based in Bangalore.
Photographs: Vishaka Srinath
Madhu Mehra creates beautiful and unusual designs with her knitting needle. Meet the lady behind the brand She Who Knits.
While growing up I have seen my grandmother, mother and aunts happily clicking away their knitting needles, assiduously creating winter wear for their loved ones. They would be knitting tirelessly while watching television, while travelling and even while basking in the winter sun. It was almost an obsession. However, these scenes almost vanished in the 90’s when readymade winter wear hit the markets and for the ease of convenience, everyone moved to buying rather than knitting. Therefore, it came as a pleasant surprise to find Madhu Mehra, whose hobby of knitting is now also a profession. A post-graduate in Physics who made a career in banking, Madhu has been knitting for the last 6-7 years. It started as a pastime at the behest of her daughter Sucheta Mehra, after Madhu gave up her banking job to spend more time with her ailing mother-in-law and her husband, and has now grown into an established brand She Who Knits, launched in 2010. “She Who Knits is a team as I knit, my daughters and their friends model in my creations and Matt, my son-in-law, takes the photos.”
Madhu Mehra’s Knitted Creations
Madhu does not knit sweaters as she confesses, “they can be very tiring for my shoulders and are tougher to accomplish as it’s all about measurements. Unlike tailoring you have to undo all your knitted work for any alterations.” She makes knitted accessories like mufflers, caps, beanies, foot and leg warmers and ponchos, and also specialises in baby winter wear with mittens, booties and caps all included. Her creations appeal to the youngsters, as they are trendy, versatile and colourful. She has been adapting her styles and designs to the current times, assisted by younger daughter Smriti Mehra, a video artist, with colour schemes and trends. “It was not easy initially. The first muffler I knitted for my daughter was a disaster, as I had no idea of the dimensions. Then I started looking up designs on the internet and in books. Had initial hiccups of understanding the terminology but gradually got a hang of it and started doing better.” “I remember for a certain design I was stuck with a term ‘wrap and turn.’ In the middle of the night it dawned upon me what it meant and I woke up and completed my work,” she remembers with a laugh. Today Madhu can read instructions with ease and has been adapting them as per her style. So when asked if she has thought about writing her own knitting manual she gets lost in thought, seriously considering the proposition and responds saying, “May be, some day.” Right now, she is still coming to grips with losing her husband to cancer three months ago and her long ailing mother-in-law just a couple of months before that. “I still need to figure out how to best utilise my newly found time,” she says.
An erstwhile Delhiite, Madhu is more a Bangalorean at heart having spent 40 years of her life in the city. “I feel like an outsider when I go to Delhi now.” Her sister, based in Delhi, is an ardent knitter too but unlike Madhu finds it “difficult to understand instructions from books and is not very tech savvy.” Whenever Madhu meets her, they work together at accomplishing new designs and patterns. The sisters even collaborate to deliver orders. Recollecting, she tells us how for an order for 50 pieces of return gifts the two sisters split the work to meet the deadline. Madhu hopes to do something together with her sister in the future. However, Madhu is very clear that she will never let her work become a production factory and would like to retain her independence and flexibility. You may see her work at exhibitions like A Hundred Hands where she exhibited in 2012 but you may not find her work in a shop. If you want to lay your hands on a piece of Madhu’s chic and trendy work, you can reach her through her Facebook page She Who Knits or mail her at mmmadhumehra@gmail.com.
Gynaecologist and writer Dr. Eva Bell wears many hats with equal ease and is a strong champion of women. Vishaka Srinath meets this inspiring senior.
Dr Eva Bell
Pic: Vishaka Srinath
The sunset years- the later phase of human life- can actually be the beginning of a journey in self discovery. Dr. Eva Bell, a gynaecologist and writer from Bangalore, lives up to this thought.
“Age does not count,” has always been Dr Bell’s motto. In her seventies, she is also someone who wears many hats. Writing is one of them. While doing her Post Graduation in Medicine in London, Dr. Bell also pursued her passion of writing alongside. She did her first Writer’s Course in Birmingham, UK and that was when her passion became her companion through her later years.
The Write Word
Over a mid-morning chat with Silver Talkies, Dr. Bell tells us how writing was always her first choice but she became a doctor due to her family’s wish. She went to medical college in Vellore, India and then to London for post graduation in her later years. A believer in giving back to society, she has worked in rural areas to help and encourage women and give medical assistance.
Her writing career took off post retirement. She has several books to her credit, including four novels, two children’s books, three e-books and two upcoming novels. Her upcoming books are centred around hospital life and international adoption search issues.
Dr Bell has also written for the Chicken Soup series in India. She is part of an active eight women team of writers called Inklinks. What unites them is their zeal for observing life and writing about the things and people that make an impact, each in their own individual style. Since writing has been a big part of her senior years, Dr. Bell plays an active part in 50 Carrots, a critics group for women over 50. Given her multi-faceted interests, she loves to discuss various topics with them.
Books by Dr Bell
Pic: Vishaka Srinath
Social Service
Dr. Bell’s expertise goes beyond just writing and medicine, she is a volunteer and a counsellor as well. Her inspiration to write about social causes, especially issues surrounding women, comes from being a doctor. “Working in the hospital environment, we get to see many different kinds of people, especially women,” she says, emphasizing that this is her favourite topic to write. “This environment has made me more empathetic. Others problems become mine when I reach out to them.” She also has a thesis on Euthanasia for the terminally ill that is quite well known.
Dr Bell volunteers at several places, including Vathsalya Charitable Trust (VCT), a home for underprivileged and abandoned children and TARA, an organization that works to empower women, both in Bangalore.
Her experience with the children of VCT includes watching orphaned children and children from underpriviledged backgrounds bloom after they get love and care. She strongly believes that if a child is given love and care they can achieve their best.
Empowerment of women remains a cause close to Dr Bell’s heart. “Women in our society must realise their self worth. They need to have a say in matters pertaining to their lives and are not to be treated as door mats. Women need to use their independence prudently,” she says.
She also keeps herself busy with her charitable work for Ashvasan, an organization for the elderly.
Dr Bell in Andaman
Woman of many parts
Dr.Bell never feels lonely due to age as she is on her feet most of the time doing various activities or travelling. Globetrotting is her other big passion. Writing about her visits to various countries gives her a boost and her travelogues have been published at several places. Her persona reflects the vibes she has carried and imbibed from all her travels worldwide. E.g., she’s an avid collector of salt and pepper shakers and on each travel, she buys more to add to her collection! Her favourite place is Munich, though her travel map has been marked with other places in Europe, Iran and Saudi Arabia. “When I travel, I get to learn about different cultures and how different India is to them.” Her ultimate travel dream? “One day I’d like to go to Africa to learn about their culture and write about the women.”
Truly a multi-faceted personality, Dr Bell plays the piano and guitar, listens to western classical music and loves to bake. Her bread pudding is famous with her grandchildren. She is also a spiritual person and has done her Bachelors in Divinity.
Her secret to feeling young is probably her outgoing attitude and involvement with social causes. She strongly believes that “people need to be prepared for retirement 5 to 4 years before it happens and start cultivating a forgotten hobby, volunteering, helping others, doing yoga and having positive thoughts.”
Her belief is that it makes this new phase of life more bright and beautiful.
You can read more about Dr Bell and her work on http://www.evabell.net/
Zentangle is an easy way of learning how to create beautiful art that also has the ability to bring in calm, focus and a relaxed state of mind. Reshmi Chakraborty meets Dilip Patel, an expert in this beautiful world of tangles.
Imagine learning to draw beautiful patterns in a very simple, easy way. Now imagine being so engrossed in your artwork that you experience a sense of timelessness and calm, almost akin to meditation.
That is the power of Zentangle, an easy way of creating beautiful art by drawing structured patterns using simple, repetitive strokes on paper. It is an activity that can be learnt by anybody and has several benefits, says Bangalorean Dilip Patel, engineer, IITian, Certified Zentangle Teacher (CZT) and corporate trainer. Mr. Patel strongly believes that Zentangle has the power of impacting lives and can also have a positive effect on the elderly.
What it is
Mr. Patel discovered Zentangle through his wife KN Malathi, who found it on the internet, while looking for ways to keep herself busy after her retirement. Likening Zentangle to meditative art, Mr Patel says he found it to have a positive effect on his wife who was busy looking after her ailing mother and sometimes upset. He researched further online and found that his wife’s positive experience (a sense of calm, stress reduction, etc) was echoed by many others.
The term Zentangle was coined by Rick Roberts and Maria Thomas, the creators of the Zentangle Method. Mr. Patel explains how they came upon it. “Maria, a calligrapher, was doing calligraphy strokes and experienced a complete sense of losing track of time. Rick, who had a background of being with an Ashram for years, felt that what Maria was describing was like meditation. They decided to create a structure to make the process simpler and easy to learn for others.”
The term comes from Zen or a state of meditation and tangle or doodles.
How it’s done
Doodling is a process that is sub consciously done by many of us and the creators of Zentangle thought of turning this into a conscious structured activity. “We start with no planning or judgement,” says Mr. Patel as he demonstrates the process for us. “You create four dots in four corners of a square (Mr Patel was using thick Italian textured paper) and then connect the dots to make a frame. Within that frame take your pencil on a walk and create strings. Now use a pen to fill up space with a tangle that you learn beforehand (there are several websites where you can learn these). It takes about 20 minutes.”
It’s the repetitive act of creating small strokes and filling in gaps that keeps your mind focused and concentrated. We have a short video of Mr Patel’s demo to give you an idea. Click this link to watch.
How it helps
Zentangle helps with stress reduction and has a relaxing and calming influence. It can increase attention span and concentration and help with anger management. It can also help to develop creative abilities and rehabilitate fine motor skills. More than anything, it is probably the joy of creating a beautiful work of art, using simple strokes.
Mr. Patel trained with the creators of Zentangle in US, a course that he was able to attend with sheer serendipity. As part of his resolution to teach people after his training, Mr. Patel has taught Zentangle to several people, including senior citizens. He shared some benefits he has witnessed among seniors with us. “I taught my wife’s aunt who is 78. She had lost her husband, was lonely and had a natural tendency to go back in the past. Zentangle helped to keep her in the present moment. What is amazing is that because of Zentangle she started drawing and now also makes cartoons, a talent she never knew she had!”
Mr. Patel also taught the Zentangle method to a 64 year old lady who had cancer and was going through chemotherapy and radiation. She was depressed and Zentangle helped her stay focused. “In fact, she was so much into it that she asked for used a piece of paper and started doing Zentangle right after an operation. It was the one thing that kept her away from bad thoughts,” Mr. Patel mentions.
Malathi, Mr. Patel’s wife, says the benefits that she felt while making zentangles was that it was keeping her occupied. “Like gardening, my main interest, drawing is soothing and kept me focused.”
Mr. Patel points out that while making a Zentangle, your mind is completely focused. Over a period of time it has a calming effect and can improve self confidence and self esteem. “It’s a process for getting your thoughts together and for corporates can help with team building and stress relief.”
Mr. Patel specially stresses the advantages of Zentangle for senior citizens and anyone convalescing. “It’s an easy to learn method of creating beautiful images using repetitive patterns and can help seniors in many ways. It helps to keep them in the present moment and away from negative thoughts. It also helps in modifying behavior and increasing patience, among other benefits.” More than anything, you learn to create truly wonderful artwork that can keep you engrossed and occupied for hours.
How to learn ZentangleTo learn Zentangle or to buy a kit, you can contact Dilip Patel. He is based in Bangalore, India. Here are his details:
Blog: http://z-inspirationind.blogspot.in/
Email: dilip.patel@gmail.com
Tel: 91-9845025812
Many may know Kanchipuram as the abode of Goddess Kamakshi and one of the seven holy cities that one must visit to attain salvation, however something that one may miss is the historical significance of this hamlet. Here’s a travelogue on the occasion of World Tourism Day…
I recently happened to visit Kanchipuram to see my husband’s grandparents. Seizing the opportunity we decided to explore the splendour of the old temples around, some of which date back to the Chola and Pallava dynasties. We visited three main temples Ekambareswarar Temple, Kamakshi Amman Temple and Kailasanathar temple. Varadharaja Perumal Temple is also one of the main temples, but we had to skip this one for lack of time.
Ekambareswarar Temple – The oldest temple in Kanchipuram, dedicated to Lord Shiva, is 1400 years old. The temple has impressions of Chola, Pallava and Vijayangar architecture as rulers from all three dynasties added their touch to the temple. Mythology has it that Goddess Kamakshi did her penance here and later married Lord Shiva.
The main gopuram of the temple is 59 m tall, making it one of the tallest in the country. In the central courtyard is a 3,500 year old mango tree, fruit from which can bless a childless couple with a child. Hence, the name Ekambareswarar as Eka means one and Amara means Mango tree. Across the span of the temple there are 1,008 Shivalingams and in the main sanctum sanctorum is one of the biggest Shivalingas in South India. Here, Lord Shiva is worshipped as Earth, one of the five elements. The priest here informed us that in this temple the Shivalinga is not bathed in milk and water, rather the primary way of worship is ‘Anna dana’ i.e. food donation.
Kamakshi Amman temple – The seat of Goddess Kamakshi, Kamakshi Amman temple is one of the three Shakti peethas. It was built in the 14th century during the Chola rule. Located in the heart of the city this temple is closely associated with Adi Shankara and an image of him is worshiped in the temple. The gopuram of the sanctum of Goddess Kamakshi is made of gold.
Kailasanathar Temple – One of the oldest and beautiful temples around is the Kailasanathar temple, dedicated to Lord Shiva. Now a preserved monument, the temple gives us a glimpse of India’s rich cultural heritage. The temple is said to have been built in 7th century AD during the Pallava reign, and probably the only temple in Kanchipuram which was not cluttered with the influence of Cholas and Vijayanagar architecture. The temple is full of exquisitely carved sculptures and also has a garden area to rest the wearied feet. The temple in the evening light was very inviting and peaceful. A secret tunnel, which is believed to be the remnants of an escape tunnel built by the kings, is still visible.
Also, a circumambulatory passage, with a symbolic meaning is situated along the compound wall. In order to make the circumambulation, there is a narrow entry passage which devotees must crawl through. Seven steps must be climbed in order to reach the passage. Passing through the narrow passage is indicative of passage through life. After the circumambulation, the exit is through a pit or another narrow passage, symbolic of death. It is believed that making the circumambulation round the various deities would usher the same blessings as visiting paradise.
Like any other temple town, Kanchipuram has a lot of heritage and old world charm associated with it (which although is in danger of being lost, with the rapid pace of development and commercial establishments mushrooming). While visitors frequent the many temples, one of the lesser frequented spots is Kanchi Kudil.
Kanchi Kudil – A 90 year old ancestral house now converted into a tourist site makes an interesting place to visit if you would like to get a glimpse of the South India households of the bygone era. The house is complete with a Master’s room which has a safe locker, an old style phone, writing desk etc., a ladies’ room and a kids’ room with a cradle and toys. The kitchen and bath area under the open skies is replete with a well, fire place for heating up water and cooking meals. It’s amazing how the house stays cool and provides you much needed respite from the hot sun outside.
Kanchipuram is also a heavenly place for shopaholics who would like to take the silk route. Home to many silk weavers the town is best known for its Kanjeevarams, the staple garb of Rekha. Prakash Silks, Nalli Silks and Pachaiyappa’s Silks are some of the prominent names for silk saris. The more adventurous (and with time in their hands), can of course find several smaller, less commercialised silk weavers too.
If looking for boarding and lodging check out GRT Regency. https://www.grthotels.com/grtregencykanchipuram.aspx
So, do check out Kanchipuram next time you are travelling on the Bangalore-Chennai route. 280 km from Bangalore enroute to Chennai via NH4, NH7 and NH46 it will take you about 5 hours to reach there. Bangalore –Hosur- Krishnagiri- Vellore – Kanchipuram. If going from Chennai it is only 72 km.
Happy Journey!!!
– Nidhi Chawla Manoj
Jules Renard said “It`s not how old you are, it`s how you are old.” Senior author Tara Mahurkar seems to epitomise this saying.
Tara Mahurkar, 70, mother of three and grandmother of two, suffers from Parkinsons’ Disease and other age related ailments. She finds writing tiresome on not so good days but that has not shaken her writers’ spirit. Today she has one book published in her name and another two in the works. Her first book ‘Valun Pahatana, Nakalat’ in Marathi, literally translated ‘An Inadvertent Glance Behind’ is a collection of articles written over last four decades that narrate her life’s journey. The other two books are a collection of her travelogues and poems respectively.
Tara’s tryst with writing began when she was young. Life and its experiences were her inspiration and so was her husband whose feedback egged her on to write better. He would help her send them to newspapers for publishing. Some of her articles got published in Marathi dailies Tarun Bharat, Lokmat, Sakaal and Saamna. Also, an article was broadcast on Akaashvani Aurangabad- Parbhani radio station along with a story.
Tara’s journey began when she was born in Marathwada in a well-to-do family, complete with servants and maids. In a family of eleven with five sisters and three brothers, Tara Mahajan had a lot of company to keep. Her father was a school inspector and laid a lot of importance on education. He not only ensured that his kids were well educated, he even sponsored education of other worthy children. The house was always bubbling with close and distant relatives, resulting in Tara’s heightened social skills. She describes talking to people, visiting neighbors and relaying messages to them as some of the interesting things she did. She was the favorite one in the house as she could never lay idle and was always helping around the house with chores, shopping for groceries, cooking, babysitting, etc. She loved participating in co-curricular activities like rangoli making, drawing and singing and was also fond of stitching and embroidery.
She lost her father to a heart attack when she was in the sixth standard. But her education went on undeterred and she continued to complete her schooling while living with her elder brother. However this made her independent and she learned to travel alone soon. She also learned to do all her work herself and strived to stay updated. This is when her love for writing bloomed. She started penning down her experiences in essays and poems.
She moved back with her mother once she completed standard XII. She started working in order to support her mother and younger siblings. She learned typing and also cleared Hindi (Bhushan) examination. For better opportunities, Tara soon moved to her sister’s place in Aurangabad and found a job with the Zilla Parishad. But she did not give up her studies and continued to pursue a Bachelor’s degree in Arts while working.
A new chapter in her life began when Tara married Prabhakar Mahurkar in 1965. Tara and Prabhakar came from similar backgrounds as he too had learnt to be responsible early on, having lost his mother at the tender age of four. Eldest of four brothers, Prabhakar was a responsible and mature man. The couple believed in maintaining their financial independence and always lived a debt free life. Given their limited means both worked to make ends meet. Tara recollects how her husband had taken a three month advance and handed over to his father to meet their wedding expenses. After their holiday was over they ran out of money and had to borrow Rs. 100 from her father-in-law to buy tickets back home. She found Rs 35 in her purse that took them through the month. “Those were the days,” she quips, “Today Rs. 5000 is also not enough to meet one’s monthly expenses”. Tara completed her graduation and took a Master’s degree in Hindi post her marriage and worked as a teacher in a local school.
They raised their two sons and daughter well and all three are successful and well settled in their lives.
After the demise of her husband about ten years ago, Tara continued to write and it was then that her sons Deepak and Anand came up with the idea of publishing her work in a book. Prachi and Sangeeta, her daughters-in-law helped her with corrections and re-readings and her son Deepak and grand-daughter Pradnya helped her with the computer. Soon began her travails with the publishers. The book was published by Nandini Prakashan. While Tara Mahurkar had to wait for her book to see the light of the day, today she is satisfied with her accomplishments. She thanks her family and friends for their support and continuous encouragement.
“I am really satisfied with whatever I have written so far. But I know this is not the end, I am a self-motivated writer and I am going to continue writing until time permits me to. Writing makes my life better and I will strive to keep on going”, she says signing off.
Tara Mahurkar has now started working on a novel and we hope that we will soon share the news of her stardom yet again.
Senior citizens often wonder how to make the most of their time post retirement. Many worry about what to do with the endless hours stretching in front of them. They could take a cue from PK Venkataramanan’s book. Here’s the story of SCEP.
About three years ago (sometime in 2009) Mr Venkataramanan started Senior Citizen’s Enrichment Programme (SCEP) for seniors living in an around his neighbourhood in Indiranagar, Bangalore.
A retired architect by profession and founder of Venkataramanan Associates, Mr. Venkataramanan has been active with various projects post retirement, including RISE (Residents’ Initiative for Safe Environment), a project that involved garbage segregation and night time neighbourhood patrolling.
An avid golf player, he started SCEP to introduce fresh ideas and activities into the lives of retired seniors in his area, based on his firm belief that everybody wants to spend their time gainfully.
“We started with about 50 seniors in the age group of 60 and above,” he says. The plan was simple. “Most elders are looking for something to do with their time. There is a vacuum in all our lives after retirement and some don’t have any other vocation,” says Mr. Venkataramanan, adding that many seniors have never played a sport or indulged in any other activity in their working years and post retirement find it difficult to occupy their time. “Many have never used a computer before,” he says, adding that the aim of SCEP is to make the void in their lives disappear.
The members meet every Wednesday and discuss issues, practice something new or hear an expert talk. The subjects are rather diverse.
“Many of our members were experts in their fields, so we discuss issues like finances and insurance, for instance. One of our members is a travel agent so he organizes trips. We also invite speakers to come and share their experiences with us. E.g., we had a session on electronic aids for old age, which many people were not aware of. We have also introduced our members to computer literacy and have had talks on interpersonal relationships and how to maintain them, how to fit yourself in your family, etc.,” Mr. Venkataramanan.
SCEP is run rather systematically and the advance agenda of the Wednesday meeting is circulated by email among members. Members pay a very nominal amount of Rs 50 per month for basic expenses like coffee and biscuits, etc. The venue is usually Mr. Venkataramanan’s garden. “Out of 50 members, about 20 turn up due to various reasons but even that 20 is a large number and it’s a big thing that we all end up meeting instead of sitting in our homes,” he points out.
The group has also conducted an art class and called in a Yoga expert to conduct morning Yoga sessions. Stained glass artist Saarus Nirhali organized a few sessions with the group as well. Most of the members have been writers, bureaucrats, bank officials, government servants, private employees or businesspersons in their professional days and between themselves, they bring a wealth of knowledge to the table. “The variety of experiences shared helps all of us,” Mr. Venkataramanan shares. Biannual dinners are also organized for members and their families.
So how does an organization like this help its members cope with the endless hours and lack of work that often symbolizes retirement for many?
In several ways, says Mr. Venkataramanan. “Sharing things with each other makes the members cope with the issues in their daily lives. We are there for each other. Most importantly, people are looking at spending their time usefully and SCEP tries to help them do that. Our aim is to empower people,” he says, signing off.
If you live in the Indiranagar area in Bangalore or elsewhere and are interested in joining SCEP or doing a workshop with them, mail us on silvertalkies@gmail.com
Technology can be a great friend not just when you are young but also at a later stage in life. Pankajam Balasundaram, 72, wrote this short and sweet piece for us on her latest tech discovery — the iPad.
On my 72nd birthday, I had a surprise gift from my nephew and his wife.When I opened the box, it was an iPad. I thanked them for the great gift without really knowing whether I would ever use it. We had two computers at home. Why did I need this.? Was I really going to use it?
My nephew set it up for me and asked me to explore the unlimited fun that I could enjoy with it.
When I showed it to my son on Skype asking for help on how to use the iPad, he assigned the task to my 13 year old grand son Mihir. Now I have a tutor who is a great teacher indeed. My grandson gave me one lesson per week.
Here is what I gained out of it:
Wall paper: How to bring my favourite photo of my family, resize it, enhance and paste it.
Down load free App Store applications.
Keep my contacts updated.
Keep a morning alarm and add reminders.
Open Face Time and talk to my family.
Not to lock the iPad so that my children abroad can contact us any time.
It’s been over a month now and this is how my iPad has become my best friend.
* Everyday I listen to spoken Kannada on www.fluentzy.com. My host replies to me promptly and encourages me to get that confidence to end a sentence with proper respect.
* Updating contacts: No more papers and old diaries with wrong phone numbers. I had to call my contacts and get the correct addresses. In that process I had long chats for hours together.
* iBooks: What I can’t otherwise with my poor eyesight. I can read now with clear legibility, at a comfortable position anywhere.
* iTunes U: I also feel great to be an audio student of some of the great universities of my dream. I am also improving my writing skill which I never had earlier through a course. I have finished one old classic and started the second one.
*iCarnatic: Teaches me the basics in Carnatic music, which I want to practice stealthily!
*iContacts: I am thrilled to see the houses of my relatives abroad just by clicking on the address.
*iMessage: In the early hours of Hurricane Sandy, we could talk to our son who had evacuated his house off New York. His family was staying with a friend but we could reach them.
* Skype: Our second son who stays on the 30th floor in Midtown Manhattan showed us how his apartment curtains were shaking in his swaying building as Hurricane Sandy was reaching the vicinity of his location.
After learning about all these apps, now iPad is a part of my life. I plan to learn more and become iPad savvy soon.
— Pankajam Balasundaram
Mrs. Pankajam Balasundaram is a 72 year old homemaker residing in Jayanagar, Bangalore. Losing 80 per cent of her vision and suffering from thoracic cancer has not dampened her lively spirit and she continues to imbibe anything and everything new.
Ten senior friendly apps on the iPad that Silvertalkies found interesting:
1. Postcards
2. Skype
3. Scrabble/Chess
4. iTunesU
5. TED Talks
6. iBooks
7. WebMD
8. Evernote
9. Big Calculator
10. Magnifying glass with light
We love featuring senior bloggers in Silvertalkies and Lalitha Athai or Maiji has been a regular. In this piece she talks about the Litchi tree in her daughter’s garden. We loved the childlike enthusiasm with which she describes the ripe litchis and the tree with its low slung branch just inviting you to come and climb. Read and enjoy.
All of us have tasted and enjoyed the sweet delicious Litchi fruits at one time or another. Those who have never tasted that fruit can’t imagine what they have missed. Those who have enjoyed that taste can never forget it. The pleasure of eating a freshly-plucked Litchi and sucking the juice out of it is simply heavenly — more so if it is from one’s own front garden. I had the joy of this pleasure just two months back, at my daughter’s place, in north Bengal. The litchi tree stands majestically in the front garden, way back from all the flower beds, and holds sway over all it surveys. Just three-four feet up from the ground, it has branched off all round resembling an open umbrella, calling on children to climb on it and play hide and seek among its branches. With no child of tree-climbing age in the house, the tree stands alone housing various kinds of birds and insects.
This tree held a kind of fascination for me, with its fruits hanging so low that one could pluck them without an effort. I really loved watching it from the veranda while having my first cup of tea in the mornings. I am not ashamed to say that I used to get the urge to reach out and sit on the lowest branch – just three feet above the ground. It always reminded me of my schooldays in Lakshmi Nivas, my childhood home in Thiruvananthapuram, where we had all kind of trees and various plants. Among these, I had my own tree, with very low branches; one of these was my usual place whenever I wanted to be on my own, far away from everyone else. There are many types of trees in Gowri’s garden. The Vilvam tree is the oldest one. The trunk of this tree is so big no two human arms could hold it – it needs at least two pairs of arms to grasp it. The Vilvam tree has special religious significance; it is used in Siva temples for archanai. Its leaves – it is a compound leaf with three leaves in one stem – are said to represent the three eyes of Lord Siva.
Then there are are palm trees, peepul trees and a large rain tree. Two of the palm trees have money plants creeping over their trunks, with leaves as big as elephants ears. Tall the palm trees may be, but because of this, they look dwarfed when compared to other trees.
In addition, there are various fruit and flowering trees – such as lemon, starfruit, guava, a small mango tree, with a single fruit dangling among its branches, and an Arainellikai one. The last one belongs to the Gooseberry family, the fruits smaller in size with a sweet tangy taste. Among all these trees the Litchi tree was the one that really fascinated me, especially as I watched the flowers turn to fruit.The
pity was I could not reach out and pluck an unripe litchi and eat it as I might have done with a green mango. I had to wait for Nature to ripen it. When these fruits started changing colour from a coppery greenish tinge to a full red coppery shade, this tree started attracting monkeys in the daytime and bats at nights. The skin and the seeds strewn on the ground all round the tree were proof to this Two boys were employed just to drive away the monkeys from the tree but I observed these boys were never seen when the monkeys appeared. Were the boys neglecting their job or were the monkeys too clever for them? I don’t know.
In spite of these monkeys and bats, when the time came to harvest the ripe Litchi there was plenty, enough for the family, enough for the domestic servants and plenty more for the neighbours.
Toys, of the soft and furry kind, come alive in the nimble hands of Suguna Rangaswamy, 73, a resident of Chennai. Over a long afternoon chat, she tells Silvertalkies how her passion and vocation has kept her active and happy all these years.
“I was in Kolkata in 1980, when I lost my husband and decided to come back to Chennai. My kids were growing up then and I did not know what to do. My youngest was 14. It was my brother’s wife who suggested that I make toys for kids,” Mrs Rangaswamy says, recalling her foray into making soft toys and other goodies for kids. Her business got a kickstart when along with neighbour Sharda Natraj, she held an exhibition for soft toys in Chennai in 1981. “They were all washable and made of cotton,” she tells us proudly. The exhibition was a success.
Mrs Rangaswamy believes that it was she who first introduced handmade soft toys in Chennai way back then and says the sales were extremely good in the initial years.
Looking at her collection of owl and dog shaped cushions, finger puppets of every animal imaginable and sand filled animals like lizards, dinosaurs and frogs, we are not surprised. We come actoss her work in A Hundred Hands, a non profit trust of artists working with handmade products, where Mrs Rangaswamy regularly contributes. Her work shows imagination, a love for all things childlike and a completely clued in peek into the mind of children.
The last is quite possible given the fact that Mrs Rangaswamy has nine grandchildren, all of whom have been the recipients of her handiwork. However, her expertise goes beyond just toys.
“I also make quilts,” she says, adding that it can range from Snakes and Ladders to Ludo and takes about a week to make. This grandma is also savvy enough to keep in mind the changing tastes of children (in fact she was pondering about toys on the Angry Birds theme recently) and adds that she can create designs based on what the child likes! Her finger puppets start from Rs 25, while cushions retail Rs 300 upwards. “Women’s Weekly was my trainer,” she adds with a laugh, when we ask whether she received formal training anywhere.
Until six years ago, Mrs Rangaswamy was actively into making soft toys and candidly admits that in the initial days, it was also for her survival. She has slowed down off late, due to poor health. “Nowadays I need some help. I like to sit down, spread everything and do the work but nowadays I am not allowed to sit down.”
But before you wonder whether she intends to keep her work going, she informs that she is very much into making soft toys still, if only at a slower pace than earlier. “I don’t like sitting idle thinking unnecessary thoughts,” she emphasises, adding that she has to do something and what could be better than this?
“I also play scrabble once a week with my sister in law who stays across the road. I have prayer meetings here at home. During Navratri, I started chanting Lalita Sahasranama classes at home. My sister in law is 76 and together we do crossword, scrabble and read a lot of books.”
Mrs Rangaswamy’s inspiration to stay alert and active was her mother in law, who passed away six years ago. “Despite undergoing internal dialysis and being 91 years of age, she was knitting till the last day of her life. She gave me all the confidence and I hope I can give that to others.”
Living alone for the past 15 years, this mother of five stresses that she “chooses to live alone,” visiting her children, spread across London, Singapore, Mumbai, Nungambakkam and USA, when she wants. She is also an inspiration to many elders around her, with her capacity to keep herself engaged. “Many old people tell me why do we have to live like this (with ailments). I tell them, we can’t help it. It is God’s doing. We have to accept and live for the moment.”
Beautiful and bright, Mrs Rangaswamy’s soft toys, rag dolls, animal cushions and other artifacts could add to the cheery decor in any kids rooms and make for wonderful gifts. In fact, she says those are the gifts her grandchildren have grown up on.
You can see and buy her products from A Hundred Hands, Bangalore or email her on suguna.rangasamy@gmail.com
— Reshmi Chakraborty
Photographs of toys: Silvertalkies
It’s August 15 today and along with India’s Independence Day, it also happens to be the first anniversary of Silvertalkies. This called for a double celebration and we invited our readers to send in their views on ‘Independent India, then and now.’
We are pleased to share the recollections of our readers Maiji,Vathsala Madhavan, Prabha Kamath and Devinder Mehta. They wrote to us about their nostalgic memories of Independence and of this very special day.
We present this to you in two parts. Below are recollections of Maiji and Vathsala Madhavan. You can read Part 2 here
When I went to middle school the school authorities invited contemporary poets and writers to come address us kids. When they talked, we used to get goosebumps. We were so excited and were bubbling with patriotism! They would tell us such great stories, we girls felt like we were ‘Kittoore Rani Chennamma’.
I don’t know how it is now here. I was out of the country for two and a half decades. But we still hoist the Indian flag on August 15 and distribute candies to the neighbourhood kids. It brings back childhood memories in us and we love it year after year, even though we are now in our 60’s and 70’s.
Vathsala Madhavan is a resident of Bangalore and is 64 years old. She studied in Bangalore most of her life but went to US for higher studies where she stayed on for 25 years. Now back in India, she is enjoying her retirement years by focusing on various hobbies and interests. Some of these include sewing, craftwork, painting and writing poems.
Lalitha Ramakrishnan aka Maiji
August 13, 1947, was my first baby’s first birthday but we celebrated her birthday on August 3, which, according to our custom, was the day of her star birthday. The talk among the guests was more about India becoming a free country and which neta would hold the reins of free India.
On August 8, I was invited to a relative’s home to take part in the Varalakshmi Pooja. After my husband left for office, I along with my one-year-old daughter, walked the short distance to my relative’s place where the pooja was going on. We were living in Lodhi colony, Delhi — in fact we were one of the first occupants of that colony. This was the last colony built by the British before they left India. Unlike what it looks like today, Lodhi Colony was really a well-organized settlement and we were very proud of our colony and our well-planned homes.
Coming back to August 8. As the pooja was going on we heard a commotion in the streets outside. We found out on inquiring that communal riots had broken out in the market place and looting and arson were going on. I really got worried about my house and wanted to get back home. Without waiting for the pooja to be over and get the prasadam, I walked back home with my child. I saw many people hurrying about with household appliances like table fans, radios, and such items. As I reached home my neighbour’s son who was carrying a radio, told me that that what he was carrying was part of the loot he had brought home and was going back for more. I was shocked and appalled. Without bothering to talk to him I got inside my home and bolted the door.
This is how the riots started in our part of New Delhi. Come rain shine or hail the office-goers went to work everyday ignoring the pleas of the womenfolk at home — who every evening breathed a sigh of relief and a ‘Thank you God,’ on seeing their men back home safe and sound.
Though the leaders of India and the foreign media named India’s freedom struggle as a bloodless revolution, it was not so! The people went mad with arson, looting; worse was the mindless killing of innocent people. So much blood was shed and an undignified hatred between the two religions was created.
Another saying of the netas was that once India got her freedom milk and honey would be flowing on the roads of the country, there would be no poverty and so all people would be equal!
Silly dreams of foolish people!
Lalitha Athai aka Maiji is an ardent blogger and has blogged since April 2006. She is a 83-year-old mother, grandmother and great-grandmother and lives in Chennai with her daughter and family. You can catch more of her at http://lifeinpondicherry.blogspot.com/
aPaulogy, artist Paul Fernandes’ gallery of curious illustrations is an ode to the Bangalore of yore. Silvertalkies pays a visit and comes back charmed.
In a city that is now run over with people from different parts of India and the world, Paul Fernandes comes across as an original Bangalorean. An original Bangalorean with artistic inclinations and an understated sense of humour. So if you have made Bangalore your home and love it enough to want to know a bit of its history, his gallery aPaulogy near Richards Town is a must visit.
Apaulogy is a charming little place filled with abundant nostalgia about the Bangalore of yore. The gallery houses watercolour paintings done by Fernandes on Bangalore in the 70s, along with a room that has his other work samples, like Shine Board arts and illustrations. Fernandes has also illustrated books on Bangalore. Reluctant to speak much about himself, the 54 year old artist and former adman does admit that the works are his attempt to recapture Bangalore’s old charm.
What makes this attempt even more endearing is the presentation. Starting with the name of the gallery (aPaulogy, suggested by a friend), the tongue-in-cheek humorous theme is kept alive throughout. The watercolours are done in a quirky style (reminiscent of Fernandes’ inspiration Mario Miranda) that is guaranteed to bring on a smile.
To really appreciate the paintings, you need to know the history behind them and this is provided beautifully by Jatin Prabhu, an associate of Fernandes and a curator at the gallery. Humour is an essential part of his narration as it is constant feature in most of Paul Fernandes’ works, be it the Shine Board Arts series he has created or his Bangalore watercolours.
Most of the watercolours feature areas like MG Road, Frazer Town, Russell Market or what was known as the Cantonment area. The now closed Dewar’s Bar is depicted just the way it was, showing waiters running to the cars with their supplies and gentlemen leaning against its wall on a happy and high note. “Dewar’s was a neighbourhood institution. Households in the vicinity turned to Dewar’s to provide stocks for the bar at home. Boys ran these useful errands, earning a commission on returning ’empties’” Fernandes notes on his Facebook page.
“Lot of the landmarks have come down,” says Fernandes, pointing to one of Plaza Theater screening ‘Gone with the wind.’ He mentions how it used to be a dance hall for the British in earlier times. Then there’s Victoria Hotel which has now been turned into a mall.
Some landmarks like Koshy’s are still there and it’s interesting to hear how the owner did not let the British Library rent out the floor above as he feared the building couldn’t take the weight of the books!
For those who are familiar with the current landmarks of the city, it’s fun to see a painting on Bangalore’s original steakhouse The Only Place, with a distinctly hippy feel and Java Yezdi bikes parked outside.
Fernandes feels Bangalore in the 70’s was westernized, cosmopolitan and probably more liberal than it is now. He tells us about the Music Strip in Cubbon Park when musicians used to perform free on Sunday evenings. “There was no closing time,” he adds. Contrast that to Bangalore’s current and rather archaic 11.30 pm deadline these days!
His paintings depict that feel not just through the events and activities happening in them but also in the architectural styles like Monkey Tops, long driveways, etc.
Fernandes himself grew up in a house like that. “There were 10 of us and each of those 10 got 10 friends,’ he laughs, “We were always running around, climbing trees, getting into mischief.”
One of Fernandes’ earliest cartoons was that of a pot bellied teacher from his school, St Joseph’s. “I must have been around nine or 10 years old,” he recalls. The cartoonist seed was sown early. “My drawings were always funny,” he says. What he also remembers is an unpressured childhood, where the most important thing “was to play a good sport and be outdoors as much as possible.”
You can see a glimpse of that in his paintings, which have abundant trees surrounding the houses and some of the landmarks shown in them.
In fact Fernandes’ inspiration to do the nostalgic paintings came when his own ancestral house was torn down to make way for an apartment block. He calls it a practical move but says that on the whole he isn’t very happy with the way the city has changed. “I remember a very cool climate, shady roads and lots more rain,” he adds.
Some changes have been for the better, he adds, pointing to the park outside his gallery. It used to be dry and dusty but now is beautifully leafy with enough green cover.
Fernandes has done most of his works from memory, with research stepping in when just reminiscence wasn’t enough. He started painting more for himself, to remember what he calls “happy days.”
In fact, all the paintings in his gallery are positive ones and depict the way the city was in a light hearted vein. So go visit aPaulogy, discover bits of old Bangalore and acquaint yourself with a little bit of its history. Paul Fernandes, the keeper of Bangalore’s memories and heritage will ensure that you come back smiling.
You can connect with aPaulogy Gallery on Facebook to view more of Paul Fernandes’ work. https://www.facebook.com/aPaulogyGallery
Photographs courtesy: Paul Fernandes & Silvertalkies
Prabha Arunachalam, 67, works with visually challenged students. We talk to her about her inspiring work.
Prabha Arunachalam
Be the guiding light– this is what Prabha Arunachalam wants to convey through this interview. Prabha(67) has been doing just that by working with visually challenged students. A PhD in History, she currently works with a Bangalore based NGO – Samarthanam Trust for the Disabled, which works with visually impaired, disabled and underprivileged children.
In her current role at Samarthanam, Prabha reads out textbooks and reference books to visually challenged students. Her students refer to her as their teacher, but she insists that she is just a reader. However, we find that her role as a Reader runs much beyond that. She stimulates their mind by engaging them in many relevant discussions involving current affairs, social, economic and political issues; she is also a friend to them and sometimes a counsellor when their morale is running low.
Reluctant to speak about herself, she agrees to speak to us as she wants to create awareness about her work and wants more and more people, both young and old to come forward and work with disabled people. “One may feel scared in the beginning, as I did too, but with time as you settle down you find the work very fulfilling, inspiring and motivating.”
Prabha’s association with blind students started more than thirty years ago, although indirectly. While in Delhi, she started recording study material on cassettes for National Association for Blind. Later, when she moved to Hyderabad, she used to record lessons for a University library for the visually impaired students. But, the turning point came when she moved to Chennai about twenty years back. Having lost her life partner, she was in a distressed state, when her sister-in-law suggested that she start working with visually challenged students again. Although Prabha had an office to attend to and two children to raise, she started working with blind students after work. Working with them brought a lot of solace and stability in her life. “Their spirit and energy is very infectious. I never feel low as they inspire me to look forward in spite of all adversities”.
Prabha decided to retire from corporate life at the age of 60, as her two children had left home and settled down in US. However, she could not retire from her philanthropic life. As fate would have it, when she moved to Bangalore few years ago, somebody told her about Samarthanam Trust. She approached them and was assigned two journalism students who would come home to study. The subject was so new for all of them, including Prabha, that she actually held their finger and showed them how a newspaper is divided into columns, unlike books.
Soon, Prabha was asked to come over to the NGO regularly and take on the role of a Reader. Today,her daily schedule involves going to Samarthanam premises every afternoon and coming back in the evening to hold Skype sessions with out-station students or students who want a recap. “Today, technology has come to the aid of students in a big way. Microsoft Windows software JAWS (Job Access With Speech) reads out the screen to them, assisting them not only with their studies, but also with their jobs”. “I have students working at TATA Motors, SBI, etc., successfully”, she adds with lot of pride. A lot of her students are now married and have settled down well in their lives. But they still remember their teacher and stay in touch with her and come visiting when in Bangalore.
“I live alone and my children are constantly worried about me. But I prefer it this way. I’ve given up driving and travel by auto rickshaws and buses. So many times my students tell me the bus routes so that I don’t have to haggle with auto drivers”, she says with a smile. “My students crack jokes, sing, go out for movies, read e-papers through JAWS, listen to debates on YouTube, travel in buses and even participate in dance shows. I have eyes and have no excuse to feel vulnerable”.
Prabha does travel to US to visit her children and grandchildren, but whenever she returns to India, she carries back audio books, talking calculators, etc., as her children back home are always on her mind. Such is her unbridled passion and compassion that we sincerely hope through this article she is able to ignite similar passion in few others, which is what she set out doing when she agreed to speak to us.
— Prabha Arunachalam spoke with Nidhi Chawla.
If you wish to work with the visually challenged, here are a list of places you could contact:
Samarthanam Trust for the Disabled
CA: 39, 15th Cross, 16th Main,
Sector – 4, HSR Layout,
Bengaluru 560102 Karnataka, India
Telephone : +91 80 25721444
Email : info@samarthanam.org
Website : www.samarthanam.org
Sri Rakum School For The Blind
Non-Government Organization (NGO)
No 421, Sri Krishna Temple Road,
Indiranagar Ist Stage,
Bangalore, India.
Pin : 560 038
Tel: +91 (80) 25215253 / +91 (80) 25215705
Email: rakumrakum@yahoo.com
Shree Ramana Maharishi Academy for the Blind
CA-1B, 3rd Cross, 3rd Phase, J P Nagar,
Bangalore, Karnataka, India, Pin: 560 078.
Ph: +91-(0)80-26581076, 26588045.
Fax: +91-(0)80-26580325.
E-mail: mail@srmab.org.in
Website: http://www.srmab.org.in
The National Association for the Blind, Karnataka Branch
CA Site No. 4 NAB Road, Jeevan Bhima nagar
Bangalore – 560075 Karnataka India
Telephone: 0091 80 2528 1590 / 2528 9939
Email: nabkarnataka@yahoo.co.in
Website: www.nabkarnataka.org
National Association for the Blind, India
11, Khan Abdul Gaffar Khan Road, Worli Seaface
Mumbai 400 030
Phone (Board Numbers): 2492 5013 / 2493 2820 / 2493 5365 / 2493 6930 / 2494 5822
E-mail: nabin@vsnl.com
Website – http://www.nabindia.org
National Association for the Blind (Delhi State Branch)
Sector-V, R.K. Puram
New Delhi-110022
Phone: 91-11-26102944, 26176379, 26175886
Fax: 91-11-26187650
E-mail: nab@vsnl.com
Mitra Jyothi Trust
C.A. Site No. P 22,
31 st Main, 18 th Cross,
HSR Layout, Sector I,
Behind NIFT (National Institute of Fashion Technology)
Bangalore: 560102
Phone: 080-22587623/24/25
…That should be the tagline of Devyani Parikh’s life. A lifelong lover of art, this Mumbai doctor followed her passion to become a painter of repute.
Devyani’s painting titled ‘Sermon’
This is an extraordinary tale of an ordinary woman. Introducing septuagenarian Devyani Parikh, a Mumbai based retired doctor who is now a famous painter. Born in 1941, Devyani was the only daughter of her engineer father and homemaker mother, and eldest sister to her three engineer brothers. Although engineering was the predominant profession in the family, she found her calling in medicine and studied at Jai Hind College and GS Medical College in Mumbai to become a doctor. After marriage at 23, she went on to join the Central Railway Head Quarter Hospital in Byculla, Mumbai, where she worked relentlessly for over three decades as an anaesthetist. Devyani retired in 2001 from the helm as Medical Director, Central Railway, having successfully led over 600 people.
DEVYANI PARIKH
However, while this story was being written, another chapter was unfolding in her life.
Devyani’s love for art started at a young age. As a young girl she was always dabbling with new mediums like rangoli on the floor, sand, glass beads, charcoal, wood shavings, earthen pots, etc., as her canvas. Her first laurel came during the first year at medical college when her cross-section of a human neck was exhibited in the anatomy hall of GS Medical College for few years.
Such was her passion for art that for many years, unhindered by a hectic student life, Devyani visited Mumbai’s landmark Jehangir Art Gallery every weekend to study the works on display. On one such visit, she met the famed artist K.H. Ara, who after seeing her work encouraged her to participate in an upcoming exhibition of the Bombay Art Society. Of the 800 paintings submitted for the exhibition, only 150 were displayed in the gallery. Of these, only six were printed in the journal of the Bombay Art Society. Devyani’s painting was among these elite six, alongside prominent names like S.H. Raza and B. Prabha.
From here on Devyani’s journey in the world of art started. She would create two or three oil paintings over a couple of months, as allowed by her strenuous work schedule. She would participate in exhibitions like the All India Railway Art Competitions and the annual shows at Jehangir Art Gallery. With no formal training in art, she picked up techniques and ideas from friends, galleries and from the works of other artists and developed her own style and technique.
“On one occasion, given my tight schedule my husband took my painting to Jehangir Art Gallery, where it was displayed in the centre of the hall. However, when he went back in the afternoon the painting was not there. On checking he was informed that a tourist from US who was travelling the very same day, insisted on buying the painting right away for Rs. 1, 000,” Devyani reminisces. From Rs. 1,000 then for a 5 feet x 2 ½ feet painting to Rs. 1 lakh today for a painting of similar size, Devyani’s work has come a long way. Today she uses acrylic colours for her work as they dry faster and suit the Mumbai weather conditions better.
Post retirement, Devyani took up painting with a vengeance. What started as a hobby grew into serious work. Her first break came in 2005, when she got an opportunity to hold a month long solo exhibition. “I could not believe that this gallerist liked my work so much and wanted to exhibit it in her newly opened art gallery. I later found out that the gallerist was a Grandmaster of Feng Shui and was impressed by the earthy tones of my work.” The work was very well received and she sold 33 paintings from her collection. Remembering the event Devyani says, “After the exhibition I realised that I had committed a blunder by not keeping a theme for my paintings, a norm of the artist’s world.” However there was no looking back from here as Devyani went on to hold many solo exhibitions and also participated in various group exhibitions. Today the tally stands at seven solo exhibitions and 45 group exhibitions, including exhibitions in Singapore, San Francisco, London and Mauritius.
Offerings
In 2006, a chance introduction to Buddhism, through books gifted by a friend to keep company on a long haul flight, added a new dimension to Devyani’s work and proved to be the turning point of her second career. She had now found her inspiration and started by making sketches of Lord Buddha. “I struggled for more than a month to get the sketch right. When I look back at my work dating 2005/ 2006, I feel they were not perfect. Today I think I have a better grip on painting the Buddha,” she says humbly.
Devyani has been depicting the life of Lord Buddha in her work and has painted many incidents from His life, like Floating Buddha, First sermon in Sarnath, Buddha and Amrapali, Buddha walking on lotus, etc. “The uniqueness of Buddhism is both its mysticism and philosophy. Buddha’s paintings, if made with passion, bring out tranquillity, serenity and compassion. People respond better to the paintings when I tell them the associated story or event.” Devyani’s personal favourite is her work with golden leaves, a technique that she picked up while in San Francisco for an exhibition.
CHRISTIE’S AUCTION
Devyani has had several moments of euphoria she proudly remembers. The biggest one being an unexpected phone call from Christies in early 2009,to send six to seven images of her Buddha paintings, which they later shortlisted to auction in New Delhi. The other notable achievements have been her being filmed in action by Rediffusion YR, an eminent advertising company, and later being screened at the International Advertising Festival in Cannes, France in 2010; her paintings receiving the highest bids during an auction by ‘TIE’ at ICICI bank in 2009; all her work getting sold at an exhibition held by Edelweiss, her painting being selected for India Summit 2008 and painting for the NGO ‘Junior on Canvas.’ Devyani’s works have found place in the homes and offices of various collectors in India, Dubai, Australia, Singapore, UK and US. They also adorn the walls of some hospitals, offices of real estate developers in India and Indian Navy.
Talking about her regular day, Devyani says, “Painting is my life today. While I spend 6-7 hours daily working on my passion, it is not just about picking up a brush and painting. There is a long process involved starting from conceptualizing the idea, deciding on the subject, story, size, proportions, colours, varnish etc., to buying supplies, labelling, framing, contacting the galleries and buyers etc. I continually strive to reinvent my work and keep learning. However all the hard work pays off when the work gets appreciated and sold.”
Today, 12 years, approximately 800 paintings and many accolades later, Devyani is still very humble and grounded when she says, “There are many artists who are much better than me but have not met success just for the lack of language skills or because they reside in remote areas.” She attributes her success to God’s blessings and feels He is the one holding her hand and guiding her through this journey.
We wish her all the success and pray that she continues to colour her own dreams and bring cheer to the lives of others through her calming and serene portrayal of Lord Buddha. Amen!
To view more of Devyani’s works visit her website http://www.devyanis.com
— Nidhi Chawla
Our reader N R Ramapriya narrates the experience of bringing his daughter home for her delivery and the agony of parting with her and his grandson after some months. A simply written but deeply felt account. Read on…
October 18, 2009. It was my 59th birthday when I got the very pleasant and joyful news from my child that she herself is going to bear a child in a couple of months. It became a very special birthday for me and I felt as if I was born afresh. The news filled my eyes with tears and I told my wife that we had received the greatest gift from the Gods.
From that moment onwards, me and my better half started dreaming about our grand child and started to rewind our life back to the days when we were expecting the birth of our first child. Life was really rosy and we thought we were the happiest couple in the world. As per our customary rituals, we brought our daughter home from her in laws’ place in the fifth month of her pregnancy.
With great care and delicacy, my wife took care of our daughter with regular medical care and a variety of dishes of her choice. Periodical medical checkups were done without fail. My wife even took four months leave from her school to take care of her. Life was hectic for her with round the clock vigil of our daughter. As the D-day approached we started getting anxious. Finally on the evening of May 30, 2010, as heavy rains lashed the city, my daughter went into labour. We rushed her to the designated Columbia hospital near Yeshwantpur in that pouring rain. The next five hours were tense with my daughter writhing in pain and us keeping our fingers crossed, praying for the safety of our child and grandchild. Finally at 2.10 am, in the early morning of 31st May, our grandson arrived on the scene, weeping and crying. After the initial clean up, when the doctor showed us the child, our joy was beyond words. For the next few days, it was to the hospital and back for me and my wife.
Once home, for the next three months, my wife never slept. She was the nurse, mother and grandmother all rolled into one. I was only a shadow of her dedication and sacrifice. Looking after my daughter post delivery was in itself a gigantic task and challenge for my wife, in addition to looking after the child’s needs like changing nappies, putting the child to sleep and also having to prepare food for the entire family.
As maternal grandparents, we arranged the customary namakarna (naming ceremony) in the same choultry (ceremonial hall) from where my daughter got married. My grandson was named Pranav. Life was very hectic for both of us in those days, especially for my wife. Five months passed, and day by day, the child’s changing characteristics like being able to identify people and his smiling face made our life so special. We both were thirsting to hear the words ‘Thatha’ and ‘Ajji’ from our grandchild. He was almost at it but the ritual of sending the daughter and her child back to her in-laws’ home at the end of the fifth month was nearing fast.
It was a painful experience when one day my daughter and grandson bid good bye to us. The joy of the past 10 months suddenly turned into agony and both of us went speechless with suppressed tears. A sudden vacuum was created and the heavenly atmosphere turned into a virtual fortress of silence. Our memory flashed back to four years ago, when our daughter left home once and for all to become someone else’s daughter. What a price to pay for being the parent of a girl child! How true the adage hennu parara aasti.
When we went to meet our grand child in his house after 10 days, initially he struggled to identify us. Tears rolled from our eyes at that point but after some time he could identify and came jumping at us. Both of us hugged the child as much as we could and did not feel like letting him go. It was an experience to cherish.
A chance introduction to pottery opened up new vistas for artist Shalan Dere. Nidhi Chawla Manoj brings you her story in our new series on Elderly Entrepreneurs.
Shalan Dere
Shalan Dere, 66, management graduate from the Jamnalal Bajaj Institute of Management, Mumbai, had a full-fledged corporate career and a family to take care of for over three decades. A chance introduction to pottery, through a pottery teacher her daughter found in her college fest, gave her life a new and unexpected direction.“I was always fascinated by art work and pottery that I saw at exhibitions. Attending pottery classes over the weekend, amidst my work life, made me realise that I had a knack for this art form and took to it like a fish takes to water,” she says. Shalan attended only about 15-20 sessions with her teacher, but such was her zeal to learn the art that she bought a wheel and placed it in her kitchen. She would experiment with this new medium on many nights, after winding up with her responsibilities of the day. Since her pottery teacher did not have a regular kiln to fire her work, Shalan’s passion made her drive initially to Dharavi and later for two hours every Saturday, to a friend’s place just to fire and glaze her work. This continued for two years until Shalan decided to set up her own studio ‘Potter’s Place’ in 1998 with an electric kiln. What started as a hobby gradually turned into a full time profession, after Shalan retired from her corporate career, at the age of 54 in 2000.
With her studio bigger in size by now, Shalan had started moving away from the wheel and started experimenting with hand-building techniques. Using her hands unleashed her creativity like never before. She continued to draw inspiration from nature and other contemporary artists and started finding her work very satisfying. “Not having a formal training or a guru gave a free rein to my creativity and I continued the learning process through trial, error and experimentation”, Shalan reminisces, adding, “Although I enjoyed my corporate life immensely, it was strenuous both physically and mentally. Pottery too can be physically taxing but the mental peace and gratification that accompanies it, takes away all the physical pain.”
What fascinates Shalan even today about pottery is the response and dialogue she can have with clay. “I think of a shape, an idea, or just a thought and when I and clay get together, it happens! Till today I am as excited to start my day with clay as ever.”
Shalan works in her studio 10 AM – 6 PM, six days a week. She creates her own designs, clay and glazes and now has a gas kiln in her studio. She works mainly in stoneware, with temperatures ranging from 1170 to 1260 degrees centigrade and continues to work on the wheel and with terracotta when she is experimenting with sawdust firing. In between all this she finds time to hold weekend workshops for others who are interested. She says, “I interact with 6-10 students over the course of a month and find being a teacher very rewarding as it eggs me on to keep trying new things”. “My 12 year old grandson too comes to learn during his holidays and is a natural. He has instructed me to bequeath my studio to him,” she quips.
Shalan is now a regular at exhibitions and has shown her work at the Kala Ghoda Arts Festival in Mumbai and Potter’s Market in Kolkata for last couple of years. She feels while people’s interest in ceramics and pottery is improving, there is still a long way to go. Until now her clientele has largely been through word of mouth as she has not taken up any proactive marketing measures. However she proudly says, “No one has gone empty-handed from my gallery.” She retails through her gallery cum studio and takes customised orders too. So if you are looking for murals or tiles for your house, beautiful bowls, platters and kettles for your kitchen or sculptures for your living room, check out Shalan’s work.
You can find her at http://www.pottersplace.co.in/ or visit her gallery at POTTER’S PLACE, ‘Sumati’, Lt. Dilip Gupte Rd, Mahim, Mumbai 400 016 [behind Bombay Scottish School]. You can also find Shalan on Facebook http://www.facebook.com/shalan.dere and http://www.facebook.com/group.php?gid=50208717914.
The Puttenahalli Lake in JP Nagar, Bangalore, is an example of local residents’ interest and initiative in maintaining the environment, says Reshmi Chakraborty.
Purple Heron at Puttenahalli Lake
In 2008, if I looked out of my bedroom window, the view that caught my eye wasn’t the most promising one. Yes, there was a sunset that was rather glorious but there was also a slum, fast encroaching upon what used to be the 13-acre Puttenahalli lake at some point in the past but was at that time nothing more than a garbage and sewage dumping ground.
It’s December 2011 and the view has changed. The slum hasn’t vanished but the lake, unlike many that were filled up or simply encroached upon in Bangalore, hasn’t been lost either. In fact, it has been restored to its original glory, bordered by a paved walking path, trees, benches and even a gazebo.
Purple Moorhen
The best part are the birds all over and around it, from Coots to Cormorants to the reticent Purple Heron; the Little Grebe with its spot of colour, the Bronze winged Jacana and even the Garganey ducks that have migrated to the little lake in our backyard all the way from Europe this winter. What was once a dumpyard has now become a ‘nursery’ for birds of over 40 varieties!
The Beginning
Puttenahalli lake is an example of what citizen participation and interest could do for the environment. It was revived solely due to the efforts of some enterprising residents living nearby, especially its chief champion, writer Usha Rajagopalan and her fellow trustees at Puttenahalli Neighbourhood Lake Improvement Trust (PNLIT).
“The sight of the lake dying was difficult to bear,” says Usha, who gets a clear view of the lake from her fifth floor apartment in the adjacent apartment complex. “I felt I should do something about it and not be a passive observer. Being new to the city, I didn’t know whom to approach but knew that with people’s backing it should be possible to get the civic administration to revive the lake.”
Usha Rajagopalan with Bhoja Shetty, retired Conservator of Forests next to the now lost Peepal tree
The Effort
So in 2008, Usha, along with a few residents in her apartment started campaigning to save the lake. It wasn’t a smooth ride. They started off with a signature campaign among the residents of her apartment complex, many of whom were unaware there was a lake in their backyard. She met the local MLA’s secretary with the lake’s photographs. “I got several promises in that first meeting but nothing concrete happened,” Usha recalls. About eight months later, I got to meet the MLA when he came to my apartment to canvass for the Lok Sabha elections. I reminded him about my correspondence again and was pleasantly surprised to see within a week that a fence was being created to stop encroachment around the lake,” she recalls.
The lake was finally included in BBMP’s (The Bangalore municipality) list of 23 lakes for revival through the efforts of one of Usha’s fellow campaigners. Residents of a neighbouring apartment complex joined hands and the Puttenahalli Neighbourhood Lake Improvement Trust (PNLIT) was formed in June 2010 with Usha, Arathi Manay, Prasanna K. Vynatheya and O.P. Ramaswamy.
With BBMP’s help and largely through their own research and initiative, Usha and the others have planted more than 200 trees around the lake. There is a paved walkway, a gazebo and benches for people to sit. And there are the birds. Dashing across the water and circling the lake whenever you look at it.
The Lake Guardians
In May 2011, PNLIT scored a first as it was formally given the charge of maintaining the Puttenahalli Lake by BBMP, in one of the first instances of a citizens’ trust being given a lake for nurturing. Apart from planting tress, the trust has employed gardeners and sweepers to maintain the lake’s surroundings. They have also done waste segregation and composting. However, one of their biggest challenge remains in getting people involved with and aware of the Puttenahalli Lake. To this end, PNLIT has been involving the public through organising nature walks, gardening sessions and birdwatching sessions. For Usha, it has been a learning experience. “ What I didn’t anticipate was the need for us to
assume responsibility in maintaining the lake. That is a lesson we trustees learned very quickly after we planted the first round of tree saplings. Without educating people to respect the lake, all our effort would be wasted. This is why all our activities are aimed at involving people to participate in nurturing the lake.”
Today the lake is on the right track to improvement. It has also got many of us apartment dwellers re-interested in nature, giving us a chance to go for a walk in our backyard and spot the Garganey Ducks or Jacanas and guess how many years it would take for the Peepal saplings to grow into full-fledged trees. For my six-year-old son and many other children it has meant an interest in birds that wouldn’t have been possible living in an apartment. It has also turned several local residents into shutterbugs and keen birdwatchers as a look into the photo galleries of the PNLIT website will tell you. There are hurdles of course. Recently, a Peepal sapling that had grown exceptionally well in a year and had been planted by senior citizens in a specific spot to provide shade and attract birds, was thoughtlessly cut down by a local politician. There are still several residents in the area who have never set foot near the lake, repelled by the garbage and dirt that lies near one of the entrances, because of the settlements nearby. The bigger challenge is to teach people not to throw garbage into the water and to respect public spaces and resources, thinks Usha.
The Appeal
The biggest problem that PNLIT faces is of money. So far they have been surviving with individual donations but they have workers they need to pay and a lake to maintain. They have recently been nominated for the Mahindra Spark the Rise project. Each month, Sparks are invited in five different categories, and after screening, put up for public voting, which culminates in a grand prize of Rs. 40 lakh for the winner and Rs. 20 lakh each for three runners-up.
If you liked the work the tireless volunteers of PNLIT are doing, you can vote for Puttenahalli Lake through December. Here’s what Usha feels winning will do for them: “Emerging as the grand winner will be a dream come true. It will end our constant search for funds. It will erase the deep-rooted concern that the birds which have now begun to flock, nest and roost in our lake may be left to fend for themselves for want of appropriate support.”
It will also mean your chance to support a project that has actually been for the people, by the people. To vote for Puttenahalli Lake go to http://www.sparktherise.com/projectdetail.php?pid=5087
A Cormorant takes flight
Photo courtesy: Ram Manoj and Usha Rajagopalan
Always a creative person, Pankajam Balasundaram, 71, hasn’t let the loss of almost 80 per cent of her vision come in the way of staying alert and active. Nidhi Chawla Manoj meets her and comes away inspired.
Pankajam Balasundaram
Amidst a constant banter to rectify each other about who remembers the past correctly, Mrs. Pankajam Balasundaram stops her husband from delving into the tyrannies or sad memories of their lives. She believes that “there is no point in talking about all these things. I don’t like to talk about them and want to move on in life.” This 71-year-old woman’s unrelenting spirit is quite evident when we ask her about how she is coping with her recently diagnosed and treated cancer of the thyroid. She cheerfully replies that she is doing fine and feeling better. This has been Mrs. Balasundaram’s attitude towards life throughout. Even though she is 80 per cent blind, she still insists on keeping herself busy by sewing her own nighties, learning new recipes and freezing techniques through the internet. Mind you, she has to enlarge everything on the computer or take enlarged printouts to be able to read them but that doesn’t dampen her enthusiasm.
Glass painting by Mrs Balasundaram
Mrs. Balasundaram has a creative side to her as well. Her interest in art and craft got cultivated during her stay in Kolkata, where her husband was working with Brooke Bond India Limited as Factories Manager. Here she attended various art classes like Decoupage (a French art form), the art of imitation bonsai tree making (Japanese) and Macrame, to name a few. She would design a New Year card out of waste material every year and make 1000 such cards yearlong to be sent to her husband’s colleagues. She once even made Gandhiji’s spectacles and sandals from reed mats she didn’t want to dispose off. Her one such craft project was Air India’s Maharaja made of wood and flying on a carpet. A friend who was very impressed with her work sent a sample of to Air India and six months later Air India approached her saying that they would like to use this art piece on their VVIP menu cards. Another project of hers with a WIMCO matchstick, was used by them for their advertising campaign.
Tile painting
The appreciations egged her on and gave her the idea to set up the first ever women’s hobby club in Coimbatore in 1981 when she moved there sans family to be with her recently widowed mother-in-law. The school set up in the backyard of her house was called Saraswati Niketan and taught sewing, embroidery, cookery and art and craft. In Mrs. Balasundaram’s words, “The art and craft were most popular.”
After this, there was no looking back for 20 years, in spite of a retinal detachment in one of her eyes in 1986, which made her 50 per cent blind. However there came a detour in this journey few years later when a couple of incidents, coincidentally around the same time, changed her view towards art and craft.
On one of her visits to Bangalore she wanted to attend a course teaching glass painting. However she could not attend it due to the long duration of the course. But her keen eye observed the glass paintings at the class and she figured out how to do them. She decided to close down her school for six months and started experimenting with glass paintings on her own. During this period she also visited her sons in US. It was during this trip that an acquaintance asked her if she knew Tanjore paintings. Thoroughly embarrassed at having to say “No,” Mrs. Balasundaram made it her mission to learn glass paintings. She made the most of her stay in US by reading various books teaching glass painting, sourced from libraries. Self-learned, she developed a technique of her own called the ‘Three layer technique,’ which gave her paintings a three-dimensional look.
Back home, she decided to give up teaching foreign forms of art and started teaching glass painting, developing her own designs over the next few years. Mr. Balasundaram was responsible for refining the outlines, while their younger son played a critics’ role and would nudge her to look at the finer details of a picture, such as what kind of lotus is Goddess Lakshmi sitting on and what form of lotus is she holding in her hand, etc. Her glass paintings were a major hit, especially that of Lord Ganesha writing the Mahabharata.
“However” Mrs. Balasundaram says that “it was very difficult to execute the designs as it was very time-consuming to draw them and difficult to keep up quality standards.” They found a solution in screen printing as once screen printed it was much easier. Though cheated by the screen printer who sold off some of her designs, she continued to teach people how to make these glass paintings; also making them on order. “She sold more than thousand paintings,” Mr. Balasundaram proudly chips in.
People would buy some of these paintings from her and sell them in Kolkata at about four or five times the price. However, her prices were fixed and the money earned was used for charity purposes to educate underprivileged youth. A cataract operation in 2003 led to further complications and made Mrs. Balasundaram 80 per cent blind. She handed over her school to a lady with a promise that her designs were to stay in Coimbatore only as she had dedicated her school to Coimbatore. The school is still active and teaching many more women Mrs. Balasundaram’s glass paintings.
The couple settled down in Bangalore in 2004. Undeterred by setbacks, Mrs. Balasundaram found a new mission in life. She started volunteering at FAME, a school for differently abled children and then joined a Dignity centre in 2007 and learned computers. Now she is a computer buff and spends a lot of time browsing through internet for healthy recipes and freezing techniques. She interacts with the likes of Sanjeev Kapoor and even submits her own recipes. She is busy teaching Mr. Balasundaram how to cook, if she falls sick again. She also showed us her recent attempt at painted tiles that she baked in her own microwave.
While Mrs. Balasundaram was thanking us for taking interest in her work and writing about senior citizens, I was feeling thoroughly inspired and wishing that in my old age I emulate her spirit and continue to say “the show must go on,” no matter what.
The gentle octogenarian who came up the hard way. A warmly described encounter from reader Ambuja Narayan
“Please do come Wednesday next 11.30 AM. We will be more than happy to talk to you and spend some pleasant time,” says the surprised voice on the telephone. Being no person of importance today he wonders why someone is seeking an interview with an octogenarian. But then his voice doesn’t conceal the excitement to have some chatty company in their otherwise boring and long days. Nevertheless, he needs to consult his wife for confirming the appointment. After a short pause, a sweet voice takes over to say that I am most welcome to have a cup of coffee with them.
Come Wednesday, arriving promptly at the fixed time at the given address, the security guy at the entrance of the apartment complex checks my credentials and escorts me to the apartment. The front double door squeaks open after ‘look see’ through the peep-hole. “Sorry for all the protocol . But we need to be careful you see,” says a warmly dressed, handsome face behind his bifocals. Just beside him a petite and smiling face with a well-shaped red bindi, sparkling diamond ear studs and jasmine flowers on her salt and pepper coloured small bun, registers that the couple is just made for each other.
The sitting room seems cozy with cushioned cane furniture, leg rests and the day’s newspaper, colourful magazines and telephone at a hand’s reach. A totally relaxed feeling creeps through me as I settle down. “Sit near my wife, she is a bit hearing impaired,” says the sharp looking gentleman offering me a seat next to her reclining chair. As I look around, family portraits of the much living and ancestors speaks volumes about their large family roots. While black and whites are surely of the seniors, coloured portraits suggest children and grandchildren in foreign countries. My interest in viewing the old portraits in elegant antique frames opens our conversation.
“See that’s me . One among the nine of a school teacher father,” says the voice behind me, drawing my attention to a bright-eyed ,
mischievous lad of about eight in a black coat. “That coat was a pass on from my elder brother just two years older than me.” Nostalgia
brings mixed feelings but the couple are light-hearted about it now.
“Yes, we have come a long and hard way, which has made us so gritty and contented in our twilight years. As a 13-year-old, I was a part-time newspaper boy cycling up and down the streets at the crack of dawn, breaking news in our neighbourhood. I could complete my work in time to gobble my breakfast and carry my lunch pack of ‘Mosaru anna’ (dahi bath) and dash off to school, just in time.. In,fact, I used to drop the day’s newspaper to my wife’s household too but had no plans of taking her as my life partner. As my luck would have it, my marriage just developed,” admits the hubby with a twinkle in his eyes while his spouse blushes, suddenly feeling young at heart.
As I move to the coloured portraits, it’s time for coffee. The man of the house is chivalrous enough to brew fresh coffee for the three of us while we ladies carry on with our pleasantries. Picking up the coloured portraits of two plump smiling faces, I can guess they are recent pictures of their grandkids, both smiling straight into our faces. “It’s 4,2 ka 1 for each of them you see,” says the grandma and I try to decode the formula. She explains; Two sets of grandparents, two parents and one kid each of our son and daughter. We needn’t worry about sibling rivalry at all. Tucked away abroad they have the world at their feet. But then they do not know the fun and joy of giving, sharing and living among sisters and brothers in a large family , She is quick to add that their two grandkids are the two precious gems in the family.
Fresh coffee aroma pervades the room changing the tone of the conversation. Surely not the traffic woes or garbage but the more
relevant stock market plunge. Taking pity on elders like us, often asked questions are, has the ripple effect of the economic
meltdown made our lives harder? Will the dollar remittances from our children slow down, leaving us in desperation? Can we survive without monetary support from our kids , says the chirpy old man.
“Having worked here we are shrewd enough to be properly tucked in a circle of our own secure world. On the other hand, we are at times concerned about the plight of our youngsters who have to change their lifestyles , see less money and come to terms with frugal living. Youngsters who confront their parents and ask, is it a sin to earn lot of money, might understand the ill effects of new money.”
“We wonder how they will tighten their belts,” he says. “Will our education and value systems help them to cope ? Will
they appreciate their old school teacher who molded the young before they left for greener pastures? Perhaps the double income kids
will come down to eating idlis, anna saaru instead of Pizza and ice cream. Trips to Toys ‘R’ US and the heaps of toys would thin down
and families would spend more quality time together.”
That’s what we look forward to in our evening years anyway, chorus the couple. Our Wednesday meetings become a regular feature and such lively chit-chats open new vistas for thought and action.
Traveller and avid blogger Deepak Amembal writes about his journey into the land of flowers, Kaas…
Flowers everywhere
Kaas, the colour palette of nature, is a naturalist’s delight. This plateau, 25kms from Satara, bursts into a multi colour landscape of flowers every year just after the monsoons for a period of two to three weeks in September/October.
Traffic on the way
It has become a tourist destination now, with hordes of tourists from Mumbai and Pune and even from as far as Bengaluru visiting to be a part of this wonderful natural phenomenon. And if responsible tourism is not enforced, this wonder will cease.According to Dr. Sandeep Shrotri, there are over 1,500 types of plants in Kaas – 156 botanical families, 680 genera, 1452 species, 400 medicinal plants, and about 33 endangered varieties in Kaas and the neighbouring Koyna area. A team from UNESCO has visited the site in order to assess it for declaring it a World Heritage Site. Achieving this milestone would go a long way in creating awareness about conserving the place.
We had heard about the weekend crowds, so we planned to visit on Sunday and Monday with an overnight stay at Satara.
When we reached on Sunday, it was like a melaout there. The police had fortunately banned parking on the plateau and all cars had to be parked a couple of kilometres away. It took us about an hour to cover a distance of about 5kms and reach the parking spot. Such was the traffic! Since we had planned to visit it on Monday too, we decided to drive through and visit the Kaas lake on the other side.
Kaas Lake
This is indeed a beautiful, serene place. It also has a tapri (roadside kiosk) selling ‘dabeli’, ‘bhelpuri’ and chai. Nothing, fortunately is available on the plateau itself.After spending a restful night in a hotel in Satara, we had a sumptuous breakfast of ‘kandey pohey’ and checked out and were on our way yet again to revel in the colours of Kaas plateau.
On the way my birder friend Nandan who blogs at Timenplace, showed me plenty of birds all along the way and on the plateau too. Check out his account of our visit at http://bit.ly/upxS0D.
It was such a pleasant sight when we reached the plateau and saw that there were barely five to six people. We parked and went along the paths on the plateau, clicking the beautiful colourful flowers and the awe inspiring landscape.
Flowers in multiple colours
Having spent about three to four very satisfying hours there, we had our fill of beauty for the season and returned to visit Kaas yet again next year!
Reader Indu Kapila had wowed us with her Tanjore creations earlier. This time she sends pictures of Madhubani work done by her on fabric. Read on…
The art of Madhubani
Madhubani painting or Mithila painting takes its name after a village. It’s a style of art that originated in Mithila, Bihar. This style of painting got official recognition in 1970, after Jagdamba Devi of Village Jitbarpur near Madhubani received an award for the art from the President of India. Madhubani paintings are traditionally done by the women in villages around the present town of Madhubani and other areas of Mithila. Traditionally, the painting was done on freshly plastered mud walls to celebrate important occasions but today we can get to see it on fabric, hand-made paper and canvas. The art passes down from generation to generation in Mithila, through women.
Madhubani by Indu Kapila
It takes me about 8 to 10 hours to make one Madhubani painting. I prefer completing it on weekends as on weekdays I’m busy teaching various forms of art and craft in my college. Here’s how it goes:
Day 1 – I complete drawing the design on the tracing paper, after which I use a sheet of carbon paper to trace the picture on to the cloth. After I have the outline of my design on the cloth ready, I start with outlining the painting with black colour or marker.
Day 2-3 – It’s time for filling the colours. This takes longer and requires a lot of effort because the pattern of the paintings is very minute. Madhubani art usually uses flat colors with no shading.
As a final touch, I let the painting dry completely and then gently iron my newly done Madhubani work.
Madhubani
These paintings can be made on cloth as well on paper with fabric colours for cloth and poster colours for paper, a black outliner, trace paper and carbon sheet.
About the author: Indu Kapila, 55, is a Textile Design instructor in Shyama Prasad Mukherjee College, Delhi. Along with her masters in Political science, she also holds a diploma in Textile Designing and Nutrition & Health Education. She has done many other short courses such as Glass Painting, Calligraphy, Madhubani, Candle making, Cookery, etc.
Have a hobby or interest in an art form you would like to share? Send us some pictures and a short write-up at info@parentcareindia.com
Going down memory lane, Nidhi Chawla remembers her grandmother on what would have been her 102nd birthday.
My Biji
I close my eyes and can see two wrinkled hands with long fingers, adorned with a gold bangle each. I can see that old yet beautiful face with sagging skin. I can see a torn earlobe and the other ear with a gold earring. I can see the salt and pepper hair braided in a plait. A frail body all of 97 years that represented my grandmother ‘Biji’ is no longer with us. However so overpowering was her personality that even four years after her departure it still lingers in our lives and binds the whole family together. Today is her birthday and I felt like remembering her and sharing these cherished memories with anyone who is willing to read.
Biji lived a life of discipline, compassion and independence. Discipline of waking up at 4am for ‘Sandhya’ or meditation followed by another session in the evening. Independence exerted through her insistence on carrying out her daily chores all by herself. Compassion shown through her love for everyone around her and her donations in cash or kind for the needy and noble causes.
My Biji
I remember some of the stories that she told us as children, which I today tell my daughter. Stories teaching us about honesty, sharing and caring, stories with a moral lesson. I remember her getting nostalgic when we used to prod her for stories from her past. She shared some of them and forgot so many of them. Story of her being a shy girl who didn’t want to go to school because she thought she was not good-looking; story of her falling off the terrace deep in the night as she could not find her way to the stairs in the darkness; story of a girl with a well-off childhood getting married into a family of limited means yet adapting so gracefully to her new life; her eternal bonding with her mother-in-law whom she addressed as ‘Bhabhiji’, anecdotes about her children – of my bua slapping a guy who was following them around; my father toppling over freshly boiled milk and getting burnt; of my uncle who stayed behind in Pakistan during partition to appear for his 10th standard exams; of my uncle who in his pursuit for God started visiting a ‘guruji’s kutiya’. I will always remember these stories and would pass them down to my daughter if I can. Just like I will always miss those warm lips on my cheek, those arms that hugged me tight and those hands that always blessed me.
I will always miss and remember my Biji.
Her parting words at the hospital before she lost consciousness sum up her life beautifully:
“Saare jag ko maan loon main apna parivar
Raag-dwesh rakhoon nahin karoon sabhi se pyar
Raag- dwesh rakhoon nahin karoon sabhi ko pranam”
Translated in English it would mean:
“Let me take the whole world as my own family,
Let me love everyone and be without attraction or repulsion.
Let me bow to everyone and be without attraction or repulsion.”
She repeated this for 10 minutes or more, then chanted ’OM’ for some time before becoming quiet.
Nidhi Chawla is a Silvertalkies team member.
Wish to remember a loved one or share a cherished memory or photographs? Write to us at info@parentcareindia.com or send us your thoughts in the comment space here.
Life seemed dark for Delhi resident Nirmala Verma after her husband’s death. Here she tells us hStoreow she brought back light into it by getting active in her locality. Written by her in Hindi and sent to us by her daughter in law, we hope it will inspire many others.
Nirmala Verma in Srilanka
Scroll down to read the English translation.
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I am Nirmala Verma, 69 years old former professor of Economics. I lived my working life to the fullest doing my job, looking after my family and bringing up my children.
After retirement, especially after my husband’s death in May 2003, I suddenly started wondering what to do with myself. I felt there was darkness everywhere around me.
My children were busy with their respective families and for some time I was extremely troubled by this sudden loneliness. All my three children and their families tried to support me through this period but as they say, only the wearer knows where the shoe pinches.
Seeing me down and low, my children sent me to stay with my daughter, who lives in America. The change of location and new surroundings brought something new to my life. Both me and my late husband loved travelling so I enjoyed visiting America.
Once I came back to India, my life slowly started changing. I gathered a few friends of the same age and some younger women from my locality (G-Block, Phase 1, Ashok Vihar) and started organizing a discourse on Sunderkand every Tuesday in the neighbourhood. This discourse has been running for many years now.
I also formed a Women’s Club in our block of which I have been the president for the past three years. This club takes up a lot of my time. Every month we have a meeting of nominated members and club officials. We also host kitty parties.
I am also the vice president of the Resident’s Welfare Association of my block and try to fulfil its requirements and obligations to the best of my abilities. I am also a member of the Senior Citizen Welfare Association (SCWA) in Ashok Vihar and every year we go on a tour within India or overseas. We also celebrate festivals, both big and small, conduct health checkups, organize lectures and picnics.
Apart from these activities, I always try to mark the birthdays of my children and grandchildren with a card handmade by me. I also jot down memoirs and poetry sometimes.
I love to read and during my six month stay in America this time, I read a lot of fiction from the library. I try to read a lot here too but off late, my eyes have started hurting while reading so I read a little less now.
Now please tell me, with such an active life, where do I get the time to be sad and troubled by memories and remembrances? Besides, we remember those whom we have forgotten. I believe my late husband is with me, every moment.
“Memories are not what come in loneliness
Memories are those that make you lonely in a crowd “
Nirmala Verma is a retired teacher and ardent traveller. She lives in Ashok Vihar, Delhi
If you have an experience to contribute like Mrs Verma’s, send it to us at info@parentcareindia.com or in the comment section here.
Silvertalkies is happy to present a humour post by blogger Suranga Date. Here’s her funny take on the scheduled to the minute Hurricane Irene that hit the US East Coast recently and the ever unpredictable Mumbai monsoon. Enjoy!
I am sitting here , dry at home, at the desktop, the curtain billowing into my face, and sky is getting more and more ominous. This weekend in Mumbai, has been of nonstop lashings of rain, combined with winds.
Naturally, despite low pressures and depressions or whatever, that build over the Arabian Sea, there was no agency telling us to expect this onslaught over the weekend, and still continuing. Without fail, every time, someone appears in the papers, after the stuff has begun, to say how this is due to some low pressure bands, or winds or whatever. Which doesnt help anyone planning to travel and so on. I know at least one family which was travelling to Goa this weekend, and must be in the thick of this right now.
And those of us in Mumbai, simply continue to go to work, get totally wet standing at bus-stops trying to ensure the umbrellas do not suddenly turn turtle. Some cars, with fellows sitting inside agonizing about the stock market in the newspaper, careen by, splashing the potholed water on school uniforms, sarees, and wash-and-wear trousers.
And you stand in a bus, and don’t say a word, as your neighbor transfers his umbrella to the other hand, thereby dripping water on you; he needs to access his wallet in his pocket, buy a ticket, and it will be his turn next to enjoy a dripping umbrella , when you buy yours.
Our trains continue to trundle , overloaded with those that make Mumbai what it is , till it looks like a river flows ahead in its path. Then they stop. Between stations. Ever resourceful, the folks inside jump out, helping women out of their compartment, and start trudging along the tracks, umbrellas open, hands chained to the next person, so as to not be surprised by sudden gaps in the ground beneath the swirling waters on the rails..
Mumbai’s buses, those hardy bulwarks , sneeze their exhaust, and chug around, chock a block with passengers, giving a new meaning to the word “space”; there is always room for a few more… Once in a while, it all becomes too much while traversing a misjudged pothole , and the bus stops, at an angle, unable to continue. Traffic swirls around it, passengers rush to other buses, stand out in the rain, and life continues.
Papers are now full of how “repaired and filled potholes”, are once again remaining true to their original name; how pedestrians walkways are flooded, how we must be careful of flooded areas, because of the city’s trash floating in it, and like every year, hospitals give statistics on the latest likely epidemics, based on the patients they are seeing.
And then I read all about “Irene”, the hurricane calamity befalling the eastern seaboard of the US. Days before it is supposed to appear, it is all over the papers and on TV, the citizenry residing in the likely towns in its path, rushes out to hoard water, provisions, batteries, groceries, and whatever else. Television weather folks continuously track the advent of Irene, every twist, turn, and deviation in the path; not to mention sudden losses of strength. Timelines, indicate when to expect Irene where, as if she is Barack Obama on an official trip.
People are ordered to evacuate, kept away from beaches, signs on highways and freeways in Irene’s path, flash messages about the approaching hurricane, urging folks to reach somewhere safe.
I just heard about New York’s Grand Central Station being emptied, as trains are cancelled and stopped. Flights are cancelled .
And there are minute to minute updates , the most amazing one I read , that says, Irene is supposed to arrive someplace in 20 minutes. I mean, for someone who is actually subject to what is called Indian Stretchable Time (instead of the official Indian Standard Time), scheduling Irene right down to the minute is a bit too much. Such a prediction here in Mumbai would be impossible and infeasible. The most they would have said here , is that the landfall would happen tomorrow. And even then nobody would have believed them .
I can actually picture some mother in Queens, Long Island, rushing home from somewhere with her kids, turning into her garage with the click of the wireless garage door opener, clicking it shut, and then hearing the whoosh and bang of the rain outside, as Irene arrives, on schedule.
There are folks on Facebook giving brief entries about the Irene happenings in their areas.
In amazing Mumbai style, there is a picture of water cascading down the steps leading down to some New York area subway station. Then there are photos of people in boats on what were formerly roads in New York. There has been a huge amount of hype about the coming of Hurricane Irene, and everyone is mobilized, with offices shut, schools closed, semester openings postponed, people getting updates on Twitter, and President Obama sitting in at the Hurricane Headquarters . ( I actually saw a photo on the Net, and even wondered how he would get back to the White House, in case the hurricane struck while he was there. But I guess he follows and believes the weather folks there; I guess , he will reach back before Irene reaches the capital).
Someone in the weather bureau announces, that Irene is now being downgraded to a tropical storm , because it is, presumably behaving less angry.
I am just amazed Irene listens and behaves exactly as they are saying.
I don’t know why they name hurricanes as they do in the US. First Katrina. Now Irene.
If this was India, I guess Kareena would be jealous.
If they do name storms and stuff in India, only the weather folks here know about it. I don’t think they get time to prepare a name. Its like a baby arriving way before it is scheduled. Or maybe they prepare a name and it’s a false alarm.
But if they did, it would possibly named after a politician. Seemingly powerful, with a one track ambition of running roughshod over everything, to advance in its own path; misleading folks; causing a lot of damage to everyday ordinary folks, who actually voted for him.
Somewhere, Irene has finished her walk on the eastern carpet.
We carry on. Depressions, storms, cyclones, hurricanes and what have you. Nothing stops us.
And so , this morning, on a Sunday, a young girl, cycling in the rain and howling wind, to teach swimming to kids at dawn, at a neighboring facility, returns home, drenched in pouring rain, dripping , and doesn’t think it’s anything special.
She changes into dry clothes, zooms in on a hot breakfast, clutches her comfortably hot coffee cup, and says, “You know that blogger friend of yours who runs marathons ? I saw him running in the rain this morning as I was cycling by…….”
I am sure my blogger friend doesn’t think he is doing anything special too.
As Irene takes a deep breath and quietens down, somewhere else, nothing has changed.
The world goes on.
Suranga Date, 61, is a masters in Physics from UCI. She has worked for one of India’s leading IT companies when IT, in her own words, was not fashionable at all. She followed this up by working for one of the country’s premier tech institutions for the next 25 years and took voluntary retirement for personal reasons when IT was the field to be in (again, in her own words). She’s married, has two children (one a serious cricket blogger) and lives in Mumbai. She blogs at Gappa and at her poetry blog Strewn Ashes, which started as a result of commenting in verse on some wonderful photos by some bloggers. She has been been recently published in a poetry anthology and in a newspaper.
Like seeing the lighter side of life? Send us something that will keep us laughing and we will happily put it up here.
Most Indian women are not only excellent in multitasking but also multi-skilled. Many of them handle work and home with aplomb and take out time for art, craft and other hobbies and interests. Indu Kapila, one such talented reader from Delhi, sent us some pictures of her beautiful Tanjore paintings. Take a look at her work here, in her own words:
Bani Thani
“This is known as Tanjore painting and it depicts the famous Bani Thani from the Kishngarh School of paintings. It has also been labeled as India’s ‘Mona Lisa’. The painting’s subject, Bani Thani, was a singer and poet in Kishngarh in the time of king Savant Singh (1748–1764). She had a natural flair for poetry and composed beautiful songs on Krishna.
Tanjore paintings are different from other Indian paintings and creating them is a very time consuming process. I have made this painting on a marble tile. First I have coloured the base in. After this I have added the special attraction, i.e., jewellery, colorful threads and gold foil to make the painting look beautiful. In Tanjore painting, the gold foil and stones are used for long lasting effects and also to beautify each piece of art.”
Indu Kapila, 55, is a Textile Design instructor in Shyama Prasad Mukherjee College, Delhi. Along with her masters in Political science, she also holds a diploma in Textile Designing and Nutrition & Health Education. She has done many other short courses such as Glass Painting, Calligraphy, Madhubani, Candle making, Cookery, etc.
Have a hobby or interest in an art form you would like to share? Send us some pictures and a short write-up at info@parentcareindia.com
1947 is a textbook term for many of us. We have read about the Tryst with Destiny speech, the unfurling of the tricolour at Red Fort and heard horrifying accounts of partition. But how was that momentous year for those who lived through it? On India’s 65th Independence Day, senior citizens share their memories as part of an ongoing series on our blog.
We don’t have much memories of the day, 15 August 1947, in particular. In July 1947, after the India-Pakistan partition was announced, my father, Lala Gopichand Sabhlok (Bauji), a head clerk at the Agriculture Department in Rawalpindi, Pakistan, was asked to decide whether he wanted to stay back in Pakistan or move to India. Bauji decided to move to India. He was granted a transfer to the Agriculture Department in Ferozpur, Punjab. Before we could move, the dreaded Hindu-Muslim riots broke out. There were mass killings and looting was rampant. We, i.e., Bauji, Beji, myself and my younger brother and sister managed to be on a train to Ferozpur on August 13, 1947. I was all of 14 years. Our train too was stopped and looted. Sikhs were the prime target and were removed from the train. No one knows what happened to them. We were spared as the rioters were unable to distinguish between Hindus and Muslims due to similar physical appearances. We finally reached Ferozpur on 14th August. However our luggage coming on a goods train never reached us as it had been looted on the way. So I have no memories of 15th August as our focus was on our immediate needs of shelter and food. For the first eight to ten days we slept on bare floors in the empty verandas of houses and police stations. Slowly and gradually life started again. However we were deprived of education for almost one and half years, as all schools were occupied by refugees. But that was a very small thing in the bigger scheme of things…
We were in Multan, Pakistan, when the India-Pakistan partition happened. My father Bal Krishan Chawla, a head clerk with the Agriculture Department, managed to get a transfer to Hansi, India. Eight of us from our nine member family (my elder brother stayed back as he had to appear for his 10th board exams) boarded the train to India on August 12 or 13, amidst fire and smoke all around us. We were forced to alight from the train halfway to India. Our family was stranded on the platform for the night. With the eldest girl of 12 years and Muslim rioters all around, Biji and Bauji were immensely worried, for understandable reasons. Bauji went up to the Hindu station master and requested him for help. The kind station master obliged and provided us refuge for the night in his house nearby. Bauji stayed back at the platform to take care of our belongings. Biji was thoroughly worried for the safety of both her husband and eldest son. We were lucky to get on a train the next day and reach Hansi. However the passengers on the train that arrived after ours weren’t that lucky. All of them had been massacred. While our luck continued to be favourable as we found a good house when we reached Hansi, it took a really long time for the situation to normalise and we kids being allowed to step out of the house. As for 15th August 1947, we did not register the day at all. We were caught up in partition.
Have an Independence day or partition related memory you’d like to share? It could be your own or a much heard tale from your grandparents. Send it to us at info@parentcareindia.com.
Travelled someplace recently? Share your pictures and travel experiences with us here on Silvertalkies.
We start with Prabir Sen of Kolkata, an avid traveller who visited Niagara Falls recently and came back mesmerised from his encounter with one of the best known waterfalls in the world.
We visited Niagara Falls from the American side on the evening of June 22. We reached there around 8 in the evening and found that the beauty of the waterfall was mesmerizing. The roaring sound and mist had set the perfect ambiance and we stood spellbound by nature’s beauty. As the sunlight started fading, the colourful lights switched on from the Canadian side which was responsible for this beautification. As the lights fell on the water, the beauty of the falls increased manifold. We left for our hotel with the expectation to have a great cruise experience next morning.
The next morning was rainy and stormy. With much apprehension, we went for a cruise on the Maid of the Mist, the boat that takes you closer to the falls. We were provided with disposable raincoats that would protect us from the rain and mist. We were on the upper deck of the cruise, which was open from all sides to give one the best view possible of Niagara Falls. The journey became increasingly thrilling as we approached the falls; the water was roaring and despite the raincoat, we were drenched. The view was breathtaking and exhilarating. The Maid of the Mist journey was one of the most precious and dream-come-true experiences of my life. The presence of my family made it more special.
Senior-friendliness: Walking around the Niagara Falls State Park could get tiresome. In that case, ask for wheelchair assistance or take the vintage style trolleys that go round the park. Be cautious if visiting the Cave of the Winds, as the walkways and stairs tend to be slippery and wet.
(Prabir Sen, 62, resides in Kolkata. He works as a consultant with Kaveri Warehousing Corporation, logistic provider to Philips Electronics India Ltd. He loves travel and photography)
Traveled someplace recently? Don’t hide away those photographs inside your camera or computer. Share your pictures and travel experiences with us here on Silvertalkies. Send us your travel pictures and stories at info@parentcareindia.com